Why "Sex and the Cy" is bad for the gays

WHY "SEX AND THE CY" IS BAD FOR THE GAYS
WILLIE GARSON, CARRIE'S GAY BTIE ON SEX AND THE CY, HAS DIED
WHEN SEX AND THE CY RETURNS, WILL IT FALLY GET QUEER PEOPLE RIGHT?THE CLASSIC EDY HAS A TERRIBLE TRACK RERD ON QUEER ISSU, PECIALLY FOR A SHOW WRTEN BY WOMEN AND GAY MEN.BY CASSIE DA COSTAJANUARY 13, 2021FROM GETTY IMAG.SAVE THIS STORYSAVESAVE THIS STORYSAVEON SUNDAY, HBO MAX NFIRMED THAT A SEX AND THE CY REBOOT LLED AND JT LIKE THAT… IS OFFICIALLY THE WORKS—AN ANNOUNCEMENT THAT SPIRED FERVENT SPECULATN AMONG FANS AND CRICS. (NOT LEAST BEE THE SHOW IS, TRAGILLY, DOWN ONE LEAD: KIM CATTRALL’S SAMANTHA.) THE ORIGAL SERI WAS FAMOLY NDID, AND OFTEN CLEVER, AS FOLLOWED FOUR IENDS—SAMANTHA, SARAH JSI PARKER’S CARRIE, CYNTHIA NIXON’S MIRANDA, AND KRIST DAVIS’S CHARLOTTE—SNAPPILY DISCSG THE TAILS OF THEIR SEX LIV, DATG PREFERENC, AND PERSONAL ASPIRATNS. BUT S QUIPPY, CY-GIRL TONE HAS AGED UNEVENLY. THOUGH THAT APPROACH WAS WELL-SUED TO A STORY ABOUT PROUDLY IMPERFECT WOMEN, THE SHOW ALSO ED AS A CHEAP EXCE TO CENTER A VERY SPECIFIC VIEWPOT: STRAIGHT WHE AFFLUENCE, AS WRTEN BY STRAIGHT WHE WOMEN AND GAY WHE MEN.FOR THOSE WHO STILL WATCH THE ORIGAL SERI WHENEVER THEY’VE GOT FIVE HOURS TO WASTE AWAY ON THE UCH, ’S NOT HARD TO ACKNOWLEDGE S WRONGHEADNS WHILE ENJOYG S TENACY AND EXTREME WATCHABILY. MUCH LIKE S SCENDANT GIRLS, SATC DRILLED TO EVEN THE MOST SHARPLY CRIL LENNIALS THAT MAY BE ELS TO TRY TO UNTANGLE THOSE CHARACTERISTICS—AND ANYWAY, ’S ALL JT TELEVISN, RIGHT? WHO DON’T ENJOY AN ELEVATED MS?NEWS OF A REBOOT, THOUGH, V TO RENSIR THE SHOW’S TONE AND IAS—AND OFTEN, SEX AND THE CY’S JIB TOOK THE FORM OF HOMOPHOBIA AND TRANSPHOBIA. THROUGHOUT THE URSE OF THE SERI, SAMANTHA GLEEFULLY ED A TRANSPHOBIC SLUR A DIG AGAST SEX WORKERS; CARRIE DOUBTED THE VALIDY OF BISEXUAL MEN; MORE THAN ONE EPISO, LBIANS WERE PORTRAYED AS EXCLIVELY WHE, RICH, AND POWER-HUNGRY. STANFORD (WILLIE GARSON), CARRIE’S TOKEN GAY MALE IEND, WAS MORE OF AN ACCSORY THAN A PERSON; THE SEND SEX AND THE CY MOVIE, HE END UP MARRYG THE ANCHISE’S ONLY OTHER GAY MALE REGULAR, EVEN THOUGH HIS FUTURE HBAND ONCE CHASTISED HIS IEND CHARLOTTE FOR ASSUMG HE’D EVEN BE TERTED STANFORD. (“WHY, BEE HE’S GAY AND I’M GAY?” MAR CANTONE’S ANTHONY ASKED SEASON FOUR. “CHARLOTTE, LET ME CLEAR SOMETHG UP FOR YOU…I ULD DO A LOT BETTER.”)EVEN WHEN SAMANTHA, THE MOST SEXUALLY ADVENTURO OF THE BUNCH, DATED A WOMAN (PLAYED BY THE BELOVED BRAZILIAN ACTOR SôNIA BRAGA), SEX AND THE CY FUMBLED. THE SHOW ED LBIANISM AS A NARRATIVE VICE, PATG AS A STRATEGY BORN OUT OF DATG FATIGUE; THE POSSIBILY THAT SAMANTHA WAS LEGIMATELY CUR OR BISEXUAL WAS NEVER EXPLORED. HER IENDS’ SLY, SELF-CENTERED MENTARY ABOUT HER NEW RELATNSHIP—THAT SAMANTHA WAS SIMPLY A PHASE, THAT SHE WAS DOG THIS FOR ATTENTN—WAS AMED NOT AS GOSSIP, BUT SIGHT.TO THOSE OUTSI OF QUEER MUNI, SUCH A READG MAY E AS A SURPRISE; HOW ULD SEX AND THE CY GET GAY PEOPLE SO WRONG? HOW