Details On Ester Dean Net Worth, Gay, Datg, Fay, Ethnicy

dean is not gay

To DeSantis, if you are gay, you are not allowed to be a part of the nservative movement.

Contents:

NOT GAY: DEAN WCHTER AND BISEXUALY

* dean is not gay *

His last movie, Giant, h theaters sixty-five years ago this culture has endlsly reimaged Jam Dean om the moment he died—he is straight, bisexual, and gay; sensive and aggrsive; misunrstood and manipulative; victim and predator; the bt of and the worst. Ple Kael, then a risg film cric, plaed 1955 that watchg him was like stumblg onto the vulgar eroticism of homosexual cisg grounds—“grossly explic, ” too dulgent of boys and their “toerotic” fixatns.

I WAS TEAM DESANTIS BEFORE HIS DISGTG ANTI-GAY AD

Was he or wasn't he? I thk we'd all like to BELIEVE that Jam Dean was gay – or at least bisexual – and that if we were around at the time we'd have a shot wh him. Acrdg to HomoHistory: There are nflictg reports about Dean’s sexualy; there are a few who try to ny that * dean is not gay *

Too often, his negative experienc epted , aggrsive, or dangero behavr, what Bast spected was Dean’s way of takg revenge on a society that wronged Hollywood mors started as soon as Dean ma the papers, whispers that he was bisexual or gay. His stud, Warner Bros., promoted him alongsi Rock Hudson and Tab Hunter, two closeted gay men, as their most eligible bachelor.

Much k would be spilled over the years tryg to p down his sexualy—straight, bisexual, gay, asexual all found their advot—but he risted labels, not least bee the labels were tied up bigger qutns of masculy and manhood. In those days, “homosexual” was synonymo wh a mpy, effemate stereotype he uldn’t intify wh. “I’m not a homosexual, ” he told a reporter who asked if he was gay, “but I’m not gog through life wh one hand tied behd my back.

In the heart of the homophobic ’50s, he and director Nicholas Ray quietly weaved a queer love story to his most famo film, Rebel whout a Cse, a movie filled wh qutns about what masculy meant the postwar world. ” Roger Ebert only acknowledged s homoeroticism prt 2005, and mimally at that. Somerset Mgham read and unrstood, as did future gay activist Jack Frscher.

A LIST OF JAM DEAN’S (ALLEGED) GAY LOVERS

“Jam Dean was mascule; he was blond; he was hot; he was California; he was Amerin; he was gay, ” Fristcher relled of his teenage fatuatn. ”“I’m not a homosexual, ” he told a reporter who asked if he was gay, “but I’m not gog through life wh one hand tied behd my back.

Worse, after the Stonewall Rt signaled the start of the gay rights movement, openly queer men like culture crics Parker Tyler and Jack Babc claimed Dean as an in of gay liberatn.

KEN HAS ALWAYS BEEN BARBIE’S GAY BT FRIEND—NOT HER BOYIEND

Gay magaz and newsletters discsed his sexualy, and San Francis’s first leather bar, Fe-Be’s, missned a statue of a biker that remoled Michelangelo’s David as a leather-clad Jam Dean.

A generatn of wrers, both straight and gay, began claimg he was a sexual predator, a socpath, someone who should be shamed for his sex life, which they wrongly envisned creasgly baroque ways. Bgrapher Venable Herndon alleged that Dean had been a gay sex worker for whom no act was too gradg or too extreme. Bisexualy still is, to this day, a very misunrstood and/or beltled sexualy, ually associated wh the gettg-old "'s jt a phase" or " is an exce not to e out as gay/lbian".

And 's te, bisexualy has been a eful getaway for many gay/lbian people, both on TV and real life - watch Dan Howell's credible g-out vio for that. However, as Dan says himself, jt bee bisexualy has been ed by homosexual people to navigate the trici of their own sexualy before fally g-out as gay or lbian, do not mean that bisexualy is a fict sexualy, as many people still believe. The list also clus characters that have e out as pansexual - even though pansexualy and bisexualy are two different thgs - and homosexual characters havg dated people of their oppose genr as part of their ternalised when to bisexual reprentatn on TV, we n also realise that male bisexualy has clearly been unrreprented the favour of their female unterparts; a trend that is far om beg rolved over time, on the ntrary.

'PASSAG' DIRECTOR NOUNC 'DANGERO' NC-17 RATG ON A FILM PICTG A GAY LOVE STORY

See below a chart showg the proportn of male and female bisexual characters on TV per of televisn, based on the "List of televisn seri wh bisexual characters" of showg the proportn of female and male bisexual characters on TV over time(It has to be noted that I have not unted this chart characters that have explicely e out as pansexual, and characters that are clearly homosexual but have dated their oppose genr before: puttg inic lbian characters such as Santana Lopez om 'Glee' or Cheryl Blossom om 'Riverdale' this would have been que disrpectful to them and their muny.

The send trend is: there are far more female bisexual characters on TV than male reason for this is somethg that more and more people bee aware of: that bisexual men are basilly seen as gay when bisexual women are basilly seen as straight. We need more bisexual male characters, and we need more diverse stori of bisexual male characters: not the gay man that wonrs how female breast feels like, not the pansexual man that is nsired as bisexual bee pansexualy is still visible; but a man that shows explice attractn to both bary genrs, even unequally, but that has trouble g to terms wh this particular sexualy.

NFL ASSISTANT ACH OUT AS GAY

Dean Wchter is a unique opportuny to show how a g-out n take years before happeng, how someone their forti n e out jt now bee they have lived s of reprsed feelgs bee of ternalised homophobia and biphobia. It is an experience that too many bisexual people real life have lived: to unrstand and accept that your attractn to one genr do not negate your attractn towards the oppose one; and bee the outsi world is way nicer to straight people than homosexual on, you jt pretend your straight and ny the other part. John Wchter has never been clearly characterised as homophobic or biphobic, and perhaps he would have accepted Dean's bisexualy whout any problem; we will never know as we will never see Dean e out to his father, the latter beg ad.

