IF I WERE GAY CHORDS by Stephen Lynch @

Contents:

• AM I GAY?
• HOW TO KNOW IF YOU ARE GAY
• WHAT’S NEXT FOR THE GREAT GAY PLAY? EVERYTHG.
• STEPHEN LYNCH - IF I WERE GAY CHORDS
• THE HIDN GAY LIV FALLY BEG UNVERED
• KISS FRONTMAN PL STANLEY: ‘IF I WERE GAY, I’D BE PROUD’ – VIDEO
• A BRIEF HISTORY OF GAY THEATER, THREE ACTS
• IF I WERE GAY
• OH BO (STUD)BO BURNHAMTRACK 2 ON WORDS WORDS WORDS PRODUCED BYKOOL KEH & JACK VGHNBO THIS SONG TO POT OUT A LOT OF WHAT FAMO SGERS/SONGWRERS DO WRONG. HE ALSO TO SHOW THAT HIP HOP IS NO LONGER WHAT ED TO BE, BUT IS NOW JT FULL… READ MORE OCT. 19, 20101 VIEWER136.5K VIEWS87 CONTRIBUTORSOH BO (STUD) LYRICS[INTRO]I FEEL LIKE HIP HOPUSED TO BE A VOICE FOR THE VOICELS, Y'KNOW?AND NOW 'S BEE, AT LEAST THE MASTREAMA SYMBOL OF MISOGYNY, GAY PANIC, FISL IRRPONSIBILYSO I FIGUREIF YOU N'T BEAT 'EMJO 'EM[VERSE 1]HT' THE CLUB UP VIPI GOT A FAKE MTACHE AND A FAKE IDI LOOK LIKE WOOLY WILLYWH A REALLY WOOLY WILLYAND I BYPASS THE BOUNCERPASS BY AN EX AND I FLEX AND BOUNCE HER, WOWSERLOOK AT ALL OF BO'S HOLOOKG FOR A RI ON BO'S HOSEAND I SPOT A LTLE LATO, BOOTY SO BIG LL OPRAH'S EGOWE GO DO , THROUGH , SHE SAYS, "DS MIA MI AMIGO!"PULL OUT, STICK YOUR MOUTH, AND I BT THE BACK OF YASWALLOW BCH, THERE'S PEOPLE STARVG AI![CHOS]SGLE EVERY SGLE DAYDO EVERY SGLE WAYMAKE THE SGLE LADI SAY “OH, BO”AND IF I WERE GAYTHOUGH I SWEAR I'M STRAIGHTI'D MAKE THEM FELLAS SAY—YOU MIGHT ALSO LIKE[VERSE 2]YOU'RE AN ICE CREAM SUNDAE WH A CHERRY ON TOPBUT REFUL, CHERRY, E I'M THE KG OF POPPOP POP POP GO MY WEASELNOW YA LOOK LIKE JACKSON POLLOCK'S EASELMY SUGGTN IS YOU DON'T BLOW 'TIL YOU KNOW WHAT NGTN ISSWALLOW WHEN YOU KNOW WHAT DIGTN ISFOLLOW BO, THE ONLY QUTN ISHAVE YOU BEEN SPLATTERED BEFORE BY THE MAD-HATTER MATADOR?CAKE-BATTER NEVER MOREIT DON'T MATTER WHETHER YOU'RE SPANISH, FRENCH, SWEDISH OR CAMBODIANI'LL SLIME YOU SO HARD YOU ULD BE ON NICKELOON[CHOS]SGLE EVERY SGLE DAYDO EVERY SGLE WAYMAKE THE SGLE LADI SAY “OH, BO”AND IF I WERE GAYTHOUGH I SWEAR I'M STRAIGHTI'D MAKE THEM FELLAS SAY “OH, BO”[POST-CHOS]OH BO-O, OH BO, BOA-A-OH BO, OH BO, OH BO[VERSE 3]YOU THK THAT YOU N HANDLE ME?GIRL, DON'T MAKE ME LGHI SAID MY JUNK IS BIPOLARIT'LL SPL YOU HALF, YEAHAND IF YOU'RE LUCKY, I MIGHT JT BRG YOU HOMEAND I'LL HAVE YOU GOG DOWN LIKE YOU'RE GROW' AN EXTRA