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Stayg close wh childhood iends while beg one of the most pafully vulnerable bands on earth is even harr.</div><div class="ContentHearByle-kmPyCa emiglw"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bHLeKI"><p class="ByleWrapper-jWHrLH jslqCu byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd JArb kUYkyS eErqIx byle__name-lk button" href="/staff/lra-snap/">Lra Snap</a></span></span></p><p class="ByleWrapper-jWHrLH jslqCu byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" 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body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>A dirty ad-end London’s Kgs Cross is nobody’s ia of sanctuary. But on November 9, hours after Donald Tmp’s victory was nfirmed, pe li at the end of this dark alleyway. In an upstairs rehearsal room, <a href=">the xx</a> are practicg for an imment BBC performance; a fortnight, they’ll travel to Croatia to kick off their first tour more than two years. The group’s reemergence along wh their third album, <a href=" target="_blank"><em>I See You</em></a>, a rerd that knows somethg about survivg dark tim. This eveng, the outsi world is well and tly banished.</p><p>They n a closed rehearsal, where producer <a href=" target="_blank">Jamie Smh</a>’s hulkg crcent of synths are only dible through headphon. A sgle serene ndle atop <a href=" target="_blank">Romy Madley Croft</a>’s guar amp seems to mock the disrd cups lterg the low-ceilged room, brgg lm to a day of disbelief. “I try not to check my phone first thg, but…” Madley Croft trails off, lookg down at her Suxsie and the Banshe hoodie. “I thought was a joke. I’m speechls.”</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p>Not that the xx are an explicly polil band. Co-leads <a href=" target="_blank">Oliver Sim</a> and Madley Croft are both gay, and there’s an argument to be ma for the xx providg a rare portra of queer timacy, though they prefer to see as universal. In the rehearsal room, ’s easy to image them as teenagers a South London garage: Sim the lear, Madley Croft the gui, Smh the silent sage.</p><div class="Contaer-bkChBi byNLHx"></div><p>“Let’s power through, and if somethg go wrong, jt let happen,” says Sim. From his synth battaln, Smh triggers the vol sampl om “<a href=">Gosh</a>,” a sgle om his 2015 solo album, <a href="><em>In Colour</em></a>, which turned the band’s shyt member to s unlikely breakout star. Over the track’s chompg rhythm, Madley Croft starts sgg “Shelter,” om <a href=">the xx’s self-tled but</a>. The mash-up shouldn’t work. “Gosh” clatters, while an airy synth seems to trace the London skyle; “Shelter” quietly anguish over vanishg sensatns. But more than 16 years of iendship has led to a certa md-meld, and the tracks fe perfectly, Smh’s song heighteng the speratn Madley Croft’s lyrics. As the synths wd skyward, she sets down her guar. Sim spontaneoly extends a hand, and the sgers turn a hug to a sway, spng slowly until they return to their microphon for the song’s fal l.</p><div class="AdWrapper-dQtivb fZrssQ ad ad---ntent"><div class="ad__slot ad__slot---ntent" data-no-id="xu866b"></div></div><p>“I like our slow dance for ‘Gosh’—let’s slow dance!” he tells her afterwards. She’s ls nvced. They n through the song aga, the pair dancg more purposefully this time, their clasped hands potg out as her head rts the crook of his neck. When they pull away, they hold on until their fgertips bsh apart. “We’re gonna do that!” says Sim excedly, pokg Madley Croft’s middle wh one fger and potg at the floor wh another.</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="qwzp8p"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>It’s not Miley Cys’ flatable hotdog, but this kd of showmanship—<em>any</em> kd of showmanship—don’t e easy to the xx. Before they attempt “Lips,” a downright ltful new song built around big dms and a hntg morn classil sample, Madley Croft asks Sim, “Should we face forward?” She then turns to me to apologize; I’m watchg om a uch six feet away om their microphon. “We have to get ed to facg forward and not lookg at Jamie. I’ll look past you.” Faced wh a pafully timate dience, Madley Croft wc and reils om the high not.</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="BodyWrapper-kufPGa gcRAJf body ArticlePageBodyGridContaer-jrMoA-d xjuw body__grid-ntaer" data-ttid="BodyWrapper"><div data-ttid="feature-large-llout" class="CalloutFeatureLargeWrapper-cGjDsT fzNlOP"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div class="RponsiveClipWrapper-dQfRVo dIOQex rponsive-clip AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset" data-ttid="RponsiveClipWrapper"><noscript data-ttid="RponsiveClipVioContaer" class="RponsiveClipVioContaer-kIIuch hxZLNB"><vio aria-label="The xx Found Themselv Each Other on New Album I See You" toplay="" class="rponsive-clip__vio" loop="" muted=""></vio></noscript></div></span></div></figure></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>When they first emerged, the xx’s appeal me om mic that sound as if was directed towards an dience of one, om somewhere beneath mpled bedcloth. The timacy reflected their shared bond. They grew up together: Madley Croft and Sim played the same sandp as toddlers. Smh joed their gang at 11, when they started at the Elltt School Putney, South London. After several years of makg mic dividually secret, they formed the xx their fal year.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p>The band looked perpetually shellshocked when they broke out as 20-year-olds 2009. They won the Mercury Prize for their first album, which has sold nearly 1.7 ln pi worldwi. Journalists mocked them for lookg like “suburban goths.” They did, but was ls style choice than a reflectn of their profound social anxiety.</p><p>“The Simpsons” creator Matt Groeng has been an arnt fan sce he picked them to play a ftival he curated 2010. “They averted their gaze, like a relatnship that’s ad but hasn’t que broken up,” he says wh a ep lgh, rellg their performance. “<em>However</em>, they livered the goods milly. They were jt <em>so</em> young, and shy, I gus. It certaly wasn’t arrogance.”</p><div class="GenericCalloutWrapper-tojWn dKTKKM" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="The xx Found Themselv Each Other on New Album I See You" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div></figure></div><p><em>I See You</em> is a bold, rhythmic revamp. It’s their first album to e proment sampl, which Smh nsirs his voice. Opener “Dangero” starts wh a strikg brass fanfare that immediately rais the stak. (The first time I h play, I thought I was listeng to the wrong rerd.) Madley Croft and Sim now wre together a room as opposed to via email, and talk openly about their songs. As a rult, they’re no longer sgg past each other, but sgg out, like ’80s dancefloor belters. In the past, their lyrics were always si their heads, wishg, observg, never dog; on <em>I See You</em>, they dare and scream and tt. “’Cse I uldn’t re ls/If they ll reckls/Until they are breathls,” Madley Croft and Sim sg over omo bass at the album’s start. “They mt be bld.”</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="uw2qzj"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>The day before rehearsals, the xx are mped out their label XL’s homey Wt London headquarters. Their publicist slis back the door to the stylish lounge where they’ve been oped up all day. In the rner of the giant sofa, the black-clad tr are slumped on top of each other like a pile of puppi. They sprg apart and stand to shake hands.</p><p>Tryg to discs the strint lyrics the lounge is a different matter, met mostly wh hant platus about <em>growth</em>. We briefly broach quarter-life cris and Saturn returns, which tradnally occur around their age: Smh is now 28, Sim and Madley Croft 27. Sim nods enthiastilly—jt yterday he was discsg the astrologil phenomenon wh his mum.</p><p>For him, wrg lyrics has been ls about observg, more “workg off actual thgs that have happened.” Like? “Reachg an age where beg the dnkt person the room isn’t charmg anymore.”</p><p>From the torturo procs of makg their send album, 2012’s uneven <a href="><em>Coexist</em></a>, the xx knew that they had to pe their fort zone for the follow-up. (“Our fort zone is a very small place,” says Madley Croft, perhaps unnecsarily.) They rerd that album a stud that Smh built behd a McDonald’s North London, and didn’t let anyone else hear until they had to. “There was so much prsure om ourselv about: What do people like about ? What mak sound like ? What do we need to hang onto?” says Sim. “When we’re thkg like that, at our worst, we n end up soundg a b like a parody of ourselv.” They abstaed om lettg themselv eat at McDonald’s until they pleted the album. Some reward.</p><p>This time around, they had a vague plan to rerd far-flung plac. In March 2014, they brought an amb rincy to Manhattan’s Park Avenue Armory. The were far om normal shows: Only 45 people attend each one, even though the hangar-like space uld hold hundreds more. “On the very last show we did, I looked up and saw Madonna starg at me a very long, fur-type at,” says Madley Croft wh disbelief. “I was tryg not to stare at her, like, <em>How am I supposed to perform? Am I supposed to brg more now bee Madonna’s starg at ?</em>”</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="BodyWrapper-kufPGa gcRAJf body ArticlePageBodyGridContaer-jrMoA-d xjuw body__grid-ntaer" data-ttid="BodyWrapper"><div data-ttid="feature-large-llout" class="CalloutFeatureLargeWrapper-cGjDsT fzNlOP"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div class="RponsiveClipWrapper-dQfRVo dIOQex rponsive-clip AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset" data-ttid="RponsiveClipWrapper"><noscript data-ttid="RponsiveClipVioContaer" class="RponsiveClipVioContaer-kIIuch hxZLNB"><vio aria-label="The xx Found Themselv Each Other on New Album I See You" toplay="" class="rponsive-clip__vio" loop="" muted=""></vio></noscript></div></span></div></figure></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL exEIep blockquote-embed"><div class="BlockquoteEmbedContent-RbGs fJXcFF blockquote-embed__ntent"><asi aria-hidn="te" class="PullQuoteEmbedWrapper-sc-EoVjf kgVYDs"><div class="PullQuoteDerativeBorr-sc-iUyOLj bqLbP"></div><div class="PullQuoteEmbedContent-sc-kTcfhx hrUqLE"><p>A iend n sometim see you<br/>better than you n see<br/>yourself.</p></div><div class="PullQuoteEmbedCred-sc-wBdfd fRBybp"><span>Romy Madley Croft</span></div></asi></div></blockquote><p>They rerd a b at the Armory, and then Marfa, Texas, and Iceland. The early ssns overlapped wh the makg of Smh’s <em>In Colour</em>, on which Sim and Madley Croft ma gut appearanc, cedg all ntrol to their bandmate. It led to the xx scrappg their old le that everythg they rerd had to be playable live, openg up unseen possibili. In a further effort to break out of their own self-imposed bubble, -manager and close iend Cai Pawson tablished “group therapy” ssns where they would review their work every month or so, playg to guts like Four Tet’s Kieran Hebn, Sampha, and Savag’ Jehnny Beth.</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="tq0p3l"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>That November, they took a five-day road trip down the Wt Coast to Los Angel, joed by Pawson and Rodaidh McDonald, who -produced the new album alongsi Smh. They all troduced each other to tons of mic: Fleetwood Mac’s <em>Tk</em> and <em>Rumours</em>, Heart’s “Magic Man,” Ace’s “How Long,” Arthur Rsell’s <em>First Thought, Bt Thought</em>, soft rock tws the Alsi Brothers, and primive guarist Robbie Basho.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p>L.A. was about havg fun and brgg that feelg to the new rerd. But, as McDonald adms, “Perhaps parts of that trip went a ltle too far.” There was a lot of drkg and partyg. They rented a Hollywood mansn and worked on songs like Sim’s “Repli,” a sperate missive about tryg to break away om your own self-stctive history. They went to Miley Cys’ birthday party, and ved too many people back to their place afterwards. “There were a few arguments,” says McDonald. “It was the pot where we had to take a step back and remember that we were workg on an album.”</p><p>When that ssn was over, the band went their separate ways for a while. Madley Croft stayed behd L.A. to experiment the pop h factory, knowg the unfaiary would be horrible—but that was the pot. She wrote wh artists like Rhye’s Rob Hannibal and OneRepublic’s Ryan Tedr. “I’ve been referencg the xx sonilly for three or four years wrg ssns,” says Tedr, who has worked wh nearly every morn pop star that matters, cludg Taylor Swift and Beyoncé. “And their ‘hntgns’ gets referenced at least every other ssn, whout qutn.”</p><p>Smh was by tourg and fishg <em>In Colour</em>. Sim stayed at home London and started to spiral. The trips were meant to nsolidate the band, but durg the gaps between rerdg, doubts began to form.</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="BodyWrapper-kufPGa gcRAJf body ArticlePageBodyGridContaer-jrMoA-d xjuw body__grid-ntaer" data-ttid="BodyWrapper"><div data-ttid="feature-large-llout" class="CalloutFeatureLargeWrapper-cGjDsT fzNlOP"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div class="RponsiveClipWrapper-dQfRVo dIOQex rponsive-clip AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset" data-ttid="RponsiveClipWrapper"><noscript data-ttid="RponsiveClipVioContaer" class="RponsiveClipVioContaer-kIIuch hxZLNB"><vio aria-label="The xx Found Themselv Each Other on New Album I See You" toplay="" class="rponsive-clip__vio" loop="" muted=""></vio></noscript></div></span></div></figure></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>It’s ually a bad sign when band members travel separately, but London late November, three days before the xx are due to start their tour Croatia, dividual taxi journeys and pub assignatns are the only way to crack their monstro schle. They seem embarrassed of the fs. The day starts early, ridg wh Sim om an upsle li near his home Hackney, East London, to a photo shoot. Sce we last met, the band ma their charmgly awkward but on “Saturday Night Live,” where they appeared alongsi Kristen Wiig, a shared hero, and tried not to smell her hair when they rerd promos for the show. They all say the actrs ma them feel more at ease, and turns out the feelg was mutual. “I was so happy that they played ‘SNL’ when I was hostg,” says Wiig. “It felt like a ltle gift to lm my nerv and also lose myself a b durg a night when you don’t stop nng around.”</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="bqk0e8"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>Sim feels good about the upg shows, he says cisively. They will be among the first he’s ever played sober. In 2014, when he me home om tourg <em>Coexist</em>, he realized that he lacked some fundamental life skills, like schlg and self-re. “I was gog out a lot wh the exce that I was celebratg—‘celebratg’—the past few years.” He curls his fgers and rais his eyebrows. “Jt fightg the ia of beg an adult. Some iends had started to mellow a b, and I didn’t want to.” He feared rponsibily and acuntabily. “And wh alhol, like a lot of thgs, ’s all or nothg for me. So right now ’s jt nothg.” It’s been jt over a year sce his last drk.</p><p>The r pulls around the back of St. Pl’s Cathedral. “I was the <em>last</em> person to thk that I wasn’t drkg… succsfully,” he murs, speakg nsired agments. “Everyone had voiced their opns.” He listened. “But the problem was that I was, I suppose, distancg myself, so I thought, <em>How would they know</em>?”</p><p>I tell him that sounds pretty telltale.</p><p>“Yeah,” he says, his soft, South London accent droppg even lower. “That’s real telltale. Romy and Jamie nontg me penntly was… the last straw.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p>He had also started to feel secure about his ntributn to the band. “Never md that I wasn’t leadg a very healthy liftyle,” he says, growg quieter. “The fact that I wasn’t beg creative h harr—and kiddg myself that I felt more creative wh a drk me.”</p><p>In the months between rerdg ssns, as his iends were workg on their own projects, he beme paranoid about their relatnships, based on his own terpretatns of texts and emails. “When you haven’t seen someone for a while, ’s so easy to project and make your own ias about what’s gog on,” he says. “I always feel like the two of them are a step ont of me nfince and matury. I worried that they were gog a slightly forward directn, and I wasn’t.”</p><p>He lghs at the suggtn that he seems like the most nfint member of the band, rellg an old story about Smh: As young teenagers walkg home om school, Smh once turned to Sim and said, “I’m at peace wh the fact that I’m not gog to make big wav the world.” Sim lghs at the memory. “I was like, ‘That is the most prsg thg I’ve ever heard. Aim for the stars?!’ Now, Jamie’s silently nfint, he’s a solid, solid guy.” He rhapsodiz about Madley Croft’s drive too. “She’s the perfect example of, ‘If somethg sr me, I’m gog to do for the sake of growth.’ I don’t thk ’s her nature to lean to disfort, but she do .” He rolls the sleeve of his ffee cup up and down his palm. “And I’m jt tryg to fd my nfince a b.”</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="wdnavh"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL exEIep blockquote-embed"><div class="BlockquoteEmbedContent-RbGs fJXcFF blockquote-embed__ntent"><asi aria-hidn="te" class="PullQuoteEmbedWrapper-sc-EoVjf kgVYDs"><div class="PullQuoteDerativeBorr-sc-iUyOLj bqLbP"></div><div class="PullQuoteEmbedContent-sc-kTcfhx hrUqLE"><p>You n save some of your harsht moments for the people you love… wh me and Romy and Jamie, is so easy for feelgs to get hurt.</p></div><div class="PullQuoteEmbedCred-sc-wBdfd fRBybp"><span>Oliver Sim</span></div></asi></div></blockquote><p>Right now, talkg to strangers sr him the most; the bravado he felt as a younger man has been replaced by social anxiety. But there’s an upsi to this awkwardns. “The tim when I actually do have, like, a <em>succsful nversatn</em>, I feel <em>really</em> good about and stays wh me as opposed to… kd of not rememberg,” he says. “While I’m stgglg more now, I am actually happier.” That said, he’s also wonrg about what happens when the album out. “One thg I n’t wrap my head around, to be hont, which mak me a b sad, is: How do I celebrate and let go a b? Which I’m still figurg out. I’ve got lots of help.”</p><p>There was no big renciliatn. Madley Croft and Smh me home to fish the album London early 2015. They had all worried about growg distant om one another but realized nothg had really changed between them—jt that after s of iendship, they still had to work at munitg. “I’ve noticed that you n save some of your harsht moments for the people you love,” Sim says. “I feel like wh me and Romy and Jamie—but pecially me and Romy— is <em>so easy</em> for feelgs to get hurt. Bee Romy knows exactly how to ph my buttons wh a short sentence, and likewise wh her.”</p><p><em>Coexist</em> closed wh “Our Song,” the xx’s love letter to each other. “All I have, I will give to you,” they sang, echog tradnal weddg vows. Knowg now how difficult the rerdg of that album was, the l sound like damage ntrol, glossg over a torrid suatn. Sim agre. In ntrast, <em>I See You</em> ends wh “Tt Me,” a song about the band that’s so btal, uld only have been wrten om solid foundatns. Madley Croft wrote all the lyrics and turned her back to Sim when she first played to him. “Jt take out on me/It’s easier than sayg what you mean,” she sgs, unwaverg. “Tt me, see if I break/Tell me this time you’ve changed/Tt me, see if I stay/How uld I walk the other way?”</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="mosd"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>Sim exhal and lghs, rellg the moment. “It was hard, but we had a hug. It was good for me to hear.”</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="BodyWrapper-kufPGa gcRAJf body ArticlePageBodyGridContaer-jrMoA-d xjuw body__grid-ntaer" data-ttid="BodyWrapper"><div data-ttid="feature-large-llout" class="CalloutFeatureLargeWrapper-cGjDsT fzNlOP"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div class="RponsiveClipWrapper-dQfRVo dIOQex rponsive-clip AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset" data-ttid="RponsiveClipWrapper"><noscript data-ttid="RponsiveClipVioContaer" class="RponsiveClipVioContaer-kIIuch hxZLNB"><vio aria-label="The xx Found Themselv Each Other on New Album I See You" toplay="" class="rponsive-clip__vio" loop="" muted=""></vio></noscript></div></span></div></figure></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>Several hours later, the band’s publicist livers Madley Croft to a Wt London pub. While she was away L.A., she didn’t ially realize how bad thgs were wh Sim. “You have a bt-iend tun that he’s not really 100 percent, but there’s a pot where everyone’s drkg and ’s que easy to not realize if someone’s actually not a good place wh .” She hat. “As wh any iend gog through anythg, really affected me bee I re so much about him and I jt want him to be happy.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-4 viewport-monor-anchor"></div><p><em>I See You</em> sounds like a nontatnal tle, though ’s meant as a kdns, taken om a le the Velvet Unrground’s “I’ll Be Your Mirror”: “Please put down your hands/’Cse I see you.” “A iend n sometim see you better than you n see yourself,” says Madley Croft. “There were so many tim when I wanted to tell Oliver—and I tried—‘You’re amazg and there are so many thgs that are great about you.’ Sometim you have to fd that yourself. And I really feel like he has done that, which I’m really proud of him for.”</p><p>For Madley Croft, the ma theme sce <em>Coexist</em> has been g to terms wh her parents’ aths. Her mum died when she was 11, her dad when she was 20 and on tour Paris. Two weeks later, the xx had their biggt gig to date at London’s Shepherds Bh Empire, which she played to honor his support of the band. A month later, she lost a who was more like a sister. “The crazy highs and lows,” she rells. But the highs were a great fort to my fay, and for me.” In a cel irony, her unrolved grief rurfaced durg a ntented perd of downtime while makg the new rerd.</p><p>“Brave for You” is the first time she’s wrten about her parents. “Though you’re not here/I n feel you there/I take you along,” she sgs over Smh’s shudrg wash. It ends on a paed note: “There are thgs I wish I didn’t know/I try my bt to let them go.” She prais Smh for makg her heartbroken mo to somethg more celebratory. Usually she leav her fay to listen to new xx mic whout her, but she recently sat down and played them the whole album.</p><p>By throwg herself to the thgs that once sred her, Madley Croft has emerged fearls. “Which is nice bee I ed to feel unfortable llg for room service—they’re strangers!” she lghs. “That’s que extreme! But now ’s not a problem.”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div class="RponsiveClipWrapper-dQfRVo dIOQex rponsive-clip AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset" data-ttid="RponsiveClipWrapper"><noscript data-ttid="RponsiveClipVioContaer" class="RponsiveClipVioContaer-kIIuch hxZLNB"><vio aria-label="The xx Found Themselv Each Other on New Album I See You" toplay="" class="rponsive-clip__vio" loop="" muted=""></vio></noscript></div></span></div></figure><p>The publicist returns wh Smh and a wag b driver. The r will drop off Madley Croft for dner wh her girliend, and take Smh to a iend’s Thanksgivg celebratn. They grab five mut together, dissectg Smh’s impendg move. Tomorrow he’s leavg his longstandg home the by central hub of Old Street for quieter Clapton, East London. In ls than 36 hours, they’ll be on the plane to Croatia. This morng, they put a rerd-breakg seven nights at the 5,000-pacy Brixton Amy on sale. It’s now 6:30 p.m., and they’re all sold out.</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="lc1a5"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>Although Smh is the olst member of the xx, he says he feels the least mature. His big personal breakthrough has been learng “to try and talk about everythg, which I never ed to do, and nobody my fay did, eher.” He’s more open than he once was, though he still answers qutns wh the reticence of a boy beg asked what he did at school that day. “It mak me feel good, even if I’m sayg somethg that is not necsarily makg me look good. The fact that Romy and Oliver will listen, and I will listen to them, is really fortg.”</p><p>His nfince slips out via a few offhand ments and wryly raised eyebrows. Of their “SNL” performance, he says they were all exced to meet Kristen Wiig—though he’d already met her 2012, when she turned up at one of his sets New York Cy. I rib him about there beg none of his tramark steel dms on <em>I See You</em>, and he cracks a wry se: “Jt Bieber’s dog tropil hoe.” And of the dance purist backlash agast <em>In Colour</em>, he says he unrstands their grievanc. Ultimately, though, “I’ve played the biggt clubs the world, so…”</p><div class="GenericCalloutWrapper-tojWn dKTKKM" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="The xx Found Themselv Each Other on New Album I See You" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div></figure></div><p>When Smh was tourg <em>In Colour</em>, he had to be told that his bandmat were feelg distant om him, “which is often the way,” he says. But he was keenly aware of Sim’s issu wh alhol. “It was a learng curve for everyone,” says Smh. “They say that you have to realize for yourself, and he did, and he was <em>so</em> good about . It felt very grown-up, much more grown-up than I felt.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-5 viewport-monor-anchor"></div><p>Manager Cai Pawson says Smh, “a classic stoic Englishman,” unrtimat himself. “Jamie was the glue that perd. He would e back om tourg and be the one who’d go out and rcue people. For someone like Jamie, who’s still tryg to piece together his own emotnal map, that was a tremendo amount of prsure. Jt bee someone hasn’t que worked out how to accs their own emotns don’t mean they’re pable of alg wh other people’s emotns.”</p><p>One song that didn’t make the new rerd was “Naive,” which Sim surprised his bandmat by wrg more hontly than he was willg to be real life. “Everyone’s tryg to save me/Can’t they see I’m havg fun?” he sgs, filled wh sarsm and self-loathg. “Somethg’s wrong, but I choose to be naive.” In rponse, Smh sampled a le om a Drake song: “That’s the wrong thg to do.”</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="xdni7h"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>Zagreb, Croatia’s Boćarski Dom is a n-down sports hall by day and an even ls spic venue by night. There are no bathrooms. Outsi, by the thorough secury search statns, there’s a wall of unl Porta Potti—a bracg experience 35 gree weather. A bootlegger sells some fantastilly misguid T-shirts pictg the xx styled like “Fay Guy” characters. You n smoke doors, and everyone do.</p><p>In preparatn for the band’s set, two stagehands spray and bsh the stage meticuloly, like a one-sid curlg team. A black cloth off Smh’s giant plexiglass setup, which rembl a bar that Carrie Bradshaw would vis the earlit seasons of “Sex and the Cy.” The bottom two feet of the un are mirrored, reflectg the first few rows—the xx want fans to know they n see them.</p><p>At 9:33, the lights drop. The bass richets around the venue’s bare brick walls. Madley Croft and Sim bob around each other theatrilly. They stand at the ont of the stage and stare down the crowd, ignorg the fans who are wagglg pi of <em>In Colour</em> for them to sign. When the glacial synths of “Brave for You” strafe the room, the stage floods red, and Smh’s transparent box flash wild whe lights. It’s thunro and undnted. As soon as Madley Croft livers her heartbreakg fal l, bows and stands back, Sim sh over to hug her tight.</p><p>Jt as he did the Kgs Cross rehearsal room, Smh starts up the “Gosh”/“Shelter” mash-up. “And I’ll cross oceans, like never before/So you n <em>fe-el</em> the way I feel too,” Madley Croft belts. Her slow dance wh Sim fally gets s public but. Grng, he swoops across the stage, plac one hand on her back, rts his head on hers, and they sway.</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="BodyWrapper-kufPGa gcRAJf body ArticlePageBodyGridContaer-jrMoA-d xjuw body__grid-ntaer" data-ttid="BodyWrapper"><div data-ttid="feature-large-llout" class="CalloutFeatureLargeWrapper-cGjDsT fzNlOP"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="The xx Found Themselv Each Other on New Album I See You" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" 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class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0"><div class="GridItem-buujkM kHPPIF grid--em"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0"><div class="GridItem-buujkM kHPPIF grid--em"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx gahkFV ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd hcQCsi kQQRmu">Tags</span><a href="/artists/28060-the-xx/" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd JArb fNjBDf hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd fWKTlx bUkXwu">The xx</span></a><a href="/featur/?genre=electronic" 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class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gKnDpj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="The xx’s Romy Shar Vio for New Song “The Sea”: Watch" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">The xx’s Romy Shar Vio for New Song “The Sea”: Watch</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Eric Torr</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gKnDpj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Donald Glover Stars First Teaser for Mr. & Mrs. Smh Seri" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Donald Glover Stars First Teaser for <em>Mr. & Mrs. Smh</em> Seri</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Hattie Lrt</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm ijsXGm ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="k0fyre"></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gKnDpj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Pchfork London Adds Fucked Up, Slson Malone 1, Joanna Sternberg, Dawn Richard, and More" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Pchfork London Adds Fucked Up, Slson Malone 1, Joanna Sternberg, Dawn Richard, and More</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Pchfork</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-5" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gKnDpj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Ozzy Osbourne Pulls Out of Power Trip Ftival for Health Reasons" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-5" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Ozzy Osbourne Pulls Out of Power Trip Ftival for Health Reasons</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Matthew Strss</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-6" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gKnDpj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Ice Spice Releas New Like..? Deluxe Album" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-6" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Ice Spice Releas New <em>Like..? Deluxe</em> Album</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Matthew Strss</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-7" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gKnDpj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Jay Rock Enlists Anrson and Latto for New Song and Vio" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-7" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Jay Rock Enlists Anrson and Latto for New Song and Vio</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Matthew Strss</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-8" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gKnDpj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Travis Stt, Bad Bunny, and the Weeknd Share New Song “K-Pop”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-8" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Travis Stt, Bad Bunny, and the Weeknd Share New Song “K-Pop”</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Na Corran</span></span></p></div></div></div></div></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="TaboolaWrapper-hMVdpE iYfBhy"><div class="TaboolaWidgetWrapper-egPIjc hkSrgt TaboolaWidget-eUSdED hQCCRa" data-ttid="TaboolaWidgetWrapper"><div class="TaboolaWidgetContent-iBEQTO eXroXG TABOOLA" id="taboola-below-article-thumbnails" data-ttid="TaboolaWidgetContent"></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="AdWrapper-dQtivb fZrssQ ad ad--footer should-hold-space"><div class="ad__slot ad__slot--footer" data-no-id="4z0l2g"></div></div></div></div></div></ma><div class="BasePageMaFooterFiller-hTlZph jSriYf 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the xx gay

Straight Men & the Men Who Love Them: Directed by Javier Agirre, Je Ameer, Alequ Eerer, Stewart Wa. A llectn of shorts that explor the relatnships between gay men and straight men. The llectn clus Espac Dos (Spa) In the Name of the Father (Brazil), My Straight Boyiend (US), Tth or Consequenc (Brazil), Coffee Date (US), Poprn & Coke (UK), and Unhibed." data-id="ma

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asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="Jamie xx Romy Madley Croft and Oliver Sim. Madley Croft and Sim started their group the xx as highschool iends." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Jamie xx, Romy Madley Croft, and Oliver Sim. Madley Croft and Sim started their group, the xx, as high-school iends.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Pari Dovic</span></div></figure></div><p class="has-dropp has-dropp__lead-standard-headg">In late March, the xx, a band that ordarily appears at ten-thoand-seat arenas, played a ten-night “rincy” at the Park Avenue Armory, performg for jt a few dozen people at a time. Open to the public for fifty-five dollars a ticket, the shows also drew the micians Beyoncé, Jay Z, and Madonna, as well as the filmmakers W Anrson and Noah Bmbach. After assemblg a wdowls storage area ep wh the Armory, a former ary headquarters on the Upper East Si, ticket-holrs were led through tunnels to a small, square room, built around a shallow p where three unsg figur stood near darkns: the guarist and sger Romy Madley Croft, wh dyed black hair a geometric cut that fell over one eye; the bassist and sger Oliver Sim, a tall man wh a blond Tt forelock; and the boyish-lookg d.j./dmmer Jamie xx (né Smh), who stood behd a phalanx of samplers, keyboards, and percsn stments.</p><p class="paywall">For fifty mut, the xx played a rtraed, dacly spare versn of die rock wh a pronounced dance-mic edge. Pickg out sgle-note riffs on a chimg L Pl, Madley Croft sang yearng lyrics a breathy whisper (“You don’t move slow / takg steps my directn”) while Sim, pluckg wily spaced bass not, answered a velvety barone (“You say I’m foolish / for phg this asi”). The songs were as timate as pillow talk—murmurg and sighg agast an almost silent background—but the two sgers stood separated by the d.j. booth, until Smh’s beats lnched them to a dance route as sharply etched as a tango. Colored lights pulsed agast the walls and the low ceilg as Madley Croft, a black blazer, legggs, and boots, stro across the stage. Sim, swayg his bass the air, faced off wh her, a pantomime of nontatn and retreat that uld have been a lovers’ quarrel or a tntg sctn.</p><p class="paywall">The mood of almost unfortable timacy seemed to prevent performers and dience om acknowledgg one another; the band didn’t speak a word between songs, and the spectators didn’t appld. The mood persisted even when, halfway through the show, Madley Croft sang, “Can I make better / wh the lights turned on?,” and the fabric walls dropped away, revealg the Armory’s vast drill hall, an acre of stone and archg steel stts. Fally, the last song, she crooned, “Did I hold you too tight? / Did I not let enough light ?” The room went pletely dark, and when the lights me up, the dience, as if startled out of a daze, broke to loud applse. After one performance, Kanye Wt told the band that had remd him of Steve Jobs, who “took somethg as big as the puter and put a cell phone.”</p><p class="paywall">The members of the xx were barely out of their teens when, 2009, they released their first album, “xx,” a llectn of muted love laments wrten mostly their childhood bedrooms. For a generatn reared on the lculated bombast of Lady Gaga and Katy Perry, the album seemed like a rehgly hont acunt of first love, and the band self, appealgly shy Brons, like a relief om exhibnism and boastfulns. The album, released by a small label lled Young Turks, sold more than a ln pi and won the Mercury Prize, the most prtig award the U.K.’s pop-mic dtry.</p><p class="paywall">For their send album, “Coexist,” the band members—after two years of non-stop tourg—sequtered themselv for six months a makhift rerdg stud a ndlel London attic draped wh black velvet. The new album was another llectn of plative ballads, but the band, praised for s spare style, rced s arrangements almost to nothg; some vers were jt a sgle voice over the distant whistle of one of Smh’s samplers. Released September, 2012, the album débuted at No. 1 on the U.K. charts, but failed to generate the cril acclaim of the first album. Some plaed that showed ltle mil advance over “xx” and suffered om an airls mood and fsy productn—flaws that the band reluctantly acknowledg.</p><p class="paywall">Hence the cisn, this sprg, to create their third album on the road. After the rincy at the Armory, the band set out to play a strg of small venu the Southern Uned Stat, wrg and performg new songs almost nightly. The ia origated wh Cai Pawson, a twenty-eight-year-old Londoner who manag the band, owns s rerd label, and acts as a kd of creative facilator. “The sound, the songs, everythg, existed before me,” Pawson told me. “My put is the procs. How do they get to wrg that song?” He explaed, “The first album me out of their limatns. Their send LP was about them thkg they had to hold onto those limatns. The third is about crackg them open. Makg them do thgs they fear.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Three days after the last Armory performance, the xx were Athens, Geia, to play at a thoand-seat theatre. I met wh Madley Croft a few hours before the show. A strikgly pale woman of twenty-four wh a quiet, slightly lispg voice, she was drsed all black: T-shirt, tight jeans, and round-toed boots. She looked sufficiently alien unr the bright Southern sun that she was stopped by a young man who wanted to photograph her. She blhed and stammered, “Uh, oh—um, O.K.,” then stood stiffly as he took two shots.</p><p class="paywall">The band’s members, all siarly diffint, rist fg themselv as rock stars—or fg themselv at all. Madley Croft grew up the London suburb of Putney, the only child of an art-teacher mother and a father who worked a library. “I was a very shy kid and really to art,” she says. When she was eleven, her mother died, of a bra hemorrhage, and she was sent to live wh her nt and uncle and their dghter. “My life changed—jt <em>click</em>—overnight,” she says. “I grew up a huge amount , like, thirty sends.” She and her , Lotte Jeffs, beme close, but they rarely spoke of her mother’s ath. “She alt wh the way that she seems to al wh everythg, which is very ternally and very quietly,” Jeffs, now an edor at the <em>Eveng Standard Magaze</em>, says. “She was jt very worried about how everybody else was dog. I never saw her cry. Not once.”</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Madley Croft’s father died, apparently of plitns om alholism, soon after the release of “xx.” Another , to whom she was also close, died of a bra tumor. But Madley Croft rejects the ia that the hardships help expla the band’s moody athetic. “I’m happy—spe thgs that might have happened my life,” she says. “The melancholy our mic has never been related to any of the aths. If anythg, ’s jt that I que like sad songs.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">When her father had played rerds of sixti-era bands, she preferred the gloom of the Velvet Unrground to the Beatl, whom she has never felt cled to listen to closely. (“I feel like ’s not O.K. to say that,” she told me, lghg.) At fourteen, she took up guar, teachg herself wh tablature off the Inter. Inspired by the punkish band the Distillers, she played power chords wh heavy distortn and sang like Brody Dalle, the raspy-voiced ont woman. “I did for about a day,” she says, “and then realized I n’t sg like this. I’m not Kurt Coba.” Instead, she veloped her soft ntralto, and began pluckg sgle not to double the melody of her sgg—the roots of the unembellished guar patterns that are an xx signature. She rerd dimentary ver songs on her puter. “I would send them to a uple of iends, but very much over e-mail, and not person, and I was very private about ,” she says.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Among those she nfid was Sim, her clost iend sce nursery school. “Our parents were iends and kd of phed together,” Madley Croft says. “There’s a lot of funny photos of . We look like tws.” (The two reta a aternal relatnship. Before a recent show Memphis, Madley Croft sld him for eatg ied alligator, which had ma him sick on an earlier swg through the South.) Dpe their closens, neher had known, at fourteen, that the other was secretly playg mic. “It was this really funny moment,” Madley Croft told me. “I said, ‘You sg.’ He said, ‘No, <em>you</em> sg.’ And so we sang together.”</p><p class="paywall">Sim, a rawboned twenty-five-year-old, is the most extroverted member of the band. (Durg a post-show tour of a historic mansn Marfa, Texas, he bound off, margara hand, to sneak to closed-off rooms, and emerged om one jokg about terptg a pair of lovers.) Yet he is also the most guard about his early life, which was srred by fay dysfunctn that he cl to discs. In an terview to promote the send album, he said, “If you took anyone off the street and asked them to share as much as we get asked to share, they’d say no. I don’t thk that’s abnormal.”</p><p class="paywall">He grew up a uncil flat South London, wh his mother, a social worker, and his father, who worked for a hepatis C chary. He listened to his parents’ mic (Talkg Heads, the Whe Strip) and to his olr sister’s mercial R. & B. (Aaliyah, En Vogue, Guwe). Like Madley Croft, he rists speculatg on the origs of the melancholy the xx’s songs. “I suppose I’ve never really tried to analyze too much,” he says. “But I do remember sharg mic wh my mom the first time and her askg if I was all right.” He lghed. “I said, ‘I’m O.K.—don’t worry.’ ”</p><p class="paywall">Their earlit llaboratns were studiedly jokey ver tun. “God forbid we would seem like we were takg ourselv very serly,” he says. Wham’s “Wake Me Up Before You Go-Go” was an early staple. (“We took to a weird place,” Madley Croft says. “I’ll give that.”) They soon began wrg songs, but, too shy to work the same room, they sketched ias separately and shared them on iChat, assemblg songs like llag. They reaed om askg about the meang of lyrics. “I wouldn’t be sendg him an e-mail back askg, ‘What exactly is that about?’ ” Madley Croft told me. “It’s unsaid, which is que nice.” They worked their bedrooms late at night, keepg their voic down so as not to wake their fai—a source, both say, of the xx’s muted athetic.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH 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data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">When they were fifteen, they fished their first song, the unreleased “Blood Red Moon.” Rerd on Madley Croft’s digal eight-track to the acpaniment of a rky-dk dm pad, already suggted the xx’s later style: a sultry melody wh an uncluttered backdrop, and enigmatic but suggtive lyrics. As a bass throbbed unr a two-note guar hook, Madley Croft and Sim murmured, “Picture me unr blood red moon / I’ll make your ey turn yellow / Make your sk turn blue / I know that ’s hard to see.” The band felt that had disvered somethg almost by accint: a stripped-down, atmospheric sound remiscent of New Orr, the Cure, and Mazzy Star, but wh a propulsive dance beat. “We were, like, ‘Ahh—we like this!’ ” Madley Croft says. In the next year, they wrote a handful of songs—cludg “VCR,” “Night Time,” and “Stars”—that end up on their début album.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="pl3t9g"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="6fcdil"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">The sparens of their mic was partly imposed by their lack of virtuosy. “We uldn’t have done more plited parts, even if we wanted to,” Sim says, “bee we didn’t actually have the playg skills. We didn’t have very loud voic so we uldn’t make a very big sound. When the first album me out and people would ask , ‘Where did this mimalist thg e om?,’ we thought, It’s <em>mimal</em>, is ?” Another fg aspect of the xx’s mic—the tamped-down eroticism of the sgers’ entwed voic—was also untend, sce both are gay. “It sounds like we’re addrsg each other, but we’re not,” Madley Croft says. “We’re really sgg past each other.” The romantic yearng, however, was real enough—even if the scenars their songs were, at least on the first album, mostly imaged. One early song, “Crystalised,” was built om a passage that Sim wrote as he fantasized about what an affair might be like. “I hadn’t really had any relatnships to be workg off,” he told me. “But I had a huge tert life, and lookg at other people’s relatnships around me.” He sent a snippet—“You applied the prsure / to keep me crystalised”—to Madley Croft, who wrote an answerg verse, which begs, “I’ll five and fet / Before I’m paralyzed.” The fished lyrics, some of their bt, suggt a twisted love affair, but also ht at dgs and elogil disaster.</p><p class="paywall">Their high school, the Elltt School, was seen as a center for pop mic—havg produced several notable acts, cludg Hot Chip, Burial, and Four Tet—but Madley Croft and Sim kept their mil aspiratns private. Nila Pock, a mic teacher at the school, told the <em>Guardian</em>, 2010, “I don’t remember Oliver and Romy sgg at all. They jt didn’t do .” But their junr year they cid to attempt a live gig. They reced a classmate, Baria Qurhi, to play send guar and a two-octave child’s keyboard that Madley Croft bought, for ten pounds, on eBay. They named themselv the xx—they liked the graphic possibili of the paired cross, as well as the associatns wh kiss and chromosom—and started playg at far-flung pubs and clubs. “In our school, there were lots of bands puttg up posters sayg ‘Come to our gigs,’ ” Sim says. “We didn’t want people to know.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">Standg like spects a police lp, avoidg eye ntact wh the dience, they eked out their set to tny dm patterns pre-rerd on a CD. Lotte Jeffs loyally attend every gig. “I would be one of three people the room,” she rells. “They’d be playg a pub Shoredch, East London, and I’d be up ont, mimg to Romy, ‘Sg lour,’ or ‘Enunciate more.’ ” Sim told me that beg onstage was unpleasant. “Really paful,” he said. “All the other bands would say, ‘Uh, you’re all right. Might be a good ia if you got a <em>dmmer</em>.’ ” Neher Sim nor Madley Croft n expla what ma them endure the terrors of performg. “I gus, ep down, somewhere, hidn unrneath all of our nerv, there was a sire to be onstage,” Madley Croft says. “But ’s que odd. We fely didn’t look like we wanted to be dog .”</p><p class="paywall">Bands were startg to fd populary on the Inter—the Brish sger Lily Allen had built a large followg through her MySpace page—and so the members of the xx posted their songs onle. “There was no tert ,” Sim says. “None at all. We weren’t beg wrten about on any of the blogs. We weren’t ever <em>NME</em>”—the <em>New Mil Exprs</em>, an fluential rock weekly. “We didn’t have any fans.”</p><p class="paywall">One day Wandsworth, near their neighborhood, they noticed the headquarters of the pennt rerd label Beggars Banquet. “We saw a Whe Strip poster and asked if we uld hand a mo,” Sim told me. “But we never did, bee we were too aaid.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Cai Pawson is a loquac young man wh slicked-back blond hair and a square, leone face. Havg stggled wh learng disorrs sce childhood, he dropped out of llege after one semter and beme a votee of London’s unrground rave scene, supplyg d.j.s and sound equipment for a seri of all-night dance parti he lled Young Turks. He enjoyed growg celebry, until the police raid one of his parti and seized his gear. Pawson, then neteen, took a job A. & R. at XL Rerdgs, the London-based pennt label known for signg Ale, and quickly tablished his own small label wh the pany, also lled Young Turks.</p><p class="paywall">In his first three years, Pawson signed several groups, whout much succs. One day the fall of 2007, his assistant, Katie O’Neill, told him about the xx, which she’d found trawlg MySpace—“jt clickg on different artists’ ‘Top 4’ or ‘Top 8’ iends to fd somethg tertg,” she says. Together, they attend the xx’s next gig, at Shunt, a large, dark club wh ivied walls suated beneath the massive arch of the London Bridge railway statn. There, Pawson was nonted wh the unpreposssg sight of three eighteen-year-olds—Madley Croft, Sim, and Qurhi—standg motnls, ey on the ground, chg their way through a moody set. “For some reason, the guy behd the bar wouldn’t turn off the bar stereo,” Pawson told me. “And they were playg off a beat on a CD player. It was very funny. If you’d reviewed the show, you wouldn’t necsarily have reviewed very posively, but there was, like, endls spe for . . . <em>other possibili</em>.”</p><p class="paywall">Pawson had been raised to appreciate the possibili of stylish mimalism. His father is the archect John Pawson, who created the spare glass-and-stone Calv Kle store on Madison Avenue, and the Sackler Crossg, an unadorned se wave of black grane that cross a lake Kew Garns. Before a retrospective of his work at the Dign Mm London, a <em>Telegraph</em> article noted that his home was so bare of ornament that, when he showed to some Cistercian monks whose monastery he was about to sign, they “worried his style might be too stere for them.” Cai’s mother, Hter van Royen, is an art aler who was one of John Pawson’s earlit patrons, and had worked wh the artists Donald Judd and John Chamberla. She took a lively tert her son’s work at Young Turks. “She would e down to shows and give me a visual-arts reference,” Pawson told me. “I had a band lled Holy Fuck—an stmental Krtrock band. She loved them. She was, like, ‘This is the gangster Rothko of sound!’ ”</p><p class="paywall">He brought her to an early xx show at the AB Club, Bssels. “She grabbed me,” he says, “and she was, like, ‘This is the first extreme talent you have.’ She looked me the ey and was, like, ‘Creativy is not a tap! Do not fuck this up!’ What she meant was, jt bee you have somethg excg, you n’t jt put them on the promo bandwagon.” Pawson regnized that the xx were pecially vulnerable to the prsur of rerdg, tourg, and prs terviews. “They were very ail and shy kids,” he says. “Some people are born a b more ready. This band wasn’t born ready.”</p><p class="paywall">Pawson reaed om askg them to sign a al, nvced that handg them money to rerd an album would “make them llapse.” Instead, he promised to secure them a rehearsal space and fd them gigs. Still high-school stunts whout heavy fancial obligatns, they agreed, and began to gather at the rehearsal room—a dised garage at the rerd pany’s headquarters, the same Wandsworth buildg where they had once been too aaid to drop off a mo. “I don’t know what I thought we were dog—wh what purpose,” Madley Croft says. “It wasn’t for an album. I was jt happy playg mic.” Sim was galvanized by Pawson’s enthiasm. “He was takg serly. It’s a real driver, when no one else is particularly exced.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="awf4f8"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">The xx soon reced Jamie Smh, a longtime iend om the Elltt School. A highly self-ntaed young man, Smh has dark, puppyish ey and a bashful se. (“I once went shoppg and ravg wh Jamie Holland,” Pawson told me. “A day and a night of partyg. Don’t thk he said a word—but he had an awome time!”) He grew up listeng to his parents’ Stax soul and funk, and then to electronic dance mic, built around dm sounds sampled om those classic rerdgs by micians like DJ Shadow and RJD2. He had turned down an earlier offer to dm for the band. “I didn’t thk I was good enough,” he says, “and I didn’t want to be onstage.” But for his eighteenth birthday he was given his first MPC—a bed rerr, sampler, and dm mache—and brought to the xx rehearsal room. When Madley Croft and Sim heard how the band sound wh Smh providg live beats, tappg pads wh his fgers to simulate a dm set, they urged him to jo. “It had a live element,” Madley Croft says, “and add so much texture, wh all the other sounds he uld make.” Smh’s dm patterns and ethereal synths gave the xx a distctive qualy: a hybrid of sger-songwrer balladry and fluenc om hip-hop and unrground London dance mic.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">For eighteen months, they rehearsed the garage, ttg new songs at ty venu. In that time, all of them graduated om high school. Madley Croft was accepted a pre-unrgraduate urse at London’s Central Sat Marts arts llege, where the micians M.I.A., Jarvis Cocker, and PJ Harvey had studied; Sim got a job as a waer; Smh worked on his d.j. beats; and the band ntued to rehearse and play gigs. “It was all very sual,” Madley Croft says. “And then one day the people at Young Turks were, like, ‘Do you want to make an album?’ ” By then, she had plans to attend llege. “Cai was, like, ‘You kd of need to make a cisn—do you want to go to universy, or do you want to foc on the band?’ I chose the band.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">For the xx’s stripped-down tour of the South—cludg shows Atlanta, Raleigh, Memphis, and Marfa—Pawson enuraged the band not to fall to the ual t: performg, crashg, risg late, eatg, performg aga. The ia was to absorb the lor and culture of the South, the hope that the new surroundgs would break them out of their route. Before sound check Oxford, Mississippi, Pawson rralled Madley Croft and Smh on a trip to a rerd store, the End of All Mic, outsi of town. While Pawson energetilly pched the owner on hostg a solo show wh Smh for broadst onle (Smh has veloped a succsful solo reer as a d.j., and worked as a producer for Drake and Alicia Keys), Madley Croft quietly snned the albums on the walls. Smh mped out a back room filled wh obscure gospel and untry rerdgs, where he listened through headphon to rerd after rerd, bobbg his head, lookg for sounds to sample for the xx’s new songs.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="“Whoa check out—Bill Murray jt crashed our rtoon”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“Whoa, check out—Bill Murray jt crashed our rtoon!”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-pylk" width="24" height="24" 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pied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">When Smh produced the band’s first album, he was only neteen. Pawson had brought experienced hmakers, cludg Diplo, an L.A.-based producer who has worked wh Beyoncé, No Doubt, Jt Bieber, and Usher; and the London-based Kw, who has llaborated wh Damon Albarn and Bobby Womack. The xx were ially exced to work wh tablished nam, but soon balked. Where the band had left spac the songs, producers wanted to sert sounds and beats. “They wanted to put their own ltle stamp on ,” Smh says. “If you have a band wh a sound, and you n hear , you should do somethg that sounds like them.” He lobbied his bandmat and the label to let him produce the rerd, and they agreed.</p><p class="paywall">The album, rerd December, 2008, the nverted garage, retaed the unvarnished productn of the band’s mos. “We had a le that everythg had to be possible to play live, whout extra stments,” Madley Croft says. Instead of g the stud’s synthizers, they sisted on the child’s keyboard bought on eBay. “I n’t believe how naïve we were,” Smh says. “I’m glad, bee that’s why sound like did. None of even had the ia our head that was gog to be released.” Ined, Young Turks did not sign them to a rerd al until after the album was released.</p><p class="paywall">When “xx” went on sale, the followg Augt, <em>NME</em> hailed as “one of 2009’s most unique buts.” The cric Robert Christg wrote, “It’s hard to image their mic gettg much better,” and Slant ma parisons to Belle and Sebastian, Joy Divisn, Interpol, and Rega Spektor. Katie Stelmanis, of the Toronto-based band Atra, which later opened shows for the xx, said that the album signalled a changg fashn. “Their entire athetic really didn’t exist any kd of mastream way before,” Stelmanis told me. “I remember the first time listeng to them and thkg, How n they get away wh this? It’s so simple. That mimalism has fely swept over the world—even to the pot where Beyoncé’s new rerd sounds like uld be produced by Jamie xx.”</p><p class="paywall">But the album sold slowly at first, and the band’s affect on stage remaed recsive. That fall, when they played at the CMJ Mic Ftival New York, Pchfork praised their mic but said that “their live prence is not exactly dynamic.” And there were problems offstage. The prsur of tourg had creased long-standg tensns between Qurhi and the rt of the band, and she subsequently left, signg an agreement that officially end her relatnship wh the band. She do not speak to the prs, but a recent tweet she plaed that she didn’t get enough cred for her ntributn to the band’s mic. (Pawson disput this.)</p><p class="paywall">If the band’s crics lled the mic anodyne, s blank-slate qualy offered wi mercial opportuni. The BBC picked up the spooky stmental “Intro” for s verage of the general electn, and Rihanna sampled for her dance tune “Dnk on Love.” Soon, the xx’s mic was beg ed r mercials, movi, and televisn shows (“Cold Case,” “Grey’s Anatomy,” “Gossip Girl”). Karl Lagerfeld chose for a Chanel fashn show. In April, 2010, the band was ved to play at the Coachella Mic Ftival, California. The members me onstage at four the afternoon to disver that thirty thoand people had gathered to see them. Jay Z and Beyoncé were the p ont of the stage. Madley Croft says, “That was the moment when I was, like, Oh, my God, I thk people might be to this.”</p><p class="paywall">Tourg relentlsly over the next two years, the band grew more at home onstage. “Over time, Oliver started to move a b,” Madley Croft says. “I didn’t know, bee I spent the whole time lookg eher down or forward. I thought, I’ve got to step up. I started to move, and now we’ve kd of veloped this whole swayg thg that we do. I sort of follow his lead.” (Before the Armory shows, they worked out each night’s mov on paper.) Madley Croft lost weight, and trad her baggy black T-shirts for slim blazers, legggs, and high-heeled boots. She started datg Hannah Marshall, a London fashn signer, who creat stage outfs for all the xx members: narrow black cloth wh sls at the elbows. Inevably, crics and fans talked about the sexs of the mic. “A lot of people would e up to after the shows and want to tell that was a sexy sound. You kd of don’t know what to say!” Madley Croft told me, lghg. “What I like about is that there was absolutely no tentn to make sound like that.” Some of their early fans, who loved their awkwardns, feel that they’ve sold out. But at the Armory the transformative power of stardom ma their stony exprsns look ls like stage ight than like adpan ol—the sang-oid of rock stars ntent to make you e to them.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">A few weeks ago, I vised Fal Cut studs New York, where the photographer Jamie-Jam Meda was edg a documentary about the band. Meda has been shootg for four years, amassg a hundred and twenty hours of footage, which he was tryg to assemble to a nety-mute rough cut. In an edg sue domated by a large TV screen, he spoke wistfully of D. A. Pennebaker’s “Don’t Look Back,” wh s unguard scen of a young Bob Dylan gleefully bullyg a <em>Time</em> magaze reporter. Wh the xx, he said, “ took me two months before I even asked if I uld shoot backstage.”</p><p class="paywall">But Meda did pture moments of drama, however subterranean. He showed me footage om the velvet-led attic stud where the band members, tensely nervo about followg up on their début, were makg the send rerdg. Sim says, “Our first album we thought no one would even hear. Now we were creatg knowg there was an dience. It was bizarre.” Madley Croft adds, “We thought, We jt need to hi away, and we kd of shut all the doors.” Smh, who was producg aga, at first loved the isolatn. Now, he says, “I realize a lot of was que miserable. I spent too much time makg sure every sound was perfect.” In Meda’s footage, the band members hardly speak to one another, and when they do a tone of tetchy irratn is dible. They fally stopped munitg directly, settlg creative disput by speakg through Pawson. Their label asked repeatedly to hear the new rerdg. “We’d be, like, ‘O.K., we’ll play to you this week,’ ” Sim says. “Then we’d realize we wanted to change part of .” Fally, Pawson mand to hear the album. “Cai me,” Sim says, “and was, ‘O.K., this is great. You ptured a moment, where you’re at right now. There will be other albums—this is .’ ”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-4 viewport-monor-anchor"></div><p class="paywall">The rultg album, “Coexist,” sound many ways like “xx,” but even more starkly mimal—an effect that seemed ls a nfint artistic choice than a band’s strag to repture what crics had fed as s signature sound. “Wh the first album, we never talked about ” beg mimal, Smh says. “Makg the send album, we may have talked about too much.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="zkjn"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="5p9vd"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">“It’s a great rerd that we all love and are extremely proud of,” Pawson told me, “and there’s no other rerd that uld be ma. But the procs was exhstg and very paful.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Durg sound check at the Geia Theatre, Athens, the xx played a song wrten only days earlier, New York. It began wh wash of an om Smh’s keyboard, and a plangent lyric sung by Madley Croft: “I ed to pe / to my hidg place. Now we’re face to face / and I don’t feel so aaid.”</p><p class="paywall">Pawson, standg close to the stage, said, “First time I’ve heard this. First time anyone’s heard .” The song was more thickly orchtrated than ual—tollg dmbeats, swirlg an sectns, rgg chords. When end, Pawson elaborated on forcg the band to wre and arrange new songs on tour. “Instead of havg two months to dwell on how the dms should sound,” he says, “they have half an hour before the show to get right. It’s trial and error—live.” The need to rolve artistic differenc on the spot left no time for entrenched disagreements, an approach that Madley Croft said was closer to how they ma the first album. “We’d played all those songs live loads of tim before we rerd them, and they morphed and were fluenced by the reactn they got om the crowd.”</p><p class="paywall">In the next few days, they rehearsed “Hidg Place” at sound checks, and often stggled wh a sectn late the song where Sim tak a verse. The band was tryg to figure out what stmentatn, if any, to clu unr his sgg. Each night, they played a different versn, sometim wh Madley Croft doublg Sim’s voice on guar, sometim wh nothg but a boomg bass-dm sample unr his voice. After each show, the band discsed which versn had got the bt reactn om the dience, and ma mental not for when they reached Marfa, Wt Texas, where they were schled to start rerdg the new album. Madley Croft said that was ighteng to play an unfished song live—at sound check Athens, she had to stop midway through “Hidg Place,” bee she uldn’t remember the melody of her verse—but, she add, that was the pot of the exercise: “I’m tryg to go along the l of, If mak me nervo, then do .”</p><p class="paywall">On the Southern tour, the xx played mostly llege towns, for dienc of unrgraduat preppy T-shirts and shorts: boys and girls on dat, swayg wh their arms around each other’s waists; groups of sorory sisters and at brothers. Diehard fans reverently sang along to “Angels,” as slowed nearly to a halt wh the repeated, whispered phrase “They would be as love wh you as I am.” While the band played s hs, the feelg the room was ls like a rock ncert than like an enunter-group ssn, wh both the dience and the band members relivg the private moments of their first lov.</p><p class="paywall">The new songs, however, were often ls well received. On the tour, Madley Croft débuted “Performance.” Sung solo to stmmed guar chords—a parture om her ual sgle not—the song is an achgly tenr nfsnal about private pa and the necsy of puttg on a brave face onstage. At the Armory, the dience had leaned close to tch every nuance. But Oxford, at a small, dark venue lled the Lyric, the standg-room-only crowd of llege stunts talked and lghed as Madley Croft bared her soul; some checked msag on their phon. After the show, Pawson, outraged, herd the band to the tour b, past a le of tograph-seekers. Over dner the next day, Memphis, Madley Croft acknowledged that was difficult when dienc were different, but she said that even this uld be an spiratn. “That feelg of hopg for the bt—and then people jt talkg right through,” she said, and lghed. “It really remd me of when we started out.” ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="4cvqie"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2014/06/30" data-reactroot="">June 30, 2014</a>, issue.</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/john-lapto">John Colapto</a> beme a staff wrer at <em>The New Yorker</em> 2006. 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class="GridItem-buujkM kHPPIF grid--em"><div class="SummaryCollectnGridContent-eVUpRm jTGbEO"><div class="SectnTleRoot-dBGvdq hpRFVl SummaryCollectnGridSectnTle-fCmYwG izjbVn" data-ttid="SectnTle"><hear class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet dxqEAa jfOfxc jttyjJ">Read More</hear></div><div class="SummaryCollectnGridItems-DZShR jBCYOL hi-read-more-ad" data-ttid="SummaryCollectnGridItems"><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Daily Cartoon: Wednday, July 12th" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Daily Cartoon</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Daily Cartoon: Wednday, July 12th</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">“The clock is tickg—will you solve the problem or pass on to future generatns, Congrsman?”</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Brendan Loper</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Daily Cartoon: Thursday, July 13th" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Daily Cartoon</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Daily Cartoon: Thursday, July 13th</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">“Well, maybe <em class="unrle">you</em> shouldn’t have spent a lifetime pastakgly hong a set of skills that you mt have known we would eventually attempt to steal and replite for ee.”</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Zoe Si</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“Orange Is the New Black” Signalled the Rot Insi the Streamg Enomy" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Not on Hollywood</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">“Orange Is the New Black” Signalled the Rot Insi the Streamg Enomy</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">The novative and darg show was a worldwi h for Netflix, but some of the actors say that they were never fairly pensated.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Michael Schulman</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Salvador Dalí’s Surreal Summer the Cy" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Blt’s Kvetchbook</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Salvador Dalí’s Surreal Summer the Cy</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">What isn’t meltg this heat?</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Barry Blt</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm hKqhyj ad ad--read-more"><div class="ad__slot ad__slot--read-more" 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