SUPERNATURAL'S MISHA COLLS NFIRMS CASTIEL IS GAY AND LOVE WH DEAN

Most bisexual male characters on TV, when they are not eher pansexual or "the gay guy that wonrs what feels like wh women", are ually portrayed as men wh jt a big sexual appete. This ia is due to, once aga, the nceptn of bisexual men as basilly gay, as I have argued the first part of this article. The story is wrten om Sam’s pot of view, and two of the thgs which Sam unts as “evince” of Dean’s bisexualy the fic—knowledge of a gay bar lled “Purgatory” and “forced lghter when Sam had mentned him lookg butch”—are drawn om non elements.

However, he still emphasiz that he is “not gay” and seems to shy away om discsg his relatnships wh men on romantic terms. Other non male characters are also picted as bisexual and gay this fic, but the thgs rema “unspoken”, parallelg the way mastream media shi away om explic reprentatns of LGBT+ characters.

There’s one problem for DeSantis, though: I am a gay woman. Ltle did I know DeSantis was farther to the right on issu that meant the most to me and the more than 70 percent of Amerins who support gay has ma clear the past few weeks that he’s more terted appeasg Twter trolls who abhor any Amerin who intifi as LGBTQ+. To DeSantis, if you are gay, you are not allowed to be a part of the nservative movement.

SUPERNATURAL: “DPAIR” IS DEFELY NOT GAY!!

If Tmp was someone who don’t support the movement, DeSantis is an all-out gayns has nothg to do wh the fact that Florida is a boomg state an otherwise lacklter enomy. That beg said, DeSantis has ma abundantly clear that he do not support gay Amerins regardls of whether they support his nservative I first enuntered DeSantis durg his bold stance agast COVID mandat earlier this year, I was generally pleased wh the Florida ernor. It beme evint that DeSantis was not the champn of dividual eedoms and rights that I had hoped anti-gay rhetoric and actns are not only eply hurtful to LGBTQ+ Amerins like myself but also tarnish the image of the nservative movement.

ESTER DEAN NET WORTH, GAY, DATG, FAY

DeSantis’ stance on LGBTQ+ issu not only ntradicts nservative valu but also reflects a severe disnnect om the majory of Amerins who support gay rights. Acrdg to polls, over 70 percent of Amerins support gay marriage, and this number ntu to rise.

By disregardg such a signifint portn of the populatn, DeSantis reveals a ncerng lack of unrstandg of the evolvg societal norms and a gay woman, my sexual orientatn is jt one aspect of my inty, and should not fe my polil beliefs or my place wh the nservative movement.

DeSantis mt regnize that his anti-gay rhetoric is not only harmful to LGBTQ+ Amerins but also trimental to the very prcipl he claims to uphold.

