Salvatore Romano's Mad Men Fale - Bryan Batt Reflects on Mad Men</tle><meta name="tle" ntent="Salvatore Romano's Mad Men Fale - Bryan Batt Reflects on Mad Men" /><meta name="scriptn" ntent="Bryan Batt aka Sterlg Cooper art director Sal Romano opens up about Matthew Weer, not returng to the show, and the Mad Men st." /><meta name="keywords" ntent="sal, mad men, salvatore romano, matthew weer, mad men fale, bryan batt" /><meta property="og:type" ntent="webse" /><meta name="theme-lor" ntent="#000000" /><lk href="/_assets/sign-tokens/quire/static/imag/" rel="in" /><meta property="og:se_name" ntent="Esquire" /><meta name="fb:app_id" ntent="171874009543995" property="fb:app_id" /><meta name="article:publisher" ntent=" property="article:publisher" /><meta name="fb:pag" ntent="84169421673" property="fb:pag" /><meta name="twter:se" ntent="@Esquire" /><meta name="google-se-verifitn" ntent="1vf5i9wM7chlCFc_0XI_e-oCfDf4sEvp32sTGKokQ" /><meta property="og:tle" ntent="Exclive: Mad Men's Bryan Batt Clos the Book on Sal Romano" /><meta property="og:scriptn" ntent="Sterlg Cooper's first art director was unceremonly axed. The actor who played him giv the character a proper goodbye." /><meta name="robots" ntent="max-image-preview:large,max-snippet:-1,max-vio-preview:30" /><lk rel="apple-touch-in" href="/_assets/sign-tokens/quire/static/imag/" /><meta property="og:image" ntent="" /><meta property="og:image:width" ntent="1200" /><meta property="og:image:height" ntent="600" /><meta name="thumbnail" ntent="" /><meta name="" ntent="" /><meta name="" ntent=" /><meta name="twter:image" ntent="" /><meta ntent=" property="og:url" /><meta name="to-publish" ntent="evergreen" /><meta property="og:type" ntent="article" /><meta name="twter:rd" ntent="summary_large_image" /><meta name="article:opn" property="article:opn" /><meta ntent="TV" property="article:sectn" /><meta ntent="2022-06-28T18:24:36Z" property="article:modified_time" /><meta ntent="2015-05-14T14:00:00Z" property="article:published_time" /><meta name="sailth.excerpt" ntent="On the nth episo of Mad Men's third season, Don Draper fired Salvatore Romano by requt of a major client who threatened to take his bs elsewhere (and whose advanc had been rejected by the closeted art director jt the night before). 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href="/entertament/tv/a34980/mad-men-salvatore-romano-bryan-batt/" data-vars-ga-ux-element="Breadcmbs" data-vars-ga-ll-to-actn="Exclive: Mad Men's Bryan Batt Clos the Book on Sal Romano" data-vars-ga-outbound-lk=" class="e9l0kn00 css-10asp0m e1c1bym14"><span emProp="name">Exclive: Mad Men's Bryan Batt Clos the Book on Sal Romano</span></a><meta emProp="posn" ntent="3" /></li></ol></nav><style data-emotn="css g4r5va">{font-fay:Glanz,Glanz-fallback,Tim,Serif;font-weight:normal;grid-lumn:1/-1;marg-bottom:0.9375rem;marg-top:0.9375rem;}@media(max-width: 48rem){{font-size:2rem;le-height:1.25;}}@media(m-width: 48rem){{font-size:2.625rem;le-height:1.1;}}@media(m-width: 64rem){{font-size:3.125rem;le-height:1.1;}}@media(m-width: 73.75rem){{font-size:3.37499rem;le-height:1.1;}}</style><h1 class="css-g4r5va exadjwu10"><span aria-hidn="te" class="css-0 eagam8p0"></span>Exclive: <em>Mad Men</em>'s Bryan Batt Clos the Book on Sal Romano<span aria-hidn="te" class="css-0 eagam8p1"></span></h1><style data-emotn="css 2qf7xf">{lor:#515150;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;marg-bottom:0.625rem;}@media(max-width: 48rem){{font-size:1.0625rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:1.3125rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:1.3125rem;le-height:1.3;}} a{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:#000000;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;} a:hover{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><div class="css-2qf7xf exadjwu8"><p>Sterlg Cooper's first art director was unceremonly axed. The actor who played him giv the character a proper goodbye.