Jacksonville Jaguars Kev Maxen be first profsnal male ach to e out as gay

ballet is not gay

I only ask bee I’ve fely assumed that some of my dance iends were, and I know I’m not the only one who has ma this assumptn. Actually, the ia that male dancers are gay isn’t hard to…

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DID YOU KNOW? NOT ALL MALE DANCERS ARE GAY.

* ballet is not gay *

Actually, the ia that male dancers are gay isn’t hard to believe at all. One dancer stated that dance is a “profsn where there are a lot of [homosexuals]; maybe [the percentage] is 60% gay and 40% straight…” Bee stereotyp are over-exaggerated versns of realy, ’s clear where the ia me om. The dancer even admted that he is “more like society” and is “more prone to thk that a dancer might be gay rather than straight.

”But this don’t mean the stereotype is fact, the gay stereotype is not only overgeneralized, but also plays a factor to the prence of homophobia the dance world. Some male dancers fd necsary to emphasize the fact that they are heterosexual by exaggeratg their manls, which sometim leads them to be homophobic.

Homophobia is evint throughout entire dance pani too. In the terviews by Polasek and Roper, another male dancer poted out that many studs want to “stroy” the gay image by purposely not hirg dancers the pany believed to be gay.

JACKSONVILLE JAGUARS KEV MAXEN BE FIRST PROFSNAL MALE ACH TO E OUT AS GAY

C Barn article on opera-ballet and on homosexualy dance; fds opera-ballet 'rarely appropriate'; c dancg Benajam Brten's Death Venice; says dance is advancg very slowly directn of 'gay liberatn'; c some ballets, cludg Gerald Arpo's The Relativy of Is, performed by Cy Center Jofey Ballet; ill of Is ballet (L) * ballet is not gay *

He relled an experience where a choreographer did not want any gay dancers the pany so “if you were gay, you didn’t have to bother to dn. Sadly, dancers often tim jt have to get over what others thk and not allow gay stereotyp to bother them. However, one dancer, an terview wh Trenton Haltom, a Masters stunt Soclogy at the Universy of Hoton, and Meredh Worthen, an Associate Profsor of Soclogy at the Universy of Oklahoma, did pot out that dancg is “one of those thgs that you walk to kd of expectg that you’re gog to be workg wh gay people.

HOW A GROUP OF GAY MALE BALLET DANCERS IS RETHKG MASCULY

The gay stereotype is probably one of the biggt misnceptns fluencg the dance world and more people need to know the ways which affects dancers. Related | Gallery: Gay BalletFor all s pageantry, licy, and ostensibly queer-iendly elements, ballet--be the settg of ABT or Jofey Ballet School, which Hill attends--n also be a tradn-bound microsm of the wir world's opprsns.

Basilly, 's an credibly homophobic look at somethg that should be celebrated. The really tertg thg about most homophobic people is that they're too wardly to be outwardly homophobic. So they talk about wh other homophob and create this ltle world of homophobia that they n live The ballet pany I danced wh Texas told me I need to change my hair.