*BEAR-MAGAZINE.COM* DEAN IS NOT GAY

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data-vars-ga-outbound-lk=" class="e9l0kn00 css-10e6ywj e1c1bym14"><span emProp="name">It's Time We Let Jam Dean Be the Queer In He Is</span></a><meta emProp="posn" ntent="2" /></li></ol></nav><style data-emotn="css g4r5va">{font-fay:Glanz,Glanz-fallback,Tim,Serif;font-weight:normal;grid-lumn:1/-1;marg-bottom:0.9375rem;marg-top:0.9375rem;}@media(max-width: 48rem){{font-size:2rem;le-height:1.25;}}@media(m-width: 48rem){{font-size:2.625rem;le-height:1.1;}}@media(m-width: 64rem){{font-size:3.125rem;le-height:1.1;}}@media(m-width: 73.75rem){{font-size:3.37499rem;le-height:1.1;}}</style><h1 class="css-g4r5va exadjwu10"><span aria-hidn="te" class="css-0 eagam8p0"></span>It's Time We Let Jam Dean Be the Queer In He Is<span aria-hidn="te" class="css-0 eagam8p1"></span></h1><style data-emotn="css 2qf7xf">{lor:#515150;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;marg-bottom:0.625rem;}@media(max-width: 48rem){{font-size:1.0625rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:1.3125rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:1.3125rem;le-height:1.3;}} a{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:#000000;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;} a:hover{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><div class="css-2qf7xf exadjwu8"><p>For more than half a century, a bate over the star’s sexualy has failed to fa. Isn’t time we embraced the tth?</p></div><style data-emotn="css d04ng2">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;marg-bottom:0.625rem;paddg-right:0.3125rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}} span{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0rem;text-transform:palize;}@media(max-width: 48rem){ span{font-size:0.875rem;le-height:1.4;}}@media(m-width: 48rem){ span{font-size:0.875rem;le-height:1.4;}}@media(m-width: 64rem){ span{font-size:0.875rem;le-height:1.4;}}</style><div class="css-d04ng2 exadjwu7"><style data-emotn="css 1eqkg5m">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-style:normal;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><addrs class="css-1eqkg5m ehvvd9m2"><style data-emotn="css 19e0noj">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><span class="css-19e0noj ehvvd9m1"><style data-emotn="css 1sa04t">{borr-radi:50%;vertil-align:middle;marg-right:0.3125rem;object-f:ver;}</style><img src="" alt="Headshot of Jason Colavo" tle="Headshot of Jason Colavo" width="40" height="40" dg="async" fetchPrry="high" class=" css-1sa04t ehvvd9m0" />By <style data-emotn="css 7l5upj">{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:her;text-unrle-offset:0.25rem;lor:her;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;}{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><a href="/thor/231657/jason-lavo/" class="css-7l5upj e1c1bym14">Jason Colavo</a></span><style data-emotn="css 1bcsdhu">{display:le-block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;marg-left:0.625rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><time class="css-1bcsdhu exadjwu6">Published: Sep 30, 2021</time></addrs></div><style data-emotn="css wkpw2c">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;}</style><div class="no-prt css-wkpw2c exadjwu15"><style data-emotn="css 1hpjtwr">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;posn:relative;marg-top:0.9375rem;}</style><div class="ntent-hear-actns css-1hpjtwr exadjwu14"><style data-emotn="css eg9z">{background-lor:#FF3A30;lor:#000000;borr:th solid #FF3A30;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:row;-ms-flex-directn:row;flex-directn:row;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;paddg:0.625rem 1.25rem;marg-top:0rem;marg-bottom:0rem;-webk-text-ratn:none;text-ratn:none;text-transform:upperse;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;paddg-top:0.85rem;background:#FF3A30;borr-radi:2rem;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;le-height:1.3;letter-spacg:0.04rem;width:to;}{background-lor:#ffffff;lor:#000;cursor:poter;borr:th solid #FF3A30;} svg{fill:#000000;} svg>path{fill:#000000;}{marg-left:1rem;} svg{fill:#000000;} svg>path{fill:#000000;}</style><button data-tooltip-id="article-hear-save" class="ntentSaveButton css-eg9z e12nq69g1"><style data-emotn="css p7o3tf">{width:1rem;height:1rem;marg-right:0.625rem;} path{fill:#ffffff;} path{fill:#ffffff;}</style><svg xmlns=" fill="none" viewBox="0 0 48 62" class="css-p7o3tf e10k4xbi2"><path fill="#000" fill-le="evenodd" d="M24 46.52 48 61V0H0v61.44l24-14.92ZM5.67 50.9 24 39.5l18.33 11.4V5.7H5.67v45.2Z" clip-le="evenodd"></path></svg>Save Article</button><style data-emotn="css gulrqe">{width:160px;text-align:left;lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.70284rem;le-height:1.1;font-weight:normal;letter-spacg:0.045rem;text-transform:none;}</style></div></div></div></div></hear><style data-emotn="css k008qs">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;}</style><div class="css-k008qs ewisyje0"><style data-emotn="css 7ce51e">{marg-bottom:0.9375rem;posn:relative;}@media(max-width: 64rem){{max-width:lc(100vw - 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50vw);}}@media(m-width: 48rem){{marg:to;}}</style><div class="ntent-lead-image css-sm2oir e5f9kgu2"><style data-emotn="css eag3eq">{posn:relative;height:to;}</style><div class="css-eag3eq e5f9kgu1"><style data-emotn="css 335qep">{posn:relative;width:100%;height:100%;object-f:ver;vertil-align:top;}</style><img fetchPrry="high" alt="jam an" tle="Jam Dean" width="2000" height="1000" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-335qep exi4f7p0" /></div><style data-emotn="css 285vyd">{le-height:1;}@media(max-width: 73.75rem){{paddg-left:0.9375rem;}}@media(m-width: 64rem){{paddg-left:0;}}</style><figptn class="css-285vyd enfs9c50"><style data-emotn="css 1mcfn5x">{lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;paddg-right:0.3125rem;}@media(max-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><span