Salvatore Romano's Mad Men Fale - Bryan Batt Reflects on Mad Men</tle><meta name="tle" ntent="Salvatore Romano's Mad Men Fale - Bryan Batt Reflects on Mad Men" /><meta name="scriptn" ntent="Bryan Batt aka Sterlg Cooper art director Sal Romano opens up about Matthew Weer, not returng to the show, and the Mad Men st." /><meta name="keywords" ntent="sal, mad men, salvatore romano, matthew weer, mad men fale, bryan batt" /><meta property="og:type" ntent="webse" /><meta name="theme-lor" ntent="#000000" /><lk href="/_assets/sign-tokens/quire/static/imag/" rel="in" /><meta property="og:se_name" ntent="Esquire" /><meta name="fb:app_id" ntent="171874009543995" property="fb:app_id" /><meta name="article:publisher" ntent=" property="article:publisher" /><meta name="fb:pag" ntent="84169421673" property="fb:pag" /><meta name="twter:se" ntent="@Esquire" /><meta name="google-se-verifitn" ntent="1vf5i9wM7chlCFc_0XI_e-oCfDf4sEvp32sTGKokQ" /><meta property="og:tle" ntent="Exclive: Mad Men's Bryan Batt Clos the Book on Sal Romano" /><meta property="og:scriptn" ntent="Sterlg Cooper's first art director was unceremonly axed. The actor who played him giv the character a proper goodbye." /><meta name="robots" ntent="max-image-preview:large,max-snippet:-1,max-vio-preview:30" /><lk rel="apple-touch-in" href="/_assets/sign-tokens/quire/static/imag/" /><meta property="og:image" ntent="" /><meta property="og:image:width" ntent="1200" /><meta property="og:image:height" ntent="600" /><meta name="thumbnail" ntent="" /><meta name="" ntent="" /><meta name="" ntent=" /><meta name="twter:image" ntent="" /><meta ntent=" property="og:url" /><meta name="to-publish" ntent="evergreen" /><meta property="og:type" ntent="article" /><meta name="twter:rd" ntent="summary_large_image" /><meta name="article:opn" property="article:opn" /><meta ntent="TV" property="article:sectn" /><meta ntent="2022-06-28T18:24:36Z" property="article:modified_time" /><meta ntent="2015-05-14T14:00:00Z" property="article:published_time" /><meta name="sailth.excerpt" ntent="On the nth episo of Mad Men's third season, Don Draper fired Salvatore Romano by requt of a major client who threatened to take his bs elsewhere (and whose advanc had been rejected by the closeted art director jt the night before). 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emProp="em" href="/entertament/tv/a34980/mad-men-salvatore-romano-bryan-batt/" data-vars-ga-ux-element="Breadcmbs" data-vars-ga-ll-to-actn="Exclive: Mad Men's Bryan Batt Clos the Book on Sal Romano" data-vars-ga-outbound-lk=" class="e9l0kn00 css-10e6ywj e1c1bym14"><span emProp="name">Exclive: Mad Men's Bryan Batt Clos the Book on Sal Romano</span></a><meta emProp="posn" ntent="3" /></li></ol></nav><style data-emotn="css g4r5va">{font-fay:Glanz,Glanz-fallback,Tim,Serif;font-weight:normal;grid-lumn:1/-1;marg-bottom:0.9375rem;marg-top:0.9375rem;}@media(max-width: 48rem){{font-size:2rem;le-height:1.25;}}@media(m-width: 48rem){{font-size:2.625rem;le-height:1.1;}}@media(m-width: 64rem){{font-size:3.125rem;le-height:1.1;}}@media(m-width: 73.75rem){{font-size:3.37499rem;le-height:1.1;}}</style><h1 class="css-g4r5va exadjwu10"><span aria-hidn="te" class="css-0 eagam8p0"></span>Exclive: <em>Mad Men</em>'s Bryan Batt Clos the Book on Sal Romano<span aria-hidn="te" class="css-0 eagam8p1"></span></h1><style data-emotn="css 2qf7xf">{lor:#515150;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;marg-bottom:0.625rem;}@media(max-width: 48rem){{font-size:1.0625rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:1.3125rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:1.3125rem;le-height:1.3;}} a{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:#000000;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;} a:hover{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><div class="css-2qf7xf exadjwu8"><p>Sterlg Cooper's first art director was unceremonly axed. The actor who played him giv the character a proper goodbye.</p></div><style data-emotn="css d04ng2">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;marg-bottom:0.625rem;paddg-right:0.3125rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}} span{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0rem;text-transform:palize;}@media(max-width: 48rem){ span{font-size:0.875rem;le-height:1.4;}}@media(m-width: 48rem){ span{font-size:0.875rem;le-height:1.4;}}@media(m-width: 64rem){ span{font-size:0.875rem;le-height:1.4;}}</style><div class="css-d04ng2 exadjwu7"><style data-emotn="css 1eqkg5m">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-style:normal;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><addrs class="css-1eqkg5m ehvvd9m2"><style data-emotn="css 19e0noj">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><span class="css-19e0noj ehvvd9m1">By <style data-emotn="css 7l5upj">{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:her;text-unrle-offset:0.25rem;lor:her;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;}{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><a href="/thor/12831/bryan-batt/" class="css-7l5upj e1c1bym14">Bryan Batt</a></span><style data-emotn="css 1bcsdhu">{display:le-block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;marg-left:0.625rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><time class="css-1bcsdhu exadjwu6">Published: May 14, 2015</time></addrs></div><style data-emotn="css wkpw2c">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;}</style><div class="no-prt css-wkpw2c exadjwu15"><style data-emotn="css 1hpjtwr">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;posn:relative;marg-top:0.9375rem;}</style><div class="ntent-hear-actns css-1hpjtwr exadjwu14"><style data-emotn="css nx40">{background-lor:#FF3A30;lor:#000000;borr:th solid #FF3A30;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:row;-ms-flex-directn:row;flex-directn:row;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;paddg:0.625rem 1.25rem;marg-top:0rem;marg-bottom:0rem;-webk-text-ratn:none;text-ratn:none;text-transform:upperse;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;paddg-top:0.85rem;background:#FF3A30;borr-radi:2rem;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;le-height:1.3;letter-spacg:0.04rem;width:to;}{background-lor:#ffffff;lor:#000;cursor:poter;borr:th solid #FF3A30;} svg{fill:#000000;} svg>path{fill:#000000;}{marg-left:1rem;}{outle:0.125rem dotted #000000;outle-offset:0.2rem;} svg{fill:#000000;} svg>path{fill:#000000;}</style><button data-tooltip-id="article-hear-save" class="ntentSaveButton css-nx40 e12nq69g1"><style data-emotn="css p7o3tf">{width:1rem;height:1rem;marg-right:0.625rem;} path{fill:#ffffff;} path{fill:#ffffff;}</style><svg xmlns=" fill="none" viewBox="0 0 48 62" class="css-p7o3tf e10k4xbi2"><path fill="#000" fill-le="evenodd" d="M24 46.52 48 61V0H0v61.44l24-14.92ZM5.67 50.9 24 39.5l18.33 11.4V5.7H5.67v45.2Z" clip-le="evenodd"></path></svg>Save Article</button><style data-emotn="css gulrqe">{width:160px;text-align:left;lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.70284rem;le-height:1.1;font-weight:normal;letter-spacg:0.045rem;text-transform:none;}</style></div></div></div></div></hear><style data-emotn="css k008qs">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;}</style><div class="css-k008qs ewisyje0"><style data-emotn="css 7ce51e">{marg-bottom:0.9375rem;posn:relative;}@media(max-width: 64rem){{max-width:lc(100vw - 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50vw);}}@media(m-width: 48rem){{marg:to;}}</style><div class="ntent-lead-image css-sm2oir e5f9kgu2"><style data-emotn="css eag3eq">{posn:relative;height:to;}</style><div class="css-eag3eq e5f9kgu1"><style data-emotn="css 335qep">{posn:relative;width:100%;height:100%;object-f:ver;vertil-align:top;}</style><img fetchPrry="high" alt="this image is not available" tle="this image is not available" width="1080" height="1080" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-335qep exi4f7p0" /></div><style data-emotn="css 285vyd">{le-height:1;}@media(max-width: 73.75rem){{paddg-left:0.9375rem;}}@media(m-width: 64rem){{paddg-left:0;}}</style><figptn class="css-285vyd enfs9c50"><style data-emotn="css 1mcfn5x">{lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;paddg-right:0.3125rem;}@media(max-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><span class="css-1mcfn5x e6iqd2">Media Platforms Dign Team</span></figptn></div></div><style data-emotn="css z6i669">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;paddg-left:0rem;paddg-right:0rem;posn:relative;}@media(m-width: 48rem){{paddg-left:3.5rem;paddg-right:3.5rem;}}@media(m-width: 48rem) and (max-width: 61.25rem){{max-width:45.25rem;marg-left:to;marg-right:to;}}@media(m-width: 61.25rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 73.75rem) and (max-width: 100rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;paddg-right:0rem;}} em{font-fay:Charter,Geia,Tim,Serif;font-style:alic;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;}{clear:both;ntent:" ";display:block;font-size:0.7rem;le-height:1.5rem;height:0rem;visibily:hidn;}</style><div class="article-body-ntent article-body standard-body-ntent css-z6i669 ewisyje7"><style data-emotn="css 18vfmjb">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;} em{font-fay:Charter,Geia,Tim,Serif;font-style:alic;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;}</style><p data-no-id="0" class="css-18vfmjb et3p2gv0"><em>On the nth episo of </em>Mad Men's <em>third season, Don Draper fired Salvatore Romano by requt of a major client who threatened to take his bs elsewhere (and whose advanc had been rejected by the closeted art director jt the night before). That was the last time actor Bryan Batt appeared on the seri, leavg many to wonr: "What happened to Sal?" Unfortunately, when </em>Mad Men <em>tak s fal bow this Sunday, dienc won't have an answer. So we cid to give Sal the sendoff he serv. </em><em>In this exclive told to senr wrer Matt Patch, Batt reflects on the character, his reer, and the experience of playg a pivotal role a bona fi classic.</em></p><p data-no-id="1" class="css-18vfmjb et3p2gv0">In 1995, I had the good fortune of creatg a role onstage the New York productn of Pl Rudnick's sex edy <em>Jefey</em>. When they ma the film, I got to keep my role and appear alongsi Sigourney Weaver, Olympia Dakis, Nathan Lane, and Patrick Stewart. And, when the film arrived theaters, I was steppg to the leadg male role of Broadway's <em>Sunset Boulevard</em>. It was unimagable and thrillg. A iend of me told me, "Enjoy this— don't always happen like this."