Dakota Johnson Is A Charmg Baby Gay In Her Lbian Comg-of-Age Movie ‘Am I OK?’

DAKOTA JOHNSON IS A CHARMG BABY GAY IN HER LBIAN COMG-OF-AGE MOVIE ‘AM I OK?’
FANS CONVCED DAKOTA JOHNSON IS GAY BEE OF THIS
HUNTER COPE ON HIS BREAKOUT GAY ROLE OPPOSE DAKOTA JOHNSON ‘DATE AND SWCH’
FROM SUNDANCE: 'AM I OK?' IS A DELIGHTFUL QUEER COMG-OF-AGE-ISH {FONT-SIZE:20PX;LOR:#999;FONT-STYLE:ALIC;MARG:0PX;MARG-TOP:10PX;}DIRS. TIG NOTARO AND STEPHANIE ALLYNNE — 4 {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{MARG-BOTTOM:1EM;}{DISPLAY:BLOCK;MARG:0PX TO;MAX-WIDTH:640PX;Z-X:20;POSN:RELATIVE;} > DIV{BOX-SIZG:NTENT-BOX;PADDG:0PX 20PX;MARG:0PX TO;} > DIV.SHORT-LEFT{FLOAT:LEFT;} > DIV.SHORT-RIGHT{FLOAT:RIGHT;} > DIV.SHORT-SMALL{MAX-WIDTH:200PX;} > DIV.SHORT-MEDIUM{MAX-WIDTH:400PX;} > DIV.SHORT-LARGE{MAX-WIDTH:600PX;} > DIV.SHORT-XLARGE{MAX-WIDTH:1000PX;} > DIV.SHORT-FULLSCREEN{PADDG:0PX;}{WIDTH:100%;}{MAX-WIDTH:1000PX;MARG:5PX 0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#777;FONT-SIZE:15PX;}DAKOTA JOHNSON AND SONOYA MIZUNO STAR TIG NOTARO AND STEPHANIE ALLYNNE'S QUEER DRAMEDY. IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}COURTY OF SUNDANCE {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;}BY AMELIA ROTH-DISHY, CRIMSON STAFF {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}THREE BIG QUEER CHEERS FOR “AM I OK?”, A POIGNANT G-OF-AGE-ISH DRAMEDY — HEAVIER ON THE EDY THAN THE DRAMA — THAT KNOWS S WHEELHOE, MS TO FORM, AND HS ALL THE RIGHT BEATS.DIRECTED BY MARRIED DUO TIG NOTARO AND STEPHANIE ALLYNNE, THE FILM FOLLOWS TWO LIFETIME BT IENDS THEIR EARLY 30S, LUCY (DAKOTA JOHNSON) AND JANE (SONOYA MIZUNO), WHO TELL EACH OTHER EVERYTHG AND HAVE LONG SETTLED TO A FORTABLY PENNT L.A. RHYTHM. LUCY IS THE RECEPTNIST AT A SPAC OCEANSI SPA THAT SEEMS TO HAVE ONLY ONE OTHER EMPLOYEE, AND SHE’S NEVER BEEN THAT TERTED DATG; JANE ENJOYS VAPID WORKERS AND A WELL-STOCKED PANY KCHEN AT HER MARKETG JOB AND LIV WH HER LONGTIME BOYIEND DANNY (JERMAE FOWLER). THEIR DYNAMIC HS A SNAG WHEN JANE GETS A WORK PROMOTN THAT WILL SEND HER TO LONDON AND LUCY, SAD AND DNK OM THE NEWS A SEQUENCE PLAYED WH TREMENDO FEELG BY JOHNSON, REVEALS THAT SHE’S GAY. HIJKS ENSUE, AND THE TWO SEISMIC CHANG UNEARTH CRACKS THEIR RELATNSHIP.THE