cemagay,ce gay, gay themed,themed gay, homosexualidad,gay,

Contents:

• BRISH FILM FOREVER'S GAY STUME {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}MOVIBY LOCKSLEY HALLAUGT 22, 2007/10:29 AMBY LOCKSLEY HALLAUGT 22, 2007 / 10:29 AM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"BRISH FILM FOREVER'S GAY STUME DRAMAS","DATEPUBLISHED":"2007-08-22T14:29:05.000+0000","DATEMODIFIED":"2007-08-22T14:29:05.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"LOCKSLEY HALL","KEYWORDS":"THE BACKLOT","ARTICLESECTN":"MOVI"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A UPLE OF WEEKS AGO I BLOGGED ABOUT THE SEND EPISO OF BRISH FILM FOREVER, A SEVEN-PART RETROSPECTIVE OF BRISH CEMA THAT HAS BEEN NNG ON BBC2 THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE FOURTH EPISO OF THIS SERI WAS SHOWN ON SATURDAY NIGHT, AND ONCE AGA GAY-THEMED FILMS WERE CLUD AS A PROMENT AND TEGRATED PART OF THE PROGRAM (ALTHOUGH, DISAPPOTGLY, LBIAN THEM WERE ONCE AGA PLETELY IGNORED). SUBTLED ‘CORSETS, CLEAVAGE AND COUNTRY HO’, THIS EPISO TOOK A LOOK AT BRISH STUME DRAMAS AND THE VAR WAYS WHICH THEY HAVE REFLECTED THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ISMAIL MERCHANT AND JAM IVORY’S LAVISH ADAPTATNS OF THE NOVELS OF GAY THOR E. M. FORSTER, SUCH AS A ROOM WH A VIEW AND HOWARDS END, HAVE PROVED TO BE SOME OF THE MOST POPULAR BRISH STUME DRAMAS. BUT WHEN THE MERCHANT-IVORY TEAM ADAPTED FORSTER’S ONE GAY-THEMED NOVEL, MRICE, FOR THE BIG SCREEN 1987, THE RULTS WEREN’T QUE SO FANCIALLY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHECK OUT A TRAILER FOR THE FILM HERE:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EVEN IF MRICE DIDN’T ACHIEVE THE CROSSOVER SUCCS OF BROKEBACK MOUNTA, S TALE OF HANDSOME, FLOPPY-HAIRED YOUNG BRISH MEN FALLG LOVE WH EACH OTHER EDWARDIAN ENGLAND DID APPEAL TO SOME STRAIGHT VIEWERS. AMERIN JOURNALIST KAREN KRIZANOVICH RELLS THE FILM CEMENTG HER VIEW OF THE BRISH PUBLIC: “THEY’RE ALL BETIFUL, AND THEY’RE ALL GAY! ALL GAY!”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ANOTHER FILMMAKER TO AL WH QUEER THEM A PERD SETTG WAS DEREK JARMAN, AN ARTIST AND GAY RIGHTS MPAIGNER WHO WAS ONE OF THE FEW BRISH PUBLIC FIGUR THE 1980S TO BE OPENLY GAY. HIS APPROACH TO THE PAST WAS MUCH MORE PLAYFUL AND EXPERIMENTAL THAN THAT OF MERCHANT-IVORY, THOUGH. FOR EXAMPLE, HIS 1986 FILM CARAVAGG, HE GIV AN ARTIST LIVG THE 1600S A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JARMAN’S FILMS WERE ALSO MORE NSISTENTLY AND EXPLICLY FOCSED ON GAY SEXUALY THAN THOSE OF MERCHANT-IVORY. HE GAVE ACTOR SEAN BEAN (WHO WOULD GO ON TO BEE FAMO THE LORD OF THE RGS FILMS AND IS PICTURED ABOVE) AN EARLY ROLE AS RANUCC, THE BISEXUAL LOVER OF CARAVAGG, THAT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ALTHOUGH THE PROGRAM DID NOT FOC ON THEIR SEXUALY - SCE THERE WAS NO PARTICULAR REASON TO - ALSO SERVED AS A REMR OF THE NUMBER OF GREAT BRISH ACTORS WHO HAVE BEEN GAY OR BISEXUAL. AMONG THE ACTORS WHOSE WORK WAS FEATURED THE EPISO WERE THE BISEXUAL MICHAEL REDGRAVE, AND THE POSTHUMOLY OUTED BISEXUAL ALAN BAT, AS WELL AS THE OSR-WNG GAY ACTOR CHARL LGHTON (WHO PROVID THE BRISH FILM DTRY WH ONE OF S EARLIT STUME DRAMA HS WH THE PRIVATE LIFE OF HENRY VIII 1933).{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PERHAPS ONE OF THE MOST MOVG STORI, THOUGH, IS THAT OF IAN CHARLON, THE STTISH ACTOR WHO STARRED AS OLYMPIC NNER ERIC LIDLL THE OSR-WNG STUME DRAMA CHARTS OF FIRE (1981).{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHARLON TRAGILLY DIED OF AIDS AT THE AGE OF 40, BUT HIS PORTRAYAL OF THE WARM, LIKEABLE, VOUTLY CHRISTIAN LIDLL LIV ON - EVEN IF MANY VIEWERS MAY NOT REALISE THAT THE PART WAS PLAYED BY A GAY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHECK OUT A TRAILER FOR CHARTS OF FIRE HERE:{BOX-SIZG:BORR-BOX;CLEAR:BOTH;}THE {BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS
• BL / GAY - NEW MOVI AND DRAMAS 2020-2021
• GAY M/M CHA - (MOVI & DRAMAS)