</p><p data-no-id="2" class="css-18vfmjb et3p2gv0">Not always, but wouldn't be the last time. If there's another high that close, was <em>Mad Men</em>. The mute we started Matthew Weer's tale of life, love, and advertisg, I sat back and jt enjoyed . No projectg, no worryg, no bterns—only enjoyment. And there was so much to enjoy.</p><p data-no-id="3" class="css-18vfmjb et3p2gv0"><em>Mad Men</em> was built on mararie. When I filmed my first meaty scene season one, where Pl Keeley's Belle Jolie salman attempts to jole my character, Salvatore Romano, to gog to his hotel room, to be hont, I was a ltle b nervo... up until that episo my role sort of nsisted of a quip here and an arch look there. On that shoot, Aaron Staton, Vnie Kartheiser, Rich Sommer, and Michael Gladis all showed up on set for moral support. And then Janie Bryant, the stume signer, who I bond wh over a love for New Orleans, outfted me a vt wh a ltle embroired flr--lis on . Afterward, Matt lled to tell me he thought the scene was fantastic. People don't need to do stuff like that. </p><p data-no-id="4" class="css-18vfmjb et3p2gv0">They did on this show.</p><style data-emotn="css 1736von">{--data-embed-display:flex;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;clear:both;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;marg-bottom:0.9375rem;marg-left:to;marg-right:to;width:100%;}@media(m-width: 20rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 30rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 40.625rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 48rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 64rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 73.75rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 75rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 90rem){{width:100%;marg:0 to 0.9375rem;}} a span{right:1rem;} img{width:to;height:85vh;} a{display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;posn:var(--posn, relative);} img:not(.ewcw41w1){display:block;width:100%;height:to;-webk-align-self:flex-start;-ms-flex-em-align:flex-start;align-self:flex-start;}</style><div size="medium" data-embed="body-image" data-no-id="5" class="align-center size-medium embed css-1736von e1xqj1sx4"><style data-emotn="css uwraif">{width:100%;display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;marg-left:to;marg-right:to;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;}</style><div class="css-uwraif e1xqj1sx3"><style data-emotn="css p7qblm">{posn:relative;--posn:absolute;height:to;} img{max-width:100%;height:to;} a{posn:absolute;}</style><div class="css-p7qblm ewcw41w0"><img alt="this image is not available" tle="this image is not available" loadg="lazy" width="1080" height="1080" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><style data-emotn="css 1i6sckr">{background:#c92228;bottom:0;paddg:.5rem;right:0;}@media(m-width: 64rem){{paddg:0.39rem;}}</style><a target="_blank" rel="noopener" href="//" class="ptert css-1i6sckr e1c1bym14"><style data-emotn="css 1l3i1cl">{display:block;height:1rem;width:1rem;}@media(m-width: 64rem){{width:1.063rem;height:1.063rem;}}</style><img data-dynamic-svg src="/_assets/sign-tokens/e/static/ins/social/" loadg="lazy" alt="ptert in" height="to" width="to" class="css-1l3i1cl ewcw41w1" /></a></div><style data-emotn="css swqnqv">@media(m-width: 20rem){{paddg-left:0rem;}}@media(m-width: 30rem){{paddg-left:0rem;}}@media(m-width: 40.625rem){{paddg-left:0rem;}}@media(m-width: 48rem){{paddg-left:0rem;}}@media(m-width: 64rem){{paddg-left:0rem;}}@media(m-width: 73.75rem){{paddg-left:0rem;}}@media(m-width: 75rem){{paddg-left:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;}}</style><div class="css-swqnqv e1xqj1sx2"><style data-emotn="css 8h7i7x">{width:0;m-width:100%;paddg-top:0.625rem;letter-spacg:0.02rem;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;le-height:1.3;} em, i{font-fay:her;font-style:alic;}</style><div class="css-8h7i7x e1xqj1sx1">Rich Sommer (Harry Crane), Aaron Staton (Ken Cosgrove), Michael Gladis (Pl Ksey), Vcent Kartheiser (Pete Campbell), and Bryan Batt (Sal Romano)</div><style data-emotn="css 1am3yn9">{paddg-left:0rem;le-height:1;}</style><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Media Platforms Dign Team</span></figptn></div></div></div><p data-no-id="6" class="css-18vfmjb et3p2gv0">That I even <em>dned</em> to play <em>Mad Men</em>'s first art director took luck. In 2004, I was actg regularly New York's theater scene. But a smart actor always has a send tert, an off-hours job. For years Tom, my partner of 26 years (now hband), and I always had dreamt that one day we'd open a home furnishgs shop my hometown of New Orleans. When fundg for a show I was set to appear fell through, we cid the time was right. There was a proposed bs plan and life picked the date. We'd fally open the store.</p><p data-no-id="7" class="css-18vfmjb et3p2gv0">Everythg fell to place. I was spltg my time between New York and New Orleans, gog back and forth for shows. And then Katra happened. As the storm barreled towards New Orleans, we were vatng Sonoma and uldn't get back time. My mother was schled to fly out soon after the storm. She uldn't get out. I panicked. Luckily, my goddghter was still town. She took the r and my mother, board up our hoe, raised everythg up se water me , and did the same thg to the store. She saved everythg. </p><p data-no-id="8" class="css-18vfmjb et3p2gv0">Tom and I cid to thank her. So we cid to dig to savgs, and take her to Paris. A week before we were set to leave, my agent lled. "There's this dn for this TV show and they really want to see you," he said. "It's lled <em>Mad Men</em> and you'd play an art director 1960." I <em>never</em> got televisn dns, but I uldn't ncel this trip. I phed for another dn time. Not an optn. So I let go, the first time my memory when I chose life over show bs.</p><p data-no-id="9" class="css-18vfmjb et3p2gv0">I returned home om Paris to rehearse an Off-Broadway play and received another ll om my agent. "You know," he went on, "they never found who they wanted for <em>Mad Men</em>." So I put on a ltle ast and a blazer and went to the dn for Matthew Weer and director Alan Taylor on my lunch break. And I got ... one dn. That do not happen. Wh works, you jump through hoops. But Matt had a clear visn and the people payg the bills let him realize .</p><div supprsHydratnWarng data-no-id="10" data-embed="edorial-lk" class="embed css-0 e9hzx6g0"><style data-emotn="css 1643r8a">{borr:none;marg-top:1.875rem;marg-bottom:1.875rem;paddg:0rem;}</style><asi class="css-1643r8a e6pr2lz5"><style data-emotn="css l3w2xc">{display:le-block;font-weight:normal;marg:0rem;borr-top:0.25rem solid #15263D;paddg-right:1.1rem;paddg-top:0.4375rem;text-transform:lowerse;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;le-height:1.3;}</style><h6 class="css-l3w2xc e6pr2lz3"><style data-emotn="css 156fvc1">{borr-bottom:0.4375rem solid #FF3A30;borr-right:0.4375rem solid transparent;ntent:'';display:le-block;height:0;marg-right:0.5rem;width:0;}</style><span aria-hidn="te" class="css-156fvc1 eagam8p0"></span><style data-emotn="css 8lle59">{max-width:lc(100% - 120px - .625rem);}</style><span class="css-8lle59 e6pr2lz1">Related Story</span><span aria-hidn="te" class="css-0 eagam8p1"></span></h6><style data-emotn="css c4s2gi">{paddg:0rem;marg:0rem;list-style:none;}</style><ul class="css-c4s2gi e6pr2lz4"><style data-emotn="css 79zw4t">{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:1rem;le-height:2rem;paddg-top:0.625rem;}@media(max-width: 48rem){{font-size:0.9375rem;le-height:1.3;}}@media(m-width: 48rem){{le-height:1.4;}}@media(m-width: 64rem){{le-height:1.4;}} a{-webk-text-ratn:none;text-ratn:none;lor:her;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;} a:hover{lor:#595959;}</style><li class="css-79zw4t e6pr2lz2"><style data-emotn="css 1bn7a5e">{-webk-text-ratn:none;text-ratn:none;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-box-flex-wrap:wrap;-webk-flex-wrap:wrap;-ms-flex-wrap:wrap;flex-wrap:wrap;-webk-flex-directn:row;-ms-flex-directn:row;flex-directn:row;-webk-box-pack:start;-ms-flex-pack:start;-webk-jtify-ntent:flex-start;jtify-ntent:flex-start;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;}</style><a href="/entertament/tv/g2143/behd-the-scen-mad-men-photos/" data-vars-ga-ll-to-actn="Mad Men's Bryan Batt Shar Behd-the-Scen Photos" data-vars-ga-ux-element="Edorial Lks" data-vars-ga-outbound-lk=" class="css-1bn7a5e e1c1bym14"><span aria-hidn="te" class="css-0 eagam8p0"></span><style data-emotn="css 1l0u1">{marg-right:0.625rem;height:to;}</style><img src="" alt="this image is not available" tle="Mad Men's Bryan Batt Shar Behd-the-Scen Photos" width="120" height="100%" dg="async" loadg="lazy" image-align="left" class="css-1l0u1 e6pr2lz0" /><span class="css-8lle59 e6pr2lz1">Mad Men's Bryan Batt Shar Behd-the-Scen Photos</span><span aria-hidn="te" class="css-0 eagam8p1"></span></a></li></ul></asi></div><p data-no-id="11" class="css-18vfmjb et3p2gv0">Matt and I didn't have many long discsns about Sal. We'd chat on set, at events or parti, or maybe at a table read where he'd give a few not. Matt knows how to talk to actors, how to get very specific. He had to be to make the show he wanted. On set there was no time. Someone once told me that every take st $10,000. Not an exact figure, but <em>Mad Men </em>was expensive. The actors had to be prepared and go, go, go.</p><p data-no-id="12" class="css-18vfmjb et3p2gv0">Luckily, Matt knew what he wanted. At my makp and wardrobe tt, he me over and said, "You know what's gog to happen to Sal?" I said, "What?" Keep md, this was <em>before</em> we filmed the pilot. "Later on, I don't know when, but he's gog to go on a bs trip wh Don and Don's gog to bag a stewarss. And Sal's gog to go on the trip too. He's gog to have sex wh some guy and Don's gog to fd out—but 's not gog to matter." I said, "That's ol." I hadn't even read the whole script yet. I had jt been st. All I knew was: This was televisn! I was gog to brg Matt's image of Sal to life.