</p></div><style data-emotn="css 18k4ks7">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;marg-bottom:0.625rem;paddg-right:0.3125rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}} span{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0rem;text-transform:palize;}@media(max-width: 48rem){ span{le-height:2rem;font-size:0.875rem;}}@media(m-width: 48rem){ span{le-height:2rem;font-size:0.875rem;}}@media(m-width: 64rem){ span{le-height:2rem;font-size:0.875rem;}}</style><div class="css-18k4ks7 exadjwu7"><style data-emotn="css 1eqkg5m">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-style:normal;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><addrs class="css-1eqkg5m ehvvd9m2"><style data-emotn="css 19e0noj">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><span class="css-19e0noj ehvvd9m1">By <style data-emotn="css 7l5upj">{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:her;text-unrle-offset:0.25rem;lor:her;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;}{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><a href="/thor/12831/bryan-batt/" class="css-7l5upj e1c1bym14">Bryan Batt</a></span><style data-emotn="css 1bcsdhu">{display:le-block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;marg-left:0.625rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><time class="css-1bcsdhu exadjwu6">Published: May 14, 2015</time></addrs></div><style data-emotn="css wkpw2c">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;}</style><div class="no-prt css-wkpw2c exadjwu15"><style data-emotn="css 1hpjtwr">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;posn:relative;marg-top:0.9375rem;}</style><div class="ntent-hear-actns css-1hpjtwr exadjwu14"><style data-emotn="css 1mi99c5">{background-lor:#FF3A30;lor:#000000;borr:th solid #FF3A30;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:row;-ms-flex-directn:row;flex-directn:row;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;paddg:0.625rem 1.25rem;marg-top:0rem;marg-bottom:0rem;-webk-text-ratn:none;text-ratn:none;text-transform:upperse;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;paddg-top:0.85rem;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;width:to;borr-radi:2rem;background:#FF3A30;font-size:0.875rem;le-height:1.3;letter-spacg:0.04rem;}{background-lor:#ffffff;lor:#000;cursor:poter;borr:th solid #FF3A30;} svg{fill:#000000;} svg>path{fill:#000000;}{marg-left:1rem;} svg>path{fill:#000000;}{outle:0.125rem dotted #000000;outle-offset:0.2rem;} svg{fill:#000000;}</style><button data-tooltip-id="article-hear-save" class="ntentSaveButton css-1mi99c5 e12nq69g1"><style data-emotn="css 7g4d0s">{width:1rem;height:1rem;marg-right:0.625rem;} path{fill:#ffffff;} path{fill:#ffffff;}</style><svg xmlns=" fill="none" style="fill: var(--primary, #000);" viewBox="0 0 24 24" class="css-7g4d0s e10k4xbi2"><tle>saved ntaed in</tle><sc>An empty outled in ditg the optn to save an em</sc><path fill-le="evenodd" d="m12 17.408 7 4.4V3.5H5v18.308l7-4.4Zm-5.325 1.323L12 15.384l5.325 3.347V5.23H6.675v13.5Z" clip-le="evenodd"></path></svg>Save Article</button><style data-emotn="css 13tt5c6">{width:160px;text-align:left;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;letter-spacg:0.045rem;font-size:0.70284rem;le-height:1.1;lor:#595959;text-transform:none;}</style></div></div></div></div></hear><style data-emotn="css k008qs">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;}</style><div class="css-k008qs ewisyje0"><style data-emotn="css 7ce51e">{marg-bottom:0.9375rem;posn:relative;}@media(max-width: 64rem){{max-width:lc(100vw - 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50vw);}}@media(m-width: 48rem){{marg:to;}}</style><div class="ntent-lead-image css-sm2oir e5f9kgu2"><style data-emotn="css eag3eq">{posn:relative;height:to;}</style><div class="css-eag3eq e5f9kgu1"><style data-emotn="css 335qep">{posn:relative;width:100%;height:100%;object-f:ver;vertil-align:top;}</style><img fetchPrry="high" alt="this image is not available" tle="this image is not available" width="1080" height="1080" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-335qep exi4f7p0" /></div><style data-emotn="css 285vyd">{le-height:1;}@media(max-width: 73.75rem){{paddg-left:0.9375rem;}}@media(m-width: 64rem){{paddg-left:0;}}</style><figptn class="css-285vyd enfs9c50"><style data-emotn="css 1mcfn5x">{lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;paddg-right:0.3125rem;}@media(max-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><span class="css-1mcfn5x e6iqd2">Media Platforms Dign Team</span></figptn></div></div><style data-emotn="css woto36">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;paddg-left:0rem;paddg-right:0rem;posn:relative;}@media(m-width: 48rem){{paddg-left:3.5rem;paddg-right:3.5rem;}}@media(m-width: 48rem) and (max-width: 61.25rem){{max-width:45.25rem;marg-left:to;marg-right:to;}}@media(m-width: 61.25rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 73.75rem) and (max-width: 100rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;paddg-right:0rem;}} em{font-style:alic;font-fay:Charter,Geia,Tim,Serif;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;}{clear:both;ntent:" ";display:block;font-size:0.7rem;le-height:1.5rem;height:0rem;visibily:hidn;}</style><div