"Will & Grace" It's the Gay Pumpk, Charlie Brown (TV Episo 2002) st and crew creds, cludg actors, actrs, directors, wrers and more.
In fact, Race For Your Life, Charlie Brown might be their gayt adventure ever. ” Gay ladi adore some mocracy.
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BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/jennifer-fney-boylan">Jennifer Fney Boylan</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2019-02-21T05:00:00-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">Febary 21, 2019</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz 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Only Pigpen seemed at peace wh the life he had been given.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Illtratn by Ey Flake</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">We were watchg a play about fily. It was 1984, and my girliend and I had been livg together for a uple of years. We had scend the sixty-odd blocks to see Tom Stoppard’s “The Real Thg,” at the Plymouth Theatre. “He lov me,” Glenn Close said onstage. “He wants to punish me wh his pa, but I n’t e up wh the proper guilt. It’s so tirg and so untertg. You never wre about that, you lot.”</p><p class="paywall">“What?” Jeremy Irons said.</p><p class="paywall">“Gallons of k and of typewrer ribbon expend on the misery of the unrequed lover!” Close replied. “Not a word about the utter tedium of the unrequg.”</p><p class="paywall">A year later, I was stg on a uch wh a half-Irish wrer named Jean, listeng to “Pictur at an Exhibn,” a piano piece by Most Mssky. Durg a movement lled “The Catabs,” the mic grew dark. I looked over at Jean, and she looked at me, and at that moment we me to an unspoken agreement about all the trouble we were about to e. In the weeks to e, I would take re to wash my sheets. Jean had two ts, and my girliend—who I’ll ll Rachel, and who remembers none of this, not even the play—was allergic. I knew Rachel would realize somethg was up the first time that she sneezed.</p><p class="paywall">I had grown up believg the transformative power of love. My parents’ marriage had been like that: selfls, givg, ial. They were like the Quaker versn of Morticia and Gomez Addams. As a closeted transgenr child, I had hoped that a siar love might fall upon me, and, so dog, cure me of the unfathomable sire that had domated my heart sce I was five or six. At night, I had two prayers. One was to wake up the morng as the girl I knew myself to be; the other was that an all-enpassg love would erase this sire pletely.</p><le-embed name="feature-flt" attrs="[object Object]" childTyp="image" ntentType="llout:feature-flt"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="Peanuts rtoon strip." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Illtratn by Charl M. Schulz</span></div></figure></le-embed><p class="paywall">It had never occurred to me that, should I manage to trick an unspectg woman to fallg love wh me, I would be unable, the long n, to be te to her. My theory was that love would get me outsi of myself, and that, once liberated, I would bee the ial boyiend, motivated by gratu to my lover.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">This was a false hope. Still, if I’d been terted fdg evince for the ubiquy of unrequed love, or for the mysteri of queer inty, I wouldn’t have had to look much further than the pag of the Philalphia <em>Eveng Bullet,</em> which my father brought home each night. The <em>Inquirer</em> had good ics, too, but the bt on—“Brenda Starr, Reporter,” “The Phantom,” “Terry and the Pirat,” “Doonbury”—were the <em>Bullet</em>.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">My favore strip was “Peanuts,” which, if I’d been payg attentn, ntaed some lsons for me about the world that lay ahead. “Peanuts” was jt one broken heart after another. Charlie Brown lov the Ltle Red Haired Girl, whom we never see. Charlie Brown’s ltle sister Sally is love wh L (“Isn’t he jt the cutt thg?”), whose affectns, turn, are rerved for his blanket. Lucy is love wh Schroer, but Schroer is love wh Beethoven. Marcie is love wh Charlie Brown, and wh Peppermt Patty, but Peppermt Patty lov only Charlie Brown. And so on.</p><p class="paywall">As a boy, I was a goofball. I did imatns, some of them so good that I uld pass for other people on the telephone. I vented satiril songs, which I performed on the piano or sang a pella my unexpected soprano. I ma fake beards out of socks. I buried treasure the yard and drew maps for my sister to fd . My primary form of self-re was the nstant generatn of blarney. I was entertag bee I was sad.</p><p class="paywall">It was readg “Peanuts,” lyg on the floor beneath the piano our suburban home, that I first grasped the terrible tth: my parents rid a rtoon universe. It was Charlie Brown and his iends—children who lived a world fed by unrequed love—who rid the real one. I uld image Charlie askg, wh his ual anguish, “Isn’t there anyone who n tell me what love is all about?”