</p><p data-no-id="13" class="css-18vfmjb et3p2gv0">The first season was so magil. We filmed the pilot New York 2006. We had to wa the entire year bee Matt was still workg on <em>The Sopranos</em>. I remember Matt vg me and other st members to a screeng. It blew me away. The pilot ends wh <style data-emotn="css umdwtv">{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:her;-webk-transn:background 0.4s;transn:background 0.4s;background:lear-gradient(#ffffff, #ffffff 50%, #d5dbe3 50%, #d5dbe3);-webk-background-size:100% 200%;background-size:100% 200%;}{lor:#000000;text-ratn-lor:borr-lk-body-hover;-webk-background-posn:100% 100%;background-posn:100% 100%;}</style><a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn=""On the Street Where You Live"" class="body-lk css-umdwtv et3p2gv0">"On the Street Where You Live"</a> om <em>My Fair Lady</em> playg behd Don and his fay. Matt told me that the mic cue was for me—a Broadway reference. Oh God, I uldn't say thank you enough. Once we saw the pilot, I realized that they were never gog to let look bad, never gog to have a bad shot. All the attentn to tail, all the attentn to script and storytellg, was so well-crafted that was like dog a trapeze act while the filmmakers held the for you. They're not gog to let you fall and hurt yourself. My only thought was, "Oh God, I hope people see this bee 's AMC." Bee who was gog to watch AMC?</p><p data-no-id="14" class="css-18vfmjb et3p2gv0"><em>Mad Men</em>'s stg breakdown ma two pots about Sal: He was the artistic director of Sterlg Cooper and, to a morn dience, was clear that he was gay, but not to the world of 1960. That felt universal. I thk everyone their liv, some way, shape, or form, pretends to f . Beg a gay man, I knew what that was like. I was able to channel that, addg bs of rearch om the perd. Gay activists and many others would be pleased to know that Matt was adamant about havg a gay man play this part. That never me up durg the dn—I'd like to thk I wasn't st bee I was gay—but was nice to hear those words. You don't hear that often this bs.</p><p data-no-id="15" class="css-18vfmjb et3p2gv0">I'm an open book. I've performed many rol on Broadway and Off-Broadway where I had to play straight—'s lled actg! I tend to over-gture, perhaps 's the French me, so for TV, everythg had to be dialed down to make each moment a ltle flare of a cigarette, a glt the eye. It had to be very stylized and very subtle. Not on set helped. I'll never fet one of the boardroom scen (one of the many, <em>many</em> boardroom scen). We were shootg to the night, pickg up each person's dialogue om every possible angle. After one early take, the director me to me wh a note: "Bryan, that was great... but uld you do ls gay?" I said, "Of urse!" For a womanizg ad exec, the arch the voice, the eyebrows, and the cigarette, danglg off the tips of the fgers, had to go.</p><div size="medium" data-embed="body-image" data-no-id="16" class="align-center size-medium embed css-1736von e1xqj1sx4"><div class="css-uwraif e1xqj1sx3"><div class="css-p7qblm ewcw41w0"><img alt="this image is not available" tle="this image is not available" loadg="lazy" width="1080" height="1080" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><a target="_blank" rel="noopener" href="//" class="ptert css-1i6sckr e1c1bym14"><img data-dynamic-svg src="/_assets/sign-tokens/e/static/ins/social/" loadg="lazy" alt="ptert in" height="to" width="to" class="css-1l3i1cl ewcw41w1" /></a></div><div class="css-swqnqv e1xqj1sx2"><div class="css-8h7i7x e1xqj1sx1">Batt says this still om season two is how Ill always remember Sal.</div><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Media Platforms Dign Team</span></figptn></div></div></div><p data-no-id="17" class="css-18vfmjb et3p2gv0">When I learned that Matt was wrg Sal off the show, I was New Orleans rg for my mother, who was unrgog chemotherapy for ncer. Every time I wasn't filmg I would e back. Matt wanted to expla person, but sce I was out of town, I asked to be the bullet over the phone. He explaed that this was the urse for the character, but that I shouldn't worry: Sal would e back. He kept sayg that, a few tim at awards shows after we fished shootg, which was que tertg. I knew how much Matt loved all of his characters and the actors he st them, and how difficult mt have been to do the evable.</p><p data-no-id="18" class="css-18vfmjb et3p2gv0"> This is me projectg, but I thk that the sendoff was so strong and so upsettg, that Sal's firg was so unfair, but so te to what would happen at that time, and what did happen and will ntue sometim to happen, that brgg Sal back wouldn't have been as strong. Matt wouldn't do anythg that isn't the bt. I don't thk the wrers knew that people were that attached to him. But after my fal episo, there was a big wre- outcry. A few years ago, I bumped to Elisabeth Moss at Bar Centrale, a wonrful Broadway waterg hole. She said, "If one more person up to me and asks me what's gog on wh Sal, I'm gog to scream."</p><p data-no-id="19" class="css-18vfmjb et3p2gv0">Matt mentned along the way that Sal uld e back as a big director, but I thk the storyle took a different route. Matt is not one of the people who would let the public tell him what story to tell. The show is a succs bee no one panred to the opns of anyone else but the storyteller himself. Y, there were ocsnal mblgs om AMC or Lnsgate, the pany producg the show. Someone plaed about a moment season three where a bellhop slips his hand down my pants. Matt basilly said, "Wa a mute, you show people's heads gettg blown off movi on AMC. It's jt a hand gog down the pants!" They were thkg there was gog to be more, bee the hand go down the pants and then the alarm go off. Matt won and the scene stayed put.</p><p data-no-id="20" class="css-18vfmjb et3p2gv0">My last scene wasn't the firg. It was an cintal, that brief moment the office where I pass Harry Crane after Roger Sterlg fir me the first time. I only found out what would happen that episo when I got the script, maybe a week before. No one told me advance. The staff was very closed-mouthed about the story— a good way. But after my last scene, Rich Sommer, who played Harry, and I went out for drks afterwards. It was an odd thg bee, when someone is wrapped for the season, there's a big to-do. If someone leav the show, everyone go out and parti. But no one knew if I was g back. So there was no big sendoff. Jt drks wh Rich. We remisced, hoped, and schemed about how Sal would return.</p><p data-no-id="21" class="css-18vfmjb et3p2gv0">On the night my last episo aired, Sal wasn't even on my md. That was the night of Christa Hendricks' weddg. A betiful weddg. The most geo glowg bri. Sal wasn't even on my md.</p><p data-no-id="22" class="css-18vfmjb et3p2gv0">I'm grateful for the three years I had on <em>Mad Men</em>. It changed my life, and I've had so many crazy thgs happen to me. Once I was at the SAG Awards and between and across the room was Jane Krakowski—we did our first Broadway show together, <em>Starlight Exprs</em>, years ago. Went over, hugged. "Love your show." "Love your show." "It's been too long. Let's get together." Blah-blah-blah. They're yellg "Get back to your seats!" over the speakers. As I shed back to my seat, someone at another table stood up abptly, propellg me to Meryl Streep. I almost knocked her down. She looked back at me and she said, "I love <em>Mad Men</em>! My hband and I watch every Sunday." I thought, "I n die now. Meryl Streep has seen my work."</p><p data-no-id="23" class="css-18vfmjb et3p2gv0">Sure, I would have liked some closure, a few more episos to say goodbye to Sal. Though an open-end thread has s perks. People n ci for themselv what they want to happen to Sal. And 's btersweet for me, profsnally. When Michael returned for his Hare Krishna moment I asked him what was like. He told me, "Don't do ." I gus was kd of like livg the last act of <em>Our Town</em> or havg sex wh an ex. You know 's gog to be great for that one time, but then 's over. You know 's over, and you n never go back.</p><p data-no-id="24" class="css-18vfmjb et3p2gv0">I've thought about where Sal wound up. On <em>Mad Men</em>, what you thk is gog to happen don't happen, but what do happen is wonrful a sad way. It's never really a happy endg. But I'd like to thk that Sal had a happy endg, that he do realize who he is and mov on. Unfortunately he'd have to break ltle Kty's heart, but I thk she had the clu by the end of the third season. I thk his mother di too. His Italian mother di and was an impet to go, "You know what? I'm pretendg for you, for all the other people. I'm gog to be who I am." I image him walkg through the Wt Village as Stonewall happens and gettg swept up .</p><p data-no-id="25" class="css-18vfmjb et3p2gv0">People intified wh Sal. Both gay and straight. It really touched on a nerve, that people hadn't really nsired a long time. While I was on the show, a girl me up to me and said, "The first season I thought my dad was Don Draper, but then I realized later on my dad was Salvatore Romano." Sal had a basis realy, thanks to advisers and wrers on the show. Those stori were real thgs that happened to real people.</p><p data-no-id="26" class="css-18vfmjb et3p2gv0">It was jt so much fun to be on a h—a crilly acclaimed <em>h</em>. Once I was at the grocery store when this guy piped up at the checkout. "That show on TV, man!" he said. "That show on TV!"</p><p data-no-id="27" class="css-18vfmjb et3p2gv0">"The bt show on TV!"</p><p data-no-id="28" class="css-18vfmjb et3p2gv0">Y, <em>that</em> show. It don't always happen like that.</p><p data-no-id="29" class="css-18vfmjb et3p2gv0">--<br /><em>Bryan Batt is a 25-year veteran of the stage. After </em>Mad Men<em>, he appeared such films as </em>Funny People, 12 Years a Slave, <em>and </em>The Last of Rob Hood. <em>He's also the thor of two books, </em>Big Easy Style <em>and </em>She A't Heavy, She's My Mother. <em>He's</em> <em>currently shootg MTV's </em>Scream<em> Baton Rogue.</em></p><style data-emotn="css 2ok9l4">{marg-top:1.875rem;borr-top:th solid #595959;}</style><div data-jam-id="thor-b" class="css-2ok9l4 e13rjwo40"></div><style data-emotn="css ciejky">{clear:both;marg-top:1.25rem;}</style><div id="journey-le" class="css-ciejky e1cslvxz0"></div></div></div><div></div><style data-emotn="css 6b9rfj">{display:block;-webk-flex-basis:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 2);-ms-flex-preferred-size:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 2);flex-basis:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 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gay mad men

Salvatore "Sal" Romano worked for the Sterlg Cooper Advertisg Agency advertisg agency. ("Smoke Gets Your Ey") Sal was an Italian-Amerin om Baltimore, MD and a closeted gay man. Lois Sadler had a csh on him and he also received advanc om Ellt Lawrence, a salman for Belle...