class="article-body-ntent article-body standard-body-ntent css-woto36 ewisyje7"><style data-emotn="css aeyldl">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;} em{font-style:alic;font-fay:Charter,Geia,Tim,Serif;}</style><p data-no-id="0" class="css-aeyldl et3p2gv0"><em>On the nth episo of </em>Mad Men's <em>third season, Don Draper fired Salvatore Romano by requt of a major client who threatened to take his bs elsewhere (and whose advanc had been rejected by the closeted art director jt the night before). That was the last time actor Bryan Batt appeared on the seri, leavg many to wonr: "What happened to Sal?" Unfortunately, when </em>Mad Men <em>tak s fal bow this Sunday, dienc won't have an answer. So we cid to give Sal the sendoff he serv. </em><em>In this exclive told to senr wrer Matt Patch, Batt reflects on the character, his reer, and the experience of playg a pivotal role a bona fi classic.</em></p><p data-no-id="1" class="css-aeyldl et3p2gv0">In 1995, I had the good fortune of creatg a role onstage the New York productn of Pl Rudnick's sex edy <em>Jefey</em>. When they ma the film, I got to keep my role and appear alongsi Sigourney Weaver, Olympia Dakis, Nathan Lane, and Patrick Stewart. And, when the film arrived theaters, I was steppg to the leadg male role of Broadway's <em>Sunset Boulevard</em>. It was unimagable and thrillg. A iend of me told me, "Enjoy this— don't always happen like this."</p><p data-no-id="2" class="css-aeyldl et3p2gv0">Not always, but wouldn't be the last time. If there's another high that close, was <em>Mad Men</em>. The mute we started Matthew Weer's tale of life, love, and advertisg, I sat back and jt enjoyed . No projectg, no worryg, no bterns—only enjoyment. And there was so much to enjoy.</p><p data-no-id="3" class="css-aeyldl et3p2gv0"><em>Mad Men</em> was built on mararie. When I filmed my first meaty scene season one, where Pl Keeley's Belle Jolie salman attempts to jole my character, Salvatore Romano, to gog to his hotel room, to be hont, I was a ltle b nervo... up until that episo my role sort of nsisted of a quip here and an arch look there. On that shoot, Aaron Staton, Vnie Kartheiser, Rich Sommer, and Michael Gladis all showed up on set for moral support. And then Janie Bryant, the stume signer, who I bond wh over a love for New Orleans, outfted me a vt wh a ltle embroired flr--lis on . Afterward, Matt lled to tell me he thought the scene was fantastic. People don't need to do stuff like that. </p><p data-no-id="4" class="css-aeyldl et3p2gv0">They did on this show.</p><style data-emotn="css 1736von">{--data-embed-display:flex;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;clear:both;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;marg-bottom:0.9375rem;marg-left:to;marg-right:to;width:100%;}@media(m-width: 20rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 30rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 40.625rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 48rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 64rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 73.75rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 75rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 90rem){{width:100%;marg:0 to 0.9375rem;}} a span{right:1rem;} img{width:to;height:85vh;} a{display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;posn:var(--posn, relative);} img:not(.ewcw41w1){display:block;width:100%;height:to;-webk-align-self:flex-start;-ms-flex-em-align:flex-start;align-self:flex-start;}</style><div size="medium" data-embed="body-image" data-no-id="5" class="align-center size-medium embed css-1736von e1xqj1sx4"><style data-emotn="css uwraif">{width:100%;display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;marg-left:to;marg-right:to;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;}</style><div class="css-uwraif e1xqj1sx3"><style data-emotn="css p7qblm">{posn:relative;--posn:absolute;height:to;} img{max-width:100%;height:to;} a{posn:absolute;}</style><div class="css-p7qblm ewcw41w0"><img alt="this image is not available" tle="this image is not available" loadg="lazy" width="1080" height="1080" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><style data-emotn="css 1i6sckr">{background:#c92228;bottom:0;paddg:.5rem;right:0;}@media(m-width: 64rem){{paddg:0.39rem;}}</style><a target="_blank" rel="noopener" href="//" class="ptert css-1i6sckr e1c1bym14"><style data-emotn="css 1l3i1cl">{display:block;height:1rem;width:1rem;}@media(m-width: 