SCRIPT, WRTEN BY LREN POMERANTZ AND DRAWN LOOSELY OM HER OWN EXPERIENC, FEELS MECHANIL AT TIM BUT ZIPS ALONG JT FE. THE CHARACTERS ARE DRAWN WH CLEAR MOTIV AND PATTERNS, AND WHEN LUCY AND JANE START TO TAKE JABS AT EACH OTHER, THEIR MUTUAL READS ARE SPECIFIC AND WELL-EARNED. THE TWO LEADS HAVE GOOD BANTERG CHEMISTRY; MIZUNO PARTICULAR IS A CRISP, BELIEVABLE LIVERER OF EVEN THE MOST UNNATURAL DIALOGUE.WHILE JOHNSON N LL UPON CHAMELEON ACTG CHOPS WHEN NECSARY, HER FAMOLY LIME-AGNOSTIC “CHAOTIC LM” OFFSCREEN ENERGY IS PLOYED TO GREAT EFFECT THE FILM — ’S AN ENERGY THAT WORKS SURPRISGLY WELL THE EVOLVG ROM- GENRE, OR MAYBE JT THE QUEER ON. (“HOW TO BE SGLE” FANS, SHOW YOURSELV!) HER GENTLENS EVOK THAT OF A BABY BIRD’S, VDITG JANE’S SOMEWHAT PATRONIZG STCT TO BOTH PROTECT HER BT IEND AND PH HER OUT OF THE NT. BUT THE STEELY SELF-ACTUALIZATN UNRLYG THAT MELLOW ENERGY ULTIMATELY GROUNDS JANE’S OWN ARC OF SELF-DISVERY, EVEN IF JOHNSON DON’T QUE SELL HER CHARACTER’S IAL AZZLE ABOUT THE EMOTNAL AND SOCIAL NSEQUENC OF HER NEWLY ARTICULATED INTY.SRG JOHNSON FOR THIS ROLE WAS A UP OF STG BY NOTARO AND ALLYNNE. (THE TWO APPARENTLY BROUGHT JOHNSON ONBOARD WHEN NOTARO PERFORMED STAND-UP AT JOHNSON’S FAMO BIRTHDAY PARTY MALIBU THAT A CERTA GAY DAYTIME HOST DID NOT ATTEND.) BUT SCENE-STEALERS GALORE POPULATE LUCY AND JANE’S WORLD. QUEER ACTRS KIERSEY CLEMONS, WHO HAS RVED OUT A SUBNICHE HER BURGEONG REER FOR LIGHTHEARTED WLW STORI (“HEARTS BEAT LOUD,” “EASY”), IS CHARMG AND CHARISMATIC “AM I OK?” AS BRTANY, THE FLIRTY MASSSE WHO JANE VELOPS A CSH ON. MOLLY GORDON, AWAY OM HER GROUND QUEER EX-GIRLIEND CHARACTER LAST YEAR’S DIE DARLG “SHIVA BABY,” IS HILARLY EXAGGERATED AS JANE’S INSTAGRAM-OBSSED WORK IEND.THE MOVIE IS SET A FAIARLY STYLIZED VERSN OF AN AFFLUENT, STAR-STUDD LOS ANGEL SCENE. STEPHANIE ALLYNNE MAY BE BT-KNOWN AT THIS POT FOR HER ROLE ON “THE L WORD: GENERATN Q,” AND OM S I-TABLISHG OPENG MONTAGE OF MOSTLY-WHE WOMEN HANGG OUT VAR BARS AND WELL-APPOTED HOM, “AM I OK?” SEEMS TO SUGGT S EXISTENCE A KD OF “L WORD” MULTIVERSE. THE FILM HEWS CLOSELY AND SELF-NSCLY TO THIS VERSN OF QUEER L.A., AND ’S HARD TO ARGUE WH THE IA OF A GAY MULTIVERSE OF ANY KD. BUT THIS NARROWNS DO RAISE THE QUTN OF HOW FTIVALS LIKE SUNDANCE N DO MORE TO REPRENT