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THE 13 GAYT MOMENTS ON "MAD MEN"“YOU DON’T WANT THIS—YOU SHOULDN’T BE WH A WOMAN.” {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}TVBY STEVE PHILIPSMAY 16, 2015/1:30 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:574PX;WIDTH:1020PX;}MICHAEL YARISH/AMCJOAN HARRIS (CHRISTA HENDRICKS) AND BOB BENSON (JAM WOLK) - MAD MEN _ SEASON 6, EPISO 9 _ 'THE BETTER HALF' - PHOTO CRED: MICHAEL YARISH/AMCBY STEVE PHILIPSMAY 16, 2015 / 1:30 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"THE 13 GAYT MOMENTS ON \"MAD MEN\"","THUMBNAILURL":","DATEPUBLISHED":"2015-05-16T17:30:50.000+0000","DATEMODIFIED":"2015-05-16T17:30:50.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"STEVE PHILIPS","ARTICLESECTN":"TV"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OVER THE URSE OF SEVEN SEASONS, MAD MEN CLUD A NUMBER OF LBIAN, GAY, BISEXUAL AND WE’RE-STILL-NOT-SURE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE SHOW WAS OBSSED WH SEX, SURFAC AND THE AMERIN DREAM A WAY THAT EVEN THE STRAIGHTT MOMENTS ULD SEEM A LTLE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS WE CELEBRATE TEN YEARS SCE THE SHOW PREMIERED, WE'RE LISTG 13 MOMENTS WHEN MAD MEN'S QUEERNS ROSE TO THE SURFACE OF ALL THE SMOKE AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ELLT'S ROOM WH A VIEW (SEASON 1, EPISO 8){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ART DIRECTOR SAL ROMANO’S SEXUALY BEGS AS A SERI OF LOOKS AND NUENDO. SAL’S TERNAL LIFE ISN’T SUBTLE. BUT TE TO THE ATMOSPHERE OF 1960, IS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THAT IS UNTIL ELLT, A CHARMG CLIENT, TAK SAL OUT FOR A DRK AND READS HIM LIKE HOOKED ON PHONICS. WHEN ELLT TOUCH SAL’S HAND AND V HIM UP TO HIS ROOM FOR A VIEW OF THE PARK, SAL CL AND RETREATS – BUT NOT BEFORE ADMIRABLY FENDG HIS CISN TO WALK {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CAROL'S NFSN (SEASON 1, EPISO 10){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JOAN HOLLOWAY’S EFFECT ON MEN WAS CLEAR OM THE FIRST TRACKG SHOT OF HER STT AND JIGGLE ACROSS THE OFFIC OF STERLG COOPER. BUT IS HER ROOMMATE AND LLEGE GAL-PAL, CAROL, WHO SEEMS TO WANT MORE THAN JT SOME I WH THAT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WATCHG HER IEND PRIMP THE MIRROR, CAROL MAK THE PAFUL NFSN THAT SHE’S ALWAYS HELD A NDLE FOR JOAN. SURPRISED BUT NOT HORRIFIED, JOAN GLOSS OVER THE MOMENT AS THOUGH DIDN’T HAPPEN. IN 1960, THEY LLED THAT “A URTY.”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BETTY'S WASHG MACHE (SEASON 1, EPISO 11){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FEELG CREASGLY ISOLATED AND ISOLATED DON’S HOEHOLD, BETTY GIV HERSELF A LTLE RELEASE BY PRSG HER GRO AGAST THE MBLG WASHG MACHE AND FANTASIZG ABOUT A DOOR-TO-DOOR {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ALTHOUGH THE MOMENT ISN’T EXPLICLY GAY, QUEERS THE PROMISE OF HETERO-HAPPS THAT HER MARRIAGE TO DON WAS SUPPOSED TO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND REMDS BETTY THAT SHE DON’T NEED A MAN TO TAKE RE OF HER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}KURT'S PLA ENGLISH (SEASON 2 EPISO 11){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS IF KURT’S GERMAN ACCENT AND VERALLS DIDN’T SEPARATE HIM ENOUGH OM THE RT OF THE OFFICE, HIS SUALLY MENTNG THE BREAK ROOM THAT HE IS GAY – AND HIS LM SISTENCE THAT HE DO UNRSTAND WHAT “HOMOSEXUAL” MEANS ENGLISH – MARKS AN IMPORTANT MOMENT OF TRANSN MAD MEN’S VISN OF {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}KURT IS THE FIRST WAVE OF STERLG COOPER’S BEAT GENERATN: HE REPRENTS A GROWG ALTERNATIVE CULTURE THAT IS BOTH PROFSNAL AND ANTI-TABLISHMENT. HIS BOLD QUEERNS ILLTRAT THE MARCH OF TIME AND MAK THE RT OF HIS WORKERS START TO LOOK A LTLE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SAL'S BELLBOY, (SEASON 3, EPISO 1){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}POOR SAL. HE FALLY RELAX ENOUGH ON A BS TRIP TO GET A PIECE OM A CUTE BELLHOP AND A FIRE THE HOTEL TERPTS THEM. MAD MEN’S FIRST MOMENT OF GAY SEX END {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TO BE FAIR, MOST OF THE SEX ON MAD MEN ENDS SOME FORM OF EMOTNAL OR PSYCHOLOGIL DISASTER, SO SAL ISN’T SGLED OUT HERE. AND IS WORTH TO SEE THE BRIEF MOMENT OF PLEASURE ACROSS SAL’S FACE WHEN HE CIS TO SAY Y STEAD OF {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BETTY'S HIGH DRAG (SEASON 3, EPISO 8){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BETTY DRAPER IS ALWAYS SERVG A MAJOR LOOK. ALTHOUGH OFTEN ED TO VER HER DARK EMOTNAL LIFE, BETTY’S STUME MOMENTS ARE GLAMORO SPECTACL. SOMETIM HER ARM-NDY DRAG EVEN FEELS LIKE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HER FASHN STORY REACH S APEX ON A BS TRIP WH DON TO ROME, WHERE SHE PRETENDS NOT TO KNOW HIM WHILE SHE FLIRTS WH OTHER MEN A Fé. HAIR PILED TO THE GODS, SUDNLY FLUENT ITALIAN, BETTY IS THE GLOWG FASHN GODSS OF DON’S ADVERTISG DREAMS—AUDREY HEPBURN MEETS ANA EKBERG—AND MAK EVERYBODY SORRY THAT HE’S NEGLECTED HER FOR SO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JOYCE'S TONGUE (SEASON 4, EPISO 9){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN SEASON 4, PEGGY BEIENDS JOYCE (ZOSIA MAMET), A LBIAN PHOTOGRAPHER THAT CIS HER ON THE SCDP ELEVATOR. JOYCE WEARS HER SEXUALY ON HER SLEEVE A WAY THAT PEGGY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHEN STAN TRI TO PUT JOYCE HER PLACE, SAYG SHE “N NEVER DO WHAT A MAN N DO,” JOYCE AGRE WH A SE AND A LICK OF PEGGY’S CHEEK. THE SCENE IS LIGHT AND IC AND THE (OFFICE) DOOR IS LEFT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JOYCE SHOWS AN IMAGE OF OL FEMALE SEXUALY THAT, A MAD MEN FIRST, DO NOT TERME HER PROFSNAL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BOB BENSON'S SHORTS (SEASON 6, EPISO 8){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ALTHOUGH BETTY’S STYLG BEME A CHARACTER OF S OWN, NO STUME PIECE WILL OUTLAST THE LEGACY OF BOB BENSON’S SHORTS. THICK THIGHS SAVE LIV AND ACTOR JAM WOLK'S NEARLY BROKE THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}NO TAIL OF THIS SHOW IS ACCINTAL, AND BOB’S TNKS LEAVE HIM LERALLY AND FIGURATIVELY EXPOSED A NONTATN BETWEEN JOAN AND ROGER. BUT THIS IS ONE OF MANY MAD MEN MOMENTS WHERE THE NARRATIVE IS LICLY OVERWHELMED BY S VISUALS—AND A VERY RARE MAD MEN MOMENT WHERE THE BODY ON DISPLAY IS A MAN’{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BOB BENSON'S KNEE (SEASON 6, EPISO 11){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHO THE HELL IS BOB BENSON ANYWAY? AS EAGER AS HE IS HANDSOME, BOB IS SOURCE MATERIAL FOR MANY MAD MEN NSPIRACY THEORISTS , WHO GUSED HE WASS EVERYTHG OM A SPECIAL-OPS AGENT TO A REPRENTATN OF DON’S FADG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SO ’S HARD TO KNOW WHAT TO DO WH BOB PRSG HIS KNEE AGAST MAD MEN’S MOST UPTIGHT AND LEAST SEXY CHARACTER, PETE CAMPBELL. AMBN? MISDIRECTN? AN ACTUAL GENUE MOMENT? WE MAY NEVER KNOW FOR SURE. BUT WE N STILL FANTASIZE ABOUT WHAT BOB ULD HAVE DONE FOR PETE’S {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MEGAN'S THREOME (SEASON 7, EPISO 5){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}DON DRAPER BED WH TWO WOMEN IS NOT TERRIBLY SURPRISG. BUT HIS SEND WIFE, MEGAN, SERV ALL THE CRED HERE FOR BAGGG THE GIRL AND PHG PAST HER OWN SEXUAL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AFTERWARDS, S SEEMS MEGAN HOPED THE EXPERIENCE WOULD REPAIR ALL THE PROBLEMS HER MARRIAGE. SPOILER ALERT: SHE WAS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT AT LEAST SHE SEEMS TO GENUELY ENJOY HER ATTEMPT TO BE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BILL HARTLEY'S BAIL (SEASON 7, EPISO 6){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BILL HARTLEY’S ARRT FOR PUBLIC CENCY SEASON 7 IS EXACTLY WHAT SAL FEARED SEASON 1: AFTER OFFERG TO FELLATE AN UNRVER OFFICER, HARTLEY IS BADLY BEATEN AND HUIATED BY THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHEN BOB BENSON SHOWS UP TO POST BAIL, THE TWO HAVE A D EXCHANGE ABOUT RISTG “TEMPTATNS” AND WHETHER BOB IS OF HARTLEY’S “STRIPE." IT IS A HEARTBREAKG IMAGE OF THE CLOSET’S POTENTIAL FOR SELF-STCTN AND SHOWS THAT PROGRS NNOT REACH THOSE WHO WON’T ACCEPT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EVEN JOAN KNOWS WHAT TIME IS: LATER THE EPISO WHEN BOB OFFERS A LAME MARRIAGE PROPOSAL, SHE REPLI “YOU DON’T WANT THIS—YOU SHOULDN’T BE WH A WOMAN.”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PIMA'S NECKTIE (SEASON 7, EPISO 9){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN THE SHOW'S FAL SEASON, HARD-NOSED PHOTOGRAPHER PIMA RYAN (MIMI ROGERS AN ALL-TOO-BRIEF MEO) MANAG TO GET BOTH STAN AND PEGGY A LTLE SELF-NSC AND A LTLE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MORE THAN A LTLE AROED, STAN’S {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHOUT DIRECTLY ACKNOWLEDGG STONEWALL OR THE FEMIST MOVEMENT, MAD MEN SHOWS THE FLUENCE OF BOTH PIMA’S PROFSNAL THORY, BRAZEN BISEXUALY AND DIANE KEATON MENSWEAR. THE MALE UNIFORM OF SEASON 1 BE EVERYONE’S DRAG BY SEASON {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}DON'S ALMOST NIGHTP (SEASON 7, EPISO 11){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHEN A DNKEN DON GO TROLLG AROUND THE BUILDG OF AN OLD FLG, HE FDS A GAY UPLE HAS TAKEN OVER HER APARTMENT – OR SHOULD WE SAY, THEY FD {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE YOUNGER MAN V DON FOR A DRK. INTERTGLY, DON DON’T RPOND OR MOVE OM HIS SPOT—’S THE OLR HALF OF THE UPLE WHO SLAMS THE DOOR DON’S FACE. SADLY, THIS IS PROBABLY AS CLOSE AS DON DRAPER WILL GET TO EXPERIMENTATN WH HIS {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

