Playboy magaze durg the 1960s had a ndid approach to cludg varied social groups wh s pag through the lens of artists. One feature by long time ntributor, Shel Silverste, has enjoyed lastg tert by rears and rearchers for s humanistic approach to a margalized muny, openly gay men
Contents:
THE GAY HISTORY OF AMERI’S CLASSIC CHILDREN’S BOOKS
” It’s about a t who liv wh two gay men; you n tell by the book, then jt published, was evintly meant to help normalize already borgly normal fai like ours by g the tradnal substutn of animals for people orr to illtrate how much fun havg gay dads n be. ) And if you stopped to thk about , “Lucy” seemed to argue that the gay dads, however full of fun, were aquate: When the pa chips were down, they need rcug, too. Among gay-themed children’s stori, they preferred “Frog and Toad.
WAS SHEL SILVERSTE GAY
” No, I know: “Frog and Toad” — a seri of four picture books by Arnold Lobel, origally published between 1970 and 1979 — is not gay-themed. But ’s not not gay-themed eher. They get to scrap separately but get out of them together, which is not a bad fn of left: Jam Marshall, “Gee and Martha, ” urty of Houghton Miffl Harurt; Arnold Lobel, “Frog and Toad are Friends” © 1970 Arnold Lobel, ed by permissn of HarperColls Publishers; Jam Marshall, “Miss Nelson is Missg!, ” urty of Houghton Miffl HarurtOur boys loved the stori, as did we — but not bee Lobel was gay.
They ntued to make books together for years: a Frog and Toad tale if ever there was, Lobel’s gayns, when I learned of much later, seemed like somethg I should have known all along; lurked everywhere his words and pictur.