THE DIVERSE MULTIPLICY OF QUEER STORYTELLG THAT IS WAG TO EXPLO ACROSS BIG AND, CREASGLY, SMALL SCREENS.IN THE LEAD-UP TO “AM I OK?”’S PREMIERE, MUCH WAS MA OF HOW REHG IS TO SEE A WOMAN ONSCREEN WHO’S 32 AND STILL FIGURG HERSELF OUT. THE REPRENTATN OF THIS WILY HELD BUT UNREXPLORED EXPERIENCE IS THRILLG AND IMPORTANT, TO BE SURE. AND OM A NARRATIVE PERSPECTIVE, REMOVG THE NTEXT FOR AN UNAVOIDABLE G-OUT-TO-PARENTS PLOTLE CREAT BREATHG ROOM LUCY’S JOURNEY OF GAY AWAKENG. BUT ’S ALSO QUE SATISFYG, THE MOST STCTUAL SENSE, TO WATCH A QUEER-CREATED CROWD-PLEASG EDY K LGHS OM STEREOTYP ABOUT QUEER WOMEN RATHER THAN HETEROSEXUAL UPLEDOM. DRIVG A VOLVO (“JANE, VOLVOS ARE THE SAFT R!”), A CY’S GAY SCENE ALL KNOWG AND HAVG DATED EACH OTHER (“YOU’RE GONNA BE THE STAR OF THE LBIAN MUNY”), THE STEADY CREEP OF BLACK BEANI ONTO DAKOTA JOHNSON’S CUR HEAD — ’S ALL THERE. THEY’RE LAZY JOK, THE KD THAT EVERY STRAIGHT MOVIE GETS TO MAKE. MASS-MARKET QUEER HUMOR WON’T BRG LIBERATN, BUT ’S FUN NOHELS.“AM I OK?”, SPE S BREEZS, ALSO GETS SOME PAFUL STUFF JT RIGHT. “I KNOW ’S FE AND NO ONE R, BUT I RE,” LUCY EXPLAS TO JANE ABOUT HER G OUT — EVEN WH THE KNOWLEDGE THAT NO ONE HER LIFE WILL THK DIFFERENTLY OF HER FOR BEG GAY, LUCY’S ANXIETI ABOUT THE ACTUALI OF DISCLOSURE AND WHETHER OR NOT HER GAYNS “SHOWS” ON HER PERSONHOOD ARE POIGNANTLY RENRED. AND THE FUZZY BOUNDARY BETWEEN PLATONIC AND EROTIC THAT MARKS LUCY AND BRTANY’S NNECTN, AND THE NFN AND HURT ULTIMATELY , RG ALL TOO TE FOR ANY QUEER WOMAN, OR REALLY ANYONE, WHO’S BEEN A SIAR SUATN.THE MOVIE LEAV ONE MAJOR QUTN MARK. HTS ARE DROPPED THAT LUCY AND JANE HAVE SOME FUZZS, TOO — NOT LEAST THE MA PROMOTNAL IMAGE. WHOUT GIVG TOO MUCH AWAY, THIS THREAD FEELS UNROLVED OR EVEN IGNORED. PERHAPS THE SEMAL EDY ABOUT THE PLEXI OF QUEER IENDSHIP IS YET TO {DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}ADVERTISEMENT—AMELIA ROTH-DISHY N BE REACHED AT AND ON TWTER @{FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? 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But acceptg this life change, Lucy also accepts somethg else—she’s fally ready to adm to herself, and to Jane, that she’s gay. Johnson fans have long spected that she would excel at gay longg, but this is next level.