After digtg the game-changg season fale, take a moment to reflect on the gay and lbian characters of the 'Mad Men' universe. WARNING: SPOILERS! * gay mad men *

Over the urse of seven seasons, Mad Men clud a number of lbian, gay, bisexual and we’re-still-not-sure show was obssed wh sex, surfac and the Amerin dream a way that even the straightt moments uld seem a ltle we celebrate ten years sce the show premiered, we're listg 13 moments when Mad Men's queerns rose to the surface of all the smoke and 's room wh a view (Season 1, Episo 8)Art director Sal Romano’s sexualy begs as a seri of looks and nuendo.

SO BOB BENSON IS DEFELY GAY, RIGHT? AN INVTIGATN

* gay mad men *

Although the moment isn’t explicly gay, queers the promise of hetero-happs that her marriage to Don was supposed to remds Betty that she don’t need a man to take re of her 's pla English (Season 2 Episo 11)As if Kurt’s German accent and veralls didn’t separate him enough om the rt of the office, his sually mentng the break room that he is gay – and his lm sistence that he do unrstand what “homosexual” means English – marks an important moment of transn Mad Men’s visn of is the first wave of Sterlg Cooper’s Beat generatn: He reprents a growg alternative culture that is both profsnal and anti-tablishment.

Mad Men’s first moment of gay sex end be fair, most of the sex on Mad Men ends some form of emotnal or psychologil disaster, so Sal isn’t sgled out here. The male uniform of Season 1 be everyone’s drag by Season 's almost nightp (Season 7, Episo 11)When a dnken Don go trollg around the buildg of an old flg, he fds a gay uple has taken over her apartment – or should we say, they fd younger man v Don for a drk.

‘MAD MEN’: IS BOB BENSON GAY? PROBABLY NOT

No matter whether you&#39;re tstg the nspiracy theorists, the reppers, or Matthew Weer this season, <em>Mad Men</em>&#39;s big gay subplot probably won&#39;t get rolved that simply the last two episos. So what do you believe? And what do this mean about next season? Let&#39;s jt say this gets more meta than ever. * gay mad men *

Salvator "Sal" Romano Sal, the Italian-Amerin, Ann Margaret-lovg art director of Sterlg Cooper, was the origal gay character of Mad Men.

*BEAR-MAGAZINE.COM* GAY MAD MEN

Salvatore Romano's Mad Men Fale - Bryan Batt Reflects on Mad Men</tle><meta name="tle" ntent="Salvatore Romano's Mad Men Fale - Bryan Batt Reflects on Mad Men" /><meta name="scriptn" ntent="Bryan Batt aka Sterlg Cooper art director Sal Romano opens up about Matthew Weer, not returng to the show, and the Mad Men st." /><meta name="keywords" ntent="sal, mad men, salvatore romano, matthew weer, mad men fale, bryan batt" /><meta property="og:type" ntent="webse" /><meta name="theme-lor" ntent="#000000" /><lk href="/_assets/sign-tokens/quire/static/imag/" rel="in" /><meta property="og:se_name" ntent="Esquire" /><meta name="fb:app_id" ntent="171874009543995" property="fb:app_id" /><meta name="article:publisher" ntent=" property="article:publisher" /><meta name="fb:pag" ntent="84169421673" property="fb:pag" /><meta name="twter:se" ntent="@Esquire" /><meta name="google-se-verifitn" ntent="1vf5i9wM7chlCFc_0XI_e-oCfDf4sEvp32sTGKokQ" /><meta property="og:tle" ntent="Exclive: Mad Men's Bryan Batt Clos the Book on Sal Romano" /><meta property="og:scriptn" ntent="Sterlg Cooper's first art director was unceremonly axed. The actor who played him giv the character a proper goodbye." /><meta name="robots" ntent="max-image-preview:large,max-snippet:-1,max-vio-preview:30" /><lk rel="apple-touch-in" href="/_assets/sign-tokens/quire/static/imag/" /><meta property="og:image" ntent="" /><meta property="og:image:width" ntent="1200" /><meta property="og:image:height" ntent="600" /><meta name="thumbnail" ntent="" /><meta name="" ntent="" /><meta name="" ntent=" /><meta name="twter:image" ntent="" /><meta ntent=" property="og:url" /><meta name="to-publish" ntent="evergreen" /><meta property="og:type" ntent="article" /><meta name="twter:rd" ntent="summary_large_image" /><meta name="article:opn" property="article:opn" /><meta ntent="TV" property="article:sectn" /><meta ntent="2022-06-28T18:24:36Z" property="article:modified_time" /><meta ntent="2015-05-14T14:00:00Z" property="article:published_time" /><meta name="sailth.excerpt" ntent="On the nth episo of Mad Men's third season, Don Draper fired Salvatore Romano by requt of a major client who threatened to take his bs elsewhere (and whose advanc had been rejected by the closeted art director jt the night before). 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emProp="em" href="/entertament/tv/a34980/mad-men-salvatore-romano-bryan-batt/" data-vars-ga-ux-element="Breadcmbs" data-vars-ga-ll-to-actn="Exclive: Mad Men's Bryan Batt Clos the Book on Sal Romano" data-vars-ga-outbound-lk=" class="e9l0kn00 css-10e6ywj e1c1bym14"><span emProp="name">Exclive: Mad Men's Bryan Batt Clos the Book on Sal Romano</span></a><meta emProp="posn" ntent="3" /></li></ol></nav><style data-emotn="css g4r5va">{font-fay:Glanz,Glanz-fallback,Tim,Serif;font-weight:normal;grid-lumn:1/-1;marg-bottom:0.9375rem;marg-top:0.9375rem;}@media(max-width: 48rem){{font-size:2rem;le-height:1.25;}}@media(m-width: 48rem){{font-size:2.625rem;le-height:1.1;}}@media(m-width: 64rem){{font-size:3.125rem;le-height:1.1;}}@media(m-width: 73.75rem){{font-size:3.37499rem;le-height:1.1;}}</style><h1 class="css-g4r5va exadjwu10"><span aria-hidn="te" class="css-0 eagam8p0"></span>Exclive: <em>Mad Men</em>'s Bryan Batt Clos the Book on Sal Romano<span aria-hidn="te" class="css-0 eagam8p1"></span></h1><style data-emotn="css 2qf7xf">{lor:#515150;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;marg-bottom:0.625rem;}@media(max-width: 48rem){{font-size:1.0625rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:1.3125rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:1.3125rem;le-height:1.3;}} a{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:#000000;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;} a:hover{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><div class="css-2qf7xf exadjwu8"><p>Sterlg Cooper's first art director was unceremonly axed. The actor who played him giv the character a proper goodbye.</p></div><style data-emotn="css d04ng2">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;marg-bottom:0.625rem;paddg-right:0.3125rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}} span{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0rem;text-transform:palize;}@media(max-width: 48rem){ span{font-size:0.875rem;le-height:1.4;}}@media(m-width: 48rem){ span{font-size:0.875rem;le-height:1.4;}}@media(m-width: 64rem){ span{font-size:0.875rem;le-height:1.4;}}</style><div class="css-d04ng2 exadjwu7"><style data-emotn="css 1eqkg5m">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-style:normal;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><addrs class="css-1eqkg5m ehvvd9m2"><style data-emotn="css 19e0noj">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><span class="css-19e0noj ehvvd9m1">By <style data-emotn="css 7l5upj">{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:her;text-unrle-offset:0.25rem;lor:her;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;}{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><a href="/thor/12831/bryan-batt/" class="css-7l5upj e1c1bym14">Bryan Batt</a></span><style data-emotn="css 1bcsdhu">{display:le-block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;marg-left:0.625rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><time class="css-1bcsdhu exadjwu6">Published: May 14, 2015</time></addrs></div><style data-emotn="css wkpw2c">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;}</style><div class="no-prt css-wkpw2c exadjwu15"><style data-emotn="css 1hpjtwr">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;posn:relative;marg-top:0.9375rem;}</style><div class="ntent-hear-actns css-1hpjtwr exadjwu14"><style data-emotn="css nx40">{background-lor:#FF3A30;lor:#000000;borr:th solid #FF3A30;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:row;-ms-flex-directn:row;flex-directn:row;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;paddg:0.625rem 