64rem){{width:1.063rem;height:1.063rem;}}</style><img data-dynamic-svg src="/_assets/sign-tokens/e/static/ins/social/" loadg="lazy" alt="ptert in" height="to" width="to" class="css-1l3i1cl ewcw41w1" /></a></div><style data-emotn="css swqnqv">@media(m-width: 20rem){{paddg-left:0rem;}}@media(m-width: 30rem){{paddg-left:0rem;}}@media(m-width: 40.625rem){{paddg-left:0rem;}}@media(m-width: 48rem){{paddg-left:0rem;}}@media(m-width: 64rem){{paddg-left:0rem;}}@media(m-width: 73.75rem){{paddg-left:0rem;}}@media(m-width: 75rem){{paddg-left:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;}}</style><div class="css-swqnqv e1xqj1sx2"><style data-emotn="css 8h7i7x">{width:0;m-width:100%;paddg-top:0.625rem;letter-spacg:0.02rem;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;le-height:1.3;} em, i{font-fay:her;font-style:alic;}</style><div class="css-8h7i7x e1xqj1sx1">Rich Sommer (Harry Crane), Aaron Staton (Ken Cosgrove), Michael Gladis (Pl Ksey), Vcent Kartheiser (Pete Campbell), and Bryan Batt (Sal Romano)</div><style data-emotn="css 1am3yn9">{paddg-left:0rem;le-height:1;}</style><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Media Platforms Dign Team</span></figptn></div></div></div><p data-no-id="6" class="css-aeyldl et3p2gv0">That I even <em>dned</em> to play <em>Mad Men</em>'s first art director took luck. In 2004, I was actg regularly New York's theater scene. But a smart actor always has a send tert, an off-hours job. For years Tom, my partner of 26 years (now hband), and I always had dreamt that one day we'd open a home furnishgs shop my hometown of New Orleans. When fundg for a show I was set to appear fell through, we cid the time was right. There was a proposed bs plan and life picked the date. We'd fally open the store.</p><p data-no-id="7" class="css-aeyldl et3p2gv0">Everythg fell to place. I was spltg my time between New York and New Orleans, gog back and forth for shows. And then Katra happened. As the storm barreled towards New Orleans, we were vatng Sonoma and uldn't get back time. My mother was schled to fly out soon after the storm. She uldn't get out. I panicked. Luckily, my goddghter was still town. She took the r and my mother, board up our hoe, raised everythg up se water me , and did the same thg to the store. She saved everythg. </p><p data-no-id="8" class="css-aeyldl et3p2gv0">Tom and I cid to thank her. So we cid to dig to savgs, and take her to Paris. A week before we were set to leave, my agent lled. "There's this dn for this TV show and they really want to see you," he said. "It's lled <em>Mad Men</em> and you'd play an art director 1960." I <em>never</em> got televisn dns, but I uldn't ncel this trip. I phed for another dn time. Not an optn. So I let go, the first time my memory when I chose life over show bs.</p><p data-no-id="9" class="css-aeyldl et3p2gv0">I returned home om Paris to rehearse an Off-Broadway play and received another ll om my agent. "You know," he went on, "they never found who they wanted for <em>Mad Men</em>." So I put on a ltle ast and a blazer and went to the dn for Matthew Weer and director Alan Taylor on my lunch break. And I got ... one dn. That do not happen. Wh works, you jump through hoops. But Matt had a clear visn and the people payg the bills let him realize .</p><div supprsHydratnWarng data-no-id="10" data-embed="edorial-lk" class="embed css-0 e9hzx6g0"><style data-emotn="css 1643r8a">{borr:none;marg-top:1.875rem;marg-bottom:1.875rem;paddg:0rem;}</style><asi class="css-1643r8a e6pr2lz5"><style data-emotn="css l3w2xc">{display:le-block;font-weight:normal;marg:0rem;borr-top:0.25rem solid #15263D;paddg-right:1.1rem;paddg-top:0.4375rem;text-transform:lowerse;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;le-height:1.3;}</style><h6 class="css-l3w2xc e6pr2lz3"><style data-emotn="css 156fvc1">{borr-bottom:0.4375rem solid #FF3A30;borr-right:0.4375rem solid transparent;ntent:'';display:le-block;height:0;marg-right:0.5rem;width:0;}</style><span aria-hidn="te" class="css-156fvc1 eagam8p0"></span><style data-emotn="css 8lle59">{max-width:lc(100% - 120px - .625rem);}</style><span class="css-8lle59 e6pr2lz1">Related Story</span><span aria-hidn="te" class="css-0 eagam8p1"></span></h6><style data-emotn="css c4s2gi">{paddg:0rem;marg:0rem;list-style:none;}</style><ul class="css-c4s2gi e6pr2lz4"><style data-emotn="css 79zw4t">{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:1rem;le-height:2rem;paddg-top:0.625rem;}@media(max-width: 48rem){{font-size:0.9375rem;le-height:1.3;}}@media(m-width: 48rem){{le-height:1.4;}}@media(m-width: 