GAY FIRE ISLAND

Contents:

• SUN, SAND, AND SK: FIRE ISLAND’S GAY HAVEN THE NETEEN-SEVENTI
• FIRE ISLAND IS A TRIP TO GAY HEAVEN—OR IS IT HELL?COMEDIAN JOEL KIM BOOSTER AND SATURDAY NIGHT LIVE’S BOWEN YANG LEAD A JANE ATEN-SPIRED QUEER ROM.BY RICHARD LAWSONJUNE 2, 2022PHOTO BY JEONG PARK. COURTY OF SEARCHLIGHT PICTURSAVE THIS STORYSAVESAVE THIS STORYSAVEMY LAST TRIP TO FIRE ISLAND WAS 2019, A BUGGY, GHT WEEK DURG WHICH I FELT WOEFULLY ALIENATED OM MY HOEMAT (BY MY OWN DOG, NOT THEIRS) AND ALTOGETHER LONELY AND OLD AND GROSS AND TIRED. SUCH IS THE PERIL OF GOG TO A PLACE LIKE THAT—A GAY RETREAT THAT PROMIS THE FORTS AND EXCEMENTS OF FAIAR PANY, BUT ALSO HOLDS THE POTENTIAL FOR DIRE JAGS OF SELF-DOUBT. AT THE END OF MY TIME THERE, I GOT ON THE FERRY BACK TO LONG ISLAND AND CID I’D FALLY HAD ENOUGH. I HAD TRIED TO MAKE FIRE ISLAND WORK FOR ME, BUT I’D FAILED, TIME AND TIME AGA.IT’S A LOT EASIER TO RETURN THERE VIRTUAL FORM, NONTG AN IA OF THE PLACE OM A DIGAL DISTANCE RATHER THAN EXPERIENCG THE REAL, VODKA-SOAKED THG. WHICH IS JT WHAT THE NEW HULU FILM FIRE ISLAND (JUNE 3) OFFERS TO BOTH FIRE ISLAND VETERAN AND VIRG. DIRECTED BY ANDREW AHN AND WRTEN BY JOEL KIM BOOSTER, WHO ALSO STARS, FIRE ISLAND IS A ROMANTIC EDY OF MANNERS BASED ON JANE ATEN’S PRI AND PREJUDICE. GIVEN THE STRICT AND VEXG HIERARCHI OF FIRE ISLAND, KIM BOOSTER’S CHOICE OF TEMPLATE IS AN APT ONE. ALL OF ATEN’S Y AND PRICKLY SOCIAL MANVERG EASILY MAPS ONTO THE PARTICULAR GAY ESYSTEM PICTED THE FILM—TERPTED, OF URSE, BY VERY MORN BURSTS OF SEX AND DGS. THE GREATT ASSET OF FIRE ISLAND IS THE ISLAND SELF. MUCH OF THE FILM WAS SHOT ON LOTN THE LATE SUMMER AND EARLY FALL OF LAST YEAR, WHICH GIV THE FILM A CCIAL SPECIFICY. THOSE OF WHO’VE BEEN TO THE ISLAND BEFORE, FOR BETTER OR WORSE, MAY MORE POTENTLY REGNIZE THE STRANGE SIGNIFINCE OF SEEG, SAY, THE ICE PALACE LOOMG LARGE A GLOSSY, BUZZED-ABOUT MOVIE RELEASED ON A STREAMG PLATFORM OWNED BY DISNEY. BUT EVEN IF THE PLAC MEAN LTLE OR NOTHG TO A VIEWER, I’D THK THEY’LL STILL FEEL THE ENVELOPG PULL OF THE FILM’S GRANULAR TEXTURE, THE KEEN SENSE OF PLACE THAT SO MANY MOVI—FILMED ON ATLANTA SOUND STAG OR CANADIAN CI DRSED UP TO LOOK LIKE SOMETHG ELSE—SEEM TO LACK THE DAYS.AHN BATH THIS TH, SCRAGGLY LE OF SAND ACHG HU. HE AND CEMATOGRAPHER FELIPE VARA REY HAVE PTURED THE ROSY HAZE OF MAGIL SUMMER, KISSED BY WARM SUN AND FLECKED WH TWILIGHT DARKNS. (THE FILM’S WOOZY, INSTAGRAM-FILTER LOOK IS PERHAPS