1.25rem;marg-top:0rem;marg-bottom:0rem;-webk-text-ratn:none;text-ratn:none;text-transform:upperse;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;paddg-top:0.85rem;background:#FF3A30;borr-radi:2rem;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;le-height:1.3;letter-spacg:0.04rem;width:to;}{background-lor:#ffffff;lor:#000;cursor:poter;borr:th solid #FF3A30;} svg{fill:#000000;} svg>path{fill:#000000;}{marg-left:1rem;}{outle:0.125rem dotted #000000;outle-offset:0.2rem;} svg{fill:#000000;} svg>path{fill:#000000;}</style><button data-tooltip-id="article-hear-save" class="ntentSaveButton css-nx40 e12nq69g1"><style data-emotn="css p7o3tf">{width:1rem;height:1rem;marg-right:0.625rem;} path{fill:#ffffff;} path{fill:#ffffff;}</style><svg xmlns=" fill="none" viewBox="0 0 48 62" class="css-p7o3tf e10k4xbi2"><path fill="#000" fill-le="evenodd" d="M24 46.52 48 61V0H0v61.44l24-14.92ZM5.67 50.9 24 39.5l18.33 11.4V5.7H5.67v45.2Z" clip-le="evenodd"></path></svg>Save Article</button><style data-emotn="css gulrqe">{width:160px;text-align:left;lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.70284rem;le-height:1.1;font-weight:normal;letter-spacg:0.045rem;text-transform:none;}</style></div></div></div></div></hear><style data-emotn="css k008qs">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;}</style><div class="css-k008qs ewisyje0"><style data-emotn="css 7ce51e">{marg-bottom:0.9375rem;posn:relative;}@media(max-width: 64rem){{max-width:lc(100vw - (1rem * 2));marg-left:1rem;marg-right:1rem;} .e152u5os0{width:100vw;marg-left:lc(-1 * 1rem);}}@media(m-width: 48rem) and (max-width: 61.25rem){{marg-left:to;marg-right:to;} .e152u5os0{width:100vw;marg-left:lc((100vw - (lc(20.625rem * 2 - 1rem) - 2 * 1rem)) / -2);}}@media(m-width: 61.25rem) and (max-width: 90rem){{max-width:lc(20.625rem * 2 - 1rem);marg-left:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 2);paddg-left:1rem;paddg-right:1rem;} .e152u5os0{width:100vw;marg-left:lc(lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / -2) - 1rem);}}@media(m-width: 90rem){{marg-left:lc((100vw - lc(20.625rem * 2 - 1rem)) / 2);max-width:lc(20.625rem * 2 - 1rem);paddg-left:1rem;paddg-right:1rem;} .e152u5os0{width:100vw;marg-left:lc(lc((100vw - lc(20.625rem * 2 + 1rem)) / -2) - lc(2 * 1rem));}[data-has-sponsor] {marg-left:lc((100vw - lc(20.625rem * 2 - 1rem)) / 4);marg-right:lc((100vw - lc(20.625rem * 2 - 1rem)) / 4);}}</style><div class="standard-ntaer ntent-ntaer article-ntaer css-7ce51e ewisyje3"><style data-emotn="css trzem2">{jtify-self:center;posn:relative;}@media(max-width: 48rem){{marg-left:-50vw;marg-right:-50vw;width:100vw;left:50%;right:50%;}}</style><div class="ntent-lead css-trzem2 ewisyje6"><style data-emotn="css sm2oir">{height:to;}@media(max-width: 48rem){{marg:to lc(50% - 50vw);}}@media(m-width: 48rem){{marg:to;}}</style><div class="ntent-lead-image css-sm2oir e5f9kgu2"><style data-emotn="css eag3eq">{posn:relative;height:to;}</style><div class="css-eag3eq e5f9kgu1"><style data-emotn="css 335qep">{posn:relative;width:100%;height:100%;object-f:ver;vertil-align:top;}</style><img fetchPrry="high" alt="this image is not available" tle="this image is not available" width="1080" height="1080" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-335qep exi4f7p0" /></div><style data-emotn="css 285vyd">{le-height:1;}@media(max-width: 73.75rem){{paddg-left:0.9375rem;}}@media(m-width: 64rem){{paddg-left:0;}}</style><figptn class="css-285vyd enfs9c50"><style data-emotn="css 1mcfn5x">{lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;paddg-right:0.3125rem;}@media(max-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><span class="css-1mcfn5x e6iqd2">Media Platforms Dign Team</span></figptn></div></div><style data-emotn="css z6i669">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;paddg-left:0rem;paddg-right:0rem;posn:relative;}@media(m-width: 48rem){{paddg-left:3.5rem;paddg-right:3.5rem;}}@media(m-width: 48rem) and (max-width: 61.25rem){{max-width:45.25rem;marg-left:to;marg-right:to;}}@media(m-width: 61.25rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 73.75rem) and (max-width: 100rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;paddg-right:0rem;}} em{font-fay:Charter,Geia,Tim,Serif;font-style:alic;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;}{clear:both;ntent:" ";display:block;font-size:0.7rem;le-height:1.5rem;height:0rem;visibily:hidn;}</style><div class="article-body-ntent article-body standard-body-ntent css-z6i669 ewisyje7"><style data-emotn="css 18vfmjb">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;} em{font-fay:Charter,Geia,Tim,Serif;font-style:alic;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;}</style><p data-no-id="0" class="css-18vfmjb et3p2gv0"><em>On the nth episo of </em>Mad Men's <em>third season, Don Draper fired Salvatore Romano by requt of a major client who threatened to take his bs elsewhere (and whose advanc had been rejected by the closeted art director jt the night before). That was the last time actor Bryan Batt appeared on the seri, leavg many to wonr: "What happened to Sal?" Unfortunately, when </em>Mad Men <em>tak s fal bow this Sunday, dienc won't have an answer. So we cid to give Sal the sendoff he serv. </em><em>In this exclive told to senr wrer Matt Patch, Batt reflects on the character, his reer, and the experience of playg a pivotal role a bona fi classic.</em></p><p data-no-id="1" class="css-18vfmjb et3p2gv0">In 1995, I had the good fortune of creatg a role onstage the New York productn of Pl Rudnick's sex edy <em>Jefey</em>. When they ma the film, I got to keep my role and appear alongsi Sigourney Weaver, Olympia Dakis, Nathan Lane, and Patrick Stewart. And, when the film arrived theaters, I was steppg to the leadg male role of Broadway's <em>Sunset Boulevard</em>. It was unimagable and thrillg. A iend of me told me, "Enjoy this— don't always happen like this."</p><p data-no-id="2" class="css-18vfmjb et3p2gv0">Not always, but wouldn't be the last time. If there's another high that close, was <em>Mad Men</em>. The mute we started Matthew Weer's tale of life, love, and advertisg, I sat back and jt enjoyed . No projectg, no worryg, no bterns—only enjoyment. And there was so much to enjoy.</p><p data-no-id="3" class="css-18vfmjb et3p2gv0"><em>Mad Men</em> was built on mararie. When I filmed my first meaty scene season one, where Pl Keeley's Belle Jolie salman attempts to jole my character, Salvatore Romano, to gog to his hotel room, to be hont, I was a ltle b nervo... up until that episo my role sort of nsisted of a quip here and an arch look there. On that shoot, Aaron Staton, Vnie Kartheiser, Rich Sommer, and Michael Gladis all showed up on set for moral support. And then Janie Bryant, the stume signer, who I bond wh over a love for New Orleans, outfted me a vt wh a ltle embroired flr--lis on . Afterward, Matt lled to tell me he thought the scene was fantastic. People don't need to do stuff like that. </p><p data-no-id="4" class="css-18vfmjb et3p2gv0">They did on this show.</p><style data-emotn="css 1736von">{--data-embed-display:flex;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;clear:both;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;marg-bottom:0.9375rem;marg-left:to;marg-right:to;width:100%;}@media(m-width: 20rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 30rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 40.625rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 48rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 64rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 73.75rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 75rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 90rem){{width:100%;marg:0 to 0.9375rem;}} a span{right:1rem;} img{width:to;height:85vh;} a{display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;posn:var(--posn, relative);} img:not(.ewcw41w1){display:block;width:100%;height:to;-webk-align-self:flex-start;-ms-flex-em-align:flex-start;align-self:flex-start;}</style><div size="medium" data-embed="body-image" data-no-id="5" class="align-center size-medium embed css-1736von e1xqj1sx4"><style data-emotn="css uwraif">{width:100%;display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;marg-left:to;marg-right:to;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;}</style><div class="css-uwraif e1xqj1sx3"><style data-emotn="css p7qblm">{posn:relative;--posn:absolute;height:to;} img{max-width:100%;height:to;} a{posn:absolute;}</style><div class="css-p7qblm ewcw41w0"><img alt="this image is not available" tle="this image is not available" loadg="lazy" width="1080" height="1080" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><style data-emotn="css 1i6sckr">{background:#c92228;bottom:0;paddg:.5rem;right:0;}@media(m-width: 64rem){{paddg:0.39rem;}}</style><a