64rem){{le-height:1.4;}} a{-webk-text-ratn:none;text-ratn:none;lor:her;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;} a:hover{lor:#595959;}</style><li class="css-79zw4t e6pr2lz2"><style data-emotn="css 1bn7a5e">{-webk-text-ratn:none;text-ratn:none;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-box-flex-wrap:wrap;-webk-flex-wrap:wrap;-ms-flex-wrap:wrap;flex-wrap:wrap;-webk-flex-directn:row;-ms-flex-directn:row;flex-directn:row;-webk-box-pack:start;-ms-flex-pack:start;-webk-jtify-ntent:flex-start;jtify-ntent:flex-start;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;}</style><a href="/entertament/tv/g2143/behd-the-scen-mad-men-photos/" data-vars-ga-ll-to-actn="Mad Men's Bryan Batt Shar Behd-the-Scen Photos" data-vars-ga-ux-element="Edorial Lks" data-vars-ga-outbound-lk=" class="css-1bn7a5e e1c1bym14"><span aria-hidn="te" class="css-0 eagam8p0"></span><style data-emotn="css 1l0u1">{marg-right:0.625rem;height:to;}</style><img src="" alt="this image is not available" tle="Mad Men's Bryan Batt Shar Behd-the-Scen Photos" width="120" height="100%" dg="async" loadg="lazy" image-align="left" class="css-1l0u1 e6pr2lz0" /><span class="css-8lle59 e6pr2lz1">Mad Men's Bryan Batt Shar Behd-the-Scen Photos</span><span aria-hidn="te" class="css-0 eagam8p1"></span></a></li></ul></asi></div><p data-no-id="11" class="css-aeyldl et3p2gv0">Matt and I didn't have many long discsns about Sal. We'd chat on set, at events or parti, or maybe at a table read where he'd give a few not. Matt knows how to talk to actors, how to get very specific. He had to be to make the show he wanted. On set there was no time. Someone once told me that every take st $10,000. Not an exact figure, but <em>Mad Men </em>was expensive. The actors had to be prepared and go, go, go.</p><p data-no-id="12" class="css-aeyldl et3p2gv0">Luckily, Matt knew what he wanted. At my makp and wardrobe tt, he me over and said, "You know what's gog to happen to Sal?" I said, "What?" Keep md, this was <em>before</em> we filmed the pilot. "Later on, I don't know when, but he's gog to go on a bs trip wh Don and Don's gog to bag a stewarss. And Sal's gog to go on the trip too. He's gog to have sex wh some guy and Don's gog to fd out—but 's not gog to matter." I said, "That's ol." I hadn't even read the whole script yet. I had jt been st. All I knew was: This was televisn! I was gog to brg Matt's image of Sal to life.</p><p data-no-id="13" class="css-aeyldl et3p2gv0">The first season was so magil. We filmed the pilot New York 2006. We had to wa the entire year bee Matt was still workg on <em>The Sopranos</em>. I remember Matt vg me and other st members to a screeng. It blew me away. The pilot ends wh <style data-emotn="css umdwtv">{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:her;-webk-transn:background 0.4s;transn:background 0.4s;background:lear-gradient(#ffffff, #ffffff 50%, #d5dbe3 50%, #d5dbe3);-webk-background-size:100% 200%;background-size:100% 200%;}{lor:#000000;text-ratn-lor:borr-lk-body-hover;-webk-background-posn:100% 100%;background-posn:100% 100%;}</style><a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn=""On the Street Where You Live"" class="body-lk css-umdwtv et3p2gv0">"On the Street Where You Live"</a> om <em>My Fair Lady</em> playg behd Don and his fay. Matt told me that the mic cue was for me—a Broadway reference. Oh God, I uldn't say thank you enough. Once we saw the pilot, I realized that they were never gog to let look bad, never gog to have a bad shot. All the attentn to tail, all the attentn to script and storytellg, was so well-crafted that was like dog a trapeze act while the filmmakers held the for you. They're not gog to let you fall and hurt yourself. My only thought was, "Oh God, I hope people see this bee 's AMC." Bee who was gog to watch AMC?</p><p data-no-id="14" class="css-aeyldl et3p2gv0"><em>Mad Men</em>'s stg breakdown ma two pots about Sal: He was the artistic director of Sterlg Cooper and, to a morn dience, was clear that he was gay, but not to the world of 1960. That felt universal. I thk everyone their liv, some way, shape, or form, pretends to f . Beg a gay man, I knew what that was like. I was able to channel that, addg bs of rearch om the perd. Gay activists and many others would be pleased to know that Matt was adamant about havg a gay man play this part. That never me up durg the dn—I'd like to thk I wasn't st bee I was gay—but was nice to hear those words. You don't hear that often this bs.