Celebrate the bt gay movi wh our list of the 50 most sential LGBTQ+ films ever ma
Contents:
- THE GAYT MOVI THAT AREN’T ACTUALLY GAY, OM ‘BARBIE’ AND ‘BURLQUE’ TO ‘VENOM’ AND ‘ROAD HOE’
- MOVIE BLOG: 10 ESSENTIAL GAY CULT CLASSICS
- 16 MT-SEE CLASSIC GAY MOVI FROM BEFORE YOU WERE BORN
- THE GAY ESSENTIALS: THE 50 MOVI EVERY GAY MAN NEEDS TO WATCH WHILE STUCK AT HOME
THE GAYT MOVI THAT AREN’T ACTUALLY GAY, OM ‘BARBIE’ AND ‘BURLQUE’ TO ‘VENOM’ AND ‘ROAD HOE’
* cult gay movies *
Cast a few top-shelf gay ins there — your Bette Middlers, your Joan Crawfords, your Faye Dunaways playg Joan Crawford — and pecially have them reparteeg bchy l tearg each other to piec, and have an athetic that’s outre and unironilly mp, and you’ve got the wng-formula starter-pack for somethg licly fabulo and queer, even if not by tentnal sign. But settg a precent for movi now nonized by gay culture that don’t technilly have any (non-d, anyway) gay characters were some of Hollywood’s most all-time legendary actrs: Bette Davis “All About Eve” ma “’s gog to be a bumpy ri” an idmatic quip, while Elizabeth Taylor then ma Bette Davis’ “what a dump” even more inic aga the openg le of “Who’s Aaid of Virgia Woolf, ” livered while gnawg down on a chicken wg.
Ed Bianchi’s 1981 “The Fan, ” meanwhile, livered perhaps the greatt gift to gay film fans of a certa era stg Lren Ball as an agg actrs stgglg to hold onto her legacy while beg stalked by, what else but, a psychotic gay fan. There’s also, of urse, the trend many of the movi of men beg huiated and based — somethg the gay mal the dience love to partake — leavg our inic women wh all the chips the end and whom we n leave the theater rootg for. Why ’s gay: Ameri’s arguably greatt director is normally regard as heteronormative (Wterns, war films, John Wayne, Amerin history), but his work is full of subtextual gay tert, rarely as much as here.
MOVIE BLOG: 10 ESSENTIAL GAY CULT CLASSICS
Dear lennials, the generatn born durg the '80s, the are the gay-themed movi — some wonrful, some wonrfully terrible — worth your time. * cult gay movies *
From the tfight the powr room to the over-the-top dialogue to the jaw-droppg mil numbers and not one but two montag that serve as md-bogglg time psul of the ’60s, the film is so outrageo that spired generatns of gay viewers to scream, “Sparkle, Neely, sparkle! Why ’s gay: A wacky sexploatn film wh high mp productn valu and a killer theme song, Barbarella mt fight the evil Durand Durand (om which inic New Wave band Duran Duran took s name), while scg a shirtls Aryan angel and outlastg an evil sex mache. What is: Although has been staged wh two men ( 2015 London), the straight uple’s suatn “Brief Enunter” — a drama of two married people (Celia Johnson, Trevor Howard) meetg by chance and their growg mutual affectn — works fe as a metaphor for barriers to gay romance.
Why ’s gay: More than the one-act Noel Coward play (the gay wrer expand the screenplay), this ni the possibily of realistic nsummatn, elevat the tratn impossible love, and als wh the sts of turng hont people to liars.
16 MT-SEE CLASSIC GAY MOVI FROM BEFORE YOU WERE BORN
Why ’s gay: Although “Mommie Deart” was negatively received at the time of s release, attracted a strong gay fanbase pretty much immediately, due to Dunaway’s performance, which was received by many as mp — most famoly, the inic “no wire hangers” scene.
Why ’s gay: What’s gayer than a movie wh Lren Ball beg stalked by a closeted mil buff than also that same movie segueg to an out-of-nowhere stage mil medley a la “Sg’ the Ra’s” entr’acte, featurg Ball speak-sgg onstage while beg lifted and twirled around by a pack of male dancers? Why ’s gay: Those who had already read queer cu “Top Gun” three years earlier saw some the story of Dalton (Patrick Swayze, his first major film after “Dirty Dancg”), as a “oler” imported to a Missouri small-town bar om New York to impose orr.
THE GAY ESSENTIALS: THE 50 MOVI EVERY GAY MAN NEEDS TO WATCH WHILE STUCK AT HOME
” But what really ph to the gay film non is Ga Gershon’s hammy performance as bisexual star dancer Cristal, and the love/hate chemistry she builds wh Berkley, which arguably sgle-handly lifts the film om so bad ’s good to jt pla good. Some movi didn't make the cut bee their appeal is arguably too limed (Kenh Anger's legendary short film Fireworks), and others bee their appeal extends well beyond the parameters of gay cultdom (David Lynch's Mulholland Drive). Culled om a longlist of hundreds, movi nsired for the list promently feature gay, lbian, trans, or queer characters; ncern self centrally wh LGBTQ+ them; prent s LGBTQ+ characters a fair and realistic light; and/or be seen as a touchpot the evolutn of queer cema.