REMISCENT OF THE SHORT-LIVED GAY HBO SERI LOOKG—THOUGH I REALIZE THAT PARISON MAY READ AS NEGATIVE TO SOME. I MEAN A GOOD WAY.) AHN HAS SET A LOVELY STAGE FOR BUDDG ROMANCE AND FOR THE DULL PANGS OF VATN MALAISE. FIRE ISLAND PRENTS A WORLD BOTH SPRIGHTLY AND SOMBER, BEFTG OF THIS PARTY MEC WHERE EVEN A QUIET AFTERNOON BY THE POOL RRI WH AN ANX CH. KIM BOOSTER PLAYS NOAH, A HANDSOME, BED-HOPPG NURSE WHO IS MAKG AN ANNUAL PILGRIMAGE TO FIRE ISLAND WH HIS ART IENDS. HOWIE (BOWEN YANG) IS VISG OM SAN FRANCIS, WHERE HE HAS MPED TO FOR A JOB TECH. ZANY SIKICKS KEEGAN (TOMáS MATOS), LE (MATT ROGERS), AND MAX (TORIAN MILLER) HAVE MA THEIR WAY OUT OM THE CY, READY TO WHOOP UP AND OFFER CUTTG MENTARY. THE CHARACTERS ARE, AS THEY MIGHT BE A NOVEL, TAILED FOR BY NOAH’S NARRATN, WHICH ALSO GIV THE UNIATED A QUICK OVERVIEW OF THE LAY OF THE LAND—A B OF PROBABLY NECSARY EXPOSN GIVEN THAT FIRE ISLAND IS NOT AN ACCSIBLE PLACE FOR MOST PEOPLE, GEOGRAPHILLY AND FANCIALLY. MONEY IS ONE OF THE FILM’S PERSISTENT NCERNS. THE BOYS’ HOST, EARTHY-KOOKY LBIAN ER (MARGARET CHO), WILL HAVE TO SELL HER BELOVED HOE AFTER LOSG MOST OF HER MONEY BY VTG QUIBI. (A FUNNY EVOTN OF THE DOOMED STREAMER THAT WAS ONCE MEANT TO BE THE HOME OF A TV SERI THAT LATER BEME THIS FILM.) THAT PUTS THE IENDS STARK NTRAST TO THE RICH GUYS ON THE OCEANONT SI OF THE ISLAND, SNOOTY MCLE GODS WHO ARE, THE FILM POTEDLY REGNIZ, ALMOST UNIFORMLY WHE. AS ASIAN MEN ON AN ISLAND—AND WH A BROAR MUNY—THAT IS OFTEN NOXLY PREJUDICED AGAST THEM, NOAH AND HOWIE MT NTEND WH BEG OSTRACIZED A PLACE THAT IS, OSTENSIBLY, SUPPOSED TO BE A WELG HAVEN. THE PA AND TRATN OF THAT IS SPOKEN ALOUD THE FILM, BUT KIM BOOSTER ALSO LETS HOVER QUIETLY, BUT SISTENTLY, THE SUBTEXT OF MANY OTHER LOAD NVERSATNS. FIRE ISLAND IS NOT MEANT TO BE A PANACEA FOR THIS PROBLEM— IS, AFTER ALL, NOT NOAH AND HOWIE’S, NOR AHN’S AND KIM BOOSTER’S, PROBLEM TO SOLVE. THE FILM IS STEAD A NARRATIVE ABOUT PEOPLE NAVIGATG A DIFFICULT REALY, TRYG TO WRTLE A GOOD, FULFILLG TIME OUT OF A CIRCUMSTANCE THAT SOMETIM SEEMS TERMED TO PRIVE THEM OF THAT. THAT SERNS IS TERTG DIALOGUE, IF NOT ALWAYS PERFECT BALANCE, WH THE FILM’S BAWDIER, RNCHIER DIMENSNS. MOST POPULARAND JT LIKE THAT… PREPAR FOR ITS LAST SUPPERBY CHRIS MURPHYRILEY KEOUGH ON GROWG UP PRLEY, LOSG LISA MARIE, AND INHERG GRACELANDBY BRT HENNEMUTHTHE TV MOVIE IS MAKG A WEIRD, WONRFUL COMEBACKBY DAVID CANFIELDTHERE ARE ALSO TENSNS WH HOWIE AND NOAH’S