target="_blank" rel="noopener" href="//" class="ptert css-1i6sckr e1c1bym14"><style data-emotn="css 1l3i1cl">{display:block;height:1rem;width:1rem;}@media(m-width: 64rem){{width:1.063rem;height:1.063rem;}}</style><img data-dynamic-svg src="/_assets/sign-tokens/e/static/ins/social/" loadg="lazy" alt="ptert in" height="to" width="to" class="css-1l3i1cl ewcw41w1" /></a></div><style data-emotn="css swqnqv">@media(m-width: 20rem){{paddg-left:0rem;}}@media(m-width: 30rem){{paddg-left:0rem;}}@media(m-width: 40.625rem){{paddg-left:0rem;}}@media(m-width: 48rem){{paddg-left:0rem;}}@media(m-width: 64rem){{paddg-left:0rem;}}@media(m-width: 73.75rem){{paddg-left:0rem;}}@media(m-width: 75rem){{paddg-left:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;}}</style><div class="css-swqnqv e1xqj1sx2"><style data-emotn="css 8h7i7x">{width:0;m-width:100%;paddg-top:0.625rem;letter-spacg:0.02rem;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;le-height:1.3;} em, i{font-fay:her;font-style:alic;}</style><div class="css-8h7i7x e1xqj1sx1">Rich Sommer (Harry Crane), Aaron Staton (Ken Cosgrove), Michael Gladis (Pl Ksey), Vcent Kartheiser (Pete Campbell), and Bryan Batt (Sal Romano)</div><style data-emotn="css 1am3yn9">{paddg-left:0rem;le-height:1;}</style><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Media Platforms Dign Team</span></figptn></div></div></div><p data-no-id="6" class="css-18vfmjb et3p2gv0">That I even <em>dned</em> to play <em>Mad Men</em>'s first art director took luck. In 2004, I was actg regularly New York's theater scene. But a smart actor always has a send tert, an off-hours job. For years Tom, my partner of 26 years (now hband), and I always had dreamt that one day we'd open a home furnishgs shop my hometown of New Orleans. When fundg for a show I was set to appear fell through, we cid the time was right. There was a proposed bs plan and life picked the date. We'd fally open the store.</p><p data-no-id="7" class="css-18vfmjb et3p2gv0">Everythg fell to place. I was spltg my time between New York and New Orleans, gog back and forth for shows. And then Katra happened. As the storm barreled towards New Orleans, we were vatng Sonoma and uldn't get back time. My mother was schled to fly out soon after the storm. She uldn't get out. I panicked. Luckily, my goddghter was still town. She took the r and my mother, board up our hoe, raised everythg up se water me , and did the same thg to the store. She saved everythg. </p><p data-no-id="8" class="css-18vfmjb et3p2gv0">Tom and I cid to thank her. So we cid to dig to savgs, and take her to Paris. A week before we were set to leave, my agent lled. "There's this dn for this TV show and they really want to see you," he said. "It's lled <em>Mad Men</em> and you'd play an art director 1960." I <em>never</em> got televisn dns, but I uldn't ncel this trip. I phed for another dn time. Not an optn. So I let go, the first time my memory when I chose life over show bs.</p><p data-no-id="9" class="css-18vfmjb et3p2gv0">I returned home om Paris to rehearse an Off-Broadway play and received another ll om my agent. "You know," he went on, "they never found who they wanted for <em>Mad Men</em>." So I put on a ltle ast and a blazer and went to the dn for Matthew Weer and director Alan Taylor on my lunch break. And I got ... one dn. That do not happen. Wh works, you jump through hoops. But Matt had a clear visn and the people payg the bills let him realize .</p><div supprsHydratnWarng data-no-id="10" data-embed="edorial-lk" class="embed css-0 e9hzx6g0"><style data-emotn="css 1643r8a">{borr:none;marg-top:1.875rem;marg-bottom:1.875rem;paddg:0rem;}</style><asi class="css-1643r8a e6pr2lz5"><style data-emotn="css l3w2xc">{display:le-block;font-weight:normal;marg:0rem;borr-top:0.25rem solid #15263D;paddg-right:1.1rem;paddg-top:0.4375rem;text-transform:lowerse;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;le-height:1.3;}</style><h6 class="css-l3w2xc e6pr2lz3"><style data-emotn="css 156fvc1">{borr-bottom:0.4375rem solid #FF3A30;borr-right:0.4375rem solid transparent;ntent:'';display:le-block;height:0;marg-right:0.5rem;width:0;}</style><span aria-hidn="te" class="css-156fvc1 eagam8p0"></span><style data-emotn="css 8lle59">{max-width:lc(100% - 120px - .625rem);}</style><span class="css-8lle59 e6pr2lz1">Related Story</span><span aria-hidn="te" class="css-0 eagam8p1"></span></h6><style data-emotn="css c4s2gi">{paddg:0rem;marg:0rem;list-style:none;}</style><ul class="css-c4s2gi e6pr2lz4"><style data-emotn="css 79zw4t">{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:1rem;le-height:2rem;paddg-top:0.625rem;}@media(max-width: 48rem){{font-size:0.9375rem;le-height:1.3;}}@media(m-width: 48rem){{le-height:1.4;}}@media(m-width: 64rem){{le-height:1.4;}} a{-webk-text-ratn:none;text-ratn:none;lor:her;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;} a:hover{lor:#595959;}</style><li class="css-79zw4t e6pr2lz2"><style data-emotn="css 1bn7a5e">{-webk-text-ratn:none;text-ratn:none;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-box-flex-wrap:wrap;-webk-flex-wrap:wrap;-ms-flex-wrap:wrap;flex-wrap:wrap;-webk-flex-directn:row;-ms-flex-directn:row;flex-directn:row;-webk-box-pack:start;-ms-flex-pack:start;-webk-jtify-ntent:flex-start;jtify-ntent:flex-start;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;}</style><a href="/entertament/tv/g2143/behd-the-scen-mad-men-photos/" data-vars-ga-ll-to-actn="Mad Men's Bryan Batt Shar Behd-the-Scen Photos" data-vars-ga-ux-element="Edorial Lks" data-vars-ga-outbound-lk=" class="css-1bn7a5e e1c1bym14"><span aria-hidn="te" class="css-0 eagam8p0"></span><style data-emotn="css 1l0u1">{marg-right:0.625rem;height:to;}</style><img src="" alt="this image is not available" tle="Mad Men's Bryan Batt Shar Behd-the-Scen Photos" width="120" height="100%" dg="async" loadg="lazy" image-align="left" class="css-1l0u1 e6pr2lz0" /><span class="css-8lle59 e6pr2lz1">Mad Men's Bryan Batt Shar Behd-the-Scen Photos</span><span aria-hidn="te" class="css-0 eagam8p1"></span></a></li></ul></asi></div><p data-no-id="11" class="css-18vfmjb et3p2gv0">Matt and I didn't have many long discsns about Sal. We'd chat on set, at events or parti, or maybe at a table read where he'd give a few not. Matt knows how to talk to actors, how to get very specific. He had to be to make the show he wanted. On set there was no time. Someone once told me that every take st $10,000. Not an exact figure, but <em>Mad Men </em>was expensive. The actors had to be prepared and go, go, go.</p><p data-no-id="12" class="css-18vfmjb et3p2gv0">Luckily, Matt knew what he wanted. At my makp and wardrobe tt, he me over and said, "You know what's gog to happen to Sal?" I said, "What?" Keep md, this was <em>before</em> we filmed the pilot. "Later on, I don't know when, but he's gog to go on a bs trip wh Don and Don's gog to bag a stewarss. And Sal's gog to go on the trip too. He's gog to have sex wh some guy and Don's gog to fd out—but 's not gog to matter." I said, "That's ol." I hadn't even read the whole script yet. I had jt been st. All I knew was: This was televisn! I was gog to brg Matt's image of Sal to life.</p><p data-no-id="13" class="css-18vfmjb et3p2gv0">The first season was so magil. We filmed the pilot New York 2006. We had to wa the entire year bee Matt was still workg on <em>The Sopranos</em>. I remember Matt vg me and other st members to a screeng. It blew me away. The pilot ends wh <style data-emotn="css umdwtv">{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:her;-webk-transn:background 0.4s;transn:background 0.4s;background:lear-gradient(#ffffff, #ffffff 50%, #d5dbe3 50%, #d5dbe3);-webk-background-size:100% 200%;background-size:100% 200%;}{lor:#000000;text-ratn-lor:borr-lk-body-hover;-webk-background-posn:100% 100%;background-posn:100% 100%;}</style><a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn=""On the Street Where You Live"" class="body-lk css-umdwtv et3p2gv0">"On the Street Where You Live"</a> om <em>My Fair Lady</em> playg behd Don and his fay. Matt told me that the mic cue was for me—a Broadway reference. Oh God, I uldn't say thank you enough. Once we saw the pilot, I realized that they were never gog to let look bad, never gog to have a bad shot. All the attentn to tail, all the attentn to script and storytellg, was so well-crafted that was like dog a trapeze act while the filmmakers held the for you. They're not gog to let you fall and hurt yourself. My only thought was, "Oh God, I hope people see this bee 's AMC." Bee who was gog to watch AMC?</p><p data-no-id="14" class="css-18vfmjb et3p2gv0"><em>Mad Men</em>'s stg breakdown ma two pots about Sal: He was the artistic director of Sterlg Cooper and, to a morn dience, was clear that he was gay, but not to the world of 1960. That felt universal. I thk everyone their liv, some way, shape, or form, pretends to f . Beg a gay man, I knew what that was like. I was able to channel that, addg bs of rearch om the perd. Gay activists and many others would be pleased to know that Matt was adamant about havg a gay man play this part. That never me up durg the dn—I'd like to thk I wasn't st bee I was gay—but was nice to hear those words. You don't hear that often this bs.