</p><p data-no-id="15" class="css-aeyldl et3p2gv0">I'm an open book. I've performed many rol on Broadway and Off-Broadway where I had to play straight—'s lled actg! I tend to over-gture, perhaps 's the French me, so for TV, everythg had to be dialed down to make each moment a ltle flare of a cigarette, a glt the eye. It had to be very stylized and very subtle. Not on set helped. I'll never fet one of the boardroom scen (one of the many, <em>many</em> boardroom scen). We were shootg to the night, pickg up each person's dialogue om every possible angle. After one early take, the director me to me wh a note: "Bryan, that was great... but uld you do ls gay?" I said, "Of urse!" For a womanizg ad exec, the arch the voice, the eyebrows, and the cigarette, danglg off the tips of the fgers, had to go.</p><div size="medium" data-embed="body-image" data-no-id="16" class="align-center size-medium embed css-1736von e1xqj1sx4"><div class="css-uwraif e1xqj1sx3"><div class="css-p7qblm ewcw41w0"><img alt="this image is not available" tle="this image is not available" loadg="lazy" width="1080" height="1080" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><a target="_blank" rel="noopener" href="//" class="ptert css-1i6sckr e1c1bym14"><img data-dynamic-svg src="/_assets/sign-tokens/e/static/ins/social/" loadg="lazy" alt="ptert in" height="to" width="to" class="css-1l3i1cl ewcw41w1" /></a></div><div class="css-swqnqv e1xqj1sx2"><div class="css-8h7i7x e1xqj1sx1">Batt says this still om season two is how Ill always remember Sal.</div><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Media Platforms Dign Team</span></figptn></div></div></div><p data-no-id="17" class="css-aeyldl et3p2gv0">When I learned that Matt was wrg Sal off the show, I was New Orleans rg for my mother, who was unrgog chemotherapy for ncer. Every time I wasn't filmg I would e back. Matt wanted to expla person, but sce I was out of town, I asked to be the bullet over the phone. He explaed that this was the urse for the character, but that I shouldn't worry: Sal would e back. He kept sayg that, a few tim at awards shows after we fished shootg, which was que tertg. I knew how much Matt loved all of his characters and the actors he st them, and how difficult mt have been to do the evable.</p><p data-no-id="18" class="css-aeyldl et3p2gv0"> This is me projectg, but I thk that the sendoff was so strong and so upsettg, that Sal's firg was so unfair, but so te to what would happen at that time, and what did happen and will ntue sometim to happen, that brgg Sal back wouldn't have been as strong. Matt wouldn't do anythg that isn't the bt. I don't thk the wrers knew that people were that attached to him. But after my fal episo, there was a big wre- outcry. A few years ago, I bumped to Elisabeth Moss at Bar Centrale, a wonrful Broadway waterg hole. She said, "If one more person up to me and asks me what's gog on wh Sal, I'm gog to scream."</p><p data-no-id="19" class="css-aeyldl et3p2gv0">Matt mentned along the way that Sal uld e back as a big director, but I thk the storyle took a different route. Matt is not one of the people who would let the public tell him what story to tell. The show is a succs bee no one panred to the opns of anyone else but the storyteller himself. Y, there were ocsnal mblgs om AMC or Lnsgate, the pany producg the show. Someone plaed about a moment season three where a bellhop slips his hand down my pants. Matt basilly said, "Wa a mute, you show people's heads gettg blown off movi on AMC. It's jt a hand gog down the pants!" They were thkg there was gog to be more, bee the hand go down the pants and then the alarm go off. Matt won and the scene stayed put.</p><p data-no-id="20" class="css-aeyldl et3p2gv0">My last scene wasn't the firg. It was an cintal, that brief moment the office where I pass Harry Crane after Roger Sterlg fir me the first time. I only found out what would happen that episo when I got the script, maybe a week before. No one told me advance. The staff was very closed-mouthed about the story— a good way. But after my last scene, Rich Sommer, who played Harry, and I went out for drks afterwards. It was an odd thg bee, when someone is wrapped for the season, there's a big to-do. If someone leav the show, everyone go out and parti. But no one knew if I was g back. So there was no big sendoff. Jt drks wh Rich. We remisced, hoped, and schemed about how Sal would return.</p><p data-no-id="21" class="css-aeyldl et3p2gv0">On the night my last episo aired, Sal wasn't even on my md. That was the night of Christa Hendricks' weddg. A betiful weddg. The most geo glowg bri. Sal wasn't even on my md.