</p><p class="paywall">As turns out, there was one person who uld: Pigpen. Of all the characters “Peanuts,” Pigpen seems most at peace wh the life he has been given. Sure, he’s immersed filth—he n “raise a cloud of dt a snowstorm,” as Charlie Brown puts —and Patty and Vlet seek nstantly to huiate him. But Pigpen will have none of . “Aren’t you ashamed?” Vlet says to him, after makg him look the mirror. “On the ntrary,” he repli. “I didn’t thk I looked this good.” In a strip om September, 1954, Patty march along wh a bucket, termed to “personally give Pigpen a good scbbg.” But when she fds him—stg, as ual, a sandbox—he looks clean and shy. As she parts (“I gus there’s some hope for him, after all”) you see that only half of Pigpen is clean. The si facg away om Patty is still vered wh grime.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Charl Schulz was said to have grown tired of the character later years, part bee was hard to wre material for him outsi of the one basic joke. But ’s not hard to unrstand his endurg appeal. He’s the clost thg the strip has to the spir of total Zen. It would be nice, I thought, lyg there beneath the piano, to live one’s life like this. It gave me “Peanuts” envy. I wonred: Did Pigpen never feel the yearng to be clean? Or had he accepted that pury was not the rds? Was the secret of his grace that he lived a world whout sire?</p><le-embed name="feature-flt" attrs="[object Object]" childTyp="image" ntentType="llout:feature-flt"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="Peanuts rtoon strip." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Illtratn by Charl M. Schulz</span></div></figure></le-embed><p class="paywall">I had not yet cheated on Rachel when we watched Tom Stoppard’s play—at least, not if you measure cheatg by the fairly high standard of havg an actual affair. It was not so unlike Pigpen showg Patty only his clean si. In the morngs, I lay listeng to her tenr breaths, taken sleep. I pictured myself knockg on her door <em>en femme,</em> her startled exprsn as she realized that the strange woman before her was someone she already knew. I imaged her rponse: <em>Aren’t you ashamed of yourself?</em> Surely she’d want to give me a good scbbg.</p><p class="paywall"><em>On the ntrary,</em> I might reply. <em>I didn’t thk I looked this good</em>.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">If Pigpen was an emblem of self-acceptance, an even better example was Peppermt Patty. She and her iend Marcie attend a different school than Charlie Brown, on the other si of town. Unlike the girls at Charlie Brown’s school, who wear drs, Peppermt Patty wears shirts and pants or shorts. And she’s an athlete—virtually every time she plays Charlie Brown’s team baseball, she ws.</p><p class="paywall">Given her very clear differenc om other girls, pl her terrible gras, pl a difficult home suatn (her mother is absent, for unclear reasons), you’d thk that Peppermt Patty would stggle—that, like Charlie Brown, she’d fd herself regular need of Lucy van Pelt’s Psychiatric Help. But Patty is almost always sg, upbeat. She is, other than Pigpen (and maybe Snoopy), the most nsistently optimistic member of the st.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">Part of her attu may be the rult of her strange oblivns to the world around her. Patty believ all sorts of thgs that appear unte: for years, she believed that Snoopy was not a dog but “that funny-lookg kid wh the big nose.” She believed that Snoopy’s dog hoe was “Chuck’s gut ttage.” She believed that a school for “gifted children” meant a school that she’d receive a gift for attendg; another time, she attend an obedience-trag school for dogs.</p><p class="paywall">In this obliv self-sufficiency, she rembl no one so much as the solary Pigpen—although, unlike him, she has a sikick, Marcie, whose love for her is unndnal. Marcie is a strange character, some ways. She’s a good stunt, unlike the object of her affectn. She lls Patty “sir,” which might be an honorific, or might be somethg else. My gus is that Marcie, who looks through glass that make her actual ey visible, se somethg Peppermt Patty that no one else n see. There’s a “Fay Guy” episo which Peter, the dad, viss his iend—the grown-up Peppermt Patty—and remarks, “Gosh, Patty, the years have been great to you!” Patty repli, “Well, I owe that to my better half.” Then Marcie walks , asks, “Who is , sir?,” and plants a kiss on Patty’s cheek.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="6k1ae7"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="9qhufd"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Readg the strip the neteen-sixti, this was not the endg that I would have imaged for Patty. It’s not the one that she imag for herself, eher. In a sequence om Febary of 1980, Patty fally gets a kiss on a Valente’s Day date om the one person—bis Marcie—who seems to unrstand her. It’s Pigpen, of urse. Later, Charlie Brown and Pigpen discs Patty. “Patricia is an unual girl,” Pig says. “Did you know she never once cricized my appearance?”</p><p class="paywall">Patty, for her part, lls up Marcie the middle of the night. “Hi Marcie! It’s me! I know ’s three o’clock the morng, but I n’t sleep. You know why I n’t sleep? <em class="small">I’M IN LOVE</em>!” The last panel of this sequence shows Marcie flattened on the floor, her face sad and exhsted. “I’m sure you’ll be very happy, sir,” she says. It is surely one of the most heartbreakg sentenc ics history.