KEN HAS ALWAYS BEEN BARBIE’S GAY BT FRIEND—NOT HER BOYIENDBARBIE’S BELOVED BEARD?FOR YEARS, PEOPLE HAVE QUTNED WHAT ROLE KEN REALLY PLAYS BARBIE’S LIFE. BUT THE TTH IS PLA SIGHT: KEN’S NOT BOYIEND MATERIAL. AT LEAST, NOT FOR BARBIE.BARRY LEVTFREELANCE WRERPUBLISHED JUL. 21, 2023 4:35AM EDT PHOTO ILLTRATN BY THE DAILY BEAST/GETTYIT’S BARBIE WEEK AT THE DAILY BEAST’S OBSSED, CELEBRATG THE DOLL’S POP-CULTURE HISTORY, OUR FAVORE BARBIE MEMORI, AND A CERTA MAJOR MOVIE. READ ALL OF OUR VERAGE HERE!“SHE’S EVERYTHG. HE’S JT KEN.” THAT’S THE TAGLE FOR THE WILDLY ANTICIPATED BARBIE MOVIE, DIRECTED BY GRETA GERWIG AND STARRG MARGOT ROBBIE AND RYAN GOSLG. THE IMPLITN IS CLEAR: COME FOR BARBIE, AND STAY FOR BARBIE… BUT KEN HAPPENS TO BE THERE TOO.KEN HAS LONG BEEN SEEN AS NOTHG BUT BARBIE’S HUMAN ACCSORY, BUT WASN’T ALWAYS THIS WAY FOR THE POOR MISUNRSTOOD DOLL. WHEN KEN WAS FIRST TRODUCED 1961, HIS FIRST MERCIAL TRIED TO POSN HIM AS BARBIE’S EQUAL AND, UNMISTAKABLY, BOYIEND. “GET BOTH BARBIE AND KEN AND SEE WHERE THE ROMANCE WILL LEAD!” THE MERCIAL PROMISED.SCE THEN, LIKE BARBIE, KEN HAS UNRGONE UNTLS TRANSFORMATNS AND FASHNS. BUT AS TIME WENT ON, KEN FOUND HIMSELF AN AFTERTHOUGHT. TOYMAKERS MATTEL NEVER GAVE HIM THE SAME KD OF BACKSTORI AS BARBIE—WHILE SHE’S HAD OVER 200 REERS, KEN HAS HAD JT SOME 40-ODD PROFSNS. (AN CREDIBLE AMOUNT OF JOBS FOR A PERSON, SURE. BUT FOR A DOLL? EMBARRASSG.) BARBIE HAS STARRED LOTS OF VIO GAM AND MORE THAN THREE DOZEN FILMS; KEN HAS HAD A MAJOR ROLE A MERE HANDFUL OF THEM. BUT THERE’S ONE KEY REASON WHY KEN IS ALWAYS LAGGG SIGNIFINTLY BEHD BARBIE AND 'S A LOT EPER THAN THE DOLL’S SEEMG LACK OF POPULARY: KEN HAS BEEN MISST. HE’S NOT BARBIE’S BOYIEND. HE’S BARBIE’S GAY BT IEND.DPE MATTEL’S SISTENCE THAT BARBIE AND KEN ARE A HAPPY ROMANTIC RELATNSHIP, THERE’S PLENTY OF SPECULATN ABOUT KEN’S SEXUALY. EVEN IF HIS MAKERS CLAIM HIM TO BE STRAIGHT, THERE’S MOUNTG PROOF TO THE NTRARY. PERHAPS THE MOST DISPUTABLE EVINCE THAT KEN IS FACT BOTH A MEMBER OF THE QUEER MUNY AND BARBIE’S BTIE, NOT BOY TOY, OM A RATHER SURPRISG PLACE: 2010’S TOY STORY 3.IN TOY STORY 3, BARBIE AND KEN PLAY A SURPRISGLY LARGE ROLE. THEIR TRODUCTN TO THE FILM IS TGED WH ROMANTIC TENSN. WHEN THE PAIR MEET, THE FILM VOK A MON TROPE: A ROMANTIC NEEDLE DROP HS THE MOMENT THE LOVERS LOCK EY. IN THIS SE, ’S “DREAM WEAVER” BY GARY WRIGHT. AS FAR AS BARBIE AND KEN ARE NCERNED, THEY’RE THE ONLY ON THE ROOM. “I LOVE YOUR LEG WARMERS!” KEN TELLS BARBIE. “NICE AST,” SHE BANTERS, WH HEAVY EMPHASIS ON THE FIRST SYLLABLE. BEFORE THGS GET TOO HEATED, THEY LOCK ARMS AND WALK OFF TOGETHER. PHOTO ILLTRATN BY KELLY CAMERO / THE DAILY BEAST / GETTY LET’S BE HONT—SPE THE ROMANTIC OVERTON OF THE SCENE, THEIR BRIEF EXCHANGE TELLS EVERYTHG ABOUT HOW THEY SEE EACH OTHER. KEN DON’T MENTN ANYTHG ABOUT BARBIE’S BODY, STEAD HIGHLIGHTG HER LEG WARMERS. BUT BARBIE IS UNSUBTLY TRYG TO SCE KEN JT TWO WORDS. SHE’S AFTER KEN, BUT KEN IS AFTER SOMEONE WHOSE CLOTH HE N ADMIRE.SURE, LATER THE FILM, KEN AND BARBIE SAY “I LOVE YOU” TO EACH OTHER. AND THEY GO BACK AND FORTH BETWEEN SAYG EACH WORD OF “I LOVE YOU”—SO SOMEONE DIFFERENT N SAY “LOVE” EACH TIME, AS KEN EXPLAS. HE MENTNS OFFHAND THAT HE HAS EVERYTHG EXCEPT SOMEONE TO SHARE WH. BARBIE AND KEN EVEN NUZZLE THEIR NOS TOGETHER. Y, THERE’S FELY LOVE BETWEEN IENDS—BUT THROUGH ALL, THERE’S NOT A HT OF SEXUAL CHEMISTRY.LOOK, I KNOW WHAT YOU’RE THKG—SIR, THIS IS TOY STORY; WHAT EXACTLY ARE YOU EXPECTG? IF YOU LOOK AT OTHER ROMANC THE ANCHISE—WOODY AND BO PEEP, AND JSE AND BUZZ—THERE’S NO DOUBT THAT THERE’S REAL LOVE THERE BETWEEN THE SENTIENT TOYS. THEIR PASSN FOR ONE ANOTHER TRANSCENDS MORE THAN SIMPLY BEG TERTED EACH OTHER’S OUTFS. THE SAME NNOT BE SAID OF THE MATTEL DOLLS. THAT’S MA EVINT WHEN KEN FALLY GETS AN OPPORTUNY FOR TIMACY WH BARBIE. “THIS IS WHERE THE MAGIC HAPPENS,” HE TELLS BARBIE WHEN THEY FALLY GO TO HIS DREAMHOE TOGETHER, HAVG PARENTS ALL OVER THE WORLD CLUTCHG THEIR PEARLS. BUT FEAR NOT: KEN SIMPLY TAK BARBIE TO… HIS WALK- WARDROBE. ANY SEMBLANCE OF ROMANCE MAK WAY FOR IENDSHIP, WHEN THE PAIR JUBILANTLY PESE KEN’S OUTFS. AND STEAD OF DOG SOMETHG WILD LIKE KISSG BARBIE, KEN PUTS ON A FASHN SHOW FOR HER STEAD. THE FILM WON’T SAY , BUT A POST-CREDS PUNCHLE ABOUT KEN’S HANDWRG, PLETE WH HEARTS AND STARS SURROUNDG HIS NAME, TELLS WHAT WE NEED TO KNOW.THE HEAVILY IMPLIED NATURE OF KEN’S GAYNS TOY STORY 3 HARKENS BACK TO HOLLYWOOD’S TRADNAL GAY BT IEND-TYPE CHARACTERS. IN THE HAYS CO ERA, EXPLIC REFERENC TO HOMOSEXUALY WEREN’T ALLOWED, SO CHARACTERS LIKE VAN BUREN (FRANKL PANGBORN) 1937’S EASY LIVG, KIP (DAVID WAYNE) 1949’S ADAM’S RIB, OR ADDISON (GEE SANRS) 1950’S ALL ABOUT EVE STEAD WERE IMBUED WH EFFEMATE CHARACTERISTICS, OFFERG A GLIMPSE OUTSI OF HETERONORMATIVY WHOUT EXPLICLY BEG QUEER.NONE OF THE CHARACTERS WERE THE SAME—SOME WERE TTY, OTHERS SWEET. SOME HAD ULTERR MOTIV, AND OTHERS OFFERED UNNDNAL SUPPORT. BUT EACH OF THE GAY BT IENDS WAS TRSILLY FED BY THEIR RELATNSHIPS WH THEIR STRAIGHT IENDS. WE NEVER REALLY LEARNED MUCH ABOUT THEM AS DIVIDUALS. THEY LIVED ON THE MARGS, FLHG OUT THEIR STRAIGHT UNTERPARTS, HARDLY HAVG A PURPOSE WHOUT THEM; THAT PORTRAYAL REMAS TE TODAY. PHOTO ILLTRATN BY KELLY CAMERO / THE DAILY BEAST / PHOTOS BY GETTY / WARNER BROS. DES LATER, 2010, THE GAY BT IEND WAS ALL THE RAGE; TEEN VOGUE EVEN WENT SO FAR AS TO PROCLAIM THE GBF AS THE SUMMER’S MT-HAVE ACCSORY. BUT UNLIKE THE FIRST HALF OF THE 20TH CENTURY, TODAY’S CEMA, THE GBF IS ALLOWED TO BE OPENLY GAY. AT THE SAME TIME, THEY STILL BARELY REGISTER AS PEOPLE WH CHARACTER TRAS BEYOND THEIR RELATNSHIPS WH THEIR STRAIGHT UNTERPARTS. IN MOVI LIKE MEAN GIRLS (2004), THE DEVIL WEARS PRADA (2006), EASY A (2010), NO STRGS ATTACHED (2011), AND ISN’T IT ROMANTIC (2019), GAY IENDS EXIST ENTIRELY THE ORB OF THEIR FEMALE IENDS. IT’S SUCH A STRONG TROPE THAT EVEN PERSISTS QUEER ROMANTIC EDI: 2020’S HAPPIT SEASON FDS JOHN (DAN LEVY) OFFERG ADVICE AND SNARKY ONE-LERS TO HIS LBIAN BTIE LI OF MEANGFUL CHARACTER VELOPMENT.IN TOY STORY 3, THE SAME IS TE OF KEN. HIS EXISTENCE PENDS ON AND CIRCULAT AROUND BARBIE. IN BARBIE, KEN HAS FOUND SOMEONE WHO REALLY UNRSTANDS HIM. HE DON’T GET ALONG WH THE OTHER TOYS, WHO MOCK HIM FOR BEG A “GIRL'S TOY.” BUT BARBIE LOV FASHN, JT LIKE HE DO. “NO ONE APPRECIAT CLOTH HERE, BARBIE,” KEN LAMENTS TO BARBIE, ABOUT THE OTHER TOYS’ TREATMENT OF HIM. “NO ONE!” BUT BARBIE DO, AND FOR KEN, THAT’S LIFE-CHANGG.THERE ARE PLENTY OF REASONS WHY THE FILM WOULDN’T OUTRIGHTLY STATE THAT KEN IS HOMOSEXUAL. NOT ONLY DO DISNEY SELF HAVE A PLITED HISTORY WH QUEER CHARACTERS, BUT KEN AND BARBIE ARE ALSO THE PROPERTY OF MATTEL, WHICH HAS ALWAYS BEEN STEADFAST ASSERTG KEN’S HETEROSEXUALY. THAT’S NEVER BEEN CLEARER THAN 1993 WHEN THE TOY PANY TRIED TO REIGNE KEN’S POPULARY MATTEL’S SOLUTN? EARRG MAGIC KEN. EARRG MAGIC KEN WAS A FIERCER, FELY MORE QUEER KEN THAN EVER BEFORE. THIS VERSN OF THE DOLL HAD BLEACHED BLON HAIR, A PURPLE LEATHER VT (!), A PK-PURPLE MH TOP (!!), AND OF URSE, AND EARRG THE “GAY EAR”. BUT THAT’S NOT ALL: AROUND KEN’S NECK WAS SOMETHG THAT ANY ACTIVE PARTICIPANT OF THE QUEER SCENE THE ’90S REGNIZED STANTLY—A CK RG (!!!).THE EARRG MAGIC KEN TURNED BARBIE’S BOYIEND TO AN OUT-AND-PROUD HOMOSEXUAL RAVER. MATTEL, OF URSE, VEHEMENTLY NIED ANY CLAIMS THAT KEN WAS GAY, LET ALONE THAT HE HAD SOMETHG AS PREPOSTERO AS A CK RG AROUND HIS NECK. AS LISA MCKENDALL, FORMER MANAGER OF MARKETG AND MUNITNS, SAID AN TERVIEW ABOUT THE DOLL, “WE’RE NOT THE BS OF PUTTG CK RGS TO THE HANDS OF LTLE GIRLS.”REGARDLS OF MATTEL’S TENTNS, ’S HARD TO NY WHAT THE EYE N SEE. DPE THE NAME, CK RGS AT THE TIME WERE ED AS A FASHN ACCSORY AND A SIGN OF FIANT QUEERNS AND SEX POSIVY. AS A RULT, GAY MEN BOUGHT THE DOLL DROV, AND SPE MATTEL ULTIMATELY RELLG THE DOLL AND WIPG AWAY ANY TRACE OF EARRG MAGIC KEN, WAS NEAR-IMPOSSIBLE TO SEE KEN AS ANYTHG BUT THE GLOR HOMOSEXUAL HE WAS BORN TO BE OM THEN ON. MATTEL SPENT THE NEXT UPLE OF S TRYG TO RETA KEN’S MORE HETERONORMATIVE, MASCULE IMAGE, BUT THE VEIL WAS LIFTED, AND THERE WAS NO GOG BACK. PHOTO ILLTRATN BY KELLY CAMERO/THE DAILY BEAST/PHOTOS BY GETTY/WARNER BROS. THOUGH MATTEL DON’T SEEM TO BE WILLG TO SAY KEN IS ACTUALLY GAY, THE KEN DOLLS OF RECENT YEARS SEEM TO REALLY LEAN TO KEN’S QUEERNS. THE YASSIFITN OF KEN IS CLEARLY UNRWAY. WHILE THERE IS NO WAY TO “DRS GAY,” THERE ARE SEVERAL DOLLS THAT SEEM TO SUGGT OTHERWISE, SUCH AS:FASHNISTA KEN #193, WHO LOOKS VERY EXCED TO TELL YOU ABOUT HIS NEW OBSSN, TROYE SIVAN;TRAVEL KEN DOLL, WHO HAS A SATCHEL PERFECT FOR BATHHO AND A PURPLE OVERNIGHT BAG THAT LERALLY PROCLAIMS HE’S “EXTRA;”KEN LOOKS DOLL, SERVG “I’M GONNA GIVE YOU A MAKEOVER”-TYPE REALNS WHILE SPORTG BLACK PLEATHER PANTS;THIS KEN, WHO WEARS THE LEAST HETEROSEXUAL DOUBLE NIM IMAGABLE.WHILE I HAVE A FEELG THE NEW BARBIE MOVIE WILL PUT THE WORK TO NVCE THAT KEN IS A HETERO DU WHO LOV NOTHG LIFE MORE THAN BARBIE HERSELF, THE WRG’S ALREADY ON THE WALL: KEN IS, AND ALWAYS WILL BE, BARBIE’S GAY BT IEND.KEEP OBSSG! SIGN UP FOR THE DAILY BEAST’S OBSSED NEWSLETTER AND FOLLOW ON FACEBOOK, TWTER, INSTAGRAM AND TIKTOK.READ MORE OF OUR BARBIE VERAGE HERE. BARRY LEVT

And while I don't know if any of them are ed homophobic, I fely see the fear of appearg gay wh a lot of people, stead of jt existg and beg fortable their sexualy.

And once aga, gog back to the wardice of homophobia, no one has ever e up to me my pany and said, you know, "You're gonna burn, faggot!

And beg gay adds another layer to . I have to supprs that gayns to a certa extent to be a strong man on 's some feedback you've received om fans, iends, or fay that's enuraged you? Whi: A mother sent me a msage about her son, and she was basilly sayg that her son is a big fan of me and he is a young dancer and he's always been very flamboyant and effemate and fabuloly gay om a very young age.

'PASSAG' DIRECTOR NOUNC 'DANGERO' NC-17 RATG ON A FILM PICTG A GAY LOVE STORY

And there's so much gayns the Dairy Queens, the drag group I'm . I had such a great time playg that role bee, even though there are moments where 's very clear that my tert li a woman, there are still tim when I'm teractg wh Othello and I n explore my homosexual unrton and ep sir.

One of the days I'm gonna have a super gay pas ux wh a man and I'm gonna be livg my life. Do you tomatilly assume they're eher gay or jt for the women? Unfortunately his dad is nstantly tellg him that ballet will make him gay, and only girls do ballet.

So my opn ballet is one of the most badass and btal sports, but the Wt there is this cliché that male dancers are almost always gay, and ually as children they’re teased a lot by other boys. Statistilly speakg, I don't know whether there is more homosexualy dance than any other part of the theater, or, for that matter, the Navy or the Government, but I would be dly surprised if there were any ls. At one time, ballet was tagged as the “pansi’ ball game, ” and there seemed to be a disproportnately large homosexual element dance, pecially morn‐dance, partly bee of the emphasis on male physil bety and partly bee dancg had a reputatn for beg one of those profsns where the homosexual uld feel at effemate male dancer is ipso‐facto a bad male dancer, but heterosexualy is no guarantee of a mascule stage image, any more than homosexuals have a monopoly on effemacy.

BALLET IS FOR GAY?

Many of the greatt male dancers and choreographers, pecially this century, have been homosexual, but nowadays appears that ballet, wh s shifted balance between gays and straights, is far more “tegrated. ” Yet dance is certaly no stranger to homosexualy. Yet nnot be nied that the theater has e out of the closet, and I thk the new ankns do open another area of eedom to the has advanced very slowly the directn of gay liberatn.

A few ballets wh homosexual them, such as Peter Darrell's “The Weddg Prent, ” John Butler's “A Season Hell” and Rudi Van Dantzig's “A Monument for a Dead Boy, ” have emerged, but ually wh the greatt tact. Now somethg new has happened, the homosexual love relatnship, sometim the homosexual love duet, but ually drsed up as somethg else. In Kenh MacMillan's “Triad, ” for example, we are supposed to be seeg a girl flirtg wh two brothers (Balanche has a famo law that there are no mothers‐‐law ballet, and that n be extend to ver a whole fay‐tree of relatnships), but what we actually see “Triad” is a girl terveng between two male homosexual closet ballet is, by s very nature, hard to p down.

*BEAR-MAGAZINE.COM* BALLET IS NOT GAY

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data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb cZenhb"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gKnDpj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearRponsiveAsset-bREgIb cZenhb rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Image may nta Human Person Mannequ Head and Hair" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE bViSGz ptn ContentHearLeadAssetCaptn-hPWmSN dWhfyS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd fITBRd iXWezO ptn__text">João Menegsi and Calv Royal III </span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd ftKqkn fNaHcW ptn__cred">Photo: Courty of Matador Content</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh SFwwF viewport-monor-anchor"><button id="bookmark" aria-label="Save" class="ActnBarButton-dyFOZU dPbgNk bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-stroke" d="M11.7661 16.3228L4.5 20.1695V3.5H19.5V20.1695L12.2339 16.3228L12 16.199L11.7661 16.3228Z" stroke-lep="square"/></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd fcKlBk gkccfO">Save</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh fOiOQm viewport-monor-anchor"><button id="bookmark" aria-label="Save" class="ActnBarButton-dyFOZU gdCxmM bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-stroke" d="M11.7661 16.3228L4.5 20.1695V3.5H19.5V20.1695L12.2339 16.3228L12 16.199L11.7661 16.3228Z" stroke-lep="square"/></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd fcKlBk gkccfO">Save</span></button></div></div></div><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG eOdfIs"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>In ballet, firsts have tend to be few and far between, but not so the last few years. In 2017, the pote shoe maker Gaynor Mn beme the first to offer slippers shas matchg a variety of darker sk ton. In 2019, Misty Copeland and Calv Royal III danced together <em>Harlequa,</em> a performance that marked the first Amerin Ballet Theatre (ABT) piece led by two Black dancers. And tonight, oppose João Menegsi, Royal will make history once aga <em>Touché.</em> It’s ABT’s first all-male pas ux, a balletic love story starrg two men and a monumental step forward the art form. Choreographed by Christopher Rudd, the piece will make s but this eveng, openg ABT’s <a href=">virtual season</a> wh three other world premier by Gemma Bond, Darrell Grand Moultrie, and Pam Tanowz.</p><p>“Chris lled them Adam and Steve,” says Royal of the uple <em>Touché.</em> More than monstratg Rudd’s wng sense of humor (technilly, the characters aren’t named at all), the signatns “allowed to look at the character as separate om ourselv,” Royal tells me. “This work is so timate, ’s easy to blur the l of who you are as a person outsi of the stud and the character that you portray.” As a love story pairg two male dancers, <em>Touché</em> felt real to Royal, who liv wh his boyiend, Jacek Mysski, a pianist for ABT. “It’s been 10 years sce I joed the pany, and I never thought that I would actually be able to portray a character who was so close to my own life, my own story, and my own journey,” he says.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p>“This beg a gay work, I wanted to make sure that everyone the st was also gay. That was first and foremost,” says Rudd. “I wanted to make sure that I was offerg an opportuny for a gay person to fally play a role that rembled the life that they lead.”</p><div class="AdWrapper-dQtivb fZrssQ ad ad---ntent"><div class="ad__slot ad__slot---ntent" data-no-id="038bf"></div></div><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Back Human and Person" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE bViSGz ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd fITBRd iXWezO ptn__text">João Menegsi and Calv Royal III </span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd ftKqkn fNaHcW ptn__cred">Photo: Courty of ABT</span></div></figure></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB kNleGZ sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="Contaer-bkChBi byNLHx"></div><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="y9ybqg"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="z6ytwfd"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>Born Jamai, Rudd began his dancg reer Miami at the age of ne. He danced for the Alberta Ballet, Carola Ballet, and L Grands Ballets Canadiens Montréal before he mted himself to choreography, and 2015 he found his own dance pany, Ruddur Dance, wh a missn to munite social issu onstage. Last October, ught the attentn of Kev McKenzie, artistic director of Amerin Ballet Theatre, who asked Rudd to create a ballet for ABT’s repertory.</p><div class="Contaer-bkChBi byNLHx"></div><p>“The next day I was watchg dancers take class at Lln Center, onstage at the Koch Theater, and h me that I wanted to e this platform to highlight te gay love,” Rudd says. “I saw the men dance across the stage, and I realized this was actually the perfect place to explore this work.” A year earlier, he had choreographed a male-female pas ux for his own pany, and s “overenthiastic” rponse was all the enuragement he need to create a work that more closely rembled his own love stori.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p>To st <em>Touché</em> wh gay dancers, Rudd turned to Instagram, bg through profil of dancers for evince of their romantic liv. His social media stalkgs lead him to Royal and Menegsi. A member of the rps, the Brazilian-born Menegsi had “the perfect amount of youth as well as ambn,” says Rudd. As for Royal, the cisn practilly ma self.</p><p>It’s been a big year for Royal. Before the panmic, he was gearg up to but as Romeo oppose Misty Copeland’s Juliet; and September, after 10 years wh the pany, Royal beme the send Black male prcipal dance ABT’s history. “It me like a light a very dark and nfg time that we were all tryg to navigate,” he says of the announcement. Strikgly graceful onstage, he liv his private life gently, practicg yoga and pilat and spendg his off-hours reuntg all journals. “I thk I’ve [filled] 50 or so notebooks sce I first moved to New York,” he tells me. And no scriptn of him would be plete whout mentng his physil elegance—his cheekbon are almost as high as his jetés.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Dance Human Person Ballet Ballera Dance Pose Leisure Activi Clothg Shoe and Footwear" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE bViSGz ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd fITBRd iXWezO ptn__text">A still om <em>Touché</em></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd ftKqkn fNaHcW ptn__cred">Photo: Courty of Matador Content</span></div></figure></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="v9m7y"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" 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class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ bfdOCB summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Zoë Kravz’s Weddg-Gut Drs Breaks the Rul the Bt Way</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY kLWdHC summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Alex Ksler</span></span></p></div></div></div></div></div></div></li><li><div class="SummaryItemWrapper-iwvBff kMpPOV summary-em summary-em--has-borr summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cWJwCN" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image 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Ohanian Wele Their Send Child </div></div></div></a></div></div></li><li><div class="SummaryItemWrapper-iwvBff kMpPOV summary-em summary-em--has-borr summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cWJwCN" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div 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data-no-id="7i8"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs laPXdt"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="gadj"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>Soon after his promotn, Royal reloted to Lake Gee, New York, as ABT ployed a dozen or so dancers—after quarant and several negative COVID-19 tts—to laki bs where they uld dance isolatn. Rudd, Bond, Moultrie, and Tanowz were all on hand to teach the dancers the ballets at the center of tonight’s virtual event. “It was so overwhelmg jt to be around people aga such close proximy, and to take class aga,” says Royal. “It was emotnal on so many levels.”</p><p>This format of ballet creatn is novel on all onts. Beyond the settg, Royal explas, was the pace: Whereas the lead-up to a regular season openg, when Royal would be rehearsg for six or so ballets, this time he had jt one. The opportuny allowed him, and Rudd and Menegsi, to get timately acquated wh <em>Touché</em> and mediate on the characters and the dancers’ own relatnships to the piece. Such nsiratns are rarely afford ballet.</p><p>Before Rudd tght his choreography, he spent a week wh his two dancers, listeng and learng om them. “We would spend full days workg on character velopment,” Royal says, “stg and talkg about our journeys as dancers; as openly gay men the ballet world, and what that experience was like; what our g out experienc were like; how we sort of navigated the challeng; and when we felt like we fally embraced ourselv, who we are, and what we stand for.” </p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Human Person Dance Ballet Dance Pose Leisure Activi and Acrobatic" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE bViSGz ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd fITBRd iXWezO ptn__text">A still om <em>Touché</em></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd ftKqkn fNaHcW ptn__cred">Photo: Courty of Matador Content</span></div></figure></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="jvd5n9"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" 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fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Alex Ksler</span></span></p></div></div></div></div></div></div></li><li><div class="SummaryItemWrapper-iwvBff kMpPOV summary-em summary-em--has-borr summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cWJwCN" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW 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data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="20 of the Bt Redheads to Inspire Your Next Salon Vis" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX eNRqSb bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Hair</span></div><a class="SummaryItemHedLk-civM jRfyII summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ bfdOCB summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">20 of the Bt Redheads to Inspire Your Next Salon Vis</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY kLWdHC summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Tish Westock</span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw fkGtfq ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="3hloph"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs laPXdt"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="ej0uo5"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>At jt ls than 30 mut long, <em>Touché</em> follows the journey of two young men whose worlds crash to each other. Like a butterfly’s metamorphosis, Rudd’s piece spans the stag of a gay man’s journey to self-acceptance—om piercg uncertaty to unfortable enunters to peace wh one's own’s sk. I ask Royal if he found a specific moment of the dance the most impactful. He rponds: “There’s an -between moment whout any dancg. It’s between the first and send movement, [when] my character first disvers that he’s not alone this, and that there’s this other person who has been on this whole other journey. It’s this silent and still moment where we’re sheddg our layers, the baggage that we once had, and we are standg face-to-face, not sure what the future holds. But there’s this feelg of hope and what thgs uld be. And that moment, for me, jt says all.”</p><p>Whout givg too much of the piece away, there’s a kiss—the first ABT-missned kiss between two men. And to treat this productn as Hollywood and Broadway might, an timacy director, Sarah Lozoff, was brought on board.</p><p>“I always requted munitn wh my artists, but the culture of dance tells lerally to keep our mouths shut. It is an art form which language is not required, so dancers are traed to not speak,” says Rudd. “[Sarah and I] vised a plan to e timacy directn to start makg cultural shifts dance, pecially when the works are ntroversial and go eply to a subject matter that the artists themselv had to al wh life.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p>For Lozoff, timacy directn is not jt about creasg the believabily of kissg or simulated sex scene between characters. “It’s also about takg re of artists to make sure that they know they have agency, that their voic matter,” she says.</p><p>As Royal tells me, he feels seen and heard, and he’s aware of the signifince of all. Of beg partnered wh another man, he says, “I‘ve always hoped for this, [but] I didn’t thk that would happen so soon.”</p><p>It’s happeng tonight. Rudd says he’ll be watchg like “a ndidate for office watchg the numbers e .... I did all I uld to make worthwhile and valid and as meangful as I uld. Now the voters have to vote and the people have to accept .” As for Royal, he says he’s “exced to see the fal product, but I know that the experience alone was so fulfillg for me. Watchg the ballet is jt the cherry on top.”</p><p>Watch <em>Touché</em> tonight, as part of ABT Today: The Future Starts Now, produced by Matador Content on ABT's <a href=">YouTube page</a>. </p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="hnl5o"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div 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cOqLsu"><picture class="RponsiveImagePicture-cWuUZO dUOtEa OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu rponsive-image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="The Bt LGBTQ+ Books of 2023 (So Far)" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></div></div></picture></span><div class="OverlaySummaryItemContent-ddGOWz fHZSgO"><div class="RubricWrapper-dKmCNX dUsdoD bric bric--wh-bg BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemRubric-bFqsqT iUEiRd cxwGKM cvqxGA"><span class="RubricName-fVtemz cLxcNi">Books</span></div><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp"><div class="ClampContent-hilPkr jVhSBH"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemHed-cljMtD iUEiRd dMyiUD cRpZRn">The Bt LGBTQ+ Books of 2023 (So Far)</div></div></div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl OverlaySummaryItemByl-bogcUE fjwtNK"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Emma Specter</span></span></p></div></div></a></li><li class="RecircListTextOverlayItem-dLTGJZ cMRTNH"><a class="OverlaySummaryItemWrapper-jydJgB ljApWB summary-em-trackg__image-lk" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" href="><span class="SpanWrapper-umhxW kGxnNB rponsive-asset OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu"><picture class="RponsiveImagePicture-cWuUZO dUOtEa OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu rponsive-image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="Why I Joed Behomm, the Raya of Home Swappg" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></div></div></picture></span><div class="OverlaySummaryItemContent-ddGOWz fHZSgO"><div class="RubricWrapper-dKmCNX dUsdoD bric bric--wh-bg BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemRubric-bFqsqT iUEiRd cxwGKM cvqxGA"><span class="RubricName-fVtemz cLxcNi">Hom</span></div><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp"><div class="ClampContent-hilPkr jVhSBH"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemHed-cljMtD iUEiRd dMyiUD cRpZRn">Why I Joed Behomm, the Raya of Home Swappg</div></div></div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl OverlaySummaryItemByl-bogcUE fjwtNK"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Brianna Holt</span></span></p></div></div></a></li><li class="RecircListTextOverlayItem-dLTGJZ cMRTNH"><a class="OverlaySummaryItemWrapper-jydJgB ljApWB summary-em-trackg__image-lk" data-ponent-type="recirc-river" data-recirc-id="em-image-5" data-recirc-pattern="summary-em" href="><span class="SpanWrapper-umhxW kGxnNB rponsive-asset OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu"><picture class="RponsiveImagePicture-cWuUZO dUOtEa OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu rponsive-image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><noscript><source media="(max-width: 767px)" srcSet="" 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class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>José Crial-Unzueta</span></span></p></div></div></a></li><li class="RecircListTextOverlayItem-dLTGJZ cMRTNH"><a class="OverlaySummaryItemWrapper-jydJgB ljApWB summary-em-trackg__image-lk" data-ponent-type="recirc-river" data-recirc-id="em-image-6" data-recirc-pattern="summary-em" href="><span class="SpanWrapper-umhxW kGxnNB rponsive-asset OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu"><picture class="RponsiveImagePicture-cWuUZO dUOtEa OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu rponsive-image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><noscript><source media="(max-width: 767px)" 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