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class="RubricName-fVtemz cLxcNi">Culture</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd bwDymH isouMH"><em>Voyr</em>, on Netflix, Arriv at a Very Bad Time for Creepy Old Men</h1></div><div class="ContentHearAccredatn-lfctVB eDhhwT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearByle-kmPyCa emiglw"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bHLeKI"><p class="ByleWrapper-jWHrLH uMYIE byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd hHRAkO haUSoQ eErqIx byle__name-lk button" href="/ntributor/bridget-read">Bridget Read</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2017-12-01T09:30:56-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd eNpMLJ jDQNvc">December 1, 2017</time></div></div></div></div><div class="ContentHearLeadAsset-hGbumP cAlrhp lead-asset ContentHearLeadAssetWrapper-hfXHEc bjtV lead-asset--width-small" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb cZenhb"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz kIIRok"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearRponsiveAsset-bREgIb cZenhb rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="This image may nta Human Person Light Buildg Neon and Hotel" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE bViSGz ptn ContentHearLeadAssetCaptn-hPWmSN dWhfyS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd ftKqkn fNaHcW ptn__cred">Image: Courty of Netflix</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh SFwwF viewport-monor-anchor"><button id="bookmark" aria-label="Save" class="ActnBarButton-dyFOZU dPbgNk bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-stroke" d="M11.7661 16.3228L4.5 20.1695V3.5H19.5V20.1695L12.2339 16.3228L12 16.199L11.7661 16.3228Z" stroke-lep="square"/></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd fcKlBk gkccfO">Save</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh fOiOQm viewport-monor-anchor"><button id="bookmark" aria-label="Save" class="ActnBarButton-dyFOZU gdCxmM bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-stroke" d="M11.7661 16.3228L4.5 20.1695V3.5H19.5V20.1695L12.2339 16.3228L12 16.199L11.7661 16.3228Z" stroke-lep="square"/></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd fcKlBk gkccfO">Save</span></button></div></div></div><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG eOdfIs"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>“You n’t make this stuff up,” Gay Tale says the begng of <em>Voyr,</em> the <a href=">new documentary</a> chroniclg the velopment of his book <em>The Voyr’s Motel</em>, which was excerpted as a ntroversial <em>New Yorker</em> <a href=">article</a>, and, as of Friday, is available on <a href=">Netflix</a>. The “stuff” qutn refers to the explos of a man named Gerald Foos, who, the 1960s, bought and rigged up a motel suburban Colorado so that he uld spy on guts om an attic twalk through the ceilg vents. Foos wrote to Tale 1980 wh his story, gusg rrectly that would pique the tert of the wrer, who had ma a name for himself as a kd of unrver reporter the jungl of ee love wh his book <em>Thy Neighbor’s Wife.</em> But Foos was unwillg to reveal himself to be “the voyr,” so Tale abandoned the ia, left behd his many archiv the basement of his Upper East Si townhoe.</p><p><em>Voyr</em> starts 2013, when Tale and Foos are back touch, wh the latter ready to e forward on the rerd and the former ready to pick up the thread. Immediately, the film ti the figur of Tale and Foos together—or, rather, Tale ti himself to the voyr, explicly, when he says matter-of-factly, “I’m a voyr myself.” He giv a tour of his obssive archiv, materials kept box vered llag wh headl and imag om articl on and by Tale. We get a Cliffs Not versn of Tale’s ntroversial reer, cludg his most famo say, <a href=">“Frank Satra Has a Cold”</a> <em>Esquire</em>, and his talk show appearanc after <em>Thy Neighbor’s Wife,</em> which st Tale as a sexual renega.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p>Foos, of urse, is not famo, and this ntext is a crimal, but he also nsirs himself a sort of eelance social scientist, an Aled Ksey–type, and says that he bought the Manor Hoe Motel as a “laboratory.” In a set of typed diary entri hundreds of pag long, Foos logged the sexual acts he wnsed, as well as the mundani of the daily liv of the guts a middle-of-the-road Colorado motel: posns, numbers of asms (and who had them); as well as pacg, televisn-watchg, and bedspread piic-eatg. It’s a level of obssn that echo Tale’s own: To him, the voyr provis an unparalleled look to a particular slice of post-war Amerina—sex, a motel—one that’s so thorough that, like he said, you n’t make up.</p><div class="Contaer-bkChBi byNLHx"></div><p>Except that, apparently, you n. After the publitn of Tale’s <em>New Yorker</em> article on Foos 2016, but before the release of the book om which was excerpted, a <em>Washgton Post</em> reporter <a href=">lled to qutn</a> how long Foos had fact owned the motel, whom he had sold to, and whom he had bought om. And was exposed that one of the juicit tidbs of Tale’s book, when Foos wns a man strangle a woman a room below 1977, has strikg siari to a crime that occurred a motel a few away, but no rerds uld be found to rroborate the event that Foos scribed. When the news broke, Tale <a href=">lashed out</a> at his subject, who he lled “certifiably unreliable” and “dishonorable,” and trashed his own book: “How dare I promote when s credibily is down the toilet?” For his part, Foos chalked up the mistak to his diary keepg, sayg he uld have ma errors when typg up his handwrten diari.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB kNleGZ sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="Contaer-bkChBi byNLHx"></div><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="tbpo3c"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="mtx82s"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>The succs of some kds of documentari n often be traced to what is, ankly, serendipy. <a href="><em>The Jx,</em></a> for example, the vtigatn to the crim of Robert Durst, pivots around Durst nfsg on a hot mic. <a href="><em>Weer</em></a> was ially nceived as a eback for disgraced Democratic Congrsman Anthony Weer but beme a mmerizg portra of narcissism and addictn, and his downfall, stead. The latter ia is closer to what directors Myl Kane and Josh Koury got out of <em>Voyr,</em> which begs as a return to the spotlight for Tale, who visibly brims wh excement and speratn for rurgent relevance at 81, and ends as a nfed, regrettable illtratn of two men’s unstoppable egos. If only the filmmakers weren’t jt as ught up the need for a good story as Foos and Tale are.</p><div class="AdWrapper-dQtivb fZrssQ ad ad---ntent"><div class="ad__slot ad__slot---ntent" data-no-id="dhhuqi"></div></div><p>“I would have done anythg for the story; I sold my soul,” Tale says of wrg <em>Thy Neighbor’s Wife,</em> and s effects on his wife, the publisher Nan Tale, and his children. The same impulse is shared by the entire “Voyr” project—the article, book, and documentary—which tras so heavily on lurid tails (which aren’t even that lurid) that giv up any artistic or tellectual center. In hdsight, some errors are glargly obv: There are some obv and damng genr dynamics at work here, between Gay and Nan and between Foos and his wife, Ana, but Kane and Koury do ltle to lve to the sexual polics that make Foos’s motel an enavor of masculy, and an credibly vlatg and disturbg one at that. Instead, they glamorize both Foos’s story and Tale’s storytellg. When Foos scrib the first time he watched a woman, his nt, undrs, he the phrase “the wdow beckong,” the poetics of which Tale go gaga over. “Beckong wdow is perfect,” he exclaims. “She had big boobs,” Foos ntu, which gets an “Oh, my god” out of Tale—’s like watchg two middle schoolers share a <em>Playboy</em>. As the film go on, more and more people appear to fend <em>Voyr</em> as a lerary enavor, om Tale’s book publisher to his edor at <em>The New Yorker.</em> They even unver the discrepanci later revealed by <em>The Washgton Post,</em> but are unterred. It’s astonishg that, on so many levels, Tale’s work was validated, and fund, to such an extent (the documentary clud).</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="v71b3t"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" data-most-popular-id="mod-most-popular-223"><div 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summary-em--standard RecircMostPopularSummaryItem-jQxxiw cWJwCN" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="The Bt Street Style Photos From the Sprg 2024 Shows Copenhagen" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX eNRqSb bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Runway</span></div><a class="SummaryItemHedLk-civM jRfyII summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ bfdOCB summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">The Bt Street Style Photos From the Sprg 2024 Shows Copenhagen</div></div></div></a></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw fkGtfq ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="04r5s"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs laPXdt"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="8mrenu"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>That’s what mak <em>Voyr</em> both a product of s time and a pletely outdated one. Tale and Foos are sentially two old whe men tryg to go out wh a bang (sorry), drsg up an act of sexual viancy and illegal voyrism wh an old-fashned wk that, much like ’s nce, no longer que works the strgent light of late 2017. Not once the film do anyone, edors clud, ever show ncern for those who stayed Foos’s motel, who were watched and rerd whout their nsent. A few mentns of the fact that most people who stayed the motel are likely ad (qutnable, given that Foos is still alive) serve to amelrate any guilt or regret. That word, <em>nsent</em>, is pecially charged now, a time where powerful men om the very dtri that <em>Voyr</em> is ncerned wh—journalism, publishg, and film—<a href=">have been rocked</a> by accatns of not knowg or rg to thk about what exactly that word means. That Foos’s s-long misnduct is exced by the disputable fact that is “fascatg” marks the film’s tonal dissonance. This is no time for old perverts.</p><p>And yet the methods by which the documentarians exce are hallmarks of a media genre that is very much of-the-zegeist: <a href=">te crime</a>. Kane and Koury employ the qutsential background stments of the genre, the <em>Serial</em>-que xylophone and harp, to make scen plucky and quirky, if creepy, but never edgg to outright disturbg. And the adorable mol of the motel they e to show how Foos spied on his ctomers is a twee reprentatn of what was sentially a crime scene. The level of meta-storytellg they attempt to tell lv to all the most superficial rners, like watchg Tale’s dghter, an artist, pat Foos’s motel for her father’s book; Tale and Foos, when they first meet 2013, stay at a motel, se you didn’t know what they’re gettg at here.</p><p>Anyone faiar wh Gay Tale’s brand of lerary journalism, which has bee a fg style, is likely faiar wh another pneer, Ja Mallm, who said this of her chosen genre, bgraphy: “The voyrism and bybodyism that impel wrers and rears of bgraphy alike are obscured by an apparat of scholarship signed to give the enterprise an appearance of bank-like blandns and solidy.” Nowadays we n replace “apparat of scholarship” wh “apparat of televisn,” the most prolific mo of te-crime storytellg, and the pfalls of which <em>Voyr</em> illtrat. There’s such a huge drive for ntent now that our bast stcts n be fed not only quickly and efficiently, but wh the trappgs of prtige and tellectualism. Y, ’s paful to scroll through reboot after reboot of ’90s televisn shows, or artful miseri, but te-crime packag the liv of real people for nsumptn. It mak the qutn of what kds of stori, and which storytellers, we’re rewardg—and y, ’s rewardg when money is volved—all the more imperative to reckon wh.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="ce49m"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" data-most-popular-id="mod-most-popular-224"><div 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data-no-id="klxnlo4"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs laPXdt"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="ft0oie"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>It’s the women <em>Voyr</em> who uld have divulged the most tertg tails about their partners, but who rema the background. I would give as much money as Tale’s book advance to hear what Nan Tale has to say about all of this. Ana, Foos’s quiet and strange wife (who should be played by Kate McKnon if the scrapped <em>Voyr</em> movie ever gets ma), says she “miss” the motel, and even cri when the documentary crew viss s molished plot. When Foos worri that the media will portray him as “nothg but a creep,” she rponds, sg placidly, “Well, you are.”</p><figure class="CneVioEmbedFigure-kCfJjN hdJOda e-vio-embed"><div data-ttid="script-ntaer"></div></figure></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="daobrk"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk 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class="RponsiveImagePicture-cWuUZO dUOtEa OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu rponsive-image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="Jtice for the Women of Oppenheimer" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></div></div></picture></span><div class="OverlaySummaryItemContent-ddGOWz fHZSgO"><div class="RubricWrapper-dKmCNX dUsdoD bric bric--wh-bg BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemRubric-bFqsqT iUEiRd cxwGKM cvqxGA"><span class="RubricName-fVtemz cLxcNi">Opn</span></div><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp"><div class="ClampContent-hilPkr jVhSBH"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemHed-cljMtD iUEiRd dMyiUD cRpZRn">Jtice for the Women of <em>Oppenheimer</em></div></div></div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl OverlaySummaryItemByl-bogcUE fjwtNK"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Radhika Seth</span></span></p></div></div></a></li><div class="AdWrapper-dQtivb fZrssQ ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="0z7trb"></div></div><li class="RecircListTextOverlayItem-dLTGJZ cMRTNH"><a class="OverlaySummaryItemWrapper-jydJgB ljApWB summary-em-trackg__image-lk" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" href="><span class="SpanWrapper-umhxW kGxnNB rponsive-asset OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu"><picture class="RponsiveImagePicture-cWuUZO dUOtEa OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu rponsive-image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="Chopova Lowena’s It Book of Summer 2023 Stars Chloë Sevigny" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></div></div></picture></span><div class="OverlaySummaryItemContent-ddGOWz fHZSgO"><div class="RubricWrapper-dKmCNX dUsdoD bric bric--wh-bg BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemRubric-bFqsqT iUEiRd cxwGKM cvqxGA"><span class="RubricName-fVtemz cLxcNi">Runway</span></div><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp"><div class="ClampContent-hilPkr jVhSBH"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemHed-cljMtD iUEiRd dMyiUD cRpZRn">Chopova Lowena’s It Book of Summer 2023 Stars Chloë Sevigny</div></div></div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl OverlaySummaryItemByl-bogcUE fjwtNK"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Laia Garcia-Furtado</span></span></p></div></div></a></li><li class="RecircListTextOverlayItem-dLTGJZ cMRTNH"><a class="OverlaySummaryItemWrapper-jydJgB ljApWB summary-em-trackg__image-lk" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" href="><span class="SpanWrapper-umhxW kGxnNB rponsive-asset OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu"><picture class="RponsiveImagePicture-cWuUZO dUOtEa OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu rponsive-image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="Here’s What Do and Don’t Hold Up About Bridget Jon’s Datg Life 2023" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></div></div></picture></span><div class="OverlaySummaryItemContent-ddGOWz fHZSgO"><div class="RubricWrapper-dKmCNX dUsdoD bric bric--wh-bg BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemRubric-bFqsqT iUEiRd cxwGKM cvqxGA"><span class="RubricName-fVtemz cLxcNi">Opn</span></div><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp"><div class="ClampContent-hilPkr jVhSBH"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemHed-cljMtD iUEiRd dMyiUD cRpZRn">Here’s What Do and Don’t Hold Up About Bridget Jon’s Datg Life 2023</div></div></div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl OverlaySummaryItemByl-bogcUE fjwtNK"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Lren O’Neill</span></span></p></div></div></a></li><li class="RecircListTextOverlayItem-dLTGJZ cMRTNH"><a class="OverlaySummaryItemWrapper-jydJgB ljApWB summary-em-trackg__image-lk" data-ponent-type="recirc-river" data-recirc-id="em-image-5" data-recirc-pattern="summary-em" href="><span class="SpanWrapper-umhxW kGxnNB rponsive-asset OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu"><picture class="RponsiveImagePicture-cWuUZO dUOtEa OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu rponsive-image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="The Slgback Is Summer’s Sexit Shoe" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></div></div></picture></span><div class="OverlaySummaryItemContent-ddGOWz fHZSgO"><div class="RubricWrapper-dKmCNX dUsdoD bric bric--wh-bg BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemRubric-bFqsqT iUEiRd cxwGKM cvqxGA"><span class="RubricName-fVtemz cLxcNi">Fashn</span></div><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp"><div class="ClampContent-hilPkr jVhSBH"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemHed-cljMtD iUEiRd dMyiUD cRpZRn">The Slgback Is Summer’s Sexit Shoe</div></div></div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl OverlaySummaryItemByl-bogcUE fjwtNK"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" 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class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Raven Smh</span></span></p></div></div></a></li></ul></div></asi></div></div><div class="RowWrapper-UmqTg HEhan"><div class="TaboolaWrapper-hMVdpE iYfBhy"><div class="TaboolaWidgetWrapper-egPIjc hkSrgt TaboolaWidget-eUSdED hQCCRa" data-ttid="TaboolaWidgetWrapper"><div class="TaboolaWidgetContent-iBEQTO eXroXG TABOOLA" id="taboola-below-article-thumbnails" data-ttid="TaboolaWidgetContent"></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="AdWrapper-dQtivb fZrssQ ad ad--footer should-hold-space"><div class="ad__slot ad__slot--footer" data-no-id="1qy5yb"></div></div></div></div></div></ma><div class="BasePageMaFooterFiller-hTlZph jSriYf page__ma-footer-filler"></div><div class="RowWrapper-UmqTg HEhan"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf 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young gay talese

Adolcence n be a ighteng perd for young gay men, who are sudnly faced wh new sexual feelgs that n often nflict wh social prsur placed on them by fay, iends, and the media. Mike Curato explor this tumultuo perd his new Godw Books graphic novel, Flamer, a semi-tobgraphil…

Contents:

WHEN NEW JOURNALISM WAS NEW: GAY TALE ON HIS LEGENDARY ESQUIRE PROFILE OF FRANK SATRA

At 60, Gay Tale has fally cid to unrstand--but not five--his immigrant father. * young gay talese *

Gay Tale’s outle for “Frank Satra Has a Cold, ” sketched on one of his tramark shirt boards, 1966. © 2015 and urty of Gay other tim I make not unobserved by the terviewee—such as durg those terptns our talks when the person has temporarily left the room, th allowg me moments which to jot down what I believe to be the relevant parts of our nversatn.

© 2015 and urty of Gay chronicle is kept an ever-expandg seri of rdboard folrs ntag such data as the plac where I and my sourc had breakfast, lunch, and dner (rtrant receipts enclosed to document my expens); the exact time, length, lole, and subject matter of every terview; together wh the agreed-upon ndns of each meetg (i.

” © 2015 and urty of Gay tryg whout succs to rchle the Satra terview durg my send week Los Angel (I was told that he still had a ld), I ntued to meet wh people who were varly employed some of Satra’s many bs enterpris—his rerd pany, his film pany, his real tate operatn, his missile parts firm, his airplane hangar—and I also saw people who were more personally associated wh the sger, such as his overshadowed son, his favore haberdasher Beverly Hills, one of his bodyguards (an ex–pro leman), and a ltle gray-haired lady who traveled wh Satra around the untry on ncert tours, rryg a satchel his 60 hairpiec. Copyright © 2021 by Gay Tale. NEW YORK — At 60, Gay Tale has fally cid to unrstand--but not five--his immigrant father.

HONORG HIS FATHER : IN WRG ‘UNTO THE SONS,’ GAY TALE FDS KEYS TO UNRSTANDG HIS HERAGE

Voyr, the new Netflix documentary starrg Gay Tale about his article and book The Voyr’s Motel, is a nfed illtratn of te-crime’s pfalls. * young gay talese *

Growg up durg World War II, young Gay learned what meant to live a double life.

GAY TALE EXPLAS WHY HE WROTE INIC ESQUIRE PROFILE “FRANK SATRA HAS A COLD”

Lookg for books by Gay Tale? See all books thored by Gay Tale, cludg Thy Neighbor's Wife, and Honor Thy Father, and more on * young gay talese *

Bombg raid over Napl, Joseph Tale stormed to Gay’s bedroom and smashed his son’s prized llectn of mol Amerin warplan. When Gay wanted to play baseball, his father showed no tert.

GAY TALE

* young gay talese *

While other kids drsed sually, Gay wore formal attire ma by his father and mother, Cathere, who ran a drs first glance, the gulf between Gaetano the stonemason and Gay the Manhattan bon vivant seems extreme.

A GAY TEEN DISVERS HIMSELF AT SUMMER MP THIS FLAMER FIRST LOOK

Voyr: Directed by Myl Kane, Josh Koury. Wh Gay Tale, Gerald Foos, Nan Tale, San Morrison. Journalism in Gay Tale reports on Gerald Foos, the owner of a Colorado motel, who allegedly secretly watched his guts wh the aid of specially signed ceilg vents, peerg down om an "observatn platform" he built the motel's attic." data-id="ma * young gay talese *

“You n’t make this stuff up, ” Gay Tale says the begng of Voyr, the new documentary chroniclg the velopment of his book The Voyr’s Motel, which was excerpted as a ntroversial New Yorker article, and, as of Friday, is available on Netflix. In hdsight, some errors are glargly obv: There are some obv and damng genr dynamics at work here, between Gay and Nan and between Foos and his wife, Ana, but Kane and Koury do ltle to lve to the sexual polics that make Foos’s motel an enavor of masculy, and an credibly vlatg and disturbg one at that.

The level of meta-storytellg they attempt to tell lv to all the most superficial rners, like watchg Tale’s dghter, an artist, pat Foos’s motel for her father’s book; Tale and Foos, when they first meet 2013, stay at a motel, se you didn’t know what they’re gettg at faiar wh Gay Tale’s brand of lerary journalism, which has bee a fg style, is likely faiar wh another pneer, Ja Mallm, who said this of her chosen genre, bgraphy: “The voyrism and bybodyism that impel wrers and rears of bgraphy alike are obscured by an apparat of scholarship signed to give the enterprise an appearance of bank-like blandns and solidy.

Gay Tale liv on the East Si of Manhattan, a four-story brownstone he moved to 1958, at age 26. Gay Tale: Harold Hay, Esquire‘s edor, gave me a one-year ntract to do six piec.

GAY TALE’S ADVICE TO YOUNG WRERS: “GET OFF YOUR ASS”CELEBRATG THE PUBLITN OF A SPECIAL EDN OF HIS LEGENDARY PROFILE, “FRANK SATRA HAS A COLD,” THE JOURNALIST DISCSED THE STATE OF THE CELEBRY PROFILE AND THE POWER OF DRSG WELL TO GET WHAT YOU WANT.BY RACHEL TASHJIANDECEMBER 2, 2015© CORBIS. ALL RIGHTS RERVED.SAVE THIS STORYSAVESAVE THIS STORYSAVENEAR MIDNIGHT ON MONDAY GAY TALE WAS TUCKED TO A RNER BOOTH THE DOWNSTAIRS BAR AT THE 21 CLUB, SIPPG A BOMBAY MARTI WH A TWIST, WH A SPECIMEN OM HIS MUCH-ADMIRED HAT LLECTN STG POLELY BI HIM. IT WAS NEARLY TWO HOURS AFTER GUTS CLUDG FRANK STELLA, MICHAEL BLOOMBERG, HIS PARTNER DIANA TAYLOR—NOT TO MENTN THE HOST, TOM WOLFE—HAD HEAD HOME AFTER A LEISURELY, TIMATE DNER AT THE DG ROOM UPSTAIRS CELEBRATG AN EXQUISE TASCHEN EDN OF TALE’S GROUNDBREAKG CELEBRY PROFILE, “FRANK SATRA HAS A COLD.”“HERE I AM, YOU KNOW, ON THE OCSN OF ‘FRANK SATRA HAS A COLD,’” TALE SAID. “I REALLY HAVE A LD. WORSE THAN SATRA DID, I’LL BET.”BUT TALE WOULDN’T HAVE MISSED THE NIGHT FOR THE WORLD. “THAT’S ONE THG ABOUT JOURNALISM: YOU HAVE TO SHOW UP.”THE BOOK IS FELY WORTH SHOWG UP FOR—A TOME TAILOR-MA FOR JOURNALISM JUNKI. TALE’S PROFILE OF SATRA FOR THE APRIL 1966 ISSUE OF ESQUIRE—WRTEN AT A DISTANCE, TRAILG THE SGER AND TERVIEWG EVERYONE OM HIS -STARS TO HIS WIG GROOMERS AFTER REPEATED BSH-OFFS OM SATRA’S PUBLICIST—IS EQUENTLY CED AS ONE OF THE WORKS THAT STEERS IMPRSNABLE YOUNGSTERS TOWARD A REER JOURNALISM. AND WH S NEVER-BEFORE-SEEN PHOTOS OF SATRA, TALE-PENNED TRODUCTN, AND MARKED-UP MANCRIPTS OM THE ARCHIVE PRTED ON OLD-FASHNED LETTERPRS AND ACCENTED THE SWOONY BLUE OF SATRA’S EY, THE TASCHEN BOOK IS THE GLOSSIT JOURNALISM TEXTBOOK IMAGABLE, RELEASED A FEW MONTHS AHEAD OF THE PIECE’S 50TH BIRTHDAY AND WEEK OR TWO AWAY OM WHAT WOULD HAVE BEEN SATRA’S 100TH. IT MAK THE WORK OF REPORTG AND WRG AND EDG LOOK AS PRETTY AND IRREVERENT AND FUN AS A W ANRSON MOVIE.COURTY OF TASCHEN.IT MAY HAVE A PRETTY FACE, BUT FOR TALE, APPEARANCE N BE EVERYTHG. HE TRAC MUCH OF WHAT LED HIM TO JOURNALISM TO HIS PARENTS AND THEIR REERS THE GARMENT DTRY—HIS FATHER WAS A TAILOR AND HIS MOTHER OWNED A DRS STORE OCEAN CY, NEW JERSEY—WHICH NO DOUBT SPURRED AN OBSSN WH CLOTHG THAT SEEMS EXTRIBLE OM HIS WORK. “WHEN I WRE STORI, ’S LIKE MAKG A SU: THE PIEC HANG TOGETHER, AND YOU SKETCH,” HE SAID. “THE WHOLE PROCS: HANDWORK.”HE EVEN CREDS HIS FIRST JOB AT THE NEW YORK TIM—WHICH ME IMPROBABLY AFTER A “HUIATG” TERVIEW DURG WHICH HE DISVERED HIS LLEGE CLASSMATE HAD LIED ABOUT THE TIMACY OF HIS NNECTN TO THE MANAGG EDOR WH WHOM HE WAS MEETG, LEAVG TALE GRASPG TO EXPLA HIS DACY WALTZG FOR A MEETG WH THE BIGWIG UNANNOUNCED—TO THE THREE-PIECE SU HE WORE TO THE TERVIEW. “I WAS POLE, WELL DRSED,” HE SAID. “I JT KNOW, THOUGH I NEVER GOT ANY NFIRMATN, THAT I MA A GOOD IMPRSN.”BEE OF HIS NOTED OBSSN WH CLOTHG, TALE IS OFTEN HELD UP AS A DANDY (AS IS WHE-SUED WOLFE FOR THAT MATTER). THAT MIGHT DO A DISSERVICE TO HIM, BUT ALSO, EQUALLY, TO HIS SENSE OF ELEGANCE. THERE’S REALLY SOMETHG TO HIS PREOCCUPATN WH LIVG AND BEHAVG BETIFULLY. “I WAS VERY RICH 1980, AND 1981,” HE SAID, REFLECTG ON HIS BOOM YEARS, AFTER THY NEIGHBOR’S WIFE OPTNED FOR $2.5 LN. SO WHAT’S THE WILST THG HE BOUGHT? HE TOOK A LONG SIP OF HIS MARTI.“NOTHG. I HAD EVERYTHG. I HAD A TOWN HOE. CLOSETS FILLED WH HANDMA SUS. TWO BETIFUL OLD SPORTS RS THAT I HAD OM THE 1950S,” HE SAID. “I HAVE TWO BETIFUL DGHTERS, I HAVE A WIFE, I HAVE, OF URSE, A JOB, I HAVE A WIFE WH A JOB.”MOST POPULARDONALD TMP’S LAWYER CAN’T STOP GOG ON TV AND MAKG DONALD TMP LOOK RIDICULOLY GUILTY OF THE CRIM HE’S BEEN ACCED OFBY BS LEVRILEY KEOUGH ON GROWG UP PRLEY, LOSG LISA MARIE, AND INHERG GRACELANDBY BRT HENNEMUTHWE’RE ONLY JT STARTG TO UNPACK REX HERMANN’S NEW YORKBY DAN ADLERAS THE CLOCK TICKED TOWARD MIDNIGHT AND THE BAR’S PATRONS—MIDDLE-AGED UPL OF MURKY MARAL STAT, BANKERS TOO-SHY TI HAVG VODKA MARTIS—STARTED TO CLEAR, TALE MED ON WHY, AN AGE WHICH REPORTERS ARE NOTORLY RTRICTED OM CELEBRY SUBJECTS, ’S NOT EASIER THAN EVER TO WRE A PROFILE LIKE HIS, WHICH WAS BORN OF SATRA’S REFAL TO GRANT HIM ACCS. WHY IS SO HARD TO WRE A STORY LIKE THAT NOW?“IT SHOULDN’T BE. MAYBE THE PEOPLE ARE DIFFERENT,” HE SAID. “I’M JT GUSG. WHEN I—YOU KNOW, MY ARISTOCRATIC IEND OM RICHMOND, VIRGIA, TOM WOLFE, HE WAS PROBABLY THE EXCEPTN—BUT MOST OF WERE NOT OM VERY TED BACKGROUNDS. WE WERE THE UNRCLASS. THE JOURNALISTS OF THE 1950S WERE PEOPLE LIKE ME. . . . PEOPLE THAT WENT TO HARVARD, YALE, THEY ULDN’T BE JOURNALISTS, WAG FOR SOME LABOR LEAR TO ANNOUNCE THAT THERE’S A SETTLEMENT AT THREE O’CLOCK THE MORNG OUT ON SOME WATERONT. . . . JOURNALISM WAS FOR THE LOW-LEVEL PEOPLE. ME.”“BUT WE HAD A KD OF PATIENCE ABOUT WAG,” TALE NTUED. “WE WERE GOG TO GET WHAT WE WANTED. I DON’T THK THIS NEW GENERATN HAS THE PATIENCE OR EVEN KNOWLEDGE OF HOW TO GET THGS. . . . YOU HAVE TO GET OFF YOUR ASS. MAKE SOMETHG HAPPEN WH YOUR PERSONALY, WH YOUR GODDAMN STYLE, YOUR CHARM, YOUR BETIFUL CLOTH, YOUR REASSURANCE, YOUR SALMAN HUCKSTER-IST LIRICE. KNOW HOW TO GET SOMETHG AND NOT BREAK HEARTS OR BE OFFENSIVE.”AND THEN THE RTRANT TURNED OFF THE MIC—SATRA’S “THE WAY YOU LOOK TONIGHT,” OF URSE—AND WAS TIME TO HEAD HOME. TALE HAD A LD TO SLEEP OFF, AFTER ALL.RELATED: HOW TOM WOLFE BEME … TOM WOLFEPHOTOS: HOW TOM WOLFE WOLFE1 / 16CHEVRONCHEVRONWOLFE HIS MANHATTAN APARTMENT. LEWIS’S DGHTER DIXIE, 13, LLED HIS SU AN “OUTGOG FASHN CHOICE.”RACHEL TASHJIAN

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