BRISH FILM FOREVER'S GAY STUME {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}MOVIBY LOCKSLEY HALLAUGT 22, 2007/10:29 AMBY LOCKSLEY HALLAUGT 22, 2007 / 10:29 AM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"BRISH FILM FOREVER'S GAY STUME DRAMAS","DATEPUBLISHED":"2007-08-22T14:29:05.000+0000","DATEMODIFIED":"2007-08-22T14:29:05.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"LOCKSLEY HALL","KEYWORDS":"THE BACKLOT","ARTICLESECTN":"MOVI"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A UPLE OF WEEKS AGO I BLOGGED ABOUT THE SEND EPISO OF BRISH FILM FOREVER, A SEVEN-PART RETROSPECTIVE OF BRISH CEMA THAT HAS BEEN NNG ON BBC2 THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE FOURTH EPISO OF THIS SERI WAS SHOWN ON SATURDAY NIGHT, AND ONCE AGA GAY-THEMED FILMS WERE CLUD AS A PROMENT AND TEGRATED PART OF THE PROGRAM (ALTHOUGH, DISAPPOTGLY, LBIAN THEM WERE ONCE AGA PLETELY IGNORED). SUBTLED ‘CORSETS, CLEAVAGE AND COUNTRY HO’, THIS EPISO TOOK A LOOK AT BRISH STUME DRAMAS AND THE VAR WAYS WHICH THEY HAVE REFLECTED THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ISMAIL MERCHANT AND JAM IVORY’S LAVISH ADAPTATNS OF THE NOVELS OF GAY THOR E. M. FORSTER, SUCH AS A ROOM WH A VIEW AND HOWARDS END, HAVE PROVED TO BE SOME OF THE MOST POPULAR BRISH STUME DRAMAS. BUT WHEN THE MERCHANT-IVORY TEAM ADAPTED FORSTER’S ONE GAY-THEMED NOVEL, MRICE, FOR THE BIG SCREEN 1987, THE RULTS WEREN’T QUE SO FANCIALLY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHECK OUT A TRAILER FOR THE FILM HERE:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EVEN IF MRICE DIDN’T ACHIEVE THE CROSSOVER SUCCS OF BROKEBACK MOUNTA, S TALE OF HANDSOME, FLOPPY-HAIRED YOUNG BRISH MEN FALLG LOVE WH EACH OTHER EDWARDIAN ENGLAND DID APPEAL TO SOME STRAIGHT VIEWERS. AMERIN JOURNALIST KAREN KRIZANOVICH RELLS THE FILM CEMENTG HER VIEW OF THE BRISH PUBLIC: “THEY’RE ALL BETIFUL, AND THEY’RE ALL GAY! ALL GAY!”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ANOTHER FILMMAKER TO AL WH QUEER THEM A PERD SETTG WAS DEREK JARMAN, AN ARTIST AND GAY RIGHTS MPAIGNER WHO WAS ONE OF THE FEW BRISH PUBLIC FIGUR THE 1980S TO BE OPENLY GAY. HIS APPROACH TO THE PAST WAS MUCH MORE PLAYFUL AND EXPERIMENTAL THAN THAT OF MERCHANT-IVORY, THOUGH. FOR EXAMPLE, HIS 1986 FILM CARAVAGG, HE GIV AN ARTIST LIVG THE 1600S A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JARMAN’S FILMS WERE ALSO MORE NSISTENTLY AND EXPLICLY FOCSED ON GAY SEXUALY THAN THOSE OF MERCHANT-IVORY. HE GAVE ACTOR SEAN BEAN (WHO WOULD GO ON TO BEE FAMO THE LORD OF THE RGS FILMS AND IS PICTURED ABOVE) AN EARLY ROLE AS RANUCC, THE BISEXUAL LOVER OF CARAVAGG, THAT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ALTHOUGH THE PROGRAM DID NOT FOC ON THEIR SEXUALY - SCE THERE WAS NO PARTICULAR REASON TO - ALSO SERVED AS A REMR OF THE NUMBER OF GREAT BRISH ACTORS WHO HAVE BEEN GAY OR BISEXUAL. AMONG THE ACTORS WHOSE WORK WAS FEATURED THE EPISO WERE THE BISEXUAL MICHAEL REDGRAVE, AND THE POSTHUMOLY OUTED BISEXUAL ALAN BAT, AS WELL AS THE OSR-WNG GAY ACTOR CHARL LGHTON (WHO PROVID THE BRISH FILM DTRY WH ONE OF S EARLIT STUME DRAMA HS WH THE PRIVATE LIFE OF HENRY VIII 1933).{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PERHAPS ONE OF THE MOST MOVG STORI, THOUGH, IS THAT OF IAN CHARLON, THE STTISH ACTOR WHO STARRED AS OLYMPIC NNER ERIC LIDLL THE OSR-WNG STUME DRAMA CHARTS OF FIRE (1981).{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHARLON TRAGILLY DIED OF AIDS AT THE AGE OF 40, BUT HIS PORTRAYAL OF THE WARM, LIKEABLE, VOUTLY CHRISTIAN LIDLL LIV ON - EVEN IF MANY VIEWERS MAY NOT REALISE THAT THE PART WAS PLAYED BY A GAY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHECK OUT A TRAILER FOR CHARTS OF FIRE HERE:{BOX-SIZG:BORR-BOX;CLEAR:BOTH;}THE {BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