ULD S OPENLY GAY WRERS—PRIMARILY CREATOR DARREN STAR AND EXECUTIVE PRODUCER MICHAEL PATRICK KG—SORELY MISREPRENT A GROUP THEY’RE A PART OF?BUT ’S OLD NEWS TO NOTE THAT (UALLY UPPER-CLASS) WHE GAY MEN HAVE A SERVED REPUTATN FOR TAKG NSERVATIVE AND EVEN BIGOTED POSNS ABOUT THEIR TRANS, BLACK, LBIAN, OR FAT BRETHREN, ACTG AS IF A MIX OF SELF-HATRED AND DISDA OF THE OTHER IS A CHARMG PERSONALY TRA. ACRDGLY, SEX AND THE CY’S MOST REACTNARY PERSPECTIV ARE NEVER PORTRAYED AS A SOURCE OF SHAME FOR THE CHARACTERS OR THEIR ACQUATANC; THEY’RE ALWAYS MEANT AS LIGHT ENTERTAMENT. SIARLY, STRAIGHT WHE WOMEN—LIKE THE BULK OF SEX AND THE CY’S WRERS—N OFTEN ACT AS ACPLIC AND AVATARS FOR THIS EXCLN. IN MANY WAYS, SEX AND THE CY ED THE MUCH-STEREOTYPED DYNAMIC OF IENDSHIP BETWEEN STRAIGHT WHE WOMEN AND GAY MEN TO PROP UP SELF-ASSUREDLY IGNORANT WORLDVIEWS.IT’S THIS AGE-OLD MIX OF GAY PATRIARCHY AND WHE SUPREMACY THAT ADDS A LAYER OF TREPIDATN TO ANYONE ANTICIPATG HBO’S LIMED-SERI REVIVAL OF THE SHOW. STAR, NOW HELMG THE POPULARLY HATE-WATCHED EY PARIS, IS OUT, WHILE KG, WHO WROTE AND DIRECTED SATC’S CRILLY MALIGNED BUT LUCRATIVE FILM SEQUELS, IS . STAR AND KG WORKED ALONGSI EACH OTHER FOR YEARS ON THE ORIGAL SERI; THE TERIM, KG PRODUCED THE CBS S 2 BROKE GIRLS, WHICH RECEIVED CRICISM FOR BLATANT RACISM. THE SKILL WILL TAKE TO ISSUE A REBOOT THAT IS SELF-AWARE WHOUT BEG SELF-NSC REQUIR MORE THAN EXPERIENCE OR SELF-HELP REVELATNS—IMAGATN IS SENTIAL.BUT AND JT LIKE THAT… WILL BE A H CREATN, EXISTG FIRMLY THE PRENT—A PRENT WHERE, FOR EXAMPLE, CYNTHIA NIXON IS NOW MARRIED TO A WOMAN AND THE MOTHER TO A TRANS CHILD. IT’S UNLIKELY THAT SHE, AT LEAST, WOULD SIGN ONTO AND JT LIKE THAT… IF S SCRIPTS WERE AS VALIER ABOUT QUEER ISSU AS THE ORIGAL SERI SO OFTEN WAS. COULD A REPRISAL FORCE KG TO EXAME HOW HIS CHARACTERS’ FLAWS WERE OFTEN ROOTED AN ANTI-QUEER MENTALY? OR WILL THE NEW SERI SIMPLY PAPER OVER THE SHOW’S HISTORY BY MAKG CARRIE, MIRANDA, AND CHARLOTTE PARAGONS OF MIDLIFE EMOTNAL AND MORAL GROWTH? PERHAPS, THE END, OUR FAN FICTN ABOUT A LBIAN NEW YORK ERNOR MIRANDA HOBB ULD E TO UN—AS AN DIENCE-PANRG PLOT THAT ATON FOR SEX AND THE CY’S PAST SS.MORE GREAT STORI FROM VANY FAIR— INSI BRIDGERTON’S SEXY, MORN MAKEOVER OF THE REGENCY PERD DRAMA— BORAT’S MARIA BAKALOVA HAD A SWEET RNN WH JEANISE JON— TA FEY AND ROBERT CARLOCK WRTLE CLUMSILY WH POLICS MR. MAYOR— BLAZG BLON BOMBSHELL: BARBARA PAYTON’S BOULEVARD OF BROKEN DREAMS— BRYAN CRANSTON DANC WH THE DEVIL YOUR HONOR— MEET BRIDGERTON’S DREAMBOAT DE, REGé-JEAN PAGE— STEPHEN COLBERT ANSWERS THE PROT QUTNNAIRE— FROM THE ARCHIVE: SAN SIMEON’S CHILD— NOT A SUBSCRIBER? JO VANY FAIR TO RECEIVE FULL ACCS TO AND THE PLETE ONLE ARCHIVE NOW.MOST POPULARWH MATRO, LEONARD BERNSTE’S LEGACY AND LOV FALLY H THE BIG SCREENBY REBEC FORD25 PERFECT TV EPISOS FROM THE LAST 25 YEARSBY HILLARY BISTHE BOOK OF CLARENCE IS A BOMBASTIC JOURNEY BACK TO THE BIBLIL ERABY REBEC FORDCASSIE DA COSTA