IENDSHIP TO BE ALT WH. HOWIE IS SECURE ABOUT HIS BODY AND HIS NERDY AWKWARDNS, SO UN-REFLECTED NOAH’S RIPPLED AME AND SEX-HAPPY JOIE VIVRE. WE GET THE IMPRSN THAT NOAH’S GROOVE IS A LTLE B NEW—ONCE, MAYBE, HOWIE SAW THEM MORE AS PEERS. THAT SAD DYNAMIC, ONE THAT MANY GAY MEN (AND OTHER PEOPLE, OF URSE) WILL FD ALL TOO RELATABLE, IS SHARPLY ADDRSED THE FILM. THOUGH, I WISH THAT FIRE ISLAND SPENT EVEN MORE TIME VTIGATG THE AILG MECHANICS OF THIS VAL IENDSHIP. THE MOMENTS OF NFSN AND ARGUMENT ARE WHEN FIRE ISLAND FEELS MOST PERSONAL, MOST TIMATE. BUT BEFORE LONG, ALAS, THE BS, AND BYNS, OF THE FILM’S PLOT MT BE ATTEND TO. LOVE TERTS POP UP AT TEA DANC, AS THEY’RE WONT TO DO. FOR NOAH THERE IS THE FILM’S MR. DARCY, WILL (CONRAD RIMORA), A STERN AND HUNKY LAWYER WHOSE CHILLY REACTN TO NOAH’S VERVE DO, OF URSE, MASK A DAWNG ATTRACTN. FOR HOWIE THERE IS THE BABY-FACED CHARLIE (JAM SCULLY), WHOSE MEAN-GIRL IENDS AND OBNOX EX-BOYIEND NTUALLY THWART HIS FLIRTATNS WH HOWIE. SATISFYG NCLNS TO THE ROMANTIC TRAVAILS ARE REACHED BY THE END, AS THEY MT BE, WHILE ALONG THE WAY THERE IS SOME TRIGUE WH A SOLICO INSTAGAY, DEX (ZANE PHILLIPS), WHO’S UP TO NO GOOD, AND A FEW PS FOR HIGH-EDY ANTICS OM KEEGAN AND LE. THOSE MANY MOVG PARTS ARE JUGGLED WELL ENOUGH BY AHN AND KIM BOOSTER—THOUGH, THROUGHOUT THE FILM THEY SEEM UNCERTA IF THEY WANT THIS TO BE A PROBG SOCIAL EDY OR A GALS-ON-VAY LARK. IT N BE BOTH, SURELY, BUT FIRE ISLAND HAS TROUBLE BLENDG THOSE HALV TO A HIVE WHOLE. THAT SAID, ’S MENDABLE THAT THE FILM SO ANKLY, SO AIRILY, PICTS THE ISLAND’S RNAL DULGENC. MAYBE ALL OF THAT STG SOMEWHAT DISRDANTLY ALONGSI THE MHIER, GENTLER STUFF IS A WORTHY APPROXIMATN OF WHAT IS TO BE ON FIRE ISLAND: HORNED UP AND MELANCHOLY, ADDLED BY BOTH CHEMILS AND RELENTLS HEAV OF EMOTN. IN THAT ASPECT, FIRE ISLAND GETS JT ABOUT RIGHT—M THE MOSQUO.MORE GREAT STORI FROM VANY FAIRRILEY KEOUGH ON GROWG UP PRLEY, INHERG GRACELAND, AND MORETE CRIME, TE FAH: THE SERIAL KILLER AND THE TEXAS MOM WHO STOPPED HIMTHE TAN SUBMERSIBLE DISASTER WAS YEARS THE MAKG, NEW DETAILS REVEALWHY THE GEIA INDICTMENT AGAST TMP AND HIS ALLI IS THE MOST SWEEPG YETIVANKA TMP IS NOT LETTG HER DAD’S MOUNTG LEGAL WO RU HER SUMMERA NEW SLIM AARONS BOOK CAPTUR A LOST WORLDTHE 25 BT SHOWS ON NETFLIX TO WATCH RIGHT NOWFROM THE ARCHIVE: TOO HEPBURN FOR HOLLYWOOD (2006)RICHARD LAWSON
• THE PLAY’S THE THG NEW BOOK ‘GAYS ON BROADWAY
• THE BT GAY-IENDLY HOTELS ON FIRE ISLAND