CHROMOSOMEAND WHEN YOU GRAB ME, DON'T GRAB ME BY MY BUNSCSE I GOT A BAD SE OF THE NSI GOT THE NSI GOT THE NS[CHOS]SGLE EVERY SGLE DAYDO EVERY SGLE WAYMAKE THE SGLE LADI SAY “OH, BO”AND IF I WERE GAYTHOUGH I SWEAR I'M STRAIGHTI'D MAKE THEM FELLAS SAY “OH, BO”[BRIDGE]I WANNA BREAK DOWN FOR Y'ALLI ME OM THE STREETS, WH NOTH'NOW I'M MAK' H RERDSFOR MY PEOPLE STILL LIV' THE STREETSSTILL LIV' POVERTY, I WANNA TELL YOUI'M DO' THIS FOR YOUMY SUCCS IS YOUR SUCCSAND I KNOW YOU MAY BE THK'“HEY, IF YOU REALLY BELIEVE THATWHY DON'T YOU E SOME OF YOUR MONEYTO HELP REBUILD THE NEIGHBORHOODINSTEAD OF PUTTG SPNG RIMS ON A GOLD JET SKI?”AND TO THAT I SAY:[INTERLU]UH, CHOS IS ' UP[CHOS]SGLE EVERY SGLE DAYDO EVERY SGLE WAYMAKE THE SGLE LADI SAY “OH, BO”AND IF I WERE GAYTHOUGH I SWEAR I'M STRAIGHTI'D MAKE THEM FELLAS SAY—UH UH![VERSE 4]YOU GOT A FUME LIKE A TUNAI'LL SMELL YA LATERI MET A FAT CHICK AND I FUCKED HER AN ELEVATORIT WAS WRONG ON SO MANY LEVELSIT WAS WRONG ON SO MANY LE-LE-LE-LEVELSIT WAS WRONG ON SO MANY LEVELS, UNIT WAS WRONG ON, WAS WRONG ON, WAS WRONG ON[OUTRO]SGLE EVERY SGLEDO EVERY SGLEPOP THAT SGLE LIKE A PRGLE JGLE “OH, BO”THIS SONG'S ALMOST PLETEDALL THIS LTLE DTY NEEDINSTMENT THAT'S DOUBLE REED: THE OBOEYEAH, OH, BO, PLAY THAT OBOE15EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTGENI ANNOTATN2 NTRIBUTORSBO THIS SONG TO POT OUT A LOT OF WHAT FAMO SGERS/SONGWRERS DO WRONG. HE ALSO TO SHOW THAT HIP HOP IS NO LONGER WHAT ED TO BE, BUT IS NOW JT FULL OF “MISOGYNY, GAY PANIC, FISL IRRPONSIBILY.”EXPAND +145SHAREASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHO PRODUCED “OH BO (STUD)” BY BO BURNHAM?WHEN DID BO BURNHAM RELEASE “OH BO (STUD)”?WHO WROTE “OH BO (STUD)” BY BO BURNHAM?WORDS WORDS WORDS (2010)BO BURNHAM1. WORDS WORDS WORDS (STUD)2. OH BO (STUD)3. WHAT’S FUNNY4. ​EX-GIRLIEND / RACIAL HUMOR5. MEN & WOMEN6. ​ONE MAN SHOWS7. IRONIC8. ​BARY REALY9. WORDS WORDS WORDS10. A PRAYER / HOW DO WE FIX AI?11. HAIK / SON / SHAKPEARE12. RANT13. ​THEORETIL DICK JOK / STATISTICS14. ART IS DEAD15. ​TRADNAL STAND-UP16. OH BOCREDSPRODUCED BYKOOL KEH & JACK VGHNWRTEN BYBO BURNHAMRELEASE DATEOCTOBER 19, 2010OH BO (STUD) LIVE PERFORMANCOH BO BY BO BURNHAMTAGSPOPCOMEDYEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE
• IF YOU WERE GAY LYRICS

AM I GAY?