</p><p data-no-id="22" class="css-aeyldl et3p2gv0">I'm grateful for the three years I had on <em>Mad Men</em>. It changed my life, and I've had so many crazy thgs happen to me. Once I was at the SAG Awards and between and across the room was Jane Krakowski—we did our first Broadway show together, <em>Starlight Exprs</em>, years ago. Went over, hugged. "Love your show." "Love your show." "It's been too long. Let's get together." Blah-blah-blah. They're yellg "Get back to your seats!" over the speakers. As I shed back to my seat, someone at another table stood up abptly, propellg me to Meryl Streep. I almost knocked her down. She looked back at me and she said, "I love <em>Mad Men</em>! My hband and I watch every Sunday." I thought, "I n die now. Meryl Streep has seen my work."</p><p data-no-id="23" class="css-aeyldl et3p2gv0">Sure, I would have liked some closure, a few more episos to say goodbye to Sal. Though an open-end thread has s perks. People n ci for themselv what they want to happen to Sal. And 's btersweet for me, profsnally. When Michael returned for his Hare Krishna moment I asked him what was like. He told me, "Don't do ." I gus was kd of like livg the last act of <em>Our Town</em> or havg sex wh an ex. You know 's gog to be great for that one time, but then 's over. You know 's over, and you n never go back.</p><p data-no-id="24" class="css-aeyldl et3p2gv0">I've thought about where Sal wound up. On <em>Mad Men</em>, what you thk is gog to happen don't happen, but what do happen is wonrful a sad way. It's never really a happy endg. But I'd like to thk that Sal had a happy endg, that he do realize who he is and mov on. Unfortunately he'd have to break ltle Kty's heart, but I thk she had the clu by the end of the third season. I thk his mother di too. His Italian mother di and was an impet to go, "You know what? I'm pretendg for you, for all the other people. I'm gog to be who I am." I image him walkg through the Wt Village as Stonewall happens and gettg swept up .</p><p data-no-id="25" class="css-aeyldl et3p2gv0">People intified wh Sal. Both gay and straight. It really touched on a nerve, that people hadn't really nsired a long time. While I was on the show, a girl me up to me and said, "The first season I thought my dad was Don Draper, but then I realized later on my dad was Salvatore Romano." Sal had a basis realy, thanks to advisers and wrers on the show. Those stori were real thgs that happened to real people.</p><p data-no-id="26" class="css-aeyldl et3p2gv0">It was jt so much fun to be on a h—a crilly acclaimed <em>h</em>. Once I was at the grocery store when this guy piped up at the checkout. "That show on TV, man!" he said. "That show on TV!"</p><p data-no-id="27" class="css-aeyldl et3p2gv0">"The bt show on TV!"</p><p data-no-id="28" class="css-aeyldl et3p2gv0">Y, <em>that</em> show. It don't always happen like that.</p><p data-no-id="29" class="css-aeyldl et3p2gv0">--<br /><em>Bryan Batt is a 25-year veteran of the stage. After </em>Mad Men<em>, he appeared such films as </em>Funny People, 12 Years a Slave, <em>and </em>The Last of Rob Hood. <em>He's also the thor of two books, </em>Big Easy Style <em>and </em>She A't Heavy, She's My Mother. <em>He's</em> <em>currently shootg MTV's </em>Scream<em> Baton Rogue.</em></p><style data-emotn="css 2ok9l4">{marg-top:1.875rem;borr-top:th solid #595959;}</style><div data-jam-id="thor-b" class="css-2ok9l4 e13rjwo40"></div><style data-emotn="css ciejky">{clear:both;marg-top:1.25rem;}</style><div id="journey-le" class="css-ciejky e1cslvxz0"></div></div></div><div></div><style data-emotn="css 6b9rfj">{display:block;-webk-flex-basis:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 2);-ms-flex-preferred-size:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 2);flex-basis:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 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#15263D;text-align:left;width:-webk-f-ntent;width:-moz-f-ntent;width:f-ntent;borr-radi:2rem;display:block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.70028rem;le-height:1.2;letter-spacg:0.04rem;marg-top:-1rem;paddg:0.5rem 0.9375rem 0.25rem;text-transform:upperse;}</style><h6 class="css-ju94x7 e10xr3vp2"><span aria-hidn="te" class="css-0 eagam8p0"></span><span class="css-0 e10xr3vp1">Watch Next</span><span aria-hidn="te" class="css-0 eagam8p1"></span></h6><style data-emotn="css un61">{-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;marg:0rem;m-height:to;paddg-top:1rem;text-align:left;}@media(max-width: 48rem){{font-size:1.5rem;le-height:1.1;}}@media(m-width: 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why was sal at the gay bar

In honor of Pri Month, take a ep dive to 200+ years of gay bar history and how they paved the way for the LGBTQ rights movement.

Contents:

THE GAY BAR: WHY THE GAY RIGHTS MOVEMENT WAS BORN ONE

On Dec. 31, 1966, a dozen placloth policemen observed the New Year's ftivi si the Black Cat, a gay bar Los Angel' Silver Lake neighb ... * why was sal at the gay bar *

31, 1966, a dozen placloth policemen observed the New Year's ftivi si the Black Cat, a gay bar Los Angel' Silver Lake neighborhood. Sixteen patrons were arrted si the Black Cat, and police chased two more men to New Fac, another gay bar nearby. It would be two and a half more years before a siar cint, at a bar on the oppose ast, would change the gay rights movement forever.

In the 1960s, more and more gay men and lbians were equentg such tablishments, even though they were often targeted by law enforcement for raids and crackdowns.

The Stonewall Inn holds such an inic place gay history (and, as we saw when joyful New Yorkers gathered there to celebrate the passage of marriage equaly legislatn, remas inic today) that n be hard to remember how unual the cint was. " People went there bee was relatively large, and bee was one of the few gay plac the Village that allowed dancg. Acrdg to David Carter's Stonewall: The Rts That Sparked the Gay Revolutn, Seymour Pe, a puty spector wh the NYPD, was termed to close the place down bee s efforts to pass as a "bottle bar"—a private club where members uld leave their own bottl of liquor om which only they uld be served—were sultgly sultory.

'GAY BAR' TRACKS THE WAVE OF A WHOLE CULTURE — AND ONE LIFE

Author Jeremy Atherton L wr of the history of gay bars, as their existence is threatened by the populary of datg apps and risg property sts, and reflects on their prence his life. * why was sal at the gay bar *

The scene did not go unnoticed the neighborhood: It was prime bar-hoppg time, and the Stonewall was loted at the center of gay Greenwich Village. In May 1959, a skirmish broke out around Cooper's Doughnuts, a shabby all-night Los Angel ffee shop equented by htlers and their ctomers, when gays threw ffee cups and paper plat at police officers rather than subm to arbrary arrts.

A MEMOIR ABOUT QUEER INTY, TOLD ONE GAY BAR AT A TIME

In his new memoir, “Gay Bar,” Jeremy Atherton L documents his personal history and the history of queer inty by explorg gay bars around the world. * why was sal at the gay bar *

But by the summer of 1969, gays were more willg than ever to challenge thory, thanks to the fluence of the civil rights, femist, and anti-war movements. The Stonewall raid also occurred on the first hot weekend of the summer, at the biggt club the area, and a pestrian-iendly neighborhood that had recently bee home to a growg number of homels gay youths who had no property, jobs, or fay ti at risk if they faced off agast the ps. "Homophile anizatns, " the early term for gay-rights groups, had been sprgg up around the untry, and although the events at Compton's and the Black Cat were not mon knowledge, word had reached activists New York's gay muny.

THE HISTORY OF HOW GAY BARS BEME THE BATTLEGROUND FOR LGBTQ+ RIGHTS

* why was sal at the gay bar *

In the months followg Stonewall the activists were able to transform the protts to a polil e, leadg to the creatn of the Gay Liberatn Front and the Gay Activists Alliance, groups dited to the stggle for gay civil rights.

In 1964, a Bay Area gay-rights anizatn known as the Society for Individual Rights, whose members were predomantly bar goers, nducted voter registratn driv lol taverns and published a wallet-sized legal gui lled the "Pocket Lawyer" to advise patrons of their rights if they were abed by the police. In San Francis the early 1960s, gay-bar owners had e together to form the Tavern Guild, an anizatn that ordated efforts to rist pric actns by California's Alhol Bure of Control and provid assistance to anyone arrted or near a gay bar. The new gay-rights groups had learned how to draw attentn to their e, anizg "zaps"—splashy, media-iendly protts—whenever they intified homophobic behavr on the part of policians, police, or the prs.

HOW THE MOB HELPED ESTABLISH NYC’S GAY BAR SCENE

In March 1970, for example, after a police raid on the Snake P, a (non-Mafia) Village gay bar, a terrified young Argente jumped out of a send-floor wdow and impaled himself on a 14-ch spike while attemptg to pe om police ctody. Today, gay bars routely make lol bar rags and gay newspapers available, but that tends to be the extent of their engagement.

REEVALUATG THE GAY BAR

It also beme ls val to anize bars as more gays and lbians me out and the bar lost s central role gay life. Urvashi Vaid, the former head of the Natnal Gay and Lbian Task Force, scribed the failure of LGBT polil groups to nnect wh gay bars as "a huge missed opportuny. " Today, gay polil groups largely ignore the hundreds of thoands of Amerins who spend Saturday night their lol gay bar.

A loudspeaker pumped gay anthems to Sheridan Square—Madonna's "Holiday, " Gee Michael's "Fah"—while upl planned weddgs, sought out hbands-to-be (one guy yelled: "I'm gettg married!

*BEAR-MAGAZINE.COM* WHY WAS SAL AT THE GAY BAR

Reevaluatg the gay bar, at panmic Pri - Vox.

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