class="css-1mcfn5x e6iqd1">Getty Imag</span></figptn></div></div><style data-emotn="css z6i669">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;paddg-left:0rem;paddg-right:0rem;posn:relative;}@media(m-width: 48rem){{paddg-left:3.5rem;paddg-right:3.5rem;}}@media(m-width: 48rem) and (max-width: 61.25rem){{max-width:45.25rem;marg-left:to;marg-right:to;}}@media(m-width: 61.25rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 73.75rem) and (max-width: 100rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;paddg-right:0rem;}} em{font-fay:Charter,Geia,Tim,Serif;font-style:alic;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;}{clear:both;ntent:" ";display:block;font-size:0.7rem;le-height:1.5rem;height:0rem;visibily:hidn;}</style><div class="article-body-ntent article-body standard-body-ntent css-z6i669 ewisyje7"><style data-emotn="css 1nhwtgm">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;}{float:left;text-transform:upperse;font-weight:bold;marg-right:0.9375rem;marg-bottom:-0.625rem;marg-top:0;}{font-fay:Glanz,Glanz-fallback,Tim,Serif;font-size:6.25rem;font-weight:normal;le-height:0.75;marg-right:0;paddg:0.6rem 0.75rem 0 0;}@-moz-document url-prefix(){{marg-top:0.625rem;}}@media(max-width: 48rem){{marg-right:0.3125rem;}}@media(m-width: 64rem){{le-height:0.75;}} em{font-fay:Charter,Geia,Tim,Serif;font-style:alic;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;}</style><p data-no-id="0" class="body-dropp css-1nhwtgm et3p2gv0">Late the eveng on September 30, 1955, screenwrer William Bast sat at his typewrer his cramped L.A. apartment surround by sus, bangg out a movie outle. The next morng, he planned to rry those sus out to Sherman Oaks, where Jam Dean, his bt iend and oime lover, had ved him to move together a large rented hoe. As Bast told the story s later, after a long, nfg urtship, full of starts and stops, nials and doubts, Dean wanted them to live together as partners and lovers, not jt as iends. Around sunset, the phone rang wh the news that Dean, jt 24, was ad—killed when his Porsche llid wh another r the California sert. Bast dropped the phone and fell out of his chair, blackg out at the news. For half a century after, he refully guard Dean’s reputatn, forcefully nyg creasgly sistent mors about the sexualy of the most famo movie star the world and the idol of lns. In ath, Dean would bee the perfect celebry—a silent one—onto whom generatns uld project their fantasi and themselv. </p><style data-emotn="css 18vfmjb">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;} em{font-fay:Charter,Geia,Tim,Serif;font-style:alic;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;}</style><p data-no-id="1" class="css-18vfmjb et3p2gv0">Death livered Dean the fame, the love, and the acclaim he stggled to achieve life. So famo is the photo of him leang agast a wall blue jeans that he is creded wh makg jeans the Amerin uniform. More than 65 years later, he remas omniprent pop culture. His face sells everythg om blue jeans to rs to luxury watch. Photos of him walkg through New York or lazg a wboy hat hang om untls llege guys’ dorm room walls. Generatns of young actors have peted to be “the next Jam Dean.” Lookalik om the young Mart Sheen to Le Perry to KJ Apa have domated Hollywood for half a century. A porn star even borrowed his moniker. Dean’s name appears more popular songs than almost any other, om David Essex’s classic “Rock On” to the Jonas Brothers’ “Cool.” This sprg, Kaska released another one, “New Jam Dean.” It’s an extraordary n at the top for someone who was last alive when Joe Bin was enterg puberty and whose body of work nsists largely of three movi, only one of which most uld even name. His last movie, <em>Giant</em>, h theaters sixty-five years ago this fall.</p><p data-no-id="2" class="css-18vfmjb et3p2gv0">Pop culture has endlsly reimaged Jam Dean om the moment he died—he is straight, bisexual, and gay; sensive and aggrsive; misunrstood and manipulative; victim and predator; the bt of and the worst. As new rmatn slowly emerged over the s, and social attus changed, so, too, did the mix of man and myth passg unr the “Jam Dean” name. Only now, wh a new generatn rejectg old assumptns about genr rol and sexualy—one six members of Gen Z self-intify as queer, acrdg to a recent <style data-emotn="css umdwtv">{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:her;-webk-transn:background 0.4s;transn:background 0.4s;background:lear-gradient(#ffffff, #ffffff 50%, #d5dbe3 50%, #d5dbe3);-webk-background-size:100% 200%;background-size:100% 200%;}{lor:#000000;text-ratn-lor:borr-lk-body-hover;-webk-background-posn:100% 100%;background-posn:100% 100%;}</style><a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="Gallup survey" class="body-lk css-umdwtv et3p2gv0">Gallup survey</a>—is possible to see Jam Dean as he really was. We n see jt how much he, more than any other star of the twentieth century, poted the way toward morn masculy. And we n see how heavily prev generatns censored and censured his legacy to try to tame s radil potential.</p><style data-emotn="css r2zxlg">{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;marg-bottom:0.625rem;marg-top:0.625rem;text-align:center;}@media(max-width: 48rem){{font-size:1.875rem;le-height:1.3;}}@media(m-width: 48rem){{font-size:1.875rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:2.25rem;le-height:1.2;}} b, strong{font-fay:her;font-weight:bold;} em, i{font-fay:her;font-style:alic;}</style><h2 data-no-id="3" class="body-h3 css-r2zxlg et3p2gv0">Get unlimed accs to s of Esquire's Hollywood verage wh <a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="Esquire Select" class="body-lk css-umdwtv et3p2gv0">Esquire Select</a>.