Mcg stereotyp, old clich: How n a anchise created and beloved by gay men be so bad at portrayg them? * charlotte's gay best friend sex and the city *

Mcg stereotyp, old clich: How n a anchise created and beloved by gay men be so bad at portrayg them? I like to thk I'm not the kd of gay man who gets easily offend watchg movi about gay people.

Even at-party celebratns like "The Haner" are required to show some nuance and sensivy toward gay characters and them. But two movi the past two years have ma me genuely angry, and the strange thg is, the two movi are aimed largely at gay men, beloved by gay men, and most surprisgly of all, ma by gay men: "Sex and the Cy" and, now, s md-blowgly tone-af sequel, "Sex and the Cy 2. But most surprisg of all, given the fact that both movi were wrten and directed by the openly gay Michael Patrick Kg, is how retrogra they are their treatment of gayns.

WILLIE GARSON, CARRIE'S GAY BTIE ON SEX AND THE CY, HAS DIED

The two ma gay characters, Carrie's chubby pal Stanford (Willie Garson) and Charlotte's sassy BFF Anthony Maranto (played by Mar Cantone), are tragilly asexual helpmat whose ma role has always been to provi relatnship advice to the show's straight female characters, flg bchy quips, or let their flamboyant outfs serve as a visual punch le. Anthony, particular, is the worst kd of shallow, fashn-gbbg gay mstrel. "Her bt gay iend is marryg my bt gay iend!

