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iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/the-current-cema"><span class="RubricName-fVtemz cLxcNi">The Current Cema</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Droppg Out</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">“Takg Woodstock” and “The Baar Mehof Complex.”</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/anthony-lane">Anthony Lane</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2009-08-24T00:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">Augt 24, 2009</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz eaTkYU"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="The new Ang Lee film tak a silong glance at Woodstock." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">The new Ang Lee film tak a silong glance at Woodstock.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Illtratn by Tom Bachtell</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" 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22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">The new Ang Lee film, “Takg Woodstock,” is not about the mic ftival of forty years ago. Nobody plays Hendrix, as if anyone uld. Nobody mim to the Grateful Dead, a cisn that mers our undyg gratu. There is no Janis Jopl, although survivg footage suggts that, even when Janis was there, she wasn’t really <em>there</em>. Te, we get snatch of mic borne on the wd, pl distant views of the throng around the stage; but most of the movie bi self wh the lead-up to the ma event. This is no bad thg: the silong glance is often our bt approach to historil happengs, and, this se, we already have a report om center stage—“Woodstock,” the 1970 documentary directed by Michael Wadleigh and heroilly eded by, among others, the young Mart Srse.</p><p class="paywall">Our gui is Ellt Teichberg (Demetri Mart), whose parents, the opprsed Jake (Henry Goodman) and the opprsive Sonia (Imelda Stnton), n the El Mona, Whe Lake, ep the Borscht Belt. It’s a motel that has seen better days, although even the better days, you spect, were not that good. It has a swimmg pool that Jake spik wh bleach stead of chlore, and a sign sayg “Play at Own Risk.” (Ined, the plethora of signs around the property giv an air of advertent neo-Pop—a ht that may be flexg self for h culture.) Ellt shor up the bs, actg as print of the lol Chamber of Commerce, and nng what he lls an arts ftival— realy, a few jazz rerds played over loudspeakers and a theatre troupe om Vassar livg the barn. He has the perm to prove .</p><p class="paywall">And there’s your plot. Armed wh his bber-stamped scrap of paper, Ellt is well placed to jump when a nearby town turns down the Woodstock anizers. They are led by the Bolan-haired Michael Lang, whose chosen mos of transport n as follows: helipter, limoe, motorcycle, horse. Lang is played by Jonathan Groff, who— his big-screen début—radiat such relaxg sweetns that everyone his zone is goad to actn whout plat. Such ease is typil of Lee’s movie, which, rather <em>too</em> easily, sells the notn that Woodstock reprented a rare alignment of the Amerin stars, as a bright shg unterculture was, for a perfect moment, njoed wh the palist ethic. Max Yasgur (Eugene Levy), the farmer who rents out his land, says he’s heard more “please”s and “thank you”s a few days wh the entreprenrial hippi than he has a lifetime of Whe Lake.</p><p class="paywall">Ang Lee is normally such an expert librator of performanc—there wasn’t a weak lk “Brokeback Mounta”—that ’s a shock to fd both overwhelmers and unrwhelmers at loose his latt work. The hero is a ver versn of the Patrick Fug figure om “Almost Famo,” and, as before, the whole virg-among-the-rockers nce feels too pale and pliable for a central prence. Asi om Groff, the only one who gets the whelmg right is Liev Schreiber: somethg of a surprise, given that he spends the movie a blond wig and a th tton drs. He plays a transvte Korean War vet named Vilma, who offers Ellt his servic as a secury enforcer. It’s a nice gture, and one that Lee and his regular screenwrer, Jam Scham, vised for the film, so why leave hangg? After Ellt is menaced by protectn racketeers, Vilma swears to see them off if they return, but they never do—another loose end, a tale that grows ever more ayed. There is a lovely first flirtatn between Ellt and one of the builrs, as we realize (maybe as <em>he</em> realiz) that he uld be gay; but, apart om a barroom kiss and then, out of nowhere, the sight of the builr sleepg bi him, the issue is ignored. And what about the angry townsfolk? Jt bee the ftival dissolved all fears, do mean that every drama, too, mt go unrolved?</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">You uld argue that “Takg Woodstock” is wh s rights to jo the general mellow, but, like a client at the El Mona, plays at s own risk. There is a sequence a mper van where Ellt drops acid, distilled here to lor-drippg C.G.I. kaleidospy: as ted as every other trip mted to film. (The special effects transform the Woodstock crowd to a heavg human sea. Very imprsive, but don’t look like bliss. It looks like Gtave Doré’s visn of Hell.) Lee is a precisian, not a prober, and you n feel the film flounrg as seeks s proper foc; now and then, as he did “Hulk,” he spls the screen, like the Teichbergs dividg motel rooms to three to triple their e, but he lacks the will to nose around, to pull and out of passg scen, that Robert Altman brought to “Nashville.” Even the fe travellg shot wh which we follow Ellt toward Mr. Yasgur’s meadow through a flock of fans, the procsn feels not so much stumbled upon as neatly staged, one cute tail on the heels of another: a watermelon stall, a bleatg sheep, a tr of nuns givg the V sign of peace. You n’t ny the sg mood that wafts through the film like cense, and to that extent honors the origal three days; but not once do a character’s show of feelg stir you, send you, or stop you your tracks, and the loss is unstaable. Maybe we need Hendrix after all.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">The Red Army Factn, wh s logo of a gun set agast a red star, was a left-wg terrorist group found Germany 1970 and referred to by the public—though not by the members themselv—as the Baar Mehof Gang. The tag was vented by the media, which dwelt on two of the rglears, a hothead named Andreas Baar and a former journalist named Ulrike Mehof, and the label is ed aga for “The Baar Mehof Complex”—a tle nicely poised between crimal clter and psychologil obssn.</p><p class="paywall">The film, directed by Udi El and based on the book of the same name by Stefan At, tak scpuloly through the heydays of the group, each ed more brazen and btal than the last: the bombg of a newspaper office, the daylight murrs of proment German cizens, the siege of an embassy Stockholm, the hijackg of a Lufthansa jet, and so forth. This stream of rmatn may be more than many viewers will re to procs, as the director’s moral missn to lay out the full saga clash awkwardly wh the athetic imperative to keep tight; a curt, sry scene of an R.A.F. woman named Petra (Alexandra Maria Lara) beg waved down and pursued at a checkpot would be srier still if we had any vivifyg sense of who Petra was. Even Baar (Morz Bleibtr), locked prison om 1972 until his suici, 1977, claims not to know the next generatn of fighters who are out there, rampg up the rage.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">I have seen “The Baar Mehof Complex” three or four tim now, and, spe exasperatn wh s fissile form, I fd impossible not to be plunged ah to this engulfg age of European anxiety. How sual, by parison, seem the peaceable dreams of “Takg Woodstock” (and thank God for that, you might say). The Amerins who olic naked wh their children at Whe Lake are sheddg their hibns as lightly as shirts, whereas, when the Mehof fay do the same the openg mut of El’s film, you feel a shiver of the sister—a Roseist imagg of a society that asks to be nud and scbbed clean, at whatever st. And though is touchg to see Ellt’s father nfs, as Woodstock wds down, that has rejuvenated his old bon, jt watch the parents of Gudn Enssl (Johanna Wokalek)—at once the most appealg and the most unbendg of the R.A.F.’s ner circle—rpond to her trial for arson. It’s the burng, unexpected heart of the film. Her mother, ey aglow, says, “I myself feel liberated,” while her father, a pastor, talks of Gudn’s “holy self-realizatn.” Only Germans still speak fluent Hegelian, and the sprgg of polil extremism om spirual roots is somethg to ponr; is that why El am the jailed, close-cropped Mehof (Marta Geck)—whose own father allied himself wh anti-Nazi Prottant dissent—agast a blank wall, liberately echog the silent heroe of “The Passn of Joan of Arc” (1928)?</p><p class="paywall">Needls to say, there was nothg holy about the terrors meted out by the R.A.F., yet they were not mere purveyors of radil chic. The precise pot at which Mehof cross over om reportg on the R.A.F. to jog the e—should she follow Baar, his flight om ctody, through an open wdow, or stay behd as a rpected bourgeois mother of two?—is nfirmed here as a genuely momento fork the soul’s road. Even when she veighs agast the Shah of Iran’s vis to Germany, or the war Vietnam, you know that her homeland is the te provotn of her pa, as if the mocratic miracle of s rebirth, the prev twenty-five years, had been unearned—achieved wh too much aplomb and too ltle guilt. And, once you learn that Hanns Mart Schleyer (Bernd Stegemann), whom the R.A.F. kidnaps and execut the fal act of the story, was not only the print of the Employers’ Associatn but, a former life, an <em>Untersturmführer</em> the S.S., the warng issued by this movie rgs clear: the prsure of history n be hard to bear. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="2834zx"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div><div class="ArticlePageSplAdRailMiddle-tiRvu hiZeZX spl-ad-rail-middle"></div><div class="ArticlePageSplAdRailBottom-dBKMGQ jmCMsn spl-ad-rail-bottom"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="is0o1x"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2009/08/31" data-reactroot="">Augt 31, 2009</a>, issue.</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/anthony-lane"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/anthony-lane">Anthony Lane</a> has been a film cric for The New Yorker sce 1993. He is the thor of “<a href=">Nobody’s Perfect</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/ang-lee" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Ang Lee</span></a><a href="/tag/jam-scham" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Jam Scham</span></a><a href="/tag/liev-schreiber" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Liev Schreiber</span></a><a href="/tag/red-army-factn" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Red Army Factn</span></a><a href="/tag/stefan-st" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Stefan At</span></a><a href="/tag/terrorism" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Terrorism</span></a><a href="/tag/terrorists" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Terrorists</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt feDzQf newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Weekly</h3><div class="NewsletterSubscribeFormDek-kXonvc grEaES newsletter-subscribe-form__k">Your gui to the latt magaze and our biggt stori of the week, pl highlights om podsts, humor, and more.</div></div><div data-ttid="NewsletterSubscribeFormInputsWrapper" class="NewsletterSubscribeFormInputsWrapper-keARJE hVWbzr"><form class="form-wh-validatn NewsletterSubscribeFormValidatn-iCYa-Dt dweEln" id="newsletter" name="newsletter" novalidate="" method="POST"><span class="TextFieldWrapper-Pzdqp hNhevp text-field" data-ttid="TextFieldWrapper__email"><label class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TextFieldLabel-klrYvg iUEiRd stdEm fvoOvz text-field__label text-field__label--sgle-le" for="newsletter-text-field-email" data-ttid="TextFieldLabel__email"><div class="TextFieldLabelText-cvvxBl eeDYTb">E-mail addrs</div><div class="TextFieldInputContaer-jcMPhb oFrOs"><put type="email" aria-scribedby="privacy-text" aria-valid="false" id="newsletter-text-field-email" required="" name="email" placeholr="E-mail addrs" class="BaseInput-fAzTdK TextFieldControlInput-eFUxkf eGzzTT lglhcT text-field__ntrol text-field__ntrol--put" data-ttid="TextFieldInput__email"/></div></label><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dwpimO button button--utily TextFieldButton-csBrgY edxbrw" data-event-click="{"element":"Button"}" data-ttid="Button" type="subm"><span class="ButtonLabel-cjAuJN hzwRuG button__label">Sign up</span></button></span><div id="privacy-text" tabx="-1" class="NewsletterSubscribeFormDisclaimer-bTVtiV bsgLJZ"><span><p>By signg up, you agree to our <a href=" rel="nofollow noopener noreferrer" target="_blank">User Agreement</a> and <a href=" rel="nofollow noopener noreferrer" target="_blank">Privacy Policy & Cookie Statement</a>. 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class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Transn" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of History</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh 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Caro</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Blood Ti" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of Crime</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Blood Ti</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">Two brilliant llege lovers were nvicted of a btal slayg. All the years later, why has the se bee a e?</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Nathan Heller</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Chameleon" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of Crime</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">The Chameleon</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">The many liv of Frédéric Bourd.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div 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When Liev Schreiber was offered a role Ang Lee’s Takg Woodstock, he uld see that the part of Vilma, a gay ex–army officer who drs women’s clothg, uld be plited.

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ARE TWO DEMETRI MARTS TALKG ABOUT PLAYG GAY "TAKG WOODSTOCK"?{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}MOVIBY LYLE MASAKIAUGT 19, 2009/8:24 AMBY LYLE MASAKIAUGT 19, 2009 / 8:24 AM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"ARE TWO DEMETRI MARTS TALKG ABOUT PLAYG GAY \"TAKG WOODSTOCK\"?","DATEPUBLISHED":"2009-08-19T12:24:15.000+0000","DATEMODIFIED":"2009-08-19T12:24:15.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"LYLE MASAKI","KEYWORDS":"THE BACKLOT","ARTICLESECTN":"MOVI"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}DEMETRI MART TAKG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SO FAR, WE HAVEN'T SEEN DEMETRI MART DO A LOT OF PROMOTN FOR HIS UPG MOVIE TAKG WOODSTOCK. FRIDAY NIGHT HE APPEARED ON THE TONIGHT SHOW, BUT BASED ON WEB SEARCH, APPEARS THE ONLY OTHER TIME HE HAS DISCSED THE MOVIE AND HIS GAY ROLE AT LENGTH WAS AN TERVIEW WH OM {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MART'S TONIGHT SHOW APPEARANCE HAS BEE A TOPIC OF DISCSN FOR GAYS AFTER ANDY TOWLE LLED OUT THE GAY PANIC HUMOR THE SEGMENT (AND WE MENTNED THE BRIEFS YTERDAY). AFTER JOKGLY RSG MART, FELLOW GUT SHAQUILLE O’NEAL PRETENDS TO BE REPULSED BY MART AS HE TALKS ABOUT FILMG A SCENE WHERE WHERE HE KISS ANOTHER GUY. AS MART TELLS ON THE TONIGHT SHOW, FILMG THE SCENE WAS AN AWKWARD EXPERIENCE, PARTLY BEE HIS GIRLIEND HAD A ROLE . AS HE TOLD THE STORY TO CONAN O'BRIEN:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MART: THERE'S A SCENE THE MOVIE WHERE I HAVE TO KISS A GUY, WHERE I HAVE TO MAKE OUT WH THIS GUY. (AT THIS POT O'NEAL MOV AWAY OM MART) ANG [LEE], THE DIRECTOR SAID, LISTEN, THAT SCENE YOU HAVE TO KISS A GIRL FIRST, AND THEN YOU PH HER AWAY, AND THEN YOU KISS THE GUY. WE N ST YOUR GIRLIEND IF YOU THE DAY , AND I'M KD OF DREADG BUT I'M LIKE MY GIRLIEND WILL BE THERE SO THAT'S OL. WE DO THE FIRST TAKE. I KISS MY GIRLIEND, I HAVE TO PH PH HER AWAY. AND THEN I HAVE TO GO REALLY MAKE OUT WH THE GUY ONT OF HER. AND I HADN'T ANTICIPATED...{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}O'BRIEN:THE WEIRDNS OF DOG THIS ONT OF YOUR {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MART: AND THEN, LIKE EIGHT TAK LATER -- WE KEEP DOG OVER AND OVER AGA. AND WAS WEIRD E WAS LIKE GIRLIEND, PH HER AWAY, GUY, OH YEAH I WANT TO KISS YOU, AND THEN, OKAY GIRLIEND AGA. I HAD LIKE 500 ALTOIDS THAT NIGHT. I THOUGHT WOULD MAKE A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}O'BRIEN: YOU'VE NEVER HAD TO KISS A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}O'BRIEN: IT WAS LLEGE!{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IT SOUNDS LIKE AN AWKWARD EXPERIENCE. NOT ONLY DO THE DIRECTOR OFFER TO EASE THE TENSN BY STG MART'S GIRLIEND FOR THE OPPOSE-SEX KISS, BUT HE SCRIB THE EXPERIENCE AS "WEIRD" AND END UP VOURG PLENTY OF {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}NOW, FAIRNS TO MART, HE DON'T CLEARLY PLAY AS A GAY PANIC JOKE. SCE HE HASN'T HAD MANY ACTG ROL YET, THE AWKWARDNS ULD JT AS EASILY BE ABOUT FILMG A KISSG SCENE GENERAL. HIS HEAVY E OF ALTOIDS ULD BE A JOKE ABOUT FEELG SELF-NSC STEAD TRYG TO WIPE AWAY THE MEMORY OF KISSG A MAN. THERE'S ROOM TO HEAR GAY PANIC HUMOR OR JT AWKWARDNS FOR MART TAKG ON HIS FIRST DRAMATIC {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}STILL, THAT SOUNDS PRETTY DIFFERENT OM THE TIME HE TALKED TO ABOUT FILMG THAT SCENE:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THERE’S A SCENE WHERE I KISS A GUY – THE ONLY SCENE WHERE I HAVE A REAL KISS – AND I’M ON A DANCE FLOOR AND THE GIRLS PULL ME TO DANCE WH THEM MY FAY’S BAR THE MOTEL, AND THEY PULL ME ONTO THE DANCE AND A GIRL PLANTS A KISS ON ME AND THEN I PH AWAY OM HER. AND THEN A GUY GRABS ME AND SWGS ME AROUND AND KISS ME, AND AT FIRST I PULL BACK, LIKE WHO’S KISSG ME? AND THEN I SEE HIM AND I’M LIKE, ‘OH MY GOD – ’S YOU!’ AND THEN I GO BACK FOR THE KISS AND ’S MORE PASSNATE AND ’S REAL AND THERE’S A THARSIS AND EVERYBODY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE SEND KISS – ONCE I PULL AWAY AND I GO BACK – I REMEMBER ASKG ONE OF THE GUYS ON THE CREW NAMED DAVID, ‘DID I SELL THAT WELL ENOUGH? LIKE DID THAT LOOK LIKE I WAS TO HIM ENOUGH?’ NOT THAT TAK A GAY GUY TO KNOW THAT. A GIRL PROBABLY ULD HAVE TOLD ME AS MUCH, BUT, I DON’T KNOW, THERE SEEMS TO BE A CERTA FERENCE AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHILE THE KISSG SCENE WAS STILL AWKWARD FOR MART, HIS BIGGT WORRY IS CLEARLY HIS PERFORMANCE. HE TURNS TO A GAY MAN ON THE CREW TO MAKE SURE HIS PERFORMANCE ME OFF AS THENTIC. ON THE TONIGHT SHOW, THE AWKWARDNS IS A MATTER OF FILMG A KISS WH A MALE -STAR AND HAVG HIS GIRLIEND VOLVED THE EXPERIENCE. HOWEVER, WHEN HE SCRIBED THE SCENE TO , THE SCENE WAS TIMIDATG BEE 'S A PIVOTAL MOMENT FOR THE CHARACTER, ONE THAT NEEDS TO BE NVCG FOR MART TO PULL OFF THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THAT'S NOT THE ONLY NTRAST THAT STANDS OUT BETWEEN THE TWO TERVIEWS, HOWEVER. DISVERG HE WOULD BE PLAYG A GAY CHARACTER WASN'T A BIG AL WHEN HE TALKED WH {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I READ THE BOOK AND I’M LIKE, ‘OH, ’S ABOUT THE 60S [AND] WOODSTOCK. AND THEN THERE’S A CHAPTER ABOUT BEG GAY AND HIS FIRST GAY EXPERIENCE AS LIKE A TWELVE-YEAR-OLD KID OR SOMETHG MANHATTAN.’ AND I WAS LIKE, ‘OH, WA A MUTE.’ AND THEN BACK TO LIKE WOODSTOCK STUFF … OH, OL. AND THEN BACK TO MORE AND MORE TAIL, ABOUT S&M STUFF THAT AND A LOT OF STUFF HE WAS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT WHEN MART SCRIB THE REALIZATN ON THE TONIGHT SHOW THERE'S A FE AWKWARDNS THE STORY. WHEN HE DISVERS HOW MUCH ELLT TOBER DISCS HIS SEXUALY THE BOOK, GIV HIM {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I GOT A LL TO GO DN FOR [ANG LEE]. THEY TOLD ME WAS BASED ON A BOOK, TAKG WOODSTOCK, BASED ON A REAL GUY'S LIFE AND EVERYTHG. SO I STARTED READG THE BOOK RIGHT BEFORE THE DN, LIKE THAT WEEKEND. I READ THE FIRST CHAPTER AND 'S LIKE 'TAKG WOODSTOCK, 'S ABOUT WOODSTOCK. GREAT, I LOVE THE 60S, I N DO THIS.' CHAPTER TWO, 'I FIRST REALIZED I WAS GAY WHEN I WAS TWELVE.' I WAS LIKE, 'OKAY, THIS IS GOG TO BE TRICKY.'{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BACK TO WOODSTOCK THE NEXT CHAPTER. CHAPTER THREE, 'HE HAD ME PNED AGAST THE WALL.' ALL THIS KD OF STUFF. (GRIMAC) UH OH. BUT, ALL RIGHT, I ULD GIVE A SHOT, DO MY BT AND TRY TO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ASI OM A FEW SHORT RED RPET TERVIEWS, MART HASN'T MUCH DISCSED TAKG WOODSTOCK OUTSI OF , A WEBSE FOCED ON HOW GAY MEN ARE PICTED THE MEDIA, AND THE TONIGHT SHOW, A LATE NIGHT TALK SHOW THAT REACH A WI DIENCE. UNFORTUNATELY, THAT MEANS IS IMPOSSIBLE TO SAY FOR SURE IF THE DIFFERENCE BETWEEN THE TWO TERVIEWS IS JT A MATTER OF MART BEG A DIFFERENT AME OF MD ON DIFFERENT OCSNS, OR IF 'S A MATTER OF DISCSG THE ROLE DIFFERENTLY TO DIFFERENT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MART AND LIEV {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MART'S TONIGHT SHOW APPEARANCE ISN'T HELPED BY O'NEAL AND O'BRIEN'S ATTEMPTS TO JOKE ABOUT MART PLAYG GAY, AS THEIR GAY PANIC HUMOR LORS IMPRSNS OF HOW MART RETELLS HIS EXPERIENCE. HOWEVER, THERE'S AN UNFORTABLE DIFFERENCE HOW HE TALKED ABOUT HIS GAY ROLE WHEN TALKG TO A MASTREAM DIENCE AND A GAY DIENCE. IN TALKG WH AFTERELTON, HE ARTICULAT AN UNRSTANDG OF WHAT WAS LIKE FOR TOBER TO BE GAY 1969 WHEN POLICE HARASSMENT OF GAY PEOPLE WAS MON. ON THE TONIGHT SHOW, MEANWHILE, PLAYG GAY SOUNDS MORE LIKE AN AWKWARD SOCIAL SUATN TO {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}THE {BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

* taking woodstock gay kiss *

Friday night he appeared on The Tonight Show, but based on web search, appears the only other time he has discsed the movie and his gay role at length was an terview wh om 's Tonight Show appearance has bee a topic of discsn for gays after Andy Towle lled out the gay panic humor the segment (and we mentned the briefs yterday). Not only do the director offer to ease the tensn by stg Mart's girliend for the oppose-sex kiss, but he scrib the experience as "weird" and end up vourg plenty of, fairns to Mart, he don't clearly play as a gay panic joke.

There's room to hear gay panic humor or jt awkwardns for Mart takg on his first dramatic, that sounds pretty different om the time he talked to about filmg that scene:There’s a scene where I kiss a guy – the only scene where I have a real kiss – and I’m on a dance floor and the girls pull me to dance wh them my fay’s bar the motel, and they pull me onto the dance and a girl plants a kiss on me and then I ph away om her.

DEMITRI MARTIN ON GAY KISS IN TAKING WOODSTOCK

’ Not that tak a gay guy to know that. He turns to a gay man on the crew to make sure his performance me off as thentic. Disverg he would be playg a gay character wasn't a big al when he talked wh read the book and I’m like, ‘Oh, ’s about the 60s [and] Woodstock.

THE UPROAR, UNCENSORED STORY OF WOODSTOCK, THE GAY MAN WHO MA IT HAPPEN

And then there’s a chapter about beg gay and his first gay experience as like a twelve-year-old kid or somethg Manhattan.

' Chapter two, 'I first realized I was gay when I was twelve. But, all right, I uld give a shot, do my bt and try to om a few short red rpet terviews, Mart hasn't much discsed Takg Woodstock outsi of, a webse foced on how gay men are picted the media, and The Tonight Show, a late night talk show that reach a wi dience.

Unfortunately, that means is impossible to say for sure if the difference between the two terviews is jt a matter of Mart beg a different ame of md on different ocsns, or if 's a matter of discsg the role differently to different and Liev SchreiberMart's Tonight Show appearance isn't helped by O'Neal and O'Brien's attempts to joke about Mart playg gay, as their gay panic humor lors imprsns of how Mart retells his experience. However, there's an unfortable difference how he talked about his gay role when talkg to a mastream dience and a gay dience.

MOVITOPICSALL MOVIMOVIE REVIEWSMOVI FEATURMOVIE NOTTELEVISNVIFFHOME THEATRE MOVIE FEATURTAKG WOODSTOCK REVEALS GAY PAST

In talkg wh AfterElton, he articulat an unrstandg of what was like for Tober to be gay 1969 when police harassment of gay people was mon. On The Tonight Show, meanwhile, playg gay sounds more like an awkward social suatn to overe.

All of that asi, Ellt was livg a closeted life as a homosexual mutg between hom Bensonhurst, Brooklyn and the Catskills. As he tells the story his 1994 book, Knock on Woodstock: The Uproar, Uncensored Story of Woodstock, the Gay Man Who Ma It Happen, and How He Earned his Ticket to Free, Elltt was at the Stonewall rts June 1969 and he brought that activism wh him back to the Catskills that summer.

Movie Featur by Ian Cadll on Augt 26th, 2009 at 2:43 PM NEW YORK CITY—When Liev Schreiber was offered a role Ang Lee’s Takg Woodstock, he uld see that the part of Vilma, a gay ex–army officer who drs women’s clothg, uld be plited, given that the film was set 1969—long before pri paras and gay marriage. In addn, Vilma is a role mol of sorts for Ellt Tiber, the film’s protagonist, a gay man livg wh his parents upstate New York who has ncerns about g out of the closet. In a New York Cy hotel room, Schreiber explas that when he was offered the part, he didn’t know much about the era and s gay culture, but he learned, through his rearch, that Vilma would have f the trailer for Takg Woodstock.

CAN WE TALK ABOUT...? THE GAY GUY WHO MA WOODSTOCK HAPPEN 50 YEARS AGOELLT TIBER HAD A VERY SPECIAL SUMMER 1969. HE WAS NOT ONLY AT STONEWALL, BUT ALSO HELPED FACILATE THE MOST FAMO MIC FTIVAL HISTORY.BY LTER FABIAN BRATHWAEAUGT 16, 2019/10:58 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:3600PX;WIDTH:2400PX;}ANDREAS BRANCH/PATRICK MCMULLAN VIA GETTY IMAGLOS ANGELES, CA - APRIL 17: ELLT TIBER ATTENDS 21ST ANNUAL GLAAD MEDIA AWARDS AT HYATT REGENCY CENTURY PLAZA HOTEL ON APRIL 17, 2010 LOS ANGEL, CALIFORNIA. (PHOTO BY ANDREAS BRANCH/PATRICK MCMULLAN VIA GETTY IMAG)BY LTER FABIAN BRATHWAEAUGT 16, 2019 / 10:58 AM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"CAN WE TALK ABOUT...? THE GAY GUY WHO MA WOODSTOCK HAPPEN 50 YEARS AGO","THUMBNAILURL":","DATEPUBLISHED":"2019-08-16T14:58:59.000+0000","DATEMODIFIED":"2019-08-16T14:58:59.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"LTER FABIAN BRATHWAE","KEYWORDS":"CAN WE TALK ABOUT...?"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CAN WE TALK ABOUT...? IS A WEEKLY SERI REALLY PULLG FOR GRACE AND KAREN TO IRON SH {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WOODSTOCK HAS LONG BEEN RIGNED TO THE FADG MEMORY OF STRAIGHT WHE BABY BOOMERS AS THE LAST GASP OF THEIR IALISTIC YOUTH. OVER THE URSE OF THREE DAYS MID-AUGT 1969, ROCK GODS LIKE JIMI HENDRIX, JANIS JOPL, THE WHO, AND THE GRATEFUL DEAD PERFORMED FOR THE UNTERCULTURE SET THAT HAD WHOLLY EMBRACED THEIR SOUND ON A DAIRY FARM BETHEL, N.Y. BUT WHOUT THE HELP OF ELLT TIBER, A GAY RIGHTS ACTIVIST WHO SECURED THE FARM FOR THE FTIVAL, WOODSTOCK—WHICH TURNS 50 THIS WEEK—MAY NOT HAVE HAPPENED AT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TIBER DIED 2016, BUT BEFORE THAT HE PENNED TWO MEMOIRS ABOUT THE LEGENDARY FTIVAL, ONE 1994 AND ANOTHER 2007, THE LATTER BEG THE BASIS FOR ANG LEE'S 2009 FILM TAKG WOODSTOCK, WHICH TIBER IS PORTRAYED BY EDIAN DEMETRI {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A FORMER YHIVA STUNT OM BROOKLYN, TIBER HELPED N HIS PARENTS' BETHEL MOTEL, EL MONA, ON THE WEEKENDS AND SERVED AS PRINT OF THE SMALL UPSTATE NEW YORK TOWN'S CHAMBER OF MERCE. DURG THE WEEK HE WORKED AS AN TERR RATOR MANHATTAN, WHERE AT NIGHT HE WOULD EQUENT THE GAY BARS, A HAB THAT TWO MONTHS BEFORE PLACED HIM SQUARELY ANOTHER WATERSHED MOMENT OF HISTORY: THE STONEWALL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TIBER'S SIGN REER TOOK A H WHEN HE WAS CHARGED WH RATG A NIGHTCLUB OWNER'S BIRTHDAY PARTY ON A CISE SHIP. OUT ME THE RENTED PALM TRE AND "A BEVY OF MCLE BOYS VERED GOLD BODY PAT," BUT BEFORE YOU ULD SAY, "HEY, DADDY, WHERE ARE THE QUAALUS?," TIBER FOUND HIMSELF HUNKERED DOWN WH NOT JT A GAY IN, BUT THE GAY IN. THE NEW YORK TIM REUNTED THE CINT HIS OBUARY:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}DURG THE CISE, A FIGHT BROKE OUT AT THE BAR, THEN SPREAD TO THE DG ROOM AND BEYOND. MR. TIBER WERED BEHD AN OVERTURNED TABLE WH JUDY GARLAND, AN IDOL OF HIS SCE CHILDHOOD. THE PALM TRE END UP THE RIVER. LEFT HOLDG THE BILL, MR. TIBER RETREATED TO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BY THE TIME ANIZERS OF WHAT WOULD BEE THE WOODSTOCK FTIVAL WENT SNIFFG AROUND TOWN, JUDY WAS AD AND THE FIGHT FOR GAY CIVIL RIGHTS HAD BEGUN. THOSE ANIZERS, HOWEVER, EXISTED A WORLD APART, AND THEY JT WANTED TO FD A SPOT TO BRG THEIR PEACE, LOVE, AND ROCK 'N' {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WALLKILL, N.Y., WAS UNRPONSIVE TO THE IA OF LONG-HAIRED, UNWASHED, HIPPIE KIDS VADG THEIR TRANQUIL HAMLET. BUT AS PRINT OF THE BETHEL CHAMBER OF COMMERCE, TIBER WAS THE POSN TO APPROVE THE FTIVAL PERM, AND OFFERED UP EL MONA AS HQ FOR THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THOUGH WOODSTOCK IS OFTEN NSIRED A STRAIGHT DOMA, THE HIPPI' MANTRA OF EE LOVE SEEMED TO EXTEND BEYOND TRADNAL LABELS. IN FACT, ONE OF THE MOST INIC IMAG OF THE FLOWER-POWER '60S FEATUR AN 18-YEAR-OLD QUEER MAN NAMED GEE HARRIS GREETG RIFL AT THE 1967 MARCH ON THE PENTAGON WH RNATNS.BERNIE BOSTON/THE WASHGTON POST VIA GETTY IMAGARLINGTON, VA - OCTOBER 21 1967: GEE HARRIS STICKS RNATNS GUN BARRELS DURG AN ANTIWAR MONSTRATOR AT PENTAGON 1967. THEY TRIED FLOWER POWER ON MPS BLOCKG THE PENTAGON BUILDG ARLGTON, VA ON OCTOBER 21, 1967. (PHOTO BY BERNIE BOSTON/THE WASHGTON POST VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HARRIS, PERFORMG UNR THE NAME HIBISC, WAS A -FOUNR OF THE PSYCHELIC GAY LIBERATN THEATER LLECTIVE THE COCKETT, WHICH FORMED 1969 SAN FRANCIS, THE NEX OF BOTH THE HIPPIE AND GAY MOVEMENTS. TIBER, FOR HIS PART, CERTALY BENEFED OM THE SEXUAL AND QUEER LIBERATN THAT PROLIFERATED THE AIR THE SUMMER OF '{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“THOSE SIX WEEKS? WOW. THE PEOPLE WERE SO ENRICHG TO MY LIFE,” TIBER SAID OF ANIZG WOODSTOCK A 2008 TERVIEW WH THE MIAMI HERALD. "THEY OPENED UP WHOLE NEW WORLDS TO ME. I DIDN’T FEEL FAT, I DIDN’T FEEL UGLY. IT ENABLED ME TO MEET ALL KDS OF PEOPLE, TO ENJOY MYSELF. I GOT ED TO THAT.”{BOX-SIZG:BORR-BOX;CLEAR:BOTH;}CAN WE TALK ABOUT...?{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

So you would see guys dog drag wh beards and dog the nn whout unrwear and velopg a new gay culture that they took out on the streets. I was jt trigued by Vilma’s history and wh the ia of him beg a grandfather and a Korean War vet and a prostute and mcle for the gay muny.

young man wh artistic leangs, a velopg openns to gay sexualy, and. apparent homosexualy wh the clary probably needs to, leavg. to terms wh his gayns or not.

TAKG WOODSTOCK

has already been iends wh some gays the Village who were volved the. had a liberatg effect for gays gets. facilatg gay liberatn.

temporary iends, and until we fully pick up on his gay clatns we might thk. There is a lovely first flirtatn between Ellt and one of the builrs, as we realize (maybe as he realiz) that he uld be gay; but, apart om a barroom kiss and then, out of nowhere, the sight of the builr sleepg bi him, the issue is ignored.

*BEAR-MAGAZINE.COM* TAKING WOODSTOCK GAY KISS

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iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/the-current-cema"><span class="RubricName-fVtemz cLxcNi">The Current Cema</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Droppg Out</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">“Takg Woodstock” and “The Baar Mehof Complex.”</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/anthony-lane">Anthony Lane</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2009-08-24T00:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">Augt 24, 2009</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz eaTkYU"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="The new Ang Lee film tak a silong glance at Woodstock." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">The new Ang Lee film tak a silong glance at Woodstock.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Illtratn by Tom Bachtell</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">The new Ang Lee film, “Takg Woodstock,” is not about the mic ftival of forty years ago. Nobody plays Hendrix, as if anyone uld. Nobody mim to the Grateful Dead, a cisn that mers our undyg gratu. There is no Janis Jopl, although survivg footage suggts that, even when Janis was there, she wasn’t really <em>there</em>. Te, we get snatch of mic borne on the wd, pl distant views of the throng around the stage; but most of the movie bi self wh the lead-up to the ma event. This is no bad thg: the silong glance is often our bt approach to historil happengs, and, this se, we already have a report om center stage—“Woodstock,” the 1970 documentary directed by Michael Wadleigh and heroilly eded by, among others, the young Mart Srse.</p><p class="paywall">Our gui is Ellt Teichberg (Demetri Mart), whose parents, the opprsed Jake (Henry Goodman) and the opprsive Sonia (Imelda Stnton), n the El Mona, Whe Lake, ep the Borscht Belt. It’s a motel that has seen better days, although even the better days, you spect, were not that good. It has a swimmg pool that Jake spik wh bleach stead of chlore, and a sign sayg “Play at Own Risk.” (Ined, the plethora of signs around the property giv an air of advertent neo-Pop—a ht that may be flexg self for h culture.) Ellt shor up the bs, actg as print of the lol Chamber of Commerce, and nng what he lls an arts ftival— realy, a few jazz rerds played over loudspeakers and a theatre troupe om Vassar livg the barn. He has the perm to prove .</p><p class="paywall">And there’s your plot. Armed wh his bber-stamped scrap of paper, Ellt is well placed to jump when a nearby town turns down the Woodstock anizers. They are led by the Bolan-haired Michael Lang, whose chosen mos of transport n as follows: helipter, limoe, motorcycle, horse. Lang is played by Jonathan Groff, who— his big-screen début—radiat such relaxg sweetns that everyone his zone is goad to actn whout plat. Such ease is typil of Lee’s movie, which, rather <em>too</em> easily, sells the notn that Woodstock reprented a rare alignment of the Amerin stars, as a bright shg unterculture was, for a perfect moment, njoed wh the palist ethic. Max Yasgur (Eugene Levy), the farmer who rents out his land, says he’s heard more “please”s and “thank you”s a few days wh the entreprenrial hippi than he has a lifetime of Whe Lake.</p><p class="paywall">Ang Lee is normally such an expert librator of performanc—there wasn’t a weak lk “Brokeback Mounta”—that ’s a shock to fd both overwhelmers and unrwhelmers at loose his latt work. The hero is a ver versn of the Patrick Fug figure om “Almost Famo,” and, as before, the whole virg-among-the-rockers nce feels too pale and pliable for a central prence. Asi om Groff, the only one who gets the whelmg right is Liev Schreiber: somethg of a surprise, given that he spends the movie a blond wig and a th tton drs. He plays a transvte Korean War vet named Vilma, who offers Ellt his servic as a secury enforcer. It’s a nice gture, and one that Lee and his regular screenwrer, Jam Scham, vised for the film, so why leave hangg? After Ellt is menaced by protectn racketeers, Vilma swears to see them off if they return, but they never do—another loose end, a tale that grows ever more ayed. There is a lovely first flirtatn between Ellt and one of the builrs, as we realize (maybe as <em>he</em> realiz) that he uld be gay; but, apart om a barroom kiss and then, out of nowhere, the sight of the builr sleepg bi him, the issue is ignored. And what about the angry townsfolk? Jt bee the ftival dissolved all fears, do mean that every drama, too, mt go unrolved?</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">You uld argue that “Takg Woodstock” is wh s rights to jo the general mellow, but, like a client at the El Mona, plays at s own risk. There is a sequence a mper van where Ellt drops acid, distilled here to lor-drippg C.G.I. kaleidospy: as ted as every other trip mted to film. (The special effects transform the Woodstock crowd to a heavg human sea. Very imprsive, but don’t look like bliss. It looks like Gtave Doré’s visn of Hell.) Lee is a precisian, not a prober, and you n feel the film flounrg as seeks s proper foc; now and then, as he did “Hulk,” he spls the screen, like the Teichbergs dividg motel rooms to three to triple their e, but he lacks the will to nose around, to pull and out of passg scen, that Robert Altman brought to “Nashville.” Even the fe travellg shot wh which we follow Ellt toward Mr. Yasgur’s meadow through a flock of fans, the procsn feels not so much stumbled upon as neatly staged, one cute tail on the heels of another: a watermelon stall, a bleatg sheep, a tr of nuns givg the V sign of peace. You n’t ny the sg mood that wafts through the film like cense, and to that extent honors the origal three days; but not once do a character’s show of feelg stir you, send you, or stop you your tracks, and the loss is unstaable. Maybe we need Hendrix after all.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">The Red Army Factn, wh s logo of a gun set agast a red star, was a left-wg terrorist group found Germany 1970 and referred to by the public—though not by the members themselv—as the Baar Mehof Gang. The tag was vented by the media, which dwelt on two of the rglears, a hothead named Andreas Baar and a former journalist named Ulrike Mehof, and the label is ed aga for “The Baar Mehof Complex”—a tle nicely poised between crimal clter and psychologil obssn.</p><p class="paywall">The film, directed by Udi El and based on the book of the same name by Stefan At, tak scpuloly through the heydays of the group, each ed more brazen and btal than the last: the bombg of a newspaper office, the daylight murrs of proment German cizens, the siege of an embassy Stockholm, the hijackg of a Lufthansa jet, and so forth. This stream of rmatn may be more than many viewers will re to procs, as the director’s moral missn to lay out the full saga clash awkwardly wh the athetic imperative to keep tight; a curt, sry scene of an R.A.F. woman named Petra (Alexandra Maria Lara) beg waved down and pursued at a checkpot would be srier still if we had any vivifyg sense of who Petra was. Even Baar (Morz Bleibtr), locked prison om 1972 until his suici, 1977, claims not to know the next generatn of fighters who are out there, rampg up the rage.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">I have seen “The Baar Mehof Complex” three or four tim now, and, spe exasperatn wh s fissile form, I fd impossible not to be plunged ah to this engulfg age of European anxiety. How sual, by parison, seem the peaceable dreams of “Takg Woodstock” (and thank God for that, you might say). The Amerins who olic naked wh their children at Whe Lake are sheddg their hibns as lightly as shirts, whereas, when the Mehof fay do the same the openg mut of El’s film, you feel a shiver of the sister—a Roseist imagg of a society that asks to be nud and scbbed clean, at whatever st. And though is touchg to see Ellt’s father nfs, as Woodstock wds down, that has rejuvenated his old bon, jt watch the parents of Gudn Enssl (Johanna Wokalek)—at once the most appealg and the most unbendg of the R.A.F.’s ner circle—rpond to her trial for arson. It’s the burng, unexpected heart of the film. Her mother, ey aglow, says, “I myself feel liberated,” while her father, a pastor, talks of Gudn’s “holy self-realizatn.” Only Germans still speak fluent Hegelian, and the sprgg of polil extremism om spirual roots is somethg to ponr; is that why El am the jailed, close-cropped Mehof (Marta Geck)—whose own father allied himself wh anti-Nazi Prottant dissent—agast a blank wall, liberately echog the silent heroe of “The Passn of Joan of Arc” (1928)?</p><p class="paywall">Needls to say, there was nothg holy about the terrors meted out by the R.A.F., yet they were not mere purveyors of radil chic. The precise pot at which Mehof cross over om reportg on the R.A.F. to jog the e—should she follow Baar, his flight om ctody, through an open wdow, or stay behd as a rpected bourgeois mother of two?—is nfirmed here as a genuely momento fork the soul’s road. Even when she veighs agast the Shah of Iran’s vis to Germany, or the war Vietnam, you know that her homeland is the te provotn of her pa, as if the mocratic miracle of s rebirth, the prev twenty-five years, had been unearned—achieved wh too much aplomb and too ltle guilt. And, once you learn that Hanns Mart Schleyer (Bernd Stegemann), whom the R.A.F. kidnaps and execut the fal act of the story, was not only the print of the Employers’ Associatn but, a former life, an <em>Untersturmführer</em> the S.S., the warng issued by this movie rgs clear: the prsure of history n be hard to bear. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="2834zx"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div><div class="ArticlePageSplAdRailMiddle-tiRvu hiZeZX spl-ad-rail-middle"></div><div class="ArticlePageSplAdRailBottom-dBKMGQ jmCMsn spl-ad-rail-bottom"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="is0o1x"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2009/08/31" data-reactroot="">Augt 31, 2009</a>, issue.</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/anthony-lane"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/anthony-lane">Anthony Lane</a> has been a film cric for The New Yorker sce 1993. He is the thor of “<a href=">Nobody’s Perfect</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/ang-lee" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Ang Lee</span></a><a href="/tag/jam-scham" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Jam Scham</span></a><a href="/tag/liev-schreiber" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Liev Schreiber</span></a><a href="/tag/red-army-factn" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Red Army Factn</span></a><a href="/tag/stefan-st" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Stefan At</span></a><a href="/tag/terrorism" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Terrorism</span></a><a href="/tag/terrorists" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Terrorists</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt feDzQf newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Weekly</h3><div class="NewsletterSubscribeFormDek-kXonvc grEaES newsletter-subscribe-form__k">Your gui to the latt magaze and our biggt stori of the week, pl highlights om podsts, humor, and more.</div></div><div data-ttid="NewsletterSubscribeFormInputsWrapper" class="NewsletterSubscribeFormInputsWrapper-keARJE hVWbzr"><form class="form-wh-validatn NewsletterSubscribeFormValidatn-iCYa-Dt dweEln" id="newsletter" name="newsletter" novalidate="" method="POST"><span class="TextFieldWrapper-Pzdqp hNhevp text-field" data-ttid="TextFieldWrapper__email"><label class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TextFieldLabel-klrYvg iUEiRd stdEm fvoOvz text-field__label text-field__label--sgle-le" for="newsletter-text-field-email" data-ttid="TextFieldLabel__email"><div class="TextFieldLabelText-cvvxBl eeDYTb">E-mail addrs</div><div class="TextFieldInputContaer-jcMPhb oFrOs"><put type="email" aria-scribedby="privacy-text" aria-valid="false" id="newsletter-text-field-email" required="" name="email" placeholr="E-mail addrs" class="BaseInput-fAzTdK TextFieldControlInput-eFUxkf eGzzTT lglhcT text-field__ntrol text-field__ntrol--put" data-ttid="TextFieldInput__email"/></div></label><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dwpimO button button--utily TextFieldButton-csBrgY edxbrw" data-event-click="{"element":"Button"}" data-ttid="Button" type="subm"><span class="ButtonLabel-cjAuJN hzwRuG button__label">Sign up</span></button></span><div id="privacy-text" tabx="-1" class="NewsletterSubscribeFormDisclaimer-bTVtiV bsgLJZ"><span><p>By signg up, you agree to our <a href=" rel="nofollow noopener noreferrer" target="_blank">User Agreement</a> and <a href=" rel="nofollow noopener noreferrer" target="_blank">Privacy Policy & Cookie Statement</a>. 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tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Iphigenia Fort Hills" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">A Reporter 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class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Transn" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of History</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">The Transn</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">Lyndon Johnson and the events Dallas.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Robert A. Caro</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Blood Ti" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of Crime</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Blood Ti</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">Two brilliant llege lovers were nvicted of a btal slayg. All the years later, why has the se bee a e?</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Nathan Heller</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center 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