</h2><p data-no-id="4" class="css-18vfmjb et3p2gv0">To wre about him now is to scribe Gen Z seventy years early. A <a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="recent study" class="body-lk css-umdwtv et3p2gv0">recent study</a> by the ad firm Bigeye found 50 percent of Gen Z scribe tradnal genr bari as outdated, and Jam Dean had already blurred that le the opprsive heart of the 1950s. He loved both sports <em>and</em> theater, motorcycl <em>and</em> makg art. He was self-centered and narcissistic but beiend margalized people. He was arrogant but wracked wh self-doubt. He took untls selfi the mirror and performed outrageo stunts for the midcentury versn of lik. He wasn’t aaid to cry. On screen, he uld nvey thunro emotn wh a glance, his performanc eptg wh tears and screams and howls, a raw vulnerabily few young men had ever seen someone their age exprs. To his teenage admirers, he reprented eedom. To his adult tractors, he was ornery, unpleasant, and effemate. Ple Kael, then a risg film cric, plaed 1955 that watchg him was like stumblg onto the vulgar eroticism of homosexual cisg grounds—“grossly explic,” too dulgent of boys and their “toerotic” fixatns. Unnscly, she tued somethg hidn and reiled. </p><p data-no-id="5" class="css-18vfmjb et3p2gv0">The trouble, om the begng, was that Jam Dean wasn’t straight. </p><style data-emotn="css 1736von">{--data-embed-display:flex;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;clear:both;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;marg-bottom:0.9375rem;marg-left:to;marg-right:to;width:100%;}@media(m-width: 20rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 30rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 40.625rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 48rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 64rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 73.75rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 75rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 90rem){{width:100%;marg:0 to 0.9375rem;}} a span{right:1rem;} img{width:to;height:85vh;} a{display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;posn:var(--posn, relative);} img:not(.ewcw41w1){display:block;width:100%;height:to;-webk-align-self:flex-start;-ms-flex-em-align:flex-start;align-self:flex-start;}</style><div size="medium" data-embed="body-image" data-no-id="6" class="align-center size-medium embed css-1736von e1xqj1sx4"><style data-emotn="css uwraif">{width:100%;display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;marg-left:to;marg-right:to;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;}</style><div class="css-uwraif e1xqj1sx3"><img alt="amerin actor jam an" tle="Amerin actor Jam Dean" loadg="lazy" width="3072" height="2048" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><style data-emotn="css swqnqv">@media(m-width: 20rem){{paddg-left:0rem;}}@media(m-width: 30rem){{paddg-left:0rem;}}@media(m-width: 40.625rem){{paddg-left:0rem;}}@media(m-width: 48rem){{paddg-left:0rem;}}@media(m-width: 64rem){{paddg-left:0rem;}}@media(m-width: 73.75rem){{paddg-left:0rem;}}@media(m-width: 75rem){{paddg-left:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;}}</style><div class="css-swqnqv e1xqj1sx2"><style data-emotn="css 1am3yn9">{paddg-left:0rem;le-height:1;}</style><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Sunset Boulevard</span><style data-emotn="css 1vpjmnm">{lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;paddg:0 0.3rem;paddg-right:0.3125rem;}@media(max-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><span class="css-1vpjmnm e6iqd0">//</span><span class="css-1mcfn5x e6iqd1">Getty Imag</span></figptn></div></div></div><p data-no-id="7" class="body-dropp css-1nhwtgm et3p2gv0"> In the summer of 1951, Dean, jt 20, met and moved wh a much olr man, Rogers Brackett, whose bed he shared. “This guy’s a fairy,” a llege iend told Dean after meetg the smopolan Brackett, acrdg to Ronald Martetti’s 1975 bgraphy of Dean. “I know,” Dean replied, worried that others might thk the same of him. He lied and told iends and his agent that they had separate beds. It didn’t matter, though. Powerful people ma their assumptns. After Dean acted a live TV broadst 1952, the director told him there might be more parts for him if Dean would let him suck his ck. He knew a refal might end his reer, so Dean foced all his attentn on a fly crossg the ceilg until was over. He later said the acts—and there were several, wh different powerful men—ma him feel like a whore. “It’s no big al,” Bill Bast relled him sayg, but years after he felt only anger. Too often, his negative experienc epted , aggrsive, or dangero behavr, what Bast spected was Dean’s way of takg revenge on a society that wronged him.</p><p data-no-id="8" class="css-18vfmjb et3p2gv0">The Hollywood mors started as soon as Dean ma the papers, whispers that he was bisexual or gay. His stud, Warner Bros., promoted him alongsi Rock Hudson and Tab Hunter, two closeted gay men, as their most eligible bachelor. He burned through a seri of short, tense, and temptuo relatnships wh women that were often more emotnal than sexual, and had furtive enunters wh men that were often more sexual than emotnal. Much k would be spilled over the years tryg to p down his sexualy—straight, bisexual, gay, asexual all found their advot—but he risted labels, not least bee the labels were tied up bigger qutns of masculy and manhood. In those days, “homosexual” was synonymo wh a mpy, effemate stereotype he uldn’t intify wh. After all, he played basketball and raced rs. “I’m not a homosexual,” he told a reporter who asked if he was gay, “but I’m not gog through life wh one hand tied behd my back.”