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* gay industrial music *

However, a facet of Throbbg Gristle’s history that is so often ignored is that they were a thoroughly queer outf — and not jt bee half of the band were openly queer (Genis P Orridge was genrqueer, g Xe/Xer pronouns, and Peter ‘Sleazy’ Christopherson was a gay man.

And ‘Sleazy’ went on to form legendary dtrial group Coil wh his life partner John Balance, who were one of the first mil acts to tackle the horrors of the AIDS epimic head on, even sound-trackg the Terrence Higgs sponsored documentary Gay Men’s Gui to Safe Sex Flher and Jim Nash, the founrs of Wax Trax RerdsAs TG were begng to make wav the UK, a simultaneo queer — dtrial revolutn was takg place the US.

Chigo based Wax Trax Rerds was formed 1981, but started earnt 1978, by gay uple Danny Flher and Jim Nash. By now, TG’s central theme of abjectn and dismemberment was all too real for a queer dience — the AIDS epimic revealed the tly ugly perceptn of queer people held by the US ernment, whilst across the world gay men were referred to cel, humanisg terms the prs whilst the ath toll ntued to climb. Wax Trax managed to achieve what TG were pable of dog — by signg acts who fed dtrial wh more nventnally accepted genr, they managed to ph dtrial to the clubs, gay and straight.

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FashnLGBT people are oftentim on the edge of society and dtrial mic also is on the edge on society, they sometim overlap and fd a if the hypothis even is te tho seems worthy of amic rearch imoEDIT: a siar broship exists between dis fans that spl black and gay mun (and of urse black gay people), which is also why dis was hated by toxic heterosexual male whe rockists.

GAY DTRIAL MIC

LGBTQ mic history is so much more than a timele of who me out when and which songs beme gay anthems -- ’s also about the artists who weren’t aaid to be themselv eras when dog so often had real risks attached. * gay industrial music *

There is also that tie wh BDSM and Goth as prevly mentned which also do not adhere to genr stereotyp so obvly a bunch of lgbtq people will be there 's also pretty cur how even today there is still a large amount of lgbtq micians wh dtrial genr (Black Drs, Backxwash, Ar, Sophie, dreamcshr, etc), so I gus even today remas a genre that draw the gaysTL;DR dtrial is jt gay as fuck. a siar broship exists between dis fans that spl black and gay mun (and of urse black gay people), which is also why dis was hated by toxic heterosexual male whe rockistsAs someone that wasn't around for , this le about dis (I've seen before) is so nfg to me bee basilly all dis did milly was gentrify funk by takg the blu tonaly out of (and put the emphasis on the producer stead of the band, so you had a lot more, sometim digal strg sectns stead of a tradnal 4-piece band setup). But that asi, appealed to who appealed to - not everyone who liked was gay or black by any stretch, but had strong followgs both of those mos.

Vanuver Electronic Mic pneers such as Mart Bartlett and Barry Tax were gay. Gay clubs didn't have vers and they tend to play much better mic.

GAY DTRIAL MIC

The performance art scene was also domated by gay men. Was aligned wh and grew out of a strong nnectn to what was gog on gay nightclubs.

I've been to a fair amount of gay clubs and the on that play dtrial mic tend to have the "saft" vibe ee of judgement or too many straight people g. a siar broship exists between dis fans that spl black and gay mun (and of urse black gay people), which is also why dis was hated by toxic heterosexual male whe rockistsAs someone that wasn't around for , this le about dis (I've seen before) is so nfg to me bee basilly all dis did milly was gentrify funk by takg the blu tonaly out of (and put the emphasis on the producer stead of the band, so you had a lot more, sometim digal strg sectns stead of a tradnal 4-piece band setup) Saturday Night Fever certaly wasn't mic for the mass.

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The Downward Spiral was probably very relatable to young gay men the 90's.

For some of my gay iends, dance dtrial was their way to heavier dtrial like Estürzen Nbten. FashnEDIT: a siar broship exists between dis fans that spl black and gay mun (and of urse black gay people), which is also why dis was hated by toxic heterosexual male whe rockistsNever thought of like that.

I wonr if you uld draw any nnectns between athetic nihilism dtrial mic and the kd of hedonistic nihilism that gay men stereotypilly follow.

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But that asi, appealed to who appealed to - not everyone who liked was gay or black by any stretch, but had strong followgs both of those 's nfg that the dience for dis would be blacker than the dience for any other genre when mostly what dis did was take the most distctly "black" mil element away om an already black genre. Which if so would necsarily mean s fan base was proportnally ls black by that exact same ia that dis was associated wh gays is easier to believe bee 's easy to image gays would spend more time out at clubs (even if jt bee more str8s get pulled away om clubbg bee they accintally a kid).

If you're sayg that there was more of a homophobic element to the backlash than a racist one, I'd agree, although I wouldn't say there was no racism to eher.

And by the late '70s dis was broadly popular, but still had an associatn wh homosexualy which, to be clear, was more than cintal.

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