</p><le-embed name="feature-flt" attrs="[object Object]" childTyp="image" ntentType="llout:feature-flt"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="Peanuts rtoon strip." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Illtratn by Charl M. Schulz</span></div></figure></le-embed><p class="has-dropp has-dropp__lead-standard-headg paywall">My relatnship wh Rachel didn’t last more than a year after I kissed Jean. But, then, my relatnship wh Jean didn’t last after I kissed Sandre, and after her, Samantha, and Nancy, and Nade. I kissed all of those women, each time knowg that I was betrayg the woman before, but also hopg that somewhere, one of the relatnships, I would fd the urage to let myself be known.</p><p class="paywall">In Stoppard’s play, there’s a moment when Jeremy Irons’s character to a realizatn. “I remember how stopped seemg odd that, biblil Greek, ‘knowg’ was ed for ‘makg love,’ ” he says. “Whos knew so-and-so. Carnal knowledge. It’s what lovers tst each other wh. Knowledge of each other, not of the flh but through the flh, knowledge of self, the real him, the real her, <em> extremis</em>, the mask slipped om the face.”</p><p class="paywall">After we broke up, I didn’t see Rachel for thirty-three years. Then, 2017, I happened to be walkg back to the apartment I shared wh Deirdre, my wife of thirty years, when a face passed by. “Rachel?” I shouted. “Rachel?”</p><p class="paywall">The stranger stopped and turned toward me. There I was, the twenty-four-year-old boy she had once loved, transformed to a fifty-eight-year-old woman.</p><p class="paywall">“You look good,” I remember her sayg, and reply I said somethg along the l of, <em>Well, I owe that to my better half.</em> Agast all odds, my marriage had turned out to be a lot like my parents’. Love had not cured me of the sire to be female—but beg fully known, at last, had ma possible for the mask to slip om my face. It had ma possible for me to transn, knowg that Deirdre’s love for me would endure. People often ask how Deirdre adapted to the change. But the myster self I unveiled to her turned out, mostly, to be the one she already knew. She is, as Pigpen observed, an unual girl. <em>She never once cricized my appearance.</em></p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">Rachel and I stood on the rner, talkg near the gat of Barnard College. The nversatn was brief, and about the small happengs our liv. Columbia stunts swirled around , not one of them born when I’d cheated on this sweet, kd woman a generatn before. Then we said goodbye, and my heart felt full. I was remd of Pigpen’s kiss wh Patty, after which he turns to Charlie Brown. The dirt ris om him wav. An unexpected love has rocked his world. And yet has not ma him clean. “I know I’m not very neat,” he says. “I n’t seem to change.”</p><p class="paywall"><em>This say was drawn om the anthology “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">The Peanuts Papers: Wrers and Cartoonists on Charlie Brown, Snoopy & the Gang, and the Meang of Life</a>,” eded by Andrew Blner, which will be published this fall, by the Library of Ameri.</em></p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="15p9"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot 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class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">The Genr Polics of the Red Carpet</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k summary-em__k--isCneVio">Can the fluence of the #TimUp and #MeToo movements change red-rpet culture at awards shows like the Osrs?</div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2007/10/22/sparky-om-st-pl" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Sparky om St. Pl" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Books</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/2007/10/22/sparky-om-st-pl" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Sparky om St. Pl</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">A bgraphy of Charl Schulz.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>John Updike</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2018/03/19/the-story-of-a-trans-womans-face" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Story of a Trans Woman’s Face" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">A Reporter at Large</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href="/magaze/2018/03/19/the-story-of-a-trans-womans-face" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">The Story of a Trans Woman’s Face</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">For one patient, facial-femizatn surgery gave her what she need to jt be herself.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Rebec Mead</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Temptatns of A.I. Compannship “Rachels Don’t Run”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Screeng Room</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">The Temptatns of A.I. 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