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VAMPIRE'S KISS: & GAY VAMPIRE PAPERBACK – MAY 28, 2015
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While some earlier films do clu overtly gay them, thgs went unrground durg the Hays Co era, and the reverberatns of that subversive queerns rema uful to this day. A tan of classic horror, gay filmmaker Jam Whale wove queerns to most of his films, which clu the origal “Frankenste” and “The Invisible Man. But as wh so much of Hchck, ’s hard to say that this is an outright homophobic visn, pecially when the script has the souciance of Osr Wil: “Before this day is out I fear we’ll hear that terribly old-fashned but que exprsive term ‘foul play, ’” Sanrs says, all while munchg on a chicken leg.
” The remarkable thg about all this is that Hchck mak you intify wh Perks (who was gay and closeted real life) as much as he did Marn Crane herself, to the pot that, as Hchck often did at his perverse bt, you’re kda rootg for him.
A prolific and succsful horror fictn wrer who began directg to adapt his work himself, out gay filmmaker Clive Barker is rponsible for two of the films on this list, “Nightbreed” and “Hellraiser. Though didn’t spawn any sequels, “Nightbreed” was more crilly embraced than “Hellraiser” and is nsired a direct metaphor for gay activism. “In many ways, ‘Interview’ is the most mercially succsful gay film of all time, and most dienc didn’t even realize they were seeg a gay film.
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In fact, ’s so beloved by queer women that ’s hard to believe there is virtually nothg explicly gay about “The Craft. Takg the token gay iend to his rightfully sensual ends, her roommate Adrien luxuriat his sexualy, brgg boys home and flntg the pleasur of the flh that seem so out of reach to the raveno Jte.
For 2019’s “Midnight Kiss, ” a sexy gay slasher set amongst a group of LA gay iends on New Year’s Eve, Blumhoe tapped out gay talent — wrer Erlgur Thoroddsen and director Carter Smh, who also hired all queer actors for the queer rol. Not unlike the way I uld’ve sworn that “Berensta Bears” was spelled wh a third “e, ” I totally believed that prev rnatns of Interview wh the Vampire — both Anne Rice’s origal 1976 novel and the 1994 movie adaptatn — were explicly about gay vampir.
But more than that, they seemed to embody the ethos “be gay, do crime, ” a not-always-so-leral exhortatn to live a queer life fiance.