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gay boys at play

“Boys Will Be Boys” by AY is onle at BOYS! BOYS! BOYS! promotg queer and gay photography.

Contents:

WHAT’S NEXT FOR THE GREAT GAY PLAY? EVERYTHG.

In recent shows, ias of gayns are expandg, bg and disappearg all at once. * gay boys at play *

- The world's first fe art photography magaze dited to queer and gay 2 - the Pri Issue featur ten photographers om ne untri: AY (UK), David Charl Colls (Atralia), Matthew Fley (USA), Ashish Gupta (India), Manuel Monyo (Mexi), Juan Anton Papagni Me (Argenta), Sebastian Perotti (Argenta), Mric A. It now reprents more than 67 photographers om 27 untri - cludg Cha, India, Iran, Poland, Rsia and Turkey where gay rights are reprsed and queer liv unr nstant have been onle and physil exhibns, and two sold out BOYS! It jt go to show that there is a market for a well-produced prt magaze showsg fe art photography by queer and gay photographers that is not jt a dick magaze!

WHEN DO GAY KIDS START “ACTG GAY”?

A Mnota school district is facg a Department of Jtice vtigatn and a private lawsu over s alleged failure to bat antigay bullyg.... * gay boys at play *

Jerry Douglas's Tubstrip, a risque edy set a gay bathhoe, was a popular sensatn when produced onstage 1973-1974, the era of gay liberatn and the sexual revolutn. The play, often dismissed by mastream crics but hailed as "funny, sexy, and important" by the gay prs, ran for 140 performanc off-Broadway, then toured to eight ci over ne months, and returned to Broadway starrg the legendary adult film star Casey Donovan the lead role.

Dpe s unprecented succs and acclaim, the play was not officially published until wh the but publitn of the script of the play, this edn clus a foreword by Jordan Schildcrout tled "Tubstrip and The Erotic Theatre of Gay Liberatn", which exam the signifince of the play as one of a wave of erotic gay plays (most of them fotten or lost) that emerged between 1969 and 1974. He went on to have a major reer gay male pornography, directg numero award-wng films between 1989 and 2007, such as More of a Man, Flh & Blood, Dream Team, and Schildcrout is Associate Profsor of Theatre & Performance at SUNY Purchase. Lee Barton, reviewg the play for The Advote, lled "funny, sexy, and important, " but wonred whether mastream crics uld "tolerate anythg gay that is so open and healthy.

GAY BOYS PLAY TEAM SPORTS AT HALF THE RATE OF THEIR PEERS

Some crics regard the tour as "homosexploatn, " but the Philalphia Enquirer lled "somethg of an event the history of gay liberatn... One San Francis review praised Tubstrip as an exemplar of gay liberatn, remarkg, "When is the last time you walked out of a play or film about gays and felt good?

AdvertisementSKIP ADVERTISEMENTCric’s NotebookIn recent shows, ias of gayns are expandg, bg and disappearg all at WisemanI don’t know whether was bee my parents were jt generally open-md, or bee they had a specific, kdly yet mortifyg agenda, but one of the first Broadway plays they took me to, June of 1977, was way too gay for fort. The first phas of the gay play, ccial their moment, which broadly speakg enpassed the send half of the 20th century, are over.

Some, like “A Strange Loop” and “Fat Ham, ” dramatize how the experience of racism amplifi that of homophobia, and vice fy expectatns by makg sexual orientatn a distctly sendary ncern among characters who “happen to be” gay or lbian, as “A Case for the Existence of God” and “At the Weddg. When a (male) love tert enters the picture, and they sg Katy Perry’s “I Kissed a Girl” as a duet, you feel somethg new has happened, as ntroversy melts to a blissful cloud of nonbary bubble is the equalizg, homogenizg fluence of pop culture at work — an fluence that some queer people unrstandably mistst.

A BRIEF HISTORY OF GAY THEATER, THREE ACTS

Jackson’s “A Strange Loop” go further, makg the cross-pollatn of inty the prime source of s nflict, as the ma character nonts both the homophobia of his Black fay and the racism of his queer one.

*BEAR-MAGAZINE.COM* GAY BOYS AT PLAY

Gay boys play team sports at half the rate of their peers · Out On The Fields .

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