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asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="Jamie xx Romy Madley Croft and Oliver Sim. Madley Croft and Sim started their group the xx as highschool iends." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Jamie xx, Romy Madley Croft, and Oliver Sim. Madley Croft and Sim started their group, the xx, as high-school iends.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Pari Dovic</span></div></figure></div><p class="has-dropp has-dropp__lead-standard-headg">In late March, the xx, a band that ordarily appears at ten-thoand-seat arenas, played a ten-night “rincy” at the Park Avenue Armory, performg for jt a few dozen people at a time. Open to the public for fifty-five dollars a ticket, the shows also drew the micians Beyoncé, Jay Z, and Madonna, as well as the filmmakers W Anrson and Noah Bmbach. After assemblg a wdowls storage area ep wh the Armory, a former ary headquarters on the Upper East Si, ticket-holrs were led through tunnels to a small, square room, built around a shallow p where three unsg figur stood near darkns: the guarist and sger Romy Madley Croft, wh dyed black hair a geometric cut that fell over one eye; the bassist and sger Oliver Sim, a tall man wh a blond Tt forelock; and the boyish-lookg d.j./dmmer Jamie xx (né Smh), who stood behd a phalanx of samplers, keyboards, and percsn stments.</p><p class="paywall">For fifty mut, the xx played a rtraed, dacly spare versn of die rock wh a pronounced dance-mic edge. Pickg out sgle-note riffs on a chimg L Pl, Madley Croft sang yearng lyrics a breathy whisper (“You don’t move slow / takg steps my directn”) while Sim, pluckg wily spaced bass not, answered a velvety barone (“You say I’m foolish / for phg this asi”). The songs were as timate as pillow talk—murmurg and sighg agast an almost silent background—but the two sgers stood separated by the d.j. booth, until Smh’s beats lnched them to a dance route as sharply etched as a tango. Colored lights pulsed agast the walls and the low ceilg as Madley Croft, a black blazer, legggs, and boots, stro across the stage. Sim, swayg his bass the air, faced off wh her, a pantomime of nontatn and retreat that uld have been a lovers’ quarrel or a tntg sctn.</p><p class="paywall">The mood of almost unfortable timacy seemed to prevent performers and dience om acknowledgg one another; the band didn’t speak a word between songs, and the spectators didn’t appld. The mood persisted even when, halfway through the show, Madley Croft sang, “Can I make better / wh the lights turned on?,” and the fabric walls dropped away, revealg the Armory’s vast drill hall, an acre of stone and archg steel stts. Fally, the last song, she crooned, “Did I hold you too tight? / Did I not let enough light ?” The room went pletely dark, and when the lights me up, the dience, as if startled out of a daze, broke to loud applse. After one performance, Kanye Wt told the band that had remd him of Steve Jobs, who “took somethg as big as the puter and put a cell phone.”</p><p class="paywall">The members of the xx were barely out of their teens when, 2009, they released their first album, “xx,” a llectn of muted love laments wrten mostly their childhood bedrooms. For a generatn reared on the lculated bombast of Lady Gaga and Katy Perry, the album seemed like a rehgly hont acunt of first love, and the band self, appealgly shy Brons, like a relief om exhibnism and boastfulns. The album, released by a small label lled Young Turks, sold more than a ln pi and won the Mercury Prize, the most prtig award the U.K.’s pop-mic dtry.</p><p class="paywall">For their send album, “Coexist,” the band members—after two years of non-stop tourg—sequtered themselv for six months a makhift rerdg stud a ndlel London attic draped wh black velvet. The new album was another llectn of plative ballads, but the band, praised for s spare style, rced s arrangements almost to nothg; some vers were jt a sgle voice over the distant whistle of one of Smh’s samplers. Released September, 2012, the album débuted at No. 1 on the U.K. charts, but failed to generate the cril acclaim of the first album. Some plaed that showed ltle mil advance over “xx” and suffered om an airls mood and fsy productn—flaws that the band reluctantly acknowledg.</p><p class="paywall">Hence the cisn, this sprg, to create their third album on the road. After the rincy at the Armory, the band set out to play a strg of small venu the Southern Uned Stat, wrg and performg new songs almost nightly. The ia origated wh Cai Pawson, a twenty-eight-year-old Londoner who manag the band, owns s rerd label, and acts as a kd of creative facilator. “The sound, the songs, everythg, existed before me,” Pawson told me. “My put is the procs. How do they get to wrg that song?” He explaed, “The first album me out of their limatns. Their send LP was about them thkg they had to hold onto those limatns. The third is about crackg them open. Makg them do thgs they fear.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Three days after the last Armory performance, the xx were Athens, Geia, to play at a thoand-seat theatre. I met wh Madley Croft a few hours before the show. A strikgly pale woman of twenty-four wh a quiet, slightly lispg voice, she was drsed all black: T-shirt, tight jeans, and round-toed boots. She looked sufficiently alien unr the bright Southern sun that she was stopped by a young man who wanted to photograph her. She blhed and stammered, “Uh, oh—um, O.K.,” then stood stiffly as he took two shots.</p><p class="paywall">The band’s members, all siarly diffint, rist fg themselv as rock stars—or fg themselv at all. Madley Croft grew up the London suburb of Putney, the only child of an art-teacher mother and a father who worked a library. “I was a very shy kid and really to art,” she says. When she was eleven, her mother died, of a bra hemorrhage, and she was sent to live wh her nt and uncle and their dghter. “My life changed—jt <em>click</em>—overnight,” she says. “I grew up a huge amount , like, thirty sends.” She and her , Lotte Jeffs, beme close, but they rarely spoke of her mother’s ath. “She alt wh the way that she seems to al wh everythg, which is very ternally and very quietly,” Jeffs, now an edor at the <em>Eveng Standard Magaze</em>, says. “She was jt very worried about how everybody else was dog. I never saw her cry. Not once.”</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Madley Croft’s father died, apparently of plitns om alholism, soon after the release of “xx.” Another , to whom she was also close, died of a bra tumor. But Madley Croft rejects the ia that the hardships help expla the band’s moody athetic. “I’m happy—spe thgs that might have happened my life,” she says. “The melancholy our mic has never been related to any of the aths. If anythg, ’s jt that I que like sad songs.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">When her father had played rerds of sixti-era bands, she preferred the gloom of the Velvet Unrground to the Beatl, whom she has never felt cled to listen to closely. (“I feel like ’s not O.K. to say that,” she told me, lghg.) At fourteen, she took up guar, teachg herself wh tablature off the Inter. Inspired by the punkish band the Distillers, she played power chords wh heavy distortn and sang like Brody Dalle, the raspy-voiced ont woman. “I did for about a day,” she says, “and then realized I n’t sg like this. I’m not Kurt Coba.” Instead, she veloped her soft ntralto, and began pluckg sgle not to double the melody of her sgg—the roots of the unembellished guar patterns that are an xx signature. She rerd dimentary ver songs on her puter. “I would send them to a uple of iends, but very much over e-mail, and not person, and I was very private about ,” she says.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Among those she nfid was Sim, her clost iend sce nursery school. “Our parents were iends and kd of phed together,” Madley Croft says. “There’s a lot of funny photos of . We look like tws.” (The two reta a aternal relatnship. Before a recent show Memphis, Madley Croft sld him for eatg ied alligator, which had ma him sick on an earlier swg through the South.) Dpe their closens, neher had known, at fourteen, that the other was secretly playg mic. “It was this really funny moment,” Madley Croft told me. “I said, ‘You sg.’ He said, ‘No, <em>you</em> sg.’ And so we sang together.”</p><p class="paywall">Sim, a rawboned twenty-five-year-old, is the most extroverted member of the band. (Durg a post-show tour of a historic mansn Marfa, Texas, he bound off, margara hand, to sneak to closed-off rooms, and emerged om one jokg about terptg a pair of lovers.) Yet he is also the most guard about his early life, which was srred by fay dysfunctn that he cl to discs. In an terview to promote the send album, he said, “If you took anyone off the street and asked them to share as much as we get asked to share, they’d say no. I don’t thk that’s abnormal.”</p><p class="paywall">He grew up a uncil flat South London, wh his mother, a social worker, and his father, who worked for a hepatis C chary. He listened to his parents’ mic (Talkg Heads, the Whe Strip) and to his olr sister’s mercial R. & B. (Aaliyah, En Vogue, Guwe). Like Madley Croft, he rists speculatg on the origs of the melancholy the xx’s songs. “I suppose I’ve never really tried to analyze too much,” he says. “But I do remember sharg mic wh my mom the first time and her askg if I was all right.” He lghed. “I said, ‘I’m O.K.—don’t worry.’ ”</p><p class="paywall">Their earlit llaboratns were studiedly jokey ver tun. “God forbid we would seem like we were takg ourselv very serly,” he says. Wham’s “Wake Me Up Before You Go-Go” was an early staple. (“We took to a weird place,” Madley Croft says. “I’ll give that.”) They soon began wrg songs, but, too shy to work the same room, they sketched ias separately and shared them on iChat, assemblg songs like llag. They reaed om askg about the meang of lyrics. “I wouldn’t be sendg him an e-mail back askg, ‘What exactly is that about?’ ” Madley Croft told me. “It’s unsaid, which is que nice.” They worked their bedrooms late at night, keepg their voic down so as not to wake their fai—a source, both say, of the xx’s muted athetic.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH 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19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">When they were fifteen, they fished their first song, the unreleased “Blood Red Moon.” Rerd on Madley Croft’s digal eight-track to the acpaniment of a rky-dk dm pad, already suggted the xx’s later style: a sultry melody wh an uncluttered backdrop, and enigmatic but suggtive lyrics. As a bass throbbed unr a two-note guar hook, Madley Croft and Sim murmured, “Picture me unr blood red moon / I’ll make your ey turn yellow / Make your sk turn blue / I know that ’s hard to see.” The band felt that had disvered somethg almost by accint: a stripped-down, atmospheric sound remiscent of New Orr, the Cure, and Mazzy Star, but wh a propulsive dance beat. “We were, like, ‘Ahh—we like this!’ ” Madley Croft says. In the next year, they wrote a handful of songs—cludg “VCR,” “Night Time,” and “Stars”—that end up on their début album.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="pl3t9g"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="6fcdil"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">The sparens of their mic was partly imposed by their lack of virtuosy. “We uldn’t have done more plited parts, even if we wanted to,” Sim says, “bee we didn’t actually have the playg skills. We didn’t have very loud voic so we uldn’t make a very big sound. When the first album me out and people would ask , ‘Where did this mimalist thg e om?,’ we thought, It’s <em>mimal</em>, is ?” Another fg aspect of the xx’s mic—the tamped-down eroticism of the sgers’ entwed voic—was also untend, sce both are gay. “It sounds like we’re addrsg each other, but we’re not,” Madley Croft says. “We’re really sgg past each other.” The romantic yearng, however, was real enough—even if the scenars their songs were, at least on the first album, mostly imaged. One early song, “Crystalised,” was built om a passage that Sim wrote as he fantasized about what an affair might be like. “I hadn’t really had any relatnships to be workg off,” he told me. “But I had a huge tert life, and lookg at other people’s relatnships around me.” He sent a snippet—“You applied the prsure / to keep me crystalised”—to Madley Croft, who wrote an answerg verse, which begs, “I’ll five and fet / Before I’m paralyzed.” The fished lyrics, some of their bt, suggt a twisted love affair, but also ht at dgs and elogil disaster.</p><p class="paywall">Their high school, the Elltt School, was seen as a center for pop mic—havg produced several notable acts, cludg Hot Chip, Burial, and Four Tet—but Madley Croft and Sim kept their mil aspiratns private. Nila Pock, a mic teacher at the school, told the <em>Guardian</em>, 2010, “I don’t remember Oliver and Romy sgg at all. They jt didn’t do .” But their junr year they cid to attempt a live gig. They reced a classmate, Baria Qurhi, to play send guar and a two-octave child’s keyboard that Madley Croft bought, for ten pounds, on eBay. They named themselv the xx—they liked the graphic possibili of the paired cross, as well as the associatns wh kiss and chromosom—and started playg at far-flung pubs and clubs. “In our school, there were lots of bands puttg up posters sayg ‘Come to our gigs,’ ” Sim says. “We didn’t want people to know.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">Standg like spects a police lp, avoidg eye ntact wh the dience, they eked out their set to tny dm patterns pre-rerd on a CD. Lotte Jeffs loyally attend every gig. “I would be one of three people the room,” she rells. “They’d be playg a pub Shoredch, East London, and I’d be up ont, mimg to Romy, ‘Sg lour,’ or ‘Enunciate more.’ ” Sim told me that beg onstage was unpleasant. “Really paful,” he said. “All the other bands would say, ‘Uh, you’re all right. Might be a good ia if you got a <em>dmmer</em>.’ ” Neher Sim nor Madley Croft n expla what ma them endure the terrors of performg. “I gus, ep down, somewhere, hidn unrneath all of our nerv, there was a sire to be onstage,” Madley Croft says. “But ’s que odd. We fely didn’t look like we wanted to be dog .”</p><p class="paywall">Bands were startg to fd populary on the Inter—the Brish sger Lily Allen had built a large followg through her MySpace page—and so the members of the xx posted their songs onle. “There was no tert ,” Sim says. “None at all. We weren’t beg wrten about on any of the blogs. We weren’t ever <em>NME</em>”—the <em>New Mil Exprs</em>, an fluential rock weekly. “We didn’t have any fans.”</p><p class="paywall">One day Wandsworth, near their neighborhood, they noticed the headquarters of the pennt rerd label Beggars Banquet. “We saw a Whe Strip poster and asked if we uld hand a mo,” Sim told me. “But we never did, bee we were too aaid.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Cai Pawson is a loquac young man wh slicked-back blond hair and a square, leone face. Havg stggled wh learng disorrs sce childhood, he dropped out of llege after one semter and beme a votee of London’s unrground rave scene, supplyg d.j.s and sound equipment for a seri of all-night dance parti he lled Young Turks. He enjoyed growg celebry, until the police raid one of his parti and seized his gear. Pawson, then neteen, took a job A. & R. at XL Rerdgs, the London-based pennt label known for signg Ale, and quickly tablished his own small label wh the pany, also lled Young Turks.</p><p class="paywall">In his first three years, Pawson signed several groups, whout much succs. One day the fall of 2007, his assistant, Katie O’Neill, told him about the xx, which she’d found trawlg MySpace—“jt clickg on different artists’ ‘Top 4’ or ‘Top 8’ iends to fd somethg tertg,” she says. Together, they attend the xx’s next gig, at Shunt, a large, dark club wh ivied walls suated beneath the massive arch of the London Bridge railway statn. There, Pawson was nonted wh the unpreposssg sight of three eighteen-year-olds—Madley Croft, Sim, and Qurhi—standg motnls, ey on the ground, chg their way through a moody set. “For some reason, the guy behd the bar wouldn’t turn off the bar stereo,” Pawson told me. “And they were playg off a beat on a CD player. It was very funny. If you’d reviewed the show, you wouldn’t necsarily have reviewed very posively, but there was, like, endls spe for . . . <em>other possibili</em>.”</p><p class="paywall">Pawson had been raised to appreciate the possibili of stylish mimalism. His father is the archect John Pawson, who created the spare glass-and-stone Calv Kle store on Madison Avenue, and the Sackler Crossg, an unadorned se wave of black grane that cross a lake Kew Garns. Before a retrospective of his work at the Dign Mm London, a <em>Telegraph</em> article noted that his home was so bare of ornament that, when he showed to some Cistercian monks whose monastery he was about to sign, they “worried his style might be too stere for them.” Cai’s mother, Hter van Royen, is an art aler who was one of John Pawson’s earlit patrons, and had worked wh the artists Donald Judd and John Chamberla. She took a lively tert her son’s work at Young Turks. “She would e down to shows and give me a visual-arts reference,” Pawson told me. “I had a band lled Holy Fuck—an stmental Krtrock band. She loved them. She was, like, ‘This is the gangster Rothko of sound!’ ”</p><p class="paywall">He brought her to an early xx show at the AB Club, Bssels. “She grabbed me,” he says, “and she was, like, ‘This is the first extreme talent you have.’ She looked me the ey and was, like, ‘Creativy is not a tap! Do not fuck this up!’ What she meant was, jt bee you have somethg excg, you n’t jt put them on the promo bandwagon.” Pawson regnized that the xx were pecially vulnerable to the prsur of rerdg, tourg, and prs terviews. “They were very ail and shy kids,” he says. “Some people are born a b more ready. This band wasn’t born ready.”</p><p class="paywall">Pawson reaed om askg them to sign a al, nvced that handg them money to rerd an album would “make them llapse.” Instead, he promised to secure them a rehearsal space and fd them gigs. Still high-school stunts whout heavy fancial obligatns, they agreed, and began to gather at the rehearsal room—a dised garage at the rerd pany’s headquarters, the same Wandsworth buildg where they had once been too aaid to drop off a mo. “I don’t know what I thought we were dog—wh what purpose,” Madley Croft says. “It wasn’t for an album. I was jt happy playg mic.” Sim was galvanized by Pawson’s enthiasm. “He was takg serly. It’s a real driver, when no one else is particularly exced.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="awf4f8"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">The xx soon reced Jamie Smh, a longtime iend om the Elltt School. A highly self-ntaed young man, Smh has dark, puppyish ey and a bashful se. (“I once went shoppg and ravg wh Jamie Holland,” Pawson told me. “A day and a night of partyg. Don’t thk he said a word—but he had an awome time!”) He grew up listeng to his parents’ Stax soul and funk, and then to electronic dance mic, built around dm sounds sampled om those classic rerdgs by micians like DJ Shadow and RJD2. He had turned down an earlier offer to dm for the band. “I didn’t thk I was good enough,” he says, “and I didn’t want to be onstage.” But for his eighteenth birthday he was given his first MPC—a bed rerr, sampler, and dm mache—and brought to the xx rehearsal room. When Madley Croft and Sim heard how the band sound wh Smh providg live beats, tappg pads wh his fgers to simulate a dm set, they urged him to jo. “It had a live element,” Madley Croft says, “and add so much texture, wh all the other sounds he uld make.” Smh’s dm patterns and ethereal synths gave the xx a distctive qualy: a hybrid of sger-songwrer balladry and fluenc om hip-hop and unrground London dance mic.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">For eighteen months, they rehearsed the garage, ttg new songs at ty venu. In that time, all of them graduated om high school. Madley Croft was accepted a pre-unrgraduate urse at London’s Central Sat Marts arts llege, where the micians M.I.A., Jarvis Cocker, and PJ Harvey had studied; Sim got a job as a waer; Smh worked on his d.j. beats; and the band ntued to rehearse and play gigs. “It was all very sual,” Madley Croft says. “And then one day the people at Young Turks were, like, ‘Do you want to make an album?’ ” By then, she had plans to attend llege. “Cai was, like, ‘You kd of need to make a cisn—do you want to go to universy, or do you want to foc on the band?’ I chose the band.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">For the xx’s stripped-down tour of the South—cludg shows Atlanta, Raleigh, Memphis, and Marfa—Pawson enuraged the band not to fall to the ual t: performg, crashg, risg late, eatg, performg aga. The ia was to absorb the lor and culture of the South, the hope that the new surroundgs would break them out of their route. Before sound check Oxford, Mississippi, Pawson rralled Madley Croft and Smh on a trip to a rerd store, the End of All Mic, outsi of town. While Pawson energetilly pched the owner on hostg a solo show wh Smh for broadst onle (Smh has veloped a succsful solo reer as a d.j., and worked as a producer for Drake and Alicia Keys), Madley Croft quietly snned the albums on the walls. Smh mped out a back room filled wh obscure gospel and untry rerdgs, where he listened through headphon to rerd after rerd, bobbg his head, lookg for sounds to sample for the xx’s new songs.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="“Whoa check out—Bill Murray jt crashed our rtoon”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“Whoa, check out—Bill Murray jt crashed our rtoon!”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-pylk" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Copy lk to rtoon</tle><g clip-path="url(#clip0_3732_178637)"><path fill-le="evenodd" clip-le="evenodd" d="M16.3488 10.5017C16.2107 10.7357 16.2926 11.035 16.5318 11.17C16.7709 11.3052 17.0767 11.225 17.2148 10.991L18.4648 8.87225C19.5694 7.00002 18.9139 4.60601 17.0007 3.52508C15.0875 2.44415 12.6412 3.08562 11.5366 4.95785L9.53657 8.34782C8.432 10.22 9.08751 12.6141 11.0007 13.6949C11.1888 13.8012 11.382 13.8908 11.5785 13.9642C11.7819 14.0403 12.0058 13.9485 12.1147 13.764C12.2794 13.4849 12.1103 13.1276 11.8083 12.9992C11.7041 12.9549 11.6014 12.9044 11.5007 12.8475C10.0658 12.0368 9.57417 10.2413 10.4026 8.83712L12.4026 5.44715C13.2311 4.04298 15.0658 3.56187 16.5007 4.37257C17.9356 5.18327 18.4272 6.97878 17.5988 8.38295L16.3488 10.5017ZM7.6526 13.4983C7.79067 13.2643 7.70873 12.965 7.46959 12.8299C7.23044 12.6948 6.92464 12.775 6.78657 13.009L5.53657 15.1278C4.432 17 5.0875 19.394 7.00068 20.475C8.91385 21.5558 11.3602 20.9144 12.4648 19.0422L14.4648 15.6521C15.5694 13.78 14.9139 11.3859 13.0007 10.305C12.8127 10.1988 12.6195 10.1091 12.4229 10.0357C12.2195 9.95975 11.9956 10.0515 11.8867 10.236C11.7221 10.5151 11.8911 10.8724 12.1932 11.0008C12.2973 11.0451 12.4 11.0956 12.5007 11.1525C13.9356 11.9632 14.4272 13.7587 13.5988 15.1628L11.5988 18.5529C10.7704 19.957 8.93555 20.4382 7.50068 19.6274C6.0658 18.8167 5.57417 17.0212 6.4026 15.6171L7.6526 13.4983Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button><div class="AlertWrapper-gvFATk MdjE RponsiveCartoonLkAlertPopup-BPAXn kdMXRM shoppg-alert" role="dialog"><div aria-hidn="te" role="prentatn" class="AlertArrow-daOgye AlLda alert-arrow"></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm ifgabc iOlxjf alert-msage"><p aria-hidn="te">Lk pied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">When Smh produced the band’s first album, he was only neteen. Pawson had brought experienced hmakers, cludg Diplo, an L.A.-based producer who has worked wh Beyoncé, No Doubt, Jt Bieber, and Usher; and the London-based Kw, who has llaborated wh Damon Albarn and Bobby Womack. The xx were ially exced to work wh tablished nam, but soon balked. Where the band had left spac the songs, producers wanted to sert sounds and beats. “They wanted to put their own ltle stamp on ,” Smh says. “If you have a band wh a sound, and you n hear , you should do somethg that sounds like them.” He lobbied his bandmat and the label to let him produce the rerd, and they agreed.</p><p class="paywall">The album, rerd December, 2008, the nverted garage, retaed the unvarnished productn of the band’s mos. “We had a le that everythg had to be possible to play live, whout extra stments,” Madley Croft says. Instead of g the stud’s synthizers, they sisted on the child’s keyboard bought on eBay. “I n’t believe how naïve we were,” Smh says. “I’m glad, bee that’s why sound like did. None of even had the ia our head that was gog to be released.” Ined, Young Turks did not sign them to a rerd al until after the album was released.</p><p class="paywall">When “xx” went on sale, the followg Augt, <em>NME</em> hailed as “one of 2009’s most unique buts.” The cric Robert Christg wrote, “It’s hard to image their mic gettg much better,” and Slant ma parisons to Belle and Sebastian, Joy Divisn, Interpol, and Rega Spektor. Katie Stelmanis, of the Toronto-based band Atra, which later opened shows for the xx, said that the album signalled a changg fashn. “Their entire athetic really didn’t exist any kd of mastream way before,” Stelmanis told me. “I remember the first time listeng to them and thkg, How n they get away wh this? It’s so simple. That mimalism has fely swept over the world—even to the pot where Beyoncé’s new rerd sounds like uld be produced by Jamie xx.”</p><p class="paywall">But the album sold slowly at first, and the band’s affect on stage remaed recsive. That fall, when they played at the CMJ Mic Ftival New York, Pchfork praised their mic but said that “their live prence is not exactly dynamic.” And there were problems offstage. The prsur of tourg had creased long-standg tensns between Qurhi and the rt of the band, and she subsequently left, signg an agreement that officially end her relatnship wh the band. She do not speak to the prs, but a recent tweet she plaed that she didn’t get enough cred for her ntributn to the band’s mic. (Pawson disput this.)</p><p class="paywall">If the band’s crics lled the mic anodyne, s blank-slate qualy offered wi mercial opportuni. The BBC picked up the spooky stmental “Intro” for s verage of the general electn, and Rihanna sampled for her dance tune “Dnk on Love.” Soon, the xx’s mic was beg ed r mercials, movi, and televisn shows (“Cold Case,” “Grey’s Anatomy,” “Gossip Girl”). Karl Lagerfeld chose for a Chanel fashn show. In April, 2010, the band was ved to play at the Coachella Mic Ftival, California. The members me onstage at four the afternoon to disver that thirty thoand people had gathered to see them. Jay Z and Beyoncé were the p ont of the stage. Madley Croft says, “That was the moment when I was, like, Oh, my God, I thk people might be to this.”</p><p class="paywall">Tourg relentlsly over the next two years, the band grew more at home onstage. “Over time, Oliver started to move a b,” Madley Croft says. “I didn’t know, bee I spent the whole time lookg eher down or forward. I thought, I’ve got to step up. I started to move, and now we’ve kd of veloped this whole swayg thg that we do. I sort of follow his lead.” (Before the Armory shows, they worked out each night’s mov on paper.) Madley Croft lost weight, and trad her baggy black T-shirts for slim blazers, legggs, and high-heeled boots. She started datg Hannah Marshall, a London fashn signer, who creat stage outfs for all the xx members: narrow black cloth wh sls at the elbows. Inevably, crics and fans talked about the sexs of the mic. “A lot of people would e up to after the shows and want to tell that was a sexy sound. You kd of don’t know what to say!” Madley Croft told me, lghg. “What I like about is that there was absolutely no tentn to make sound like that.” Some of their early fans, who loved their awkwardns, feel that they’ve sold out. But at the Armory the transformative power of stardom ma their stony exprsns look ls like stage ight than like adpan ol—the sang-oid of rock stars ntent to make you e to them.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">A few weeks ago, I vised Fal Cut studs New York, where the photographer Jamie-Jam Meda was edg a documentary about the band. Meda has been shootg for four years, amassg a hundred and twenty hours of footage, which he was tryg to assemble to a nety-mute rough cut. In an edg sue domated by a large TV screen, he spoke wistfully of D. A. Pennebaker’s “Don’t Look Back,” wh s unguard scen of a young Bob Dylan gleefully bullyg a <em>Time</em> magaze reporter. Wh the xx, he said, “ took me two months before I even asked if I uld shoot backstage.”</p><p class="paywall">But Meda did pture moments of drama, however subterranean. He showed me footage om the velvet-led attic stud where the band members, tensely nervo about followg up on their début, were makg the send rerdg. Sim says, “Our first album we thought no one would even hear. Now we were creatg knowg there was an dience. It was bizarre.” Madley Croft adds, “We thought, We jt need to hi away, and we kd of shut all the doors.” Smh, who was producg aga, at first loved the isolatn. Now, he says, “I realize a lot of was que miserable. I spent too much time makg sure every sound was perfect.” In Meda’s footage, the band members hardly speak to one another, and when they do a tone of tetchy irratn is dible. They fally stopped munitg directly, settlg creative disput by speakg through Pawson. Their label asked repeatedly to hear the new rerdg. “We’d be, like, ‘O.K., we’ll play to you this week,’ ” Sim says. “Then we’d realize we wanted to change part of .” Fally, Pawson mand to hear the album. “Cai me,” Sim says, “and was, ‘O.K., this is great. You ptured a moment, where you’re at right now. There will be other albums—this is .’ ”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-4 viewport-monor-anchor"></div><p class="paywall">The rultg album, “Coexist,” sound many ways like “xx,” but even more starkly mimal—an effect that seemed ls a nfint artistic choice than a band’s strag to repture what crics had fed as s signature sound. “Wh the first album, we never talked about ” beg mimal, Smh says. “Makg the send album, we may have talked about too much.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="zkjn"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="5p9vd"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">“It’s a great rerd that we all love and are extremely proud of,” Pawson told me, “and there’s no other rerd that uld be ma. But the procs was exhstg and very paful.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Durg sound check at the Geia Theatre, Athens, the xx played a song wrten only days earlier, New York. It began wh wash of an om Smh’s keyboard, and a plangent lyric sung by Madley Croft: “I ed to pe / to my hidg place. Now we’re face to face / and I don’t feel so aaid.”</p><p class="paywall">Pawson, standg close to the stage, said, “First time I’ve heard this. First time anyone’s heard .” The song was more thickly orchtrated than ual—tollg dmbeats, swirlg an sectns, rgg chords. When end, Pawson elaborated on forcg the band to wre and arrange new songs on tour. “Instead of havg two months to dwell on how the dms should sound,” he says, “they have half an hour before the show to get right. It’s trial and error—live.” The need to rolve artistic differenc on the spot left no time for entrenched disagreements, an approach that Madley Croft said was closer to how they ma the first album. “We’d played all those songs live loads of tim before we rerd them, and they morphed and were fluenced by the reactn they got om the crowd.”</p><p class="paywall">In the next few days, they rehearsed “Hidg Place” at sound checks, and often stggled wh a sectn late the song where Sim tak a verse. The band was tryg to figure out what stmentatn, if any, to clu unr his sgg. Each night, they played a different versn, sometim wh Madley Croft doublg Sim’s voice on guar, sometim wh nothg but a boomg bass-dm sample unr his voice. After each show, the band discsed which versn had got the bt reactn om the dience, and ma mental not for when they reached Marfa, Wt Texas, where they were schled to start rerdg the new album. Madley Croft said that was ighteng to play an unfished song live—at sound check Athens, she had to stop midway through “Hidg Place,” bee she uldn’t remember the melody of her verse—but, she add, that was the pot of the exercise: “I’m tryg to go along the l of, If mak me nervo, then do .”</p><p class="paywall">On the Southern tour, the xx played mostly llege towns, for dienc of unrgraduat preppy T-shirts and shorts: boys and girls on dat, swayg wh their arms around each other’s waists; groups of sorory sisters and at brothers. Diehard fans reverently sang along to “Angels,” as slowed nearly to a halt wh the repeated, whispered phrase “They would be as love wh you as I am.” While the band played s hs, the feelg the room was ls like a rock ncert than like an enunter-group ssn, wh both the dience and the band members relivg the private moments of their first lov.</p><p class="paywall">The new songs, however, were often ls well received. On the tour, Madley Croft débuted “Performance.” Sung solo to stmmed guar chords—a parture om her ual sgle not—the song is an achgly tenr nfsnal about private pa and the necsy of puttg on a brave face onstage. At the Armory, the dience had leaned close to tch every nuance. But Oxford, at a small, dark venue lled the Lyric, the standg-room-only crowd of llege stunts talked and lghed as Madley Croft bared her soul; some checked msag on their phon. After the show, Pawson, outraged, herd the band to the tour b, past a le of tograph-seekers. Over dner the next day, Memphis, Madley Croft acknowledged that was difficult when dienc were different, but she said that even this uld be an spiratn. “That feelg of hopg for the bt—and then people jt talkg right through,” she said, and lghed. “It really remd me of when we started out.” ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="4cvqie"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2014/06/30" data-reactroot="">June 30, 2014</a>, issue.</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/john-lapto">John Colapto</a> beme a staff wrer at <em>The New Yorker</em> 2006. He is the thor of “<a href=">Undone</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/kanye-wt" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Kanye Wt</span></a><a href="/tag/mic" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Mic</span></a><a href="/tag/micians" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Micians</span></a><a href="/tag/park-avenue-armory" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Park Avenue Armory</span></a><a href="/tag/rock-bands" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Rock Bands</span></a><a href="/tag/the-xx" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">The xx</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt feDzQf newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Weekly</h3><div class="NewsletterSubscribeFormDek-kXonvc grEaES newsletter-subscribe-form__k">Your gui to the latt magaze and our biggt stori of the week, pl highlights om podsts, humor, and more.</div></div><div data-ttid="NewsletterSubscribeFormInputsWrapper" class="NewsletterSubscribeFormInputsWrapper-keARJE hVWbzr"><form class="form-wh-validatn NewsletterSubscribeFormValidatn-iCYa-Dt dweEln" id="newsletter" name="newsletter" novalidate="" method="POST"><span class="TextFieldWrapper-Pzdqp hNhevp text-field" data-ttid="TextFieldWrapper__email"><label class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TextFieldLabel-klrYvg iUEiRd stdEm fvoOvz text-field__label text-field__label--sgle-le" for="newsletter-text-field-email" data-ttid="TextFieldLabel__email"><div class="TextFieldLabelText-cvvxBl eeDYTb">E-mail addrs</div><div class="TextFieldInputContaer-jcMPhb oFrOs"><put type="email" aria-scribedby="privacy-text" aria-valid="false" id="newsletter-text-field-email" required="" name="email" placeholr="E-mail addrs" class="BaseInput-fAzTdK TextFieldControlInput-eFUxkf eGzzTT lglhcT text-field__ntrol text-field__ntrol--put" data-ttid="TextFieldInput__email"/></div></label><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dwpimO button button--utily TextFieldButton-csBrgY edxbrw" data-event-click="{"element":"Button"}" data-ttid="Button" type="subm"><span class="ButtonLabel-cjAuJN hzwRuG button__label">Sign up</span></button></span><div id="privacy-text" tabx="-1" class="NewsletterSubscribeFormDisclaimer-bTVtiV bsgLJZ"><span><p>By signg up, you agree to our <a href=" rel="nofollow noopener noreferrer" target="_blank">User Agreement</a> and <a href=" rel="nofollow noopener noreferrer" target="_blank">Privacy Policy & Cookie Statement</a>. 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class="GridItem-buujkM kHPPIF grid--em"><div class="SummaryCollectnGridContent-eVUpRm jTGbEO"><div class="SectnTleRoot-dBGvdq hpRFVl SummaryCollectnGridSectnTle-fCmYwG izjbVn" data-ttid="SectnTle"><hear class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet dxqEAa jfOfxc jttyjJ">Read More</hear></div><div class="SummaryCollectnGridItems-DZShR jBCYOL hi-read-more-ad" data-ttid="SummaryCollectnGridItems"><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Daily Cartoon: Wednday, July 12th" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Daily Cartoon</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Daily Cartoon: Wednday, July 12th</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">“The clock is tickg—will you solve the problem or pass on to future generatns, Congrsman?”</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Brendan Loper</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Daily Cartoon: Thursday, July 13th" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Daily Cartoon</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Daily Cartoon: Thursday, July 13th</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">“Well, maybe <em class="unrle">you</em> shouldn’t have spent a lifetime pastakgly hong a set of skills that you mt have known we would eventually attempt to steal and replite for ee.”</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Zoe Si</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“Orange Is the New Black” Signalled the Rot Insi the Streamg Enomy" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Not on Hollywood</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">“Orange Is the New Black” Signalled the Rot Insi the Streamg Enomy</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">The novative and darg show was a worldwi h for Netflix, but some of the actors say that they were never fairly pensated.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Michael Schulman</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Salvador Dalí’s Surreal Summer the Cy" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Blt’s Kvetchbook</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" 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the xx gay

Straight Men & the Men Who Love Them: Directed by Javier Agirre, Je Ameer, Alequ Eerer, Stewart Wa. A llectn of shorts that explor the relatnships between gay men and straight men. The llectn clus Espac Dos (Spa) In the Name of the Father (Brazil), My Straight Boyiend (US), Tth or Consequenc (Brazil), Coffee Date (US), Poprn & Coke (UK), and Unhibed." data-id="ma

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asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="Jamie xx Romy Madley Croft and Oliver Sim. Madley Croft and Sim started their group the xx as highschool iends." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Jamie xx, Romy Madley Croft, and Oliver Sim. Madley Croft and Sim started their group, the xx, as high-school iends.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Pari Dovic</span></div></figure></div><p class="has-dropp has-dropp__lead-standard-headg">In late March, the xx, a band that ordarily appears at ten-thoand-seat arenas, played a ten-night “rincy” at the Park Avenue Armory, performg for jt a few dozen people at a time. Open to the public for fifty-five dollars a ticket, the shows also drew the micians Beyoncé, Jay Z, and Madonna, as well as the filmmakers W Anrson and Noah Bmbach. After assemblg a wdowls storage area ep wh the Armory, a former ary headquarters on the Upper East Si, ticket-holrs were led through tunnels to a small, square room, built around a shallow p where three unsg figur stood near darkns: the guarist and sger Romy Madley Croft, wh dyed black hair a geometric cut that fell over one eye; the bassist and sger Oliver Sim, a tall man wh a blond Tt forelock; and the boyish-lookg d.j./dmmer Jamie xx (né Smh), who stood behd a phalanx of samplers, keyboards, and percsn stments.</p><p class="paywall">For fifty mut, the xx played a rtraed, dacly spare versn of die rock wh a pronounced dance-mic edge. Pickg out sgle-note riffs on a chimg L Pl, Madley Croft sang yearng lyrics a breathy whisper (“You don’t move slow / takg steps my directn”) while Sim, pluckg wily spaced bass not, answered a velvety barone (“You say I’m foolish / for phg this asi”). The songs were as timate as pillow talk—murmurg and sighg agast an almost silent background—but the two sgers stood separated by the d.j. booth, until Smh’s beats lnched them to a dance route as sharply etched as a tango. Colored lights pulsed agast the walls and the low ceilg as Madley Croft, a black blazer, legggs, and boots, stro across the stage. Sim, swayg his bass the air, faced off wh her, a pantomime of nontatn and retreat that uld have been a lovers’ quarrel or a tntg sctn.</p><p class="paywall">The mood of almost unfortable timacy seemed to prevent performers and dience om acknowledgg one another; the band didn’t speak a word between songs, and the spectators didn’t appld. The mood persisted even when, halfway through the show, Madley Croft sang, “Can I make better / wh the lights turned on?,” and the fabric walls dropped away, revealg the Armory’s vast drill hall, an acre of stone and archg steel stts. Fally, the last song, she crooned, “Did I hold you too tight? / Did I not let enough light ?” The room went pletely dark, and when the lights me up, the dience, as if startled out of a daze, broke to loud applse. After one performance, Kanye Wt told the band that had remd him of Steve Jobs, who “took somethg as big as the puter and put a cell phone.”</p><p class="paywall">The members of the xx were barely out of their teens when, 2009, they released their first album, “xx,” a llectn of muted love laments wrten mostly their childhood bedrooms. For a generatn reared on the lculated bombast of Lady Gaga and Katy Perry, the album seemed like a rehgly hont acunt of first love, and the band self, appealgly shy Brons, like a relief om exhibnism and boastfulns. The album, released by a small label lled Young Turks, sold more than a ln pi and won the Mercury Prize, the most prtig award the U.K.’s pop-mic dtry.</p><p class="paywall">For their send album, “Coexist,” the band members—after two years of non-stop tourg—sequtered themselv for six months a makhift rerdg stud a ndlel London attic draped wh black velvet. The new album was another llectn of plative ballads, but the band, praised for s spare style, rced s arrangements almost to nothg; some vers were jt a sgle voice over the distant whistle of one of Smh’s samplers. Released September, 2012, the album débuted at No. 1 on the U.K. charts, but failed to generate the cril acclaim of the first album. Some plaed that showed ltle mil advance over “xx” and suffered om an airls mood and fsy productn—flaws that the band reluctantly acknowledg.</p><p class="paywall">Hence the cisn, this sprg, to create their third album on the road. After the rincy at the Armory, the band set out to play a strg of small venu the Southern Uned Stat, wrg and performg new songs almost nightly. The ia origated wh Cai Pawson, a twenty-eight-year-old Londoner who manag the band, owns s rerd label, and acts as a kd of creative facilator. “The sound, the songs, everythg, existed before me,” Pawson told me. “My put is the procs. How do they get to wrg that song?” He explaed, “The first album me out of their limatns. Their send LP was about them thkg they had to hold onto those limatns. The third is about crackg them open. Makg them do thgs they fear.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Three days after the last Armory performance, the xx were Athens, Geia, to play at a thoand-seat theatre. I met wh Madley Croft a few hours before the show. A strikgly pale woman of twenty-four wh a quiet, slightly lispg voice, she was drsed all black: T-shirt, tight jeans, and round-toed boots. She looked sufficiently alien unr the bright Southern sun that she was stopped by a young man who wanted to photograph her. She blhed and stammered, “Uh, oh—um, O.K.,” then stood stiffly as he took two shots.</p><p class="paywall">The band’s members, all siarly diffint, rist fg themselv as rock stars—or fg themselv at all. Madley Croft grew up the London suburb of Putney, the only child of an art-teacher mother and a father who worked a library. “I was a very shy kid and really to art,” she says. When she was eleven, her mother died, of a bra hemorrhage, and she was sent to live wh her nt and uncle and their dghter. “My life changed—jt <em>click</em>—overnight,” she says. “I grew up a huge amount , like, thirty sends.” She and her , Lotte Jeffs, beme close, but they rarely spoke of her mother’s ath. “She alt wh the way that she seems to al wh everythg, which is very ternally and very quietly,” Jeffs, now an edor at the <em>Eveng Standard Magaze</em>, says. “She was jt very worried about how everybody else was dog. I never saw her cry. Not once.”</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Madley Croft’s father died, apparently of plitns om alholism, soon after the release of “xx.” Another , to whom she was also close, died of a bra tumor. But Madley Croft rejects the ia that the hardships help expla the band’s moody athetic. “I’m happy—spe thgs that might have happened my life,” she says. “The melancholy our mic has never been related to any of the aths. If anythg, ’s jt that I que like sad songs.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">When her father had played rerds of sixti-era bands, she preferred the gloom of the Velvet Unrground to the Beatl, whom she has never felt cled to listen to closely. (“I feel like ’s not O.K. to say that,” she told me, lghg.) At fourteen, she took up guar, teachg herself wh tablature off the Inter. Inspired by the punkish band the Distillers, she played power chords wh heavy distortn and sang like Brody Dalle, the raspy-voiced ont woman. “I did for about a day,” she says, “and then realized I n’t sg like this. I’m not Kurt Coba.” Instead, she veloped her soft ntralto, and began pluckg sgle not to double the melody of her sgg—the roots of the unembellished guar patterns that are an xx signature. She rerd dimentary ver songs on her puter. “I would send them to a uple of iends, but very much over e-mail, and not person, and I was very private about ,” she says.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Among those she nfid was Sim, her clost iend sce nursery school. “Our parents were iends and kd of phed together,” Madley Croft says. “There’s a lot of funny photos of . We look like tws.” (The two reta a aternal relatnship. Before a recent show Memphis, Madley Croft sld him for eatg ied alligator, which had ma him sick on an earlier swg through the South.) Dpe their closens, neher had known, at fourteen, that the other was secretly playg mic. “It was this really funny moment,” Madley Croft told me. “I said, ‘You sg.’ He said, ‘No, <em>you</em> sg.’ And so we sang together.”</p><p class="paywall">Sim, a rawboned twenty-five-year-old, is the most extroverted member of the band. (Durg a post-show tour of a historic mansn Marfa, Texas, he bound off, margara hand, to sneak to closed-off rooms, and emerged om one jokg about terptg a pair of lovers.) Yet he is also the most guard about his early life, which was srred by fay dysfunctn that he cl to discs. In an terview to promote the send album, he said, “If you took anyone off the street and asked them to share as much as we get asked to share, they’d say no. I don’t thk that’s abnormal.”</p><p class="paywall">He grew up a uncil flat South London, wh his mother, a social worker, and his father, who worked for a hepatis C chary. He listened to his parents’ mic (Talkg Heads, the Whe Strip) and to his olr sister’s mercial R. & B. (Aaliyah, En Vogue, Guwe). Like Madley Croft, he rists speculatg on the origs of the melancholy the xx’s songs. “I suppose I’ve never really tried to analyze too much,” he says. “But I do remember sharg mic wh my mom the first time and her askg if I was all right.” He lghed. “I said, ‘I’m O.K.—don’t worry.’ ”</p><p class="paywall">Their earlit llaboratns were studiedly jokey ver tun. “God forbid we would seem like we were takg ourselv very serly,” he says. Wham’s “Wake Me Up Before You Go-Go” was an early staple. (“We took to a weird place,” Madley Croft says. “I’ll give that.”) They soon began wrg songs, but, too shy to work the same room, they sketched ias separately and shared them on iChat, assemblg songs like llag. They reaed om askg about the meang of lyrics. “I wouldn’t be sendg him an e-mail back askg, ‘What exactly is that about?’ ” Madley Croft told me. “It’s unsaid, which is que nice.” They worked their bedrooms late at night, keepg their voic down so as not to wake their fai—a source, both say, of the xx’s muted athetic.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH 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data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">When they were fifteen, they fished their first song, the unreleased “Blood Red Moon.” Rerd on Madley Croft’s digal eight-track to the acpaniment of a rky-dk dm pad, already suggted the xx’s later style: a sultry melody wh an uncluttered backdrop, and enigmatic but suggtive lyrics. As a bass throbbed unr a two-note guar hook, Madley Croft and Sim murmured, “Picture me unr blood red moon / I’ll make your ey turn yellow / Make your sk turn blue / I know that ’s hard to see.” The band felt that had disvered somethg almost by accint: a stripped-down, atmospheric sound remiscent of New Orr, the Cure, and Mazzy Star, but wh a propulsive dance beat. “We were, like, ‘Ahh—we like this!’ ” Madley Croft says. In the next year, they wrote a handful of songs—cludg “VCR,” “Night Time,” and “Stars”—that end up on their début album.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="pl3t9g"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="6fcdil"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">The sparens of their mic was partly imposed by their lack of virtuosy. “We uldn’t have done more plited parts, even if we wanted to,” Sim says, “bee we didn’t actually have the playg skills. We didn’t have very loud voic so we uldn’t make a very big sound. When the first album me out and people would ask , ‘Where did this mimalist thg e om?,’ we thought, It’s <em>mimal</em>, is ?” Another fg aspect of the xx’s mic—the tamped-down eroticism of the sgers’ entwed voic—was also untend, sce both are gay. “It sounds like we’re addrsg each other, but we’re not,” Madley Croft says. “We’re really sgg past each other.” The romantic yearng, however, was real enough—even if the scenars their songs were, at least on the first album, mostly imaged. One early song, “Crystalised,” was built om a passage that Sim wrote as he fantasized about what an affair might be like. “I hadn’t really had any relatnships to be workg off,” he told me. “But I had a huge tert life, and lookg at other people’s relatnships around me.” He sent a snippet—“You applied the prsure / to keep me crystalised”—to Madley Croft, who wrote an answerg verse, which begs, “I’ll five and fet / Before I’m paralyzed.” The fished lyrics, some of their bt, suggt a twisted love affair, but also ht at dgs and elogil disaster.</p><p class="paywall">Their high school, the Elltt School, was seen as a center for pop mic—havg produced several notable acts, cludg Hot Chip, Burial, and Four Tet—but Madley Croft and Sim kept their mil aspiratns private. Nila Pock, a mic teacher at the school, told the <em>Guardian</em>, 2010, “I don’t remember Oliver and Romy sgg at all. They jt didn’t do .” But their junr year they cid to attempt a live gig. They reced a classmate, Baria Qurhi, to play send guar and a two-octave child’s keyboard that Madley Croft bought, for ten pounds, on eBay. They named themselv the xx—they liked the graphic possibili of the paired cross, as well as the associatns wh kiss and chromosom—and started playg at far-flung pubs and clubs. “In our school, there were lots of bands puttg up posters sayg ‘Come to our gigs,’ ” Sim says. “We didn’t want people to know.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">Standg like spects a police lp, avoidg eye ntact wh the dience, they eked out their set to tny dm patterns pre-rerd on a CD. Lotte Jeffs loyally attend every gig. “I would be one of three people the room,” she rells. “They’d be playg a pub Shoredch, East London, and I’d be up ont, mimg to Romy, ‘Sg lour,’ or ‘Enunciate more.’ ” Sim told me that beg onstage was unpleasant. “Really paful,” he said. “All the other bands would say, ‘Uh, you’re all right. Might be a good ia if you got a <em>dmmer</em>.’ ” Neher Sim nor Madley Croft n expla what ma them endure the terrors of performg. “I gus, ep down, somewhere, hidn unrneath all of our nerv, there was a sire to be onstage,” Madley Croft says. “But ’s que odd. We fely didn’t look like we wanted to be dog .”</p><p class="paywall">Bands were startg to fd populary on the Inter—the Brish sger Lily Allen had built a large followg through her MySpace page—and so the members of the xx posted their songs onle. “There was no tert ,” Sim says. “None at all. We weren’t beg wrten about on any of the blogs. We weren’t ever <em>NME</em>”—the <em>New Mil Exprs</em>, an fluential rock weekly. “We didn’t have any fans.”</p><p class="paywall">One day Wandsworth, near their neighborhood, they noticed the headquarters of the pennt rerd label Beggars Banquet. “We saw a Whe Strip poster and asked if we uld hand a mo,” Sim told me. “But we never did, bee we were too aaid.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Cai Pawson is a loquac young man wh slicked-back blond hair and a square, leone face. Havg stggled wh learng disorrs sce childhood, he dropped out of llege after one semter and beme a votee of London’s unrground rave scene, supplyg d.j.s and sound equipment for a seri of all-night dance parti he lled Young Turks. He enjoyed growg celebry, until the police raid one of his parti and seized his gear. Pawson, then neteen, took a job A. & R. at XL Rerdgs, the London-based pennt label known for signg Ale, and quickly tablished his own small label wh the pany, also lled Young Turks.</p><p class="paywall">In his first three years, Pawson signed several groups, whout much succs. One day the fall of 2007, his assistant, Katie O’Neill, told him about the xx, which she’d found trawlg MySpace—“jt clickg on different artists’ ‘Top 4’ or ‘Top 8’ iends to fd somethg tertg,” she says. Together, they attend the xx’s next gig, at Shunt, a large, dark club wh ivied walls suated beneath the massive arch of the London Bridge railway statn. There, Pawson was nonted wh the unpreposssg sight of three eighteen-year-olds—Madley Croft, Sim, and Qurhi—standg motnls, ey on the ground, chg their way through a moody set. “For some reason, the guy behd the bar wouldn’t turn off the bar stereo,” Pawson told me. “And they were playg off a beat on a CD player. It was very funny. If you’d reviewed the show, you wouldn’t necsarily have reviewed very posively, but there was, like, endls spe for . . . <em>other possibili</em>.”</p><p class="paywall">Pawson had been raised to appreciate the possibili of stylish mimalism. His father is the archect John Pawson, who created the spare glass-and-stone Calv Kle store on Madison Avenue, and the Sackler Crossg, an unadorned se wave of black grane that cross a lake Kew Garns. Before a retrospective of his work at the Dign Mm London, a <em>Telegraph</em> article noted that his home was so bare of ornament that, when he showed to some Cistercian monks whose monastery he was about to sign, they “worried his style might be too stere for them.” Cai’s mother, Hter van Royen, is an art aler who was one of John Pawson’s earlit patrons, and had worked wh the artists Donald Judd and John Chamberla. She took a lively tert her son’s work at Young Turks. “She would e down to shows and give me a visual-arts reference,” Pawson told me. “I had a band lled Holy Fuck—an stmental Krtrock band. She loved them. She was, like, ‘This is the gangster Rothko of sound!’ ”</p><p class="paywall">He brought her to an early xx show at the AB Club, Bssels. “She grabbed me,” he says, “and she was, like, ‘This is the first extreme talent you have.’ She looked me the ey and was, like, ‘Creativy is not a tap! Do not fuck this up!’ What she meant was, jt bee you have somethg excg, you n’t jt put them on the promo bandwagon.” Pawson regnized that the xx were pecially vulnerable to the prsur of rerdg, tourg, and prs terviews. “They were very ail and shy kids,” he says. “Some people are born a b more ready. This band wasn’t born ready.”</p><p class="paywall">Pawson reaed om askg them to sign a al, nvced that handg them money to rerd an album would “make them llapse.” Instead, he promised to secure them a rehearsal space and fd them gigs. Still high-school stunts whout heavy fancial obligatns, they agreed, and began to gather at the rehearsal room—a dised garage at the rerd pany’s headquarters, the same Wandsworth buildg where they had once been too aaid to drop off a mo. “I don’t know what I thought we were dog—wh what purpose,” Madley Croft says. “It wasn’t for an album. I was jt happy playg mic.” Sim was galvanized by Pawson’s enthiasm. “He was takg serly. It’s a real driver, when no one else is particularly exced.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="awf4f8"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">The xx soon reced Jamie Smh, a longtime iend om the Elltt School. A highly self-ntaed young man, Smh has dark, puppyish ey and a bashful se. (“I once went shoppg and ravg wh Jamie Holland,” Pawson told me. “A day and a night of partyg. Don’t thk he said a word—but he had an awome time!”) He grew up listeng to his parents’ Stax soul and funk, and then to electronic dance mic, built around dm sounds sampled om those classic rerdgs by micians like DJ Shadow and RJD2. He had turned down an earlier offer to dm for the band. “I didn’t thk I was good enough,” he says, “and I didn’t want to be onstage.” But for his eighteenth birthday he was given his first MPC—a bed rerr, sampler, and dm mache—and brought to the xx rehearsal room. When Madley Croft and Sim heard how the band sound wh Smh providg live beats, tappg pads wh his fgers to simulate a dm set, they urged him to jo. “It had a live element,” Madley Croft says, “and add so much texture, wh all the other sounds he uld make.” Smh’s dm patterns and ethereal synths gave the xx a distctive qualy: a hybrid of sger-songwrer balladry and fluenc om hip-hop and unrground London dance mic.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">For eighteen months, they rehearsed the garage, ttg new songs at ty venu. In that time, all of them graduated om high school. Madley Croft was accepted a pre-unrgraduate urse at London’s Central Sat Marts arts llege, where the micians M.I.A., Jarvis Cocker, and PJ Harvey had studied; Sim got a job as a waer; Smh worked on his d.j. beats; and the band ntued to rehearse and play gigs. “It was all very sual,” Madley Croft says. “And then one day the people at Young Turks were, like, ‘Do you want to make an album?’ ” By then, she had plans to attend llege. “Cai was, like, ‘You kd of need to make a cisn—do you want to go to universy, or do you want to foc on the band?’ I chose the band.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">For the xx’s stripped-down tour of the South—cludg shows Atlanta, Raleigh, Memphis, and Marfa—Pawson enuraged the band not to fall to the ual t: performg, crashg, risg late, eatg, performg aga. The ia was to absorb the lor and culture of the South, the hope that the new surroundgs would break them out of their route. Before sound check Oxford, Mississippi, Pawson rralled Madley Croft and Smh on a trip to a rerd store, the End of All Mic, outsi of town. While Pawson energetilly pched the owner on hostg a solo show wh Smh for broadst onle (Smh has veloped a succsful solo reer as a d.j., and worked as a producer for Drake and Alicia Keys), Madley Croft quietly snned the albums on the walls. Smh mped out a back room filled wh obscure gospel and untry rerdgs, where he listened through headphon to rerd after rerd, bobbg his head, lookg for sounds to sample for the xx’s new songs.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="“Whoa check out—Bill Murray jt crashed our rtoon”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“Whoa, check out—Bill Murray jt crashed our rtoon!”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-pylk" width="24" height="24" 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7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">When Smh produced the band’s first album, he was only neteen. Pawson had brought experienced hmakers, cludg Diplo, an L.A.-based producer who has worked wh Beyoncé, No Doubt, Jt Bieber, and Usher; and the London-based Kw, who has llaborated wh Damon Albarn and Bobby Womack. The xx were ially exced to work wh tablished nam, but soon balked. Where the band had left spac the songs, producers wanted to sert sounds and beats. “They wanted to put their own ltle stamp on ,” Smh says. “If you have a band wh a sound, and you n hear , you should do somethg that sounds like them.” He lobbied his bandmat and the label to let him produce the rerd, and they agreed.</p><p class="paywall">The album, rerd December, 2008, the nverted garage, retaed the unvarnished productn of the band’s mos. “We had a le that everythg had to be possible to play live, whout extra stments,” Madley Croft says. Instead of g the stud’s synthizers, they sisted on the child’s keyboard bought on eBay. “I n’t believe how naïve we were,” Smh says. “I’m glad, bee that’s why sound like did. None of even had the ia our head that was gog to be released.” Ined, Young Turks did not sign them to a rerd al until after the album was released.</p><p class="paywall">When “xx” went on sale, the followg Augt, <em>NME</em> hailed as “one of 2009’s most unique buts.” The cric Robert Christg wrote, “It’s hard to image their mic gettg much better,” and Slant ma parisons to Belle and Sebastian, Joy Divisn, Interpol, and Rega Spektor. Katie Stelmanis, of the Toronto-based band Atra, which later opened shows for the xx, said that the album signalled a changg fashn. “Their entire athetic really didn’t exist any kd of mastream way before,” Stelmanis told me. “I remember the first time listeng to them and thkg, How n they get away wh this? It’s so simple. That mimalism has fely swept over the world—even to the pot where Beyoncé’s new rerd sounds like uld be produced by Jamie xx.”</p><p class="paywall">But the album sold slowly at first, and the band’s affect on stage remaed recsive. That fall, when they played at the CMJ Mic Ftival New York, Pchfork praised their mic but said that “their live prence is not exactly dynamic.” And there were problems offstage. The prsur of tourg had creased long-standg tensns between Qurhi and the rt of the band, and she subsequently left, signg an agreement that officially end her relatnship wh the band. She do not speak to the prs, but a recent tweet she plaed that she didn’t get enough cred for her ntributn to the band’s mic. (Pawson disput this.)</p><p class="paywall">If the band’s crics lled the mic anodyne, s blank-slate qualy offered wi mercial opportuni. The BBC picked up the spooky stmental “Intro” for s verage of the general electn, and Rihanna sampled for her dance tune “Dnk on Love.” Soon, the xx’s mic was beg ed r mercials, movi, and televisn shows (“Cold Case,” “Grey’s Anatomy,” “Gossip Girl”). Karl Lagerfeld chose for a Chanel fashn show. In April, 2010, the band was ved to play at the Coachella Mic Ftival, California. The members me onstage at four the afternoon to disver that thirty thoand people had gathered to see them. Jay Z and Beyoncé were the p ont of the stage. Madley Croft says, “That was the moment when I was, like, Oh, my God, I thk people might be to this.”</p><p class="paywall">Tourg relentlsly over the next two years, the band grew more at home onstage. “Over time, Oliver started to move a b,” Madley Croft says. “I didn’t know, bee I spent the whole time lookg eher down or forward. I thought, I’ve got to step up. I started to move, and now we’ve kd of veloped this whole swayg thg that we do. I sort of follow his lead.” (Before the Armory shows, they worked out each night’s mov on paper.) Madley Croft lost weight, and trad her baggy black T-shirts for slim blazers, legggs, and high-heeled boots. She started datg Hannah Marshall, a London fashn signer, who creat stage outfs for all the xx members: narrow black cloth wh sls at the elbows. Inevably, crics and fans talked about the sexs of the mic. “A lot of people would e up to after the shows and want to tell that was a sexy sound. You kd of don’t know what to say!” Madley Croft told me, lghg. “What I like about is that there was absolutely no tentn to make sound like that.” Some of their early fans, who loved their awkwardns, feel that they’ve sold out. But at the Armory the transformative power of stardom ma their stony exprsns look ls like stage ight than like adpan ol—the sang-oid of rock stars ntent to make you e to them.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">A few weeks ago, I vised Fal Cut studs New York, where the photographer Jamie-Jam Meda was edg a documentary about the band. Meda has been shootg for four years, amassg a hundred and twenty hours of footage, which he was tryg to assemble to a nety-mute rough cut. In an edg sue domated by a large TV screen, he spoke wistfully of D. A. Pennebaker’s “Don’t Look Back,” wh s unguard scen of a young Bob Dylan gleefully bullyg a <em>Time</em> magaze reporter. Wh the xx, he said, “ took me two months before I even asked if I uld shoot backstage.”</p><p class="paywall">But Meda did pture moments of drama, however subterranean. He showed me footage om the velvet-led attic stud where the band members, tensely nervo about followg up on their début, were makg the send rerdg. Sim says, “Our first album we thought no one would even hear. Now we were creatg knowg there was an dience. It was bizarre.” Madley Croft adds, “We thought, We jt need to hi away, and we kd of shut all the doors.” Smh, who was producg aga, at first loved the isolatn. Now, he says, “I realize a lot of was que miserable. I spent too much time makg sure every sound was perfect.” In Meda’s footage, the band members hardly speak to one another, and when they do a tone of tetchy irratn is dible. They fally stopped munitg directly, settlg creative disput by speakg through Pawson. Their label asked repeatedly to hear the new rerdg. “We’d be, like, ‘O.K., we’ll play to you this week,’ ” Sim says. “Then we’d realize we wanted to change part of .” Fally, Pawson mand to hear the album. “Cai me,” Sim says, “and was, ‘O.K., this is great. You ptured a moment, where you’re at right now. There will be other albums—this is .’ ”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-4 viewport-monor-anchor"></div><p class="paywall">The rultg album, “Coexist,” sound many ways like “xx,” but even more starkly mimal—an effect that seemed ls a nfint artistic choice than a band’s strag to repture what crics had fed as s signature sound. “Wh the first album, we never talked about ” beg mimal, Smh says. “Makg the send album, we may have talked about too much.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="zkjn"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="5p9vd"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">“It’s a great rerd that we all love and are extremely proud of,” Pawson told me, “and there’s no other rerd that uld be ma. But the procs was exhstg and very paful.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Durg sound check at the Geia Theatre, Athens, the xx played a song wrten only days earlier, New York. It began wh wash of an om Smh’s keyboard, and a plangent lyric sung by Madley Croft: “I ed to pe / to my hidg place. Now we’re face to face / and I don’t feel so aaid.”</p><p class="paywall">Pawson, standg close to the stage, said, “First time I’ve heard this. First time anyone’s heard .” The song was more thickly orchtrated than ual—tollg dmbeats, swirlg an sectns, rgg chords. When end, Pawson elaborated on forcg the band to wre and arrange new songs on tour. “Instead of havg two months to dwell on how the dms should sound,” he says, “they have half an hour before the show to get right. It’s trial and error—live.” The need to rolve artistic differenc on the spot left no time for entrenched disagreements, an approach that Madley Croft said was closer to how they ma the first album. “We’d played all those songs live loads of tim before we rerd them, and they morphed and were fluenced by the reactn they got om the crowd.”</p><p class="paywall">In the next few days, they rehearsed “Hidg Place” at sound checks, and often stggled wh a sectn late the song where Sim tak a verse. The band was tryg to figure out what stmentatn, if any, to clu unr his sgg. Each night, they played a different versn, sometim wh Madley Croft doublg Sim’s voice on guar, sometim wh nothg but a boomg bass-dm sample unr his voice. After each show, the band discsed which versn had got the bt reactn om the dience, and ma mental not for when they reached Marfa, Wt Texas, where they were schled to start rerdg the new album. Madley Croft said that was ighteng to play an unfished song live—at sound check Athens, she had to stop midway through “Hidg Place,” bee she uldn’t remember the melody of her verse—but, she add, that was the pot of the exercise: “I’m tryg to go along the l of, If mak me nervo, then do .”</p><p class="paywall">On the Southern tour, the xx played mostly llege towns, for dienc of unrgraduat preppy T-shirts and shorts: boys and girls on dat, swayg wh their arms around each other’s waists; groups of sorory sisters and at brothers. Diehard fans reverently sang along to “Angels,” as slowed nearly to a halt wh the repeated, whispered phrase “They would be as love wh you as I am.” While the band played s hs, the feelg the room was ls like a rock ncert than like an enunter-group ssn, wh both the dience and the band members relivg the private moments of their first lov.</p><p class="paywall">The new songs, however, were often ls well received. On the tour, Madley Croft débuted “Performance.” Sung solo to stmmed guar chords—a parture om her ual sgle not—the song is an achgly tenr nfsnal about private pa and the necsy of puttg on a brave face onstage. At the Armory, the dience had leaned close to tch every nuance. But Oxford, at a small, dark venue lled the Lyric, the standg-room-only crowd of llege stunts talked and lghed as Madley Croft bared her soul; some checked msag on their phon. After the show, Pawson, outraged, herd the band to the tour b, past a le of tograph-seekers. Over dner the next day, Memphis, Madley Croft acknowledged that was difficult when dienc were different, but she said that even this uld be an spiratn. “That feelg of hopg for the bt—and then people jt talkg right through,” she said, and lghed. “It really remd me of when we started out.” ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="4cvqie"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2014/06/30" data-reactroot="">June 30, 2014</a>, issue.</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/john-lapto">John Colapto</a> beme a staff wrer at <em>The New Yorker</em> 2006. He is the thor of “<a href=">Undone</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/kanye-wt" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Kanye Wt</span></a><a href="/tag/mic" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Mic</span></a><a href="/tag/micians" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Micians</span></a><a href="/tag/park-avenue-armory" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Park Avenue Armory</span></a><a href="/tag/rock-bands" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Rock Bands</span></a><a href="/tag/the-xx" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">The xx</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt feDzQf newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Weekly</h3><div class="NewsletterSubscribeFormDek-kXonvc grEaES newsletter-subscribe-form__k">Your gui to the latt magaze and our biggt stori of the week, pl highlights om podsts, humor, and more.</div></div><div data-ttid="NewsletterSubscribeFormInputsWrapper" class="NewsletterSubscribeFormInputsWrapper-keARJE hVWbzr"><form class="form-wh-validatn NewsletterSubscribeFormValidatn-iCYa-Dt dweEln" id="newsletter" name="newsletter" novalidate="" method="POST"><span class="TextFieldWrapper-Pzdqp hNhevp text-field" data-ttid="TextFieldWrapper__email"><label class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TextFieldLabel-klrYvg iUEiRd stdEm fvoOvz text-field__label text-field__label--sgle-le" for="newsletter-text-field-email" data-ttid="TextFieldLabel__email"><div class="TextFieldLabelText-cvvxBl eeDYTb">E-mail addrs</div><div class="TextFieldInputContaer-jcMPhb oFrOs"><put type="email" aria-scribedby="privacy-text" aria-valid="false" id="newsletter-text-field-email" required="" name="email" placeholr="E-mail addrs" class="BaseInput-fAzTdK TextFieldControlInput-eFUxkf eGzzTT lglhcT text-field__ntrol text-field__ntrol--put" data-ttid="TextFieldInput__email"/></div></label><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dwpimO button button--utily TextFieldButton-csBrgY edxbrw" data-event-click="{"element":"Button"}" data-ttid="Button" type="subm"><span class="ButtonLabel-cjAuJN hzwRuG button__label">Sign up</span></button></span><div id="privacy-text" tabx="-1" class="NewsletterSubscribeFormDisclaimer-bTVtiV bsgLJZ"><span><p>By signg up, you agree to our <a href=" rel="nofollow noopener noreferrer" target="_blank">User Agreement</a> and <a href=" rel="nofollow noopener noreferrer" target="_blank">Privacy Policy & Cookie Statement</a>. 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class="GridItem-buujkM kHPPIF grid--em"><div class="SummaryCollectnGridContent-eVUpRm jTGbEO"><div class="SectnTleRoot-dBGvdq hpRFVl SummaryCollectnGridSectnTle-fCmYwG izjbVn" data-ttid="SectnTle"><hear class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet dxqEAa jfOfxc jttyjJ">Read More</hear></div><div class="SummaryCollectnGridItems-DZShR jBCYOL hi-read-more-ad" data-ttid="SummaryCollectnGridItems"><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Daily Cartoon: Wednday, July 12th" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Daily Cartoon</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Daily Cartoon: Wednday, July 12th</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">“The clock is tickg—will you solve the problem or pass on to future generatns, Congrsman?”</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Brendan Loper</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Daily Cartoon: Thursday, July 13th" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Daily Cartoon</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Daily Cartoon: Thursday, July 13th</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">“Well, maybe <em class="unrle">you</em> shouldn’t have spent a lifetime pastakgly hong a set of skills that you mt have known we would eventually attempt to steal and replite for ee.”</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Zoe Si</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“Orange Is the New Black” Signalled the Rot Insi the Streamg Enomy" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Not on Hollywood</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">“Orange Is the New Black” Signalled the Rot Insi the Streamg Enomy</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">The novative and darg show was a worldwi h for Netflix, but some of the actors say that they were never fairly pensated.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Michael Schulman</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div 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