</p><div supprsHydratnWarng data-no-id="9" data-embed="pullquote" class="embed css-0 e9hzx6g0"><style data-emotn="css 1eiql25">{text-align:center;marg:0rem;paddg-top:0.9375rem;paddg-bottom:0.9375rem;}</style><blockquote class="css-1eiql25 e1pe3zr91"><style data-emotn="css ow0dpz">{borr:0.3125rem solid #FF3A30;borr-radi:100%;ntent:'';display:block;height:2.1875rem;left:50%;marg:-0.99rem to 0 -1.33rem;posn:absolute;width:2.1875rem;}</style><span aria-hidn="te" class="css-ow0dpz eagam8p0"></span><style data-emotn="css la9czl">{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:1.625rem;le-height:1.2;marg:0rem;}@media(max-width: 48rem){{font-size:1.75rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:2.375rem;le-height:1.2;}} b, strong{font-fay:her;font-weight:bold;} em, i{font-fay:her;font-style:alic;}{ntent:'"';display:block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:3.4375rem;le-height:0.72;font-style:alic;paddg:0.3125rem 0.875rem 0 0;}</style><blockquote class="css-la9czl e1pe3zr90">To wre about Dean now is to scribe Gen Z seventy years early.</blockquote><span aria-hidn="te" class="css-0 eagam8p1"></span></blockquote></div><p data-no-id="10" class="css-18vfmjb et3p2gv0">In 1955, on the brk of superstardom, Dean fied the stud censors at Warner Bros. In the heart of the homophobic ’50s, he and director Nicholas Ray quietly weaved a queer love story to his most famo film, <em>Rebel whout a Cse, </em>a movie filled wh qutns about what masculy meant the postwar world. Dean advised his star, Sal Meo, to play up his character Plato’s attractn to Dean, which he reciproted wh knowg looks. Dean end the film weepg hysterilly over Plato’s ath, a lover’s lament. Generatns of queer men saw hope cema’s first sympathetic pictn of same-sex teenage love, and s only such pictn for more than a generatn, but few straight viewers noticed for half a century. Even the Natnal League for Decency, a Catholic moral watchdog, rated the film “unobjectnable.” Roger Ebert only acknowledged s homoeroticism prt 2005, and mimally at that. Viewers did, however, notice Dean himself, and the more they learned, the more unfortable they beme.</p><p data-no-id="11" class="css-18vfmjb et3p2gv0">The moment when he died shattered his life as much as his body. Like a actured reflectn a broken mirror, those who later sought to fd the “real” Jam Dean uld only piece together a distorted image om agments that never que f. Readg through the mounta of bgraphi and memoirs of Jam Dean is to enter somethg like a ic book multiverse, where a sgle soul is actured across a thoand reali. Each versn of the man shar a few basic facts—the same birthday 1931, the same loss of his mother as a child, the same adolcence on his relativ’ Indiana farm, and the same rapid rise through televisn, Broadway, and movi—but no two wrers ever enunter exactly the same man. As journalists and thors attempted to fe a bgraphy om the short life and snt documentary evince, Jam Dean beme hopelsly tertwed wh the characters he played on screen. They need some explanatn for the power of his image. Each wrer projected as much of himself—and they are mostly all men—onto Dean as they ptured of the real man. In one of the most popular Dean bgraphi, David Dalton, a <em>Rollg Stone</em> -founr taken wh the New Age, even filled the gaps wh pagan mythology and nclud all serns that Dean was an avatar of the Egyptian god Osiris.</p><div size="medium" data-embed="body-image" data-no-id="12" class="align-center size-medium embed css-1736von e1xqj1sx4"><div class="css-uwraif e1xqj1sx3"><img alt="an scene" tle="Dean Scene" loadg="lazy" width="3548" height="2767" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><div class="css-swqnqv e1xqj1sx2"><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">John Kobal Foundatn</span><span class="css-1vpjmnm e6iqd0">//</span><span class="css-1mcfn5x e6iqd1">Getty Imag</span></figptn></div></div></div><p data-no-id="13" class="css-18vfmjb et3p2gv0">Across Ameri, teenagers and young adults reacted to Dean’s ath as though they lost their bt iend. Girls fated at the news. Boys choked back tears. Many refed to believe him gone. Hundreds of fan clubs sprang up, and the ad star received five thoand fan letters per month. It’s hard to image now jt how eply they loved the person they saw on the movie screen. The unprecented natnal grievg fed what would bee Ameri’s new love affair wh adolcence and endls youth. Teens flocked to Dean’s next film, <em>Rebel whout a Cse</em>, released jt weeks after he died, and boys saw s disaffected teenage hero a reflectn of themselv, someone who also stggled to be a “real” man, who neverthels uld be both ol and vulnerable. Sudnly, teenage boys had both power and purpose and a liberatg role mol. And their parents’ generatn hated , not least bee they worried about their boys beg like him—sensive, unmanly, for queer. And they had the power to do somethg about .</p><p data-no-id="14" class="css-18vfmjb et3p2gv0">Warner Bros. ma mov to sanize Dean’s bgraphy, strippg away the problematic parts of his life, sandg off his anger and harr edg, and makg his rebel act a mody, one more acceptable to the parents of teens. A year after Dean died, Ballante Books missned a bgraphy of Dean om Bill Bast, who followed his publisher’s orrs whout needg to be asked and purged Dean’s life of anythg queer to protect the man he loved, even ath. That didn’t stop queer people om seeg Bast’s bgraphy and <em>Rebel</em> what obliv straight dienc uld not. The queer playwright W. Somerset Mgham read and unrstood, as did future gay activist Jack Frscher. “Jam Dean was mascule; he was blond; he was hot; he was California; he was Amerin; he was gay,” Fristcher relled of his teenage fatuatn. “I wanted Jam Dean. I wanted to be him.”</p><div supprsHydratnWarng data-no-id="15" data-embed="pullquote" class="embed css-0 e9hzx6g0"><blockquote class="css-1eiql25 e1pe3zr91"><span aria-hidn="te" class="css-ow0dpz eagam8p0"></span><blockquote class="css-la9czl e1pe3zr90">“I’m not a homosexual,” he told a reporter who asked if he was gay, “but I’m not gog through life wh one hand tied behd my back.”