SUN, SAND, AND SK: FIRE ISLAND’S GAY HAVEN THE NETEEN-SEVENTI

It’s the cheeky backdrop of Joel Kim Booster’s gay retellg of Pri and Prejudice, out this month wh Hulu. In the 1970s, Andrew Holleran penned his classic, Dancer om the Dance, a romantic tale of gay love and loss the P. While Fire Island has fostered such rich works of art, for many, the island is synonymo wh an enclave for cis gay whe men, a playground for party dgs and cisg the famo Meatrack.

This is te Aun’s se and even for Edward Whe, Andrew Holleran, Felice Pino, and the big gay novelists of that era.

Someone said to me at a party, “But you know, gays n get married now. Wh Don’t Say Gay and the attacks upon the liv of trans people, we’re so far away om whatever visn of progrs is beg imaged. There’s a different book that uld be wrten that engag wh social media, but I felt ls like that was my job wh this particular I’m terted the stereotyp of the Fire Island Gay, a fe type the culture.

FIRE ISLAND IS A TRIP TO GAY HEAVEN—OR IS IT HELL?COMEDIAN JOEL KIM BOOSTER AND SATURDAY NIGHT LIVE’S BOWEN YANG LEAD A JANE ATEN-SPIRED QUEER ROM.BY RICHARD LAWSONJUNE 2, 2022PHOTO BY JEONG PARK. COURTY OF SEARCHLIGHT PICTURSAVE THIS STORYSAVESAVE THIS STORYSAVEMY LAST TRIP TO FIRE ISLAND WAS 2019, A BUGGY, GHT WEEK DURG WHICH I FELT WOEFULLY ALIENATED OM MY HOEMAT (BY MY OWN DOG, NOT THEIRS) AND ALTOGETHER LONELY AND OLD AND GROSS AND TIRED. SUCH IS THE PERIL OF GOG TO A PLACE LIKE THAT—A GAY RETREAT THAT PROMIS THE FORTS AND EXCEMENTS OF FAIAR PANY, BUT ALSO HOLDS THE POTENTIAL FOR DIRE JAGS OF SELF-DOUBT. AT THE END OF MY TIME THERE, I GOT ON THE FERRY BACK TO LONG ISLAND AND CID I’D FALLY HAD ENOUGH. I HAD TRIED TO MAKE FIRE ISLAND WORK FOR ME, BUT I’D FAILED, TIME AND TIME AGA.IT’S A LOT EASIER TO RETURN THERE VIRTUAL FORM, NONTG AN IA OF THE PLACE OM A DIGAL DISTANCE RATHER THAN EXPERIENCG THE REAL, VODKA-SOAKED THG. WHICH IS JT WHAT THE NEW HULU FILM FIRE ISLAND (JUNE 3) OFFERS TO BOTH FIRE ISLAND VETERAN AND VIRG. DIRECTED BY ANDREW AHN AND WRTEN BY JOEL KIM BOOSTER, WHO ALSO STARS, FIRE ISLAND IS A ROMANTIC EDY OF MANNERS BASED ON JANE ATEN’S PRI AND PREJUDICE. GIVEN THE STRICT AND VEXG HIERARCHI OF FIRE ISLAND, KIM BOOSTER’S CHOICE OF TEMPLATE IS AN APT ONE. ALL OF ATEN’S Y AND PRICKLY SOCIAL MANVERG EASILY MAPS ONTO THE PARTICULAR GAY ESYSTEM PICTED THE FILM—TERPTED, OF URSE, BY VERY MORN BURSTS OF SEX AND DGS. THE GREATT ASSET OF FIRE ISLAND IS THE ISLAND SELF. MUCH OF THE FILM WAS SHOT ON LOTN THE LATE SUMMER AND EARLY FALL OF LAST YEAR, WHICH GIV THE FILM A CCIAL SPECIFICY. THOSE OF WHO’VE BEEN TO THE ISLAND BEFORE, FOR BETTER OR WORSE, MAY MORE POTENTLY REGNIZE THE STRANGE SIGNIFINCE OF