Gay - While this adjective has historilly scribed men who are attracted to other men, the term now is ed to refer to anyone who experienc romantic, emotnal, or physil attractn to people of the same genr. Keep md that even if you have a sexual experience wh someone of the same genr or another genr, that don’t necsarily mean that you’re gay. That means, for example, that you n be transgenr but also straight (for stance, you might intify as a woman and feel attracted to men) or gay (e.

If you have had romantic experienc or fantasi volvg people who are the same genr as you, then there is a good chance you are gay or bisexual, but 's okay if you're a ltle nfed. AdvertisementSKIP ADVERTISEMENTCric’s NotebookIn recent shows, ias of gayns are expandg, bg and disappearg all at WisemanI don’t know whether was bee my parents were jt generally open-md, or bee they had a specific, kdly yet mortifyg agenda, but one of the first Broadway plays they took me to, June of 1977, was way too gay for fort.

HOW TO KNOW IF YOU ARE GAY

The first phas of the gay play, ccial their moment, which broadly speakg enpassed the send half of the 20th century, are over. Some, like “A Strange Loop” and “Fat Ham, ” dramatize how the experience of racism amplifi that of homophobia, and vice fy expectatns by makg sexual orientatn a distctly sendary ncern among characters who “happen to be” gay or lbian, as “A Case for the Existence of God” and “At the Weddg.

When a (male) love tert enters the picture, and they sg Katy Perry’s “I Kissed a Girl” as a duet, you feel somethg new has happened, as ntroversy melts to a blissful cloud of nonbary bubble is the equalizg, homogenizg fluence of pop culture at work — an fluence that some queer people unrstandably mistst. Jackson’s “A Strange Loop” go further, makg the cross-pollatn of inty the prime source of s nflict, as the ma character nonts both the homophobia of his Black fay and the racism of his queer one.

WHAT’S NEXT FOR THE GREAT GAY PLAY? EVERYTHG.

) Its body, race and orientatn issu are left a kd of stalemate that suggts what might happen if a foundatnal gay play like “The Boys the Band” (which had only one Black character) were multiplied fun hoe mirrors ad fum. That the Hamlet figure, lled Juicy, is Black and gay, wh an termtent csh on a Laert-like iend, suggts that the queer theme will domate, yet don’t; “Fat Ham” is really a play about Black masculy and, even more broadly, the vlent herance all men mt renounce.

” Beltran portrays a gay Black man hopg to adopt the young girl he’s been Klwich/The New York TimMy other favore queer plays of the past year likewise offer no bands; their gay characters (there are still far too few lbian on) operate as if their gayns were mostly ternal and pletely irrelevant. Hunter’s heartbreakg “A Case for the Existence of God, ” that turns out to be an illn, as a gay Black man, after fosterg a ltle girl for more than three years, fds his plan to adopt her undone at the last mute. If there are subtle ways which their sexual inti affect their character or behavr, they were too subtle for me; miss a le or two and you may not even know that gayns is a part of their makp at mak sense plays about cris that threaten to oblerate a person entirely: genr, race, orientatn and all.

STEPHEN LYNCH - IF I WERE GAY CHORDS

Francis, the closeted llege stunt “Gemi, ” probably did; if he lived through AIDS, I expect he achieved full five-star gay privilege, plete wh marriage, children and Crate & Barrel chee boards. ) What about the gay characters who, lackg whe sk, almost never appeared on mercial stag those supposed great gay play s?

Standard (EADGBE)Chords Used: D-xx0232 D/C#-x40232 Bm*-x04430---| Ds2-xx0230 D/F#-200232 G-320033---| D*-xx0032 Bm-x24432 A-x02220---|IntroDHere we D/C♯are, D/F♯ar old fDriendsBmYou andBm i, Gdnk AagaDlghs have been D/C♯had and D/F♯tears have been sDhedBmmaybe the Bmwhisky has Ggone to my AheadChos but Dif i were Agay i would Bmgive you my Gheart and Dif i were Agay you'd be Bmmy work of Gart and Dif i were Agay we would Bmswim roGmance bAut im not gay so Gget your hand Aout of my pantsIntro 2x- D, Ds2, D, D*Verse Its Dnot thatD/C♯ i dont cD/F♯are, i Ddo i Bmjt dont Bmsee myGself yoAu aDnother tiD/C♯me, aD/F♯nother scenDe i'd be Bmright beBmhd you if you Gknow what i mAeanChos cuz Dif i were Agay i would Bmgive you my Gsoul and Dif i were Agay i would Bmgive you my Gwhole beg and Dif i were Agay we would Bmtear down the GwallsABut I'm Not gay so Gwont you stop Acuppg my... But when I heard people ravg about the show, wrten by Rsell T Davi, I was stck by how many of them admted to knowg ltle about the epimic – and the stctn wreaked among the gay muny. That’s bee, even today's much more acceptg society, the history of the gay and lbian muny is largely a fotten history.

For a long time, the mastream public didn't want to hear our Ca's The Secret Life of Albert Entwistle tells the story of a secretly gay postman searchg for a lost love om his youth (Cred: Headle Review)"I would venture to say that the public were disgted and outraged, " says thor Crystal Jeans. It's about a lonely, socially awkward and secretly gay postman livg a fictnal town the north of England who hs retirement, realisg he wants to turn his life around and fally be happy – but to do this, he needs to fd the love of his life, a man he hasn’t seen for nearly 50 years. My novel is ridg on a wave of tert that dat back the UK to 2017 and the 50th anniversary of the begng of crimalisatn of homosexualy.

THE HIDN GAY LIV FALLY BEG UNVERED

That same year, the so-lled "Alan Turg law" offered pardons to 49, 000 Brish gay men who’d been nvicted of homosexual acts – followg a mpaign arguably bolstered by the greater awarens brought about by The Imatn Game, the h film that picted the nvictn and chemil stratn of the Enigma-breakg puter scientist. Over on Instagram, The Aids Memorial shar photos and stori of people – predomantly gay men – who died of the disease, wrten by those who loved them.

You’d not tch many queer al mers jottg down their memoirs – Crystal JeansHowever, 's fictn that’s very much drivg the phenomenon of brgg "lost" stori of gay life om the past to light. Over the last five years, a tr of Irish wrers have livered stunng gay-themed novels set predomantly perds of history that didn't wele them – John Boyne (The Heart’s Invisible Furi), Graham Norton (Home Stretch), and Sebastian Barry (the Costa Award-wng Days Whout End). In the theatre, Matthew Lopez's exploratn of gay male history The Inherance triumphed London before transferrg to New York, where opened the year after a well-received revival of Mart Crowley's semal 1968 play Boys the Band.

KISS FRONTMAN PL STANLEY: ‘IF I WERE GAY, I’D BE PROUD’ – VIDEO

Most recently, the ter explod wh behd-the-scen photos of Harry Styl om the shoot of new film My Policeman, an adaptatn of Bethan Roberts's 2012 novel starrg the pop superstar as a closeted gay man the 1950s. However, as a way of explag the mystery surroundg why Harry left behd everythg he knew, Gale imaged a suatn which he was forced to leave as a rult of a gay affair beg exposed. Crystal Jeans's latt novel is The Inverts, which tells the story of two bt iends – one a lbian, the other a gay man – who enter to a fake marriage the 1920s.

This was another reason I wrote The Secret Life of Albert Entwistle; I wanted to tell the story of one ordary young gay man tryg to exprs his love for another at a time when this would not have been accepted. But I also wanted to ntrast this disturbg, sometim horrifyg picture wh what life n be like for a gay man wh today’s much more acceptg society the UK – and celebrate how much progrs we’ve ma.