The actrs has sparked mors that she's gay after her 2017 terview wh Vogue Magaze recently rurfaced on the Inter.

The “Old Town Road” sger first me out as gay June 2019, sayg he felt that “the universe was signallg him to do so. He add, “I thk the bt answer I have is I’m not not gay. Stranger Thgs actor Noah Schnapp me out as gay the most Gen-Z way: a TikTok.

FANS CONVCED DAKOTA JOHNSON IS GAY BEE OF THIS

” In text on top, he wrote, “When I fally told my iends and fay I was gay after beg sred the closet for 18 years and all they said was ‘we know.

Shay Mchell talked about her sexualy 2017, a big topic of nversatn at the time bee of her character Pretty Ltle Liars, who was openly gay. “People always ask me, ‘You play a gay character? Are you gay?

HUNTER COPE ON HIS BREAKOUT GAY ROLE OPPOSE DAKOTA JOHNSON ‘DATE AND SWCH’

This is somethg I want to reprent through my mic bee ’s who I am, ’” she relled an terview wh Gay Tim. “It was like, ‘Wow, do that mean I am gay?

“It’s ‘So you’re jt gay, right?

[If] I’m like, ‘Oh, I really like this guy, ’ [they’re like], ‘But you’re gay.

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IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}COURTY OF SUNDANCE {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;}BY AMELIA ROTH-DISHY, CRIMSON STAFF {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}THREE BIG QUEER CHEERS FOR “AM I OK?”, A POIGNANT G-OF-AGE-ISH DRAMEDY — HEAVIER ON THE EDY THAN THE DRAMA — THAT KNOWS S WHEELHOE, MS TO FORM, AND HS ALL THE RIGHT BEATS.DIRECTED BY MARRIED DUO TIG NOTARO AND STEPHANIE ALLYNNE, THE FILM FOLLOWS TWO LIFETIME BT IENDS THEIR EARLY 30S, LUCY (DAKOTA JOHNSON) AND JANE (SONOYA MIZUNO), WHO TELL EACH OTHER EVERYTHG AND HAVE LONG SETTLED TO A FORTABLY PENNT L.A. RHYTHM. LUCY IS THE RECEPTNIST AT A SPAC OCEANSI SPA THAT SEEMS TO HAVE ONLY ONE OTHER EMPLOYEE, AND SHE’S NEVER BEEN THAT TERTED DATG; JANE ENJOYS VAPID WORKERS AND A WELL-STOCKED PANY KCHEN AT HER MARKETG JOB AND LIV WH HER LONGTIME BOYIEND DANNY (JERMAE FOWLER). THEIR DYNAMIC HS A SNAG WHEN JANE GETS A WORK PROMOTN THAT WILL SEND HER TO LONDON AND LUCY, SAD AND DNK OM THE NEWS A SEQUENCE PLAYED WH TREMENDO FEELG BY JOHNSON, REVEALS THAT SHE’S GAY. HIJKS ENSUE, AND THE TWO SEISMIC CHANG UNEARTH CRACKS THEIR RELATNSHIP.THE SCRIPT, WRTEN BY LREN POMERANTZ AND DRAWN LOOSELY OM HER OWN EXPERIENC, FEELS MECHANIL AT TIM BUT ZIPS ALONG JT FE. THE CHARACTERS ARE DRAWN WH CLEAR MOTIV AND PATTERNS, AND WHEN LUCY AND JANE START TO TAKE JABS AT EACH OTHER, THEIR MUTUAL READS ARE SPECIFIC AND WELL-EARNED. THE TWO LEADS HAVE GOOD BANTERG CHEMISTRY; MIZUNO PARTICULAR IS A CRISP, BELIEVABLE LIVERER OF EVEN THE MOST UNNATURAL DIALOGUE.WHILE JOHNSON N LL UPON CHAMELEON ACTG CHOPS WHEN NECSARY, HER FAMOLY LIME-AGNOSTIC “CHAOTIC LM” OFFSCREEN ENERGY IS PLOYED TO GREAT EFFECT THE FILM — ’S AN ENERGY THAT WORKS SURPRISGLY WELL THE EVOLVG ROM- GENRE, OR MAYBE JT THE QUEER ON. (“HOW TO BE SGLE” FANS, SHOW YOURSELV!) HER GENTLENS EVOK THAT OF A BABY BIRD’S, VDITG JANE’S SOMEWHAT PATRONIZG STCT TO BOTH PROTECT HER BT IEND AND PH HER OUT OF THE NT. BUT THE STEELY SELF-ACTUALIZATN UNRLYG THAT MELLOW ENERGY ULTIMATELY GROUNDS JANE’S OWN ARC OF SELF-DISVERY, EVEN IF JOHNSON DON’T QUE SELL HER CHARACTER’S IAL AZZLE ABOUT THE EMOTNAL AND SOCIAL NSEQUENC OF HER NEWLY ARTICULATED INTY.SRG JOHNSON FOR THIS ROLE WAS A UP OF STG BY NOTARO AND ALLYNNE. (THE TWO APPARENTLY BROUGHT JOHNSON ONBOARD WHEN NOTARO PERFORMED STAND-UP AT JOHNSON’S FAMO BIRTHDAY PARTY MALIBU THAT A CERTA GAY DAYTIME HOST DID NOT ATTEND.) BUT SCENE-STEALERS GALORE POPULATE LUCY AND JANE’S WORLD. QUEER