SEEG, SAY, THE ICE PALACE LOOMG LARGE A GLOSSY, BUZZED-ABOUT MOVIE RELEASED ON A STREAMG PLATFORM OWNED BY DISNEY. BUT EVEN IF THE PLAC MEAN LTLE OR NOTHG TO A VIEWER, I’D THK THEY’LL STILL FEEL THE ENVELOPG PULL OF THE FILM’S GRANULAR TEXTURE, THE KEEN SENSE OF PLACE THAT SO MANY MOVI—FILMED ON ATLANTA SOUND STAG OR CANADIAN CI DRSED UP TO LOOK LIKE SOMETHG ELSE—SEEM TO LACK THE DAYS.AHN BATH THIS TH, SCRAGGLY LE OF SAND ACHG HU. HE AND CEMATOGRAPHER FELIPE VARA REY HAVE PTURED THE ROSY HAZE OF MAGIL SUMMER, KISSED BY WARM SUN AND FLECKED WH TWILIGHT DARKNS. (THE FILM’S WOOZY, INSTAGRAM-FILTER LOOK IS PERHAPS REMISCENT OF THE SHORT-LIVED GAY HBO SERI LOOKG—THOUGH I REALIZE THAT PARISON MAY READ AS NEGATIVE TO SOME. I MEAN A GOOD WAY.) AHN HAS SET A LOVELY STAGE FOR BUDDG ROMANCE AND FOR THE DULL PANGS OF VATN MALAISE. FIRE ISLAND PRENTS A WORLD BOTH SPRIGHTLY AND SOMBER, BEFTG OF THIS PARTY MEC WHERE EVEN A QUIET AFTERNOON BY THE POOL RRI WH AN ANX CH. KIM BOOSTER PLAYS NOAH, A HANDSOME, BED-HOPPG NURSE WHO IS MAKG AN ANNUAL PILGRIMAGE TO FIRE ISLAND WH HIS ART IENDS. HOWIE (BOWEN YANG) IS VISG OM SAN FRANCIS, WHERE HE HAS MPED TO FOR A JOB TECH. ZANY SIKICKS KEEGAN (TOMáS MATOS), LE (MATT ROGERS), AND MAX (TORIAN MILLER) HAVE MA THEIR WAY OUT OM THE CY, READY TO WHOOP UP AND OFFER CUTTG MENTARY. THE CHARACTERS ARE, AS THEY MIGHT BE A NOVEL, TAILED FOR BY NOAH’S NARRATN, WHICH ALSO GIV THE UNIATED A QUICK OVERVIEW OF THE LAY OF THE LAND—A B OF PROBABLY NECSARY EXPOSN GIVEN THAT FIRE ISLAND IS NOT AN ACCSIBLE PLACE FOR MOST PEOPLE, GEOGRAPHILLY AND FANCIALLY. MONEY IS ONE OF THE FILM’S PERSISTENT NCERNS. THE BOYS’ HOST, EARTHY-KOOKY LBIAN ER (MARGARET CHO), WILL HAVE TO SELL HER BELOVED HOE AFTER LOSG MOST OF HER MONEY BY VTG QUIBI. (A FUNNY EVOTN OF THE DOOMED STREAMER THAT WAS ONCE MEANT TO BE THE HOME OF A TV SERI THAT LATER BEME THIS FILM.) THAT PUTS THE IENDS STARK NTRAST TO THE RICH GUYS ON THE OCEANONT SI OF THE ISLAND, SNOOTY MCLE GODS WHO ARE, THE FILM POTEDLY REGNIZ, ALMOST UNIFORMLY WHE. AS ASIAN MEN ON AN ISLAND—AND WH A BROAR MUNY—THAT IS OFTEN NOXLY PREJUDICED AGAST THEM, NOAH AND HOWIE MT NTEND WH BEG OSTRACIZED A PLACE THAT IS, OSTENSIBLY, SUPPOSED TO BE A WELG HAVEN. THE PA AND TRATN OF THAT IS SPOKEN ALOUD THE FILM, BUT KIM BOOSTER ALSO LETS HOVER QUIETLY, BUT SISTENTLY, THE SUBTEXT OF MANY OTHER LOAD NVERSATNS. FIRE ISLAND IS NOT MEANT TO BE A PANACEA FOR THIS PROBLEM— IS, AFTER ALL, NOT NOAH AND HOWIE’S, NOR AHN’S AND KIM BOOSTER’S, PROBLEM TO SOLVE. THE FILM IS STEAD A NARRATIVE ABOUT PEOPLE NAVIGATG A DIFFICULT REALY, TRYG TO WRTLE A GOOD, FULFILLG TIME OUT OF A CIRCUMSTANCE THAT SOMETIM SEEMS TERMED TO PRIVE THEM OF THAT. THAT SERNS