A BRIEF HISTORY OF GAY THEATER, THREE ACTS

My spiratn was a seri of terviews I nducted wh olr gay men whilst I was Edor--Chief of Attu magaze, as part of our celebratn of the 50th anniversary of the start of crimalisatn. Pop star Harry Styl is starrg new film My Policeman as a closeted gay officer the 1950s (Cred: Getty Imag)"What we see all through history is that people are nied their past as part of a way to ntrol them, " says Hornby.

Pl Stanley, lead sger for the flamboyant hard rock band KISS, addrsed longstandg mors that he's gay an terview wh a New Zealand broadster recently:. Acrdg to The Montreal Gazette, mors that Stanley is gay — or at least bisexual — have been fueled part by KISS dmmer Peter Criss' 2012 memoir, which he wrote that lead guarist Ace Frehley gave Stanley oral sex durg a threome wh a female groupie.

IF I WERE GAY

Regardls of Stanley's sexual orientatn, KISS was largely the brachild of the late Bill Au, the gay manager who disvered the band. In wrg , Crowley had liberately taken up the challenge tossed down by the theater cric Stanley Kffmann, who a 1966 New York Tim say headled “Homosexual Drama and Its Disguis” asked why that era’s most famo gay playwrights — meang Edward Albee, Tennsee Williams and William Inge — didn’t wre about themselv and leave straights alone. Nor do homosexuals suffer om an “emotnal-psychologil illns, ” as he sually mentns — for this was an era which such public slurs were chic and permissible, pecially the guise of lerary cricism.

”) Still, there was no nyg that ank plays about gay male life had never reached the mastream, never perated the circl which Kffmanns and Roths and social Crowley wrote the bt and funnit and gayt play he uld, about ne gay men (or maybe eight and a half) at a birthday party. Though some of the men fse the ambient homophobia of the time better than others, almost all of them suffer om the self-hatred that seemed then, and maybe now, to filtrate even the bt-fend personaly. It is also an acknowledgment of a larger urgency about the reprentatn of gay men popular entertament: a moment that, the theater at least, is both sprgboard and logy.

At a time when many of the classic gay plays are returng to the Broadway stage — “Boys the Band, ” “Angels Ameri” and “Torch Song Trilogy” among them — almost no new on are on the horizon to jo them. When Luckbill, then 33, agreed to play Hank — the “straightt” of the gay men, who’d left his wife and children — his agent said he might as well bid goodbye to his reer.