A uple of weeks ago I blogged about the send episo of Brish Film Forever, a seven-part retrospective of Brish cema that has been nng on BBC2 the fourth episo of this seri was shown on Saturday night, and once aga gay-themed films were clud as a proment and tegrated part of the program (although, disappotgly, lbian them were once aga pletely ignored). Subtled ‘Corsets, Cleavage and Country Ho’, this episo took a look at Brish stume dramas and the var ways which they have reflected the Merchant and Jam Ivory’s lavish adaptatns of the novels of gay thor E. But when the Merchant-Ivory team adapted Forster’s one gay-themed novel, Mrice, for the big screen 1987, the rults weren’t que so fancially out a trailer for the film here:Even if Mrice didn’t achieve the crossover succs of Brokeback Mounta, s tale of handsome, floppy-haired young Brish men fallg love wh each other Edwardian England did appeal to some straight viewers.

BL / GAY - NEW MOVI AND DRAMAS 2020-2021

Amerin journalist Karen Krizanovich rells the film cementg her view of the Brish public: “They’re all betiful, and they’re all gay!

GAY M/M CHA - (MOVI & DRAMAS)

All gay! ”Another filmmaker to al wh queer them a perd settg was Derek Jarman, an artist and gay rights mpaigner who was one of the few Brish public figur the 1980s to be openly gay.