</blockquote><span aria-hidn="te" class="css-0 eagam8p1"></span></blockquote></div><p data-no-id="16" class="css-18vfmjb et3p2gv0">In 1956, <em>Esquire </em>self sffed at “The Apotheosis of Jam Dean,” pictg Dean’s face beneath shattered glass. In 1959 the magaze asked the famed novelist John Dos Passos to wre about Dean for the magaze’s fiftieth anniversary. He plaed srnfully of the “sister” Dean’s “thwarted malens; girl-boy almost,” and mocked teenage boys for drsg and actg like their unmanly idol, all vany and narcissism and too much sensivy. They weren’t real men. Teenagers didn’t re, of urse. The old men sffed, but the young men saw a eer, ls nfg, more hont ia of masculy. At least for a while. But this was still the 20<sup>th</sup> century, and as they grew olr, they grew ls radil.</p><p data-no-id="17" class="css-18vfmjb et3p2gv0"> In the mid-1970s, a quartet of bgraphi announced Dean’s sexual volvement wh other men. Lookg back, ’s easy to see how the straight boys who worshiped Dean, now middle-aged men, felt betrayed. They had moled themselv and their manhood on one of<em> those people. </em>Worse, after the Stonewall Rt signaled the start of the gay rights movement, openly queer men like culture crics Parker Tyler and Jack Babc claimed Dean as an in of gay liberatn. His picture hung gay bars. Gay magaz and newsletters discsed his sexualy, and San Francis’s first leather bar, Fe-Be’s, missned a statue of a biker that remoled Michelangelo’s David as a leather-clad Jam Dean. </p><p data-no-id="18" class="css-18vfmjb et3p2gv0">Sudnly there was market for posthumoly punishg Dean for his betrayal of heterosexual manls. A generatn of wrers, both straight and gay, began claimg he was a sexual predator, a socpath, someone who should be shamed for his sex life, which they wrongly envisned creasgly baroque ways. Bgrapher Venable Herndon alleged that Dean had been a gay sex worker for whom no act was too gradg or too extreme. In <em>Hollywood Babylon II, </em>Kenh Anger picted him burng his flh wh cigarett durg what Anger scribed as sexual self-punishment. Jt five years ago, bgrapher Darw Porter improbably alleged Dean was the submissive a master-slave relatnship wh Marlon Brando that shad unfortably to abe. In his recent study of Dean’s movie <em>Giant, </em>the late Don Graham envisned Dean as a socpathic but aggrsively straight predator systematilly g sex to entrap powerful olr men. This summer, nis new novel <em>Wispread Panic</em>, agg <em>L. A. Confintial </em>thor Jam Ellroy still picted Dean as a villa, a sex worker and pornographer, an amoral androgyno sex fiend. “I’m really kd and gentle,” Dean once wrote.</p><p data-no-id="19" class="css-18vfmjb et3p2gv0">But no one reads books, not anymore. Few people have heard much about what’s them. Outsi of the LGBTQ+ muny and amia Jam Dean's sex life is still news, half a century late. Dean believed the power of image, and Hollywood and Madison Avenue have long sold a different Jam Dean to the public, the smolrg, straight stud ripped right om 1950s Warner Bros. publicy mpaigns. <em>That</em> Jam Dean, the one seen sweeps-week TV bpics and glossy mpaigns for brands like Tommy Hilfiger and Montblanc, has been rced for seven s to an image, a celluloid sat, silent and safe. To an extent was unrstandable. Advertisers and producers had often faced major backlash if they ed queer people to advertise to straight nsumers, and Jam Dean remas one of Ameri’s bt-paid ad celebri, still takg as much as $8.5 ln per year, acrdg to <em>Forb</em>’ recent annual rankgs. </p><p data-no-id="20" class="css-18vfmjb et3p2gv0">The irony is that the image of Jam Dean the ol rebel was a purposeful performance, the photographs passg for the man as plete as the shards of bgraphy that mixed wh his film rol and passed for his life. The real, plited, secure, nerdy, queer person behd the image, however, remas dangeroly, shockgly morn, a twentieth-century man fightg to have a twenty-first century life. It’s past time we let him. </p><style data-emotn="css 2ok9l4">{marg-top:1.875rem;borr-top:th solid #595959;}</style><div data-jam-id="thor-b" class="css-2ok9l4 e13rjwo40"><style data-emotn="css f0b5z8">{display:grid;grid-template-lumns:to 1;grid-lumn-gap:0.625rem;paddg-top:1.25rem;paddg-bottom:1.25rem;clear:both;}</style><div class="css-f0b5z8 e19xk9rq8"><style data-emotn="css irehmq">{borr-radi:50%;height:60px;width:60px;}@media(max-width: 48rem){{width:40px;height:40px;}}</style><span class="css-irehmq e19xk9rq1"><style data-emotn="css o0wq4v">{width:100%;height:100%;borr-radi:50%;vertil-align:middle;object-f:ver;}</style><img src="" alt="Headshot of Jason Colavo" tle="Headshot of Jason Colavo" width="100%" height="100%" dg="async" loadg="lazy" class="css-o0wq4v e19xk9rq3" /></span><div><style data-emotn="css 3sqxrq">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;grid-gap:4px;-webk-align-ems:basele;-webk-box-align:basele;-ms-flex-align:basele;align-ems:basele;-webk-box-flex-wrap:wrap;-webk-flex-wrap:wrap;-ms-flex-wrap:wrap;flex-wrap:wrap;}</style><div class="css-3sqxrq e19xk9rq7"><span class="css-0 e19xk9rq5"><style data-emotn="css 1yunoig">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-lor:her;text-ratn-thickns:0.0625rem;text-transform:upperse;text-unrle-offset:0.25rem;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><style data-emotn="css 1kgdfad">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;text-transform:upperse;lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-lor:her;text-ratn-thickns:0.0625rem;text-transform:upperse;text-unrle-offset:0.25rem;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><a href="/thor/231657/jason-lavo/" class="e1c1bym13 css-1kgdfad e1c1bym14"><span>Jason Colavo</span></a></span></div><style data-emotn="css 1b1navg">{display:-webk-box;font-fay:Charter,Geia,Tim,Serif;font-size:1rem;le-height:1.4;overflow:hidn;paddg-top:0.3125rem;-webk-box-orient:vertil;-webk-le-clamp:5;}@media(max-width: 48rem){{-webk-le-clamp:10;}}>*{display:le;} em{font-fay:CharterItalic,Geia,Tim,Serif;font-style:alic;} p{marg:0rem;} p a{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:her;text-unrle-offset:0.25rem;} p a:hover{text-ratn-lor:borr-lk-body-hover;}</style><div class="css-1b1navg e19xk9rq4"><p>Jason Colavo is a journalist and thor who wr about history and popular culture. He is the thor of <em>The Legends of the Pyramids</em> (Red Lightng, 2021) and is workg on a book about Jam Dean, flyg scers, and sex panic the 1950s. He liv upstate New is onle at <a href=" rel="noopener noreferrer" target="_blank"></a> and on Twter <a href="" rel="noopener noreferrer" target="_blank">@Jason Colavo</a>.