OH BO (STUD)BO BURNHAMTRACK 2 ON WORDS WORDS WORDS PRODUCED BYKOOL KEH & JACK VGHNBO THIS SONG TO POT OUT A LOT OF WHAT FAMO SGERS/SONGWRERS DO WRONG. HE ALSO TO SHOW THAT HIP HOP IS NO LONGER WHAT ED TO BE, BUT IS NOW JT FULL… READ MORE OCT. 19, 20101 VIEWER136.5K VIEWS87 CONTRIBUTORSOH BO (STUD) LYRICS[INTRO]I FEEL LIKE HIP HOPUSED TO BE A VOICE FOR THE VOICELS, Y'KNOW?AND NOW 'S BEE, AT LEAST THE MASTREAMA SYMBOL OF MISOGYNY, GAY PANIC, FISL IRRPONSIBILYSO I FIGUREIF YOU N'T BEAT 'EMJO 'EM[VERSE 1]HT' THE CLUB UP VIPI GOT A FAKE MTACHE AND A FAKE IDI LOOK LIKE WOOLY WILLYWH A REALLY WOOLY WILLYAND I BYPASS THE BOUNCERPASS BY AN EX AND I FLEX AND BOUNCE HER, WOWSERLOOK AT ALL OF BO'S HOLOOKG FOR A RI ON BO'S HOSEAND I SPOT A LTLE LATO, BOOTY SO BIG LL OPRAH'S EGOWE GO DO , THROUGH , SHE SAYS, "DS MIA MI AMIGO!"PULL OUT, STICK YOUR MOUTH, AND I BT THE BACK OF YASWALLOW BCH, THERE'S PEOPLE STARVG AI![CHOS]SGLE EVERY SGLE DAYDO EVERY SGLE WAYMAKE THE SGLE LADI SAY “OH, BO”AND IF I WERE GAYTHOUGH I SWEAR I'M STRAIGHTI'D MAKE THEM FELLAS SAY—YOU MIGHT ALSO LIKE[VERSE 2]YOU'RE AN ICE CREAM SUNDAE WH A CHERRY ON TOPBUT REFUL, CHERRY, E I'M THE KG OF POPPOP POP POP GO MY WEASELNOW YA LOOK LIKE JACKSON POLLOCK'S EASELMY SUGGTN IS YOU DON'T BLOW 'TIL YOU KNOW WHAT NGTN ISSWALLOW WHEN YOU KNOW WHAT DIGTN ISFOLLOW BO, THE ONLY QUTN ISHAVE YOU BEEN SPLATTERED BEFORE BY THE MAD-HATTER MATADOR?CAKE-BATTER NEVER MOREIT DON'T MATTER WHETHER YOU'RE SPANISH, FRENCH, SWEDISH OR CAMBODIANI'LL SLIME YOU SO HARD YOU ULD BE ON NICKELOON[CHOS]SGLE EVERY SGLE DAYDO EVERY SGLE WAYMAKE THE SGLE LADI SAY “OH, BO”AND IF I WERE GAYTHOUGH I SWEAR I'M STRAIGHTI'D MAKE THEM FELLAS SAY “OH, BO”[POST-CHOS]OH BO-O, OH BO, BOA-A-OH BO, OH BO, OH BO[VERSE 3]YOU THK THAT YOU N HANDLE ME?GIRL, DON'T MAKE ME LGHI SAID MY JUNK IS BIPOLARIT'LL SPL YOU HALF, YEAHAND IF YOU'RE LUCKY, I MIGHT JT BRG YOU HOMEAND I'LL HAVE YOU GOG DOWN LIKE YOU'RE GROW' AN EXTRA CHROMOSOMEAND WHEN YOU GRAB ME, DON'T GRAB ME BY MY BUNSCSE I GOT A BAD SE OF THE NSI GOT THE NSI GOT THE NS[CHOS]SGLE EVERY SGLE DAYDO EVERY SGLE WAYMAKE THE SGLE LADI SAY “OH, BO”AND IF I WERE GAYTHOUGH I SWEAR I'M STRAIGHTI'D MAKE THEM FELLAS SAY “OH, BO”[BRIDGE]I WANNA BREAK DOWN FOR Y'ALLI ME OM THE STREETS, WH NOTH'NOW I'M MAK' H RERDSFOR MY PEOPLE STILL LIV' THE STREETSSTILL LIV' POVERTY, I WANNA TELL YOUI'M DO' THIS FOR YOUMY SUCCS IS YOUR SUCCSAND I KNOW YOU MAY BE THK'“HEY, IF YOU REALLY BELIEVE THATWHY DON'T YOU E SOME OF YOUR MONEYTO HELP REBUILD THE NEIGHBORHOODINSTEAD OF PUTTG SPNG RIMS ON A GOLD JET SKI?”AND TO THAT I SAY:[INTERLU]UH, CHOS IS ' UP[CHOS]SGLE EVERY SGLE DAYDO EVERY SGLE WAYMAKE THE SGLE LADI SAY “OH, BO”AND IF I WERE GAYTHOUGH I SWEAR I'M STRAIGHTI'D MAKE THEM FELLAS SAY—UH UH![VERSE 4]YOU GOT A FUME LIKE A TUNAI'LL SMELL YA LATERI MET A FAT CHICK AND I FUCKED HER AN ELEVATORIT WAS WRONG ON SO MANY LEVELSIT WAS WRONG ON SO MANY LE-LE-LE-LEVELSIT WAS WRONG ON SO MANY LEVELS, UNIT WAS WRONG ON, WAS WRONG ON, WAS WRONG ON[OUTRO]SGLE EVERY SGLEDO EVERY SGLEPOP THAT SGLE LIKE A PRGLE JGLE “OH, BO”THIS SONG'S ALMOST PLETEDALL THIS LTLE DTY NEEDINSTMENT THAT'S DOUBLE REED: THE OBOEYEAH, OH, BO, PLAY THAT OBOE15EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTGENI ANNOTATN2 NTRIBUTORSBO THIS SONG TO POT OUT A LOT OF WHAT FAMO SGERS/SONGWRERS DO WRONG. HE ALSO TO SHOW THAT HIP HOP IS NO LONGER WHAT ED TO BE, BUT IS NOW JT FULL OF “MISOGYNY, GAY PANIC, FISL IRRPONSIBILY.”EXPAND +145SHAREASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHO PRODUCED “OH BO (STUD)” BY BO BURNHAM?WHEN DID BO BURNHAM RELEASE “OH BO (STUD)”?WHO WROTE “OH BO (STUD)” BY BO BURNHAM?WORDS WORDS WORDS (2010)BO BURNHAM1. WORDS WORDS WORDS (STUD)2. OH BO (STUD)3. WHAT’S FUNNY4. ​EX-GIRLIEND / RACIAL HUMOR5. MEN & WOMEN6. ​ONE MAN SHOWS7. IRONIC8. ​BARY REALY9. WORDS WORDS WORDS10. A PRAYER / HOW DO WE FIX AI?11. HAIK / SON / SHAKPEARE12. RANT13. ​THEORETIL DICK JOK / STATISTICS14. ART IS DEAD15. ​TRADNAL STAND-UP16. OH BOCREDSPRODUCED BYKOOL KEH & JACK VGHNWRTEN BYBO BURNHAMRELEASE DATEOCTOBER 19, 2010OH BO (STUD) LIVE PERFORMANCOH BO BY BO BURNHAMTAGSPOPCOMEDYEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE

But so heavy and lgerg was the perfume of gayns g off the project that even a heterosexual actor like Luckbill was thought to be mtg theatril suici to book . William Friedk’s fahful movie versn, released 1970 and starrg the entire stage st, turned to a touchstone of gay style and sufferg for gays and straights well beyond New York. I wre that admirg many of s spirual forebears, om Tennsee Williams’s “The Glass Menagerie” 1945 to Robert Anrson’s “Tea and Sympathy” 1953 to the early works of Doric Wilson, Lanford Wilson, Robert Patrick and many others who helped spark an efflorcence of downtown gay drama centered at Caffe Co, wh s makhift k-crate stage, startg while buildg on those — and, Crowley says, on Arthur Lrents’s screenplay for Aled Hchck’s 1948 film, “Rope, ” which two gay men murr a classmate for sport — “The Boys the Band” has had the more nsequential gay trajectory.

They and the rt of the starry st are succsful, openly gay men, as are the producers, Ryan Murphy and David Stone, and the director, Joe was a liberate statement, meant to acknowledge how far the world has e sce 1968. “The guys that are the leads, ” Murphy says, “are the first generatn of gay actors who said, ‘We’re gog to live thentic liv and hope and pray our reers rema on track’ — and they have.

In 1968 he sent his play to a world that, however much might lgh at his gay zgers, seemed likely to rema forever and fundamentally hostile. Mantello pots out the startlg paradox that all the gay members of the origal pany felt pelled to stay the closet “even though they were a groundbreakg play about gay men. ”But the way the world se gay people and the way gay people see themselv have changed so much, and of late so fast, that plays om even jt a few years ago n seem like Ken Burns documentari.

IF YOU WERE GAY LYRICS

In one sense, then, the classic gay plays are tnal: remdg a placent generatn of the stggl and tragedi (and fabulons) that unrlie the glossy image of rapid progrs. In the aftermath of the Stonewall rts of 1969, while the play still ran, s portrayal of gay male life me to be seen as unterrevolutnary, which was exactly backward, if unrstandable light of the rebrandg unrway.

The characters’ promiscuo, boa-flgg, “Oh, Mary”-spoutg, drown-your-troubl--a-vodka-bottle histrnics were distctly off-msage durg the years when gay men were tryg to cultivate lawmakers and police wh their new imag as activists or pillars of the muny, not of Sodom.