IS TERTG DIALOGUE, IF NOT ALWAYS PERFECT BALANCE, WH THE FILM’S BAWDIER, RNCHIER DIMENSNS. MOST POPULARAND JT LIKE THAT… PREPAR FOR ITS LAST SUPPERBY CHRIS MURPHYRILEY KEOUGH ON GROWG UP PRLEY, LOSG LISA MARIE, AND INHERG GRACELANDBY BRT HENNEMUTHTHE TV MOVIE IS MAKG A WEIRD, WONRFUL COMEBACKBY DAVID CANFIELDTHERE ARE ALSO TENSNS WH HOWIE AND NOAH’S IENDSHIP TO BE ALT WH. HOWIE IS SECURE ABOUT HIS BODY AND HIS NERDY AWKWARDNS, SO UN-REFLECTED NOAH’S RIPPLED AME AND SEX-HAPPY JOIE VIVRE. WE GET THE IMPRSN THAT NOAH’S GROOVE IS A LTLE B NEW—ONCE, MAYBE, HOWIE SAW THEM MORE AS PEERS. THAT SAD DYNAMIC, ONE THAT MANY GAY MEN (AND OTHER PEOPLE, OF URSE) WILL FD ALL TOO RELATABLE, IS SHARPLY ADDRSED THE FILM. THOUGH, I WISH THAT FIRE ISLAND SPENT EVEN MORE TIME VTIGATG THE AILG MECHANICS OF THIS VAL IENDSHIP. THE MOMENTS OF NFSN AND ARGUMENT ARE WHEN FIRE ISLAND FEELS MOST PERSONAL, MOST TIMATE. BUT BEFORE LONG, ALAS, THE BS, AND BYNS, OF THE FILM’S PLOT MT BE ATTEND TO. LOVE TERTS POP UP AT TEA DANC, AS THEY’RE WONT TO DO. FOR NOAH THERE IS THE FILM’S MR. DARCY, WILL (CONRAD RIMORA), A STERN AND HUNKY LAWYER WHOSE CHILLY REACTN TO NOAH’S VERVE DO, OF URSE, MASK A DAWNG ATTRACTN. FOR HOWIE THERE IS THE BABY-FACED CHARLIE (JAM SCULLY), WHOSE MEAN-GIRL IENDS AND OBNOX EX-BOYIEND NTUALLY THWART HIS FLIRTATNS WH HOWIE. SATISFYG NCLNS TO THE ROMANTIC TRAVAILS ARE REACHED BY THE END, AS THEY MT BE, WHILE ALONG THE WAY THERE IS SOME TRIGUE WH A SOLICO INSTAGAY, DEX (ZANE PHILLIPS), WHO’S UP TO NO GOOD, AND A FEW PS FOR HIGH-EDY ANTICS OM KEEGAN AND LE. THOSE MANY MOVG PARTS ARE JUGGLED WELL ENOUGH BY AHN AND KIM BOOSTER—THOUGH, THROUGHOUT THE FILM THEY SEEM UNCERTA IF THEY WANT THIS TO BE A PROBG SOCIAL EDY OR A GALS-ON-VAY LARK. IT N BE BOTH, SURELY, BUT FIRE ISLAND HAS TROUBLE BLENDG THOSE HALV TO A HIVE WHOLE. THAT SAID, ’S MENDABLE THAT THE FILM SO ANKLY, SO AIRILY, PICTS THE ISLAND’S RNAL DULGENC. MAYBE ALL OF THAT STG SOMEWHAT DISRDANTLY ALONGSI THE MHIER, GENTLER STUFF IS A WORTHY APPROXIMATN OF WHAT IS TO BE ON FIRE ISLAND: HORNED UP AND MELANCHOLY, ADDLED BY BOTH CHEMILS AND RELENTLS HEAV OF EMOTN. IN THAT ASPECT, FIRE ISLAND GETS JT ABOUT RIGHT—M THE MOSQUO.MORE GREAT STORI FROM VANY FAIRRILEY KEOUGH ON GROWG UP PRLEY, INHERG GRACELAND, AND MORETE CRIME, TE FAH: THE SERIAL KILLER AND THE TEXAS MOM WHO STOPPED HIMTHE TAN SUBMERSIBLE DISASTER WAS YEARS THE MAKG, NEW DETAILS REVEALWHY THE GEIA INDICTMENT AGAST TMP AND HIS ALLI IS THE MOST SWEEPG YETIVANKA TMP IS NOT LETTG HER DAD’S MOUNTG LEGAL WO RU HER SUMMERA NEW SLIM AARONS BOOK CAPTUR A LOST WORLDTHE 25 BT SHOWS ON NETFLIX TO WATCH RIGHT NOWFROM THE ARCHIVE: TOO HEPBURN FOR HOLLYWOOD (2006)RICHARD LAWSON

Midge Decter’s piece “The Boys on the Beach” rails agast how Fire Island beme this sexed-up place post-liberatn, and how for her, as a nservative fay woman, the P the 60s was offensive bee all the gays did was mce along the beach and have nice hair. Fire Island prents a riposte to certa kds of nservative movements bee is a place where sexual exprsn is of the more worryg thgs is when aspects of that nservatism turn up gay circl wh the ia that Fire Island dumbs the muny down for s foc on the thgs. An assiatnist mp uld very easily take Fire Island as ditive of some malaise the gay muny.

I hope that rears might e the book as a startg pot to read other wrers who are ls nonized outsi of the genre of gay Your book tracks Fire Island through the past century and nclus the prent, nsirg the climate crisis. Siarly, you wre about movg to New York “ search of that elive thg lled ‘gay life.

Fire Island beme related to var thgs that I felt and still experience as a gay man.

THE PLAY’S THE THG NEW BOOK ‘GAYS ON BROADWAY

Jerry Cooke//Getty ImagI found somethg really powerful to readg about Aun’s anxieti about one’s body a gay ntext—not beg historilly nfed to Grdr or 70s body culture, but to thk of as somethg human across time wh very specific cultural maniftatns.

THE BT GAY-IENDLY HOTELS ON FIRE ISLAND

Like the P, s famo neighbor to the east, Cherry Grove was a haven for gay life and leisure, and Meisler’s photographs—some of which appear her book “Purgatory and Paradise: Sassy ’70s Suburbia & The Cy, ” though most of which have never been published—pture the sexy, reee spir of a post-Stonewall, pre-AIDS summer spent among lovers and iends. Fire Island the seventi holds a special place the gay-male mythos, but the crowd was mixed, and Meisler’s pictur pay attentn to women as well as to men, the old as well as the young, to the queens posg drag and the nudists loungg (or, one imprsive se, medatg a yogic headstand) the buff. Psg briefly durg his round of almost motorised erotic lights New York, the hero of Andrew Holleran’s first novel, Dancer om the Dance, proclaims the glory of gay liberatn and fore s doom.

The characters Tony Khner’s “gay fantasia” Angels Ameri are vised by seraphs and Holleran ocsnally spots celtial staways. Although Parlett’s book p for that rnal En, the history he reels through is dystopian, a remr that “gay life is supposed to be a b sad”.

Andrew Ahn’s father once told him that there were “no gay people Korea.

In a culturally nservative muny, where gog to church and buildg a fay were heavily emphasized, Ahn felt his gay inty kept him “om beg able to participate Korean culture. ” Then, he started equentg GAMeBoi, a weekly Asian Amerin gay party at Wt Hollywood’s Rage Nightclub.