</p><p data-no-id="15" class="css-18vfmjb et3p2gv0">I'm an open book. I've performed many rol on Broadway and Off-Broadway where I had to play straight—'s lled actg! I tend to over-gture, perhaps 's the French me, so for TV, everythg had to be dialed down to make each moment a ltle flare of a cigarette, a glt the eye. It had to be very stylized and very subtle. Not on set helped. I'll never fet one of the boardroom scen (one of the many, <em>many</em> boardroom scen). We were shootg to the night, pickg up each person's dialogue om every possible angle. After one early take, the director me to me wh a note: "Bryan, that was great... but uld you do ls gay?" I said, "Of urse!" For a womanizg ad exec, the arch the voice, the eyebrows, and the cigarette, danglg off the tips of the fgers, had to go.</p><div size="medium" data-embed="body-image" data-no-id="16" class="align-center size-medium embed css-1736von e1xqj1sx4"><div class="css-uwraif e1xqj1sx3"><div class="css-p7qblm ewcw41w0"><img alt="this image is not available" tle="this image is not available" loadg="lazy" width="1080" height="1080" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><a target="_blank" rel="noopener" href="//" class="ptert css-1i6sckr e1c1bym14"><img data-dynamic-svg src="/_assets/sign-tokens/e/static/ins/social/" loadg="lazy" alt="ptert in" height="to" width="to" class="css-1l3i1cl ewcw41w1" /></a></div><div class="css-swqnqv e1xqj1sx2"><div class="css-8h7i7x e1xqj1sx1">Batt says this still om season two is how Ill always remember Sal.</div><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Media Platforms Dign Team</span></figptn></div></div></div><p data-no-id="17" class="css-18vfmjb et3p2gv0">When I learned that Matt was wrg Sal off the show, I was New Orleans rg for my mother, who was unrgog chemotherapy for ncer. Every time I wasn't filmg I would e back. Matt wanted to expla person, but sce I was out of town, I asked to be the bullet over the phone. He explaed that this was the urse for the character, but that I shouldn't worry: Sal would e back. He kept sayg that, a few tim at awards shows after we fished shootg, which was que tertg. I knew how much Matt loved all of his characters and the actors he st them, and how difficult mt have been to do the evable.</p><p data-no-id="18" class="css-18vfmjb et3p2gv0"> This is me projectg, but I thk that the sendoff was so strong and so upsettg, that Sal's firg was so unfair, but so te to what would happen at that time, and what did happen and will ntue sometim to happen, that brgg Sal back wouldn't have been as strong. Matt wouldn't do anythg that isn't the bt. I don't thk the wrers knew that people were that attached to him. But after my fal episo, there was a big wre- outcry. A few years ago, I bumped to Elisabeth Moss at Bar Centrale, a wonrful Broadway waterg hole. She said, "If one more person up to me and asks me what's gog on wh Sal, I'm gog to scream."</p><p data-no-id="19" class="css-18vfmjb et3p2gv0">Matt mentned along the way that Sal uld e back as a big director, but I thk the storyle took a different route. Matt is not one of the people who would let the public tell him what story to tell. The show is a succs bee no one panred to the opns of anyone else but the storyteller himself. Y, there were ocsnal mblgs om AMC or Lnsgate, the pany producg the show. Someone plaed about a moment season three where a bellhop slips his hand down my pants. Matt basilly said, "Wa a mute, you show people's heads gettg blown off movi on AMC. It's jt a hand gog down the pants!" They were thkg there was gog to be more, bee the hand go down the pants and then the alarm go off. Matt won and the scene stayed put.</p><p data-no-id="20" class="css-18vfmjb et3p2gv0">My last scene wasn't the firg. It was an cintal, that brief moment the office where I pass Harry Crane after Roger Sterlg fir me the first time. I only found out what would happen that episo when I got the script, maybe a week before. No one told me advance. The staff was very closed-mouthed about the story— a good way. But after my last scene, Rich Sommer, who played Harry, and I went out for drks afterwards. It was an odd thg bee, when someone is wrapped for the season, there's a big to-do. If someone leav the show, everyone go out and parti. But no one knew if I was g back. So there was no big sendoff. Jt drks wh Rich. We remisced, hoped, and schemed about how Sal would return.</p><p data-no-id="21" class="css-18vfmjb et3p2gv0">On the night my last episo aired, Sal wasn't even on my md. That was the night of Christa Hendricks' weddg. A betiful weddg. The most geo glowg bri. Sal wasn't even on my md.</p><p data-no-id="22" class="css-18vfmjb et3p2gv0">I'm grateful for the three years I had on <em>Mad Men</em>. It changed my life, and I've had so many crazy thgs happen to me. Once I was at the SAG Awards and between and across the room was Jane Krakowski—we did our first Broadway show together, <em>Starlight Exprs</em>, years ago. Went over, hugged. "Love your show." "Love your show." "It's been too long. Let's get together." Blah-blah-blah. They're yellg "Get back to your seats!" over the speakers. As I shed back to my seat, someone at another table stood up abptly, propellg me to Meryl Streep. I almost knocked her down. She looked back at me and she said, "I love <em>Mad Men</em>! My hband and I watch every Sunday." I thought, "I n die now. Meryl Streep has seen my work."</p><p data-no-id="23" class="css-18vfmjb et3p2gv0">Sure, I would have liked some closure, a few more episos to say goodbye to Sal. Though an open-end thread has s perks. People n ci for themselv what they want to happen to Sal. And 's btersweet for me, profsnally. When Michael returned for his Hare Krishna moment I asked him what was like. He told me, "Don't do ." I gus was kd of like livg the last act of <em>Our Town</em> or havg sex wh an ex. You know 's gog to be great for that one time, but then 's over. You know 's over, and you n never go back.</p><p data-no-id="24" class="css-18vfmjb et3p2gv0">I've thought about where Sal wound up. On <em>Mad Men</em>, what you thk is gog to happen don't happen, but what do happen is wonrful a sad way. It's never really a happy endg. But I'd like to thk that Sal had a happy endg, that he do realize who he is and mov on. Unfortunately he'd have to break ltle Kty's heart, but I thk she had the clu by the end of the third season. I thk his mother di too. His Italian mother di and was an impet to go, "You know what? I'm pretendg for you, for all the other people. I'm gog to be who I am." I image him walkg through the Wt Village as Stonewall happens and gettg swept up .</p><p data-no-id="25" class="css-18vfmjb et3p2gv0">People intified wh Sal. Both gay and straight. It really touched on a nerve, that people hadn't really nsired a long time. While I was on the show, a girl me up to me and said, "The first season I thought my dad was Don Draper, but then I realized later on my dad was Salvatore Romano." Sal had a basis realy, thanks to advisers and wrers on the show. Those stori were real thgs that happened to real people.</p><p data-no-id="26" class="css-18vfmjb et3p2gv0">It was jt so much fun to be on a h—a crilly acclaimed <em>h</em>. Once I was at the grocery store when this guy piped up at the checkout. "That show on TV, man!" he said. "That show on TV!"</p><p data-no-id="27" class="css-18vfmjb et3p2gv0">"The bt show on TV!"</p><p data-no-id="28" class="css-18vfmjb et3p2gv0">Y, <em>that</em> show. It don't always happen like that.</p><p data-no-id="29" class="css-18vfmjb et3p2gv0">--<br /><em>Bryan Batt is a 25-year veteran of the stage. After </em>Mad Men<em>, he appeared such films as </em>Funny People, 12 Years a Slave, <em>and </em>The Last of Rob Hood. <em>He's also the thor of two books, </em>Big Easy Style <em>and </em>She A't Heavy, She's My Mother. <em>He's</em> <em>currently shootg MTV's </em>Scream<em> Baton Rogue.</em></p><style data-emotn="css 2ok9l4">{marg-top:1.875rem;borr-top:th solid #595959;}</style><div data-jam-id="thor-b" class="css-2ok9l4 e13rjwo40"></div><style data-emotn="css ciejky">{clear:both;marg-top:1.25rem;}</style><div id="journey-le" class="css-ciejky e1cslvxz0"></div></div></div><div></div><style data-emotn="css 6b9rfj">{display:block;-webk-flex-basis:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 2);-ms-flex-preferred-size:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 2);flex-basis:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 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