ACTRS KIERSEY CLEMONS, WHO HAS RVED OUT A SUBNICHE HER BURGEONG REER FOR LIGHTHEARTED WLW STORI (“HEARTS BEAT LOUD,” “EASY”), IS CHARMG AND CHARISMATIC “AM I OK?” AS BRTANY, THE FLIRTY MASSSE WHO JANE VELOPS A CSH ON. MOLLY GORDON, AWAY OM HER GROUND QUEER EX-GIRLIEND CHARACTER LAST YEAR’S DIE DARLG “SHIVA BABY,” IS HILARLY EXAGGERATED AS JANE’S INSTAGRAM-OBSSED WORK IEND.THE MOVIE IS SET A FAIARLY STYLIZED VERSN OF AN AFFLUENT, STAR-STUDD LOS ANGEL SCENE. STEPHANIE ALLYNNE MAY BE BT-KNOWN AT THIS POT FOR HER ROLE ON “THE L WORD: GENERATN Q,” AND OM S I-TABLISHG OPENG MONTAGE OF MOSTLY-WHE WOMEN HANGG OUT VAR BARS AND WELL-APPOTED HOM, “AM I OK?” SEEMS TO SUGGT S EXISTENCE A KD OF “L WORD” MULTIVERSE. THE FILM HEWS CLOSELY AND SELF-NSCLY TO THIS VERSN OF QUEER L.A., AND ’S HARD TO ARGUE WH THE IA OF A GAY MULTIVERSE OF ANY KD. BUT THIS NARROWNS DO RAISE THE QUTN OF HOW FTIVALS LIKE SUNDANCE N DO MORE TO REPRENT THE DIVERSE MULTIPLICY OF QUEER STORYTELLG THAT IS WAG TO EXPLO ACROSS BIG AND, CREASGLY, SMALL SCREENS.IN THE LEAD-UP TO “AM I OK?”’S PREMIERE, MUCH WAS MA OF HOW REHG IS TO SEE A WOMAN ONSCREEN WHO’S 32 AND STILL FIGURG HERSELF OUT. THE REPRENTATN OF THIS WILY HELD BUT UNREXPLORED EXPERIENCE IS THRILLG AND IMPORTANT, TO BE SURE. AND OM A NARRATIVE PERSPECTIVE, REMOVG THE NTEXT FOR AN UNAVOIDABLE G-OUT-TO-PARENTS PLOTLE CREAT BREATHG ROOM LUCY’S JOURNEY OF GAY AWAKENG. BUT ’S ALSO QUE SATISFYG, THE MOST STCTUAL SENSE, TO WATCH A QUEER-CREATED CROWD-PLEASG EDY K LGHS OM STEREOTYP ABOUT QUEER WOMEN RATHER THAN HETEROSEXUAL UPLEDOM. DRIVG A VOLVO (“JANE, VOLVOS ARE THE SAFT R!”), A CY’S GAY SCENE ALL KNOWG AND HAVG DATED EACH OTHER (“YOU’RE GONNA BE THE STAR OF THE LBIAN MUNY”), THE STEADY CREEP OF BLACK BEANI ONTO DAKOTA JOHNSON’S CUR HEAD — ’S ALL THERE. THEY’RE LAZY JOK, THE KD THAT EVERY STRAIGHT MOVIE GETS TO MAKE. MASS-MARKET QUEER HUMOR WON’T BRG LIBERATN, BUT ’S FUN NOHELS.“AM I OK?”, SPE S BREEZS, ALSO GETS SOME PAFUL STUFF JT RIGHT. “I KNOW ’S FE AND NO ONE R, BUT I RE,” LUCY EXPLAS TO JANE ABOUT HER G OUT — EVEN WH THE KNOWLEDGE THAT NO ONE HER LIFE WILL THK DIFFERENTLY OF HER FOR BEG GAY, LUCY’S ANXIETI ABOUT THE ACTUALI OF DISCLOSURE AND WHETHER OR NOT HER GAYNS “SHOWS” ON HER PERSONHOOD ARE POIGNANTLY RENRED. AND THE FUZZY BOUNDARY BETWEEN PLATONIC AND EROTIC THAT MARKS LUCY AND BRTANY’S NNECTN, AND THE NFN AND HURT ULTIMATELY , RG ALL TOO TE FOR ANY QUEER WOMAN, OR REALLY ANYONE, WHO’S BEEN A SIAR SUATN.THE MOVIE LEAV ONE MAJOR QUTN MARK. HTS ARE DROPPED THAT LUCY AND JANE HAVE SOME FUZZS, TOO — NOT LEAST THE MA PROMOTNAL IMAGE. WHOUT GIVG TOO MUCH AWAY, THIS THREAD FEELS UNROLVED OR EVEN IGNORED. PERHAPS THE SEMAL EDY ABOUT THE PLEXI OF QUEER IENDSHIP IS YET TO {DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}ADVERTISEMENT—AMELIA ROTH-DISHY N BE REACHED AT AND ON TWTER @{FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? 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That whole certaty about whether you’re straight or gay or whatever, ” Stewart told The Guardian. “I regnize myself as existg on that spectm: Not totally straight, but also not gay and not necsarily bisexual. Thats my long post of the month love yall be gay be ee be wild n love lots.

“I don’t want to be labeled gay, ” Symoné said. What I have ‘chosen’ is to be a gay relatnship.

“I say, ‘I’m bi, my love knows no genr, ’ and the straight muny says, ‘Oh right, that’s jt a ver-up — you’re gay! ’ And the gay muny says, ‘Yeah right, that’s jt a ver-up — you’re gay, '” Dick said to Tyra Banks 2009. “They both want to ph me gay.

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