</p></div></div></div></div><style data-emotn="css ciejky">{clear:both;marg-top:1.25rem;}</style><div id="journey-le" class="css-ciejky e1cslvxz0"></div><style data-emotn="css 79elbk">{posn:relative;}</style><div class="css-79elbk eg8z2o90"><div class="css-79elbk e1tp40ll1"><div data-anchor-id="P0-0" class="css-0 e1tp40ll0"></div></div><style data-emotn="css hi6ssp">{display:block;grid-area:article_body;grid-lumn:article_body-start/article_body-end;grid-row:to;jtify-self:center;marg:1.25rem 0 0;}@media prt{{display:none;}}@media(max-width: 30rem){{width:100%;}}@media(max-width: 61.25rem){{m-height:28rem;}}@media(m-width: 30rem){{width:488px;}}@media(m-width: 40.625rem){{width:612px;}}@media(m-width: 64rem){{max-width:40.25rem;}}</style><div class="css-hi6ssp eg8z2o92"></div></div></div></div><div></div><style data-emotn="css 6b9rfj">{display:block;-webk-flex-basis:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 2);-ms-flex-preferred-size:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 2);flex-basis:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 2);-webk-box-flex:0;-webk-flex-grow:0;-ms-flex-posive:0;flex-grow:0;-webk-flex-shrk:0;-ms-flex-negative:0;flex-shrk:0;}@media(max-width: 61.25rem){{display:none;}}</style><div class="no-prt css-6b9rfj ewisyje1"><div><style data-emotn="css 1tuodqg">{width:330px;paddg-left:30px;}</style><div id="ad-article-rail-flt-wrapper" class="vertil-ad css-1tuodqg eqm02p30"><style data-emotn="css w0cuw4">{display:block;posn:-webk-sticky;posn:sticky;top:5rem;}@media(max-width: 61.25rem){{display:none;}}</style><div class="vertilAdSticky css-w0cuw4 eqm02p32"><style data-emotn="css 9fasmy">{m-height:523px;top:5rem;}@media(max-width: 61.25rem){{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;-webk-box-pack:jtify;-webk-jtify-ntent:space-between;jtify-ntent:space-between;}}@media(m-width: 48rem){{m-height:138px;}}@media(max-width: 61.25rem){{ntent:"";display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;borr-bottom:th solid #E8E8E8;}}</style><div class="standard-article-vertil-ad css-9fasmy eqm02p31"><style data-emotn="css 14b96eg">{m-width:18.75rem;text-align:center;}</style><div id="gpt-ad-vertil-top" class="ad-ntaer css-14b96eg e1hka4w80"></div></div></div></div></div></div></div><div data-teractive="WatchNext-1" class="css-0 e10xr3vp6"><style data-emotn="css 1pqv15d">{marg-bottom:1.875rem;marg-top:1.875rem;paddg:0 0.938rem;}@media(m-width: 40.625rem){{paddg:0 2.5rem;}}</style><div data-embed="watch-next" class="css-1pqv15d e10xr3vp5"><style data-emotn="css 604vx7">{text-align:center;marg:0 to;max-width:60rem;borr-top:0.125rem solid #15263D;}</style><div class="css-604vx7 e10xr3vp4"><style data-emotn="css 1sowyjy">{marg-bottom:1.25rem;}</style><div class="css-1sowyjy e10xr3vp3"><style data-emotn="css ju94x7">{marg:0rem;font-weight:normal;background-lor:#ffffff;lor:#000;borr:0.125rem solid #15263D;text-align:left;width:-webk-f-ntent;width:-moz-f-ntent;width:f-ntent;borr-radi:2rem;display:block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.70028rem;le-height:1.2;letter-spacg:0.04rem;marg-top:-1rem;paddg:0.5rem 0.9375rem 0.25rem;text-transform:upperse;}</style><h6 class="css-ju94x7 e10xr3vp2"><span aria-hidn="te" class="css-0 eagam8p0"></span><span class="css-0 e10xr3vp1">Watch Next</span><span aria-hidn="te" class="css-0 eagam8p1"></span></h6><style data-emotn="css un61">{-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;marg:0rem;m-height:to;paddg-top:1rem;text-align:left;}@media(max-width: 48rem){{font-size:1.5rem;le-height:1.1;}}@media(m-width: 48rem){{font-size:1.875rem;le-height:1.3;}}@media(m-width: 64rem){{font-size:2.125rem;le-height:1.2;}}</style><h6 class="css-un61 e10xr3vp0"> </h6></div><style data-emotn="css b3y6x">{marg-bottom:0.9375rem;--aspect-rat:56.25%;} {posn:absolute;marg:0rem;}{ntent:"";display:block;height:0rem;width:100%;}@media(max-width: 30rem){{paddg-bottom:lc((45% / 1.16) + 20px + 1.66em);}}@media(m-width: 30rem) and (max-width: 48rem){{paddg-bottom:lc((45% / 1.43) + 20px + 1.66em);}}@media(m-width: 40.625rem) and (max-width: 64rem){{paddg-bottom:lc((33% / 1.40) + 20px + 1.66em);}}@media(m-width: 48rem){{paddg-bottom:lc((25% / 1.36) + 20px + 1.66em);}}@media(m-width: 64rem){{paddg-bottom:lc((25% / 1.46) + 20px + 1.66em);}}</style><div class="__rp-ntaer css-b3y6x e6l0f0"><style data-emotn="css 1yu8e3d">{marg-bottom:0.9375rem;width:100%;height:100%;} .__rp-ntaer{height:to;}</style><div data-embed="embed-vio" class="vio-player css-1yu8e3d e1ou1fny0"><style data-emotn="css 1uds6oo">{height:100%;width:100%;posn:relative;}</style><div class="css-1uds6oo e1f7ylgd6"><style data-emotn="css 1iiivv4">{background-lor:rgba(0, 0, 0, 0.4);borr:.1875rem solid whe;borr-radi:50%;lor:#fff;cursor:poter;height:3.75rem;left:50%;posn:absolute;top:50%;-webk-transform:translate(-50%,-50%);-moz-transform:translate(-50%,-50%);-ms-transform:translate(-50%,-50%);transform:translate(-50%,-50%);-webk-transn:all 0.4s;transn:all 0.4s;width:3.75rem;z-x:1;}.e1f7ylgd6:hover {background-lor:rgba(33, 150, 245, 0.8);lor:#ffffff;}@media(m-width: 48rem){{height:5.625rem;width:5.625rem;borr:.28125rem solid whe;}}</style><button aria-label="Play Vio" class="css-1iiivv4 e1f7ylgd1"><style data-emotn="css 1lhf7lq">{fill:#ffffff;height:1.4rem;vertil-align:middle;width:1.45rem;}@media(m-width: 48rem){{width:2.3125rem;height:3rem;}}</style><svg xmlns=" width="24" height="24" viewBox="0 0 24 24" style="fill: var(--primary, #000);" role="img" tle="Play" class="css-1lhf7lq e1f7ylgd2"><tle>play in .

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