WHEN SEX AND THE CY RETURNS, WILL IT FALLY GET QUEER PEOPLE RIGHT?THE CLASSIC EDY HAS A TERRIBLE TRACK RERD ON QUEER ISSU, PECIALLY FOR A SHOW WRTEN BY WOMEN AND GAY MEN.BY CASSIE DA COSTAJANUARY 13, 2021FROM GETTY IMAG.SAVE THIS STORYSAVESAVE THIS STORYSAVEON SUNDAY, HBO MAX NFIRMED THAT A SEX AND THE CY REBOOT LLED AND JT LIKE THAT… IS OFFICIALLY THE WORKS—AN ANNOUNCEMENT THAT SPIRED FERVENT SPECULATN AMONG FANS AND CRICS. (NOT LEAST BEE THE SHOW IS, TRAGILLY, DOWN ONE LEAD: KIM CATTRALL’S SAMANTHA.) THE ORIGAL SERI WAS FAMOLY NDID, AND OFTEN CLEVER, AS FOLLOWED FOUR IENDS—SAMANTHA, SARAH JSI PARKER’S CARRIE, CYNTHIA NIXON’S MIRANDA, AND KRIST DAVIS’S CHARLOTTE—SNAPPILY DISCSG THE TAILS OF THEIR SEX LIV, DATG PREFERENC, AND PERSONAL ASPIRATNS. BUT S QUIPPY, CY-GIRL TONE HAS AGED UNEVENLY. THOUGH THAT APPROACH WAS WELL-SUED TO A STORY ABOUT PROUDLY IMPERFECT WOMEN, THE SHOW ALSO ED AS A CHEAP EXCE TO CENTER A VERY SPECIFIC VIEWPOT: STRAIGHT WHE AFFLUENCE, AS WRTEN BY STRAIGHT WHE WOMEN AND GAY WHE MEN.FOR THOSE WHO STILL WATCH THE ORIGAL SERI WHENEVER THEY’VE GOT FIVE HOURS TO WASTE AWAY ON THE UCH, ’S NOT HARD TO ACKNOWLEDGE S WRONGHEADNS WHILE ENJOYG S TENACY AND EXTREME WATCHABILY. MUCH LIKE S SCENDANT GIRLS, SATC DRILLED TO EVEN THE MOST SHARPLY CRIL LENNIALS THAT MAY BE ELS TO TRY TO UNTANGLE THOSE CHARACTERISTICS—AND ANYWAY, ’S ALL JT TELEVISN, RIGHT? WHO DON’T ENJOY AN ELEVATED MS?NEWS OF A REBOOT, THOUGH, V TO RENSIR THE SHOW’S TONE AND IAS—AND OFTEN, SEX AND THE CY’S JIB TOOK THE FORM OF HOMOPHOBIA AND TRANSPHOBIA. THROUGHOUT THE URSE OF THE SERI, SAMANTHA GLEEFULLY ED A TRANSPHOBIC SLUR A DIG AGAST SEX WORKERS; CARRIE DOUBTED THE VALIDY OF BISEXUAL MEN; MORE THAN ONE EPISO, LBIANS WERE PORTRAYED AS EXCLIVELY WHE, RICH, AND POWER-HUNGRY. STANFORD (WILLIE GARSON), CARRIE’S TOKEN GAY MALE IEND, WAS MORE OF AN ACCSORY THAN A PERSON; THE SEND SEX AND THE CY MOVIE, HE END UP MARRYG THE ANCHISE’S ONLY OTHER GAY MALE REGULAR, EVEN THOUGH HIS FUTURE HBAND ONCE CHASTISED HIS IEND CHARLOTTE FOR ASSUMG HE’D EVEN BE TERTED STANFORD. (“WHY, BEE HE’S GAY AND I’M GAY?” MAR CANTONE’S ANTHONY ASKED SEASON FOUR. “CHARLOTTE, LET ME CLEAR SOMETHG UP FOR YOU…I ULD DO A LOT BETTER.”)EVEN WHEN SAMANTHA, THE MOST SEXUALLY ADVENTURO OF THE BUNCH, DATED A WOMAN (PLAYED BY THE BELOVED BRAZILIAN ACTOR SôNIA BRAGA), SEX AND THE CY FUMBLED. THE SHOW ED LBIANISM AS A NARRATIVE VICE, PATG AS A STRATEGY BORN OUT OF DATG FATIGUE; THE POSSIBILY THAT SAMANTHA WAS LEGIMATELY CUR OR BISEXUAL WAS NEVER EXPLORED. HER IENDS’ SLY, SELF-CENTERED MENTARY ABOUT HER NEW RELATNSHIP—THAT SAMANTHA WAS SIMPLY A PHASE, THAT SHE WAS DOG THIS FOR ATTENTN—WAS AMED NOT AS GOSSIP, BUT SIGHT.TO THOSE OUTSI OF QUEER MUNI, SUCH A READG MAY E AS A SURPRISE; HOW ULD SEX AND THE CY GET GAY PEOPLE SO WRONG? HOW ULD S OPENLY GAY WRERS—PRIMARILY CREATOR DARREN STAR AND EