Ed Sheeran is on trial, acced of borrowg om Marv Gaye. Listen to the tracks at stake lawsus volvg Gee Harrison, 2 Live Crew, Led Zeppel and Katy Perry that may shape his se.
Contents:
- HOW SIAR IS ‘BLURRED L’ TO A 1977 MARV GAYE H?
- MARV GAYE FAY PREVAILS 'BLURRED L' PLAGIARISM SE
- ‘BLURRED L’ INGED ON MARV GAYE COPYRIGHT, JURY RUL
- PHARRELL AND ROB THICKE MT PAY MARV GAYE'S FAY $5 MILLN OVER 'BLURRED L': REPORTS
HOW SIAR IS ‘BLURRED L’ TO A 1977 MARV GAYE H?
A feral appeals urt on Wednday upheld a $5.3 ln judgment agast Rob Thicke and Pharrell Williams for pyg a Marv Gaye song to create their 2013 smash "Blurred L." * blurred lines marvin gaye lyrics *
Will return to Los Angel feral urt on Tuday to fight claims they pied their multiplatum song om Gaye’s 1977 h “Got To Give It Up. The sger’s children Frankie and Nona Gaye rpond wh unterclaims that the micians ged “Got To Give It Up” — and that Thicke and ex-wife Pla Patton pied a send Gaye song, “After The Dance, ” -wrg Thicke’s 2011 track “Love After War. ) as well as experts on mic licensg and revenue, who will speak to the damag the Gay uld claim if they w.
In recent motns, Thicke and Williams’ attorneys threw the Gay a pyright curveball wh the argument they don’t own their father’s mercially released rerdgs — they only own the posnal elements the sheet mic “lead sheets.
MARV GAYE FAY PREVAILS 'BLURRED L' PLAGIARISM SE
* blurred lines marvin gaye lyrics *
” (The rerdgs belong to Motown Rerds, which is owned by Universal, which turn owns Interspe — the rerd pany that released Blurred L and a fendant the Gay’ untersu.
Judge John Kronstadt agreed a lg January and reaffirmed the lg followg an appeal om the Gay.
‘BLURRED L’ INGED ON MARV GAYE COPYRIGHT, JURY RUL
The jury found that Rob Thicke and Pharrell Williams, who share a songwrg cred on the song, had mted pyright gement, and award more than $7.3 ln to Mr. Gaye’s fay. * blurred lines marvin gaye lyrics *
His cisn enforced that the Marv Gaye rerdgs of “Got To Give It Up” and “After The Dance” uldn’t be heard urt — the attorneys are only g stripped-down stmentals. But more importantly, the cisn means that cidg whether gement occurred, the jury will only nsir whether “Blurred L” and “Love After War” borrow excsively om what’s the Gay’ lead sheets. The Gay’ attorneys argue that what’s left — the lyrics, the vol melody, the keyboard le and the bass — still remble Thicke’s songs enough to say they’re gement.
On Thursday and Friday, the Gaye fay’s attorney Richard Bch lled a pair of milogists to the stand, and the urtroom beme a urse on mic theory wh their ttimoni on what they hear mon between the posns.
“Signature phrase”: Judh Fell, the Berkeley-ted head of a milogy nsultg firm, labeled one phrase per song the immediately intifiable “signature phrase”: the openg lyrics “I ed to go out to parti” Gaye’s “Got To Give It Up” and the chos opener “And that’s why I’m gon’ take a good girl” “Blurred L.
PHARRELL AND ROB THICKE MT PAY MARV GAYE'S FAY $5 MILLN OVER 'BLURRED L': REPORTS
Hook: Fell pared “Take a good girl” to “Keep on danc’ ” Gaye’s song. The Gay’ other mil expert, Harvard profsor of Ain-Amerin mic Ingrid Monson, argued that Gaye’s bass le and s pairg wh a reggae- or ragtime-fluenced keyboard melody were highly unual Motown mic.
That means ’s hard for Thicke and Williams to claim they were fluenced by the genre general, she said, stead of the Gaye songs specifilly. Le by le, the experts pared lyrics cludg Gaye’s “move up / Turn ’round / Shake down” and Thicke’s “Shake around / Get down / Get up.