Contents:
- PK MARTI’S GAY BANDLEAR THOMAS LRDALE MS TO SUNDAY’S OUTDOOR SHOW RA OR SHE
- PK MARTI OFFERS DOSE OF GAY WH S JAZZ
PK MARTI’S GAY BANDLEAR THOMAS LRDALE MS TO SUNDAY’S OUTDOOR SHOW RA OR SHE
Before Sunday’s ncert at Ante Strss Park, Pk Marti’s gay bandlear Thomas Lrdale discsed jt why the eclectic jazz outf as been so productive lately. *Conservative activist Mabon prsed for a seri of anti-gay laws om the 1980s onward, cludg a ballot measure to have Oregon’s nstutn clare homosexualy “abnormal, wrong, unnatural and perverse. Lrdale explas, “There was this very nasty attempt to illegalize homosexualy Oregon, 1994.
The gay muny jt loved them. It’s never been very clive of homosexualy. And there isn’t a whole lot of history of gay jazz micians.
At Harvard the early 1990s, he was the unofficial social lear of Adams Hoe, which he scribed over the phone as the “artsy, gay, ternatnal eak Hoe. ” Fdg them borg, he found himself on stage 1994, aga a cktail drs, openg for a ncert opposn to a proposed anti-gay rights amendment to the Oregon nstutn.
PK MARTI OFFERS DOSE OF GAY WH S JAZZ
I n be gay. Five me, I sound so gay. Not that I try not to sound gay the days.
An Aop - In "Bty Boppy Betty, " a moral is lightly dropped at the end about celebratg variety and toleratg other people, makg somethg of a Gay Aop.
Gay Aop: "Bty Boppy Betty. Rashomon Style - "And Then You're Gone" / "But Now I'm Back. When he was eight, his fay moved to Portland, Oregon, where he gradually me to another realizatn: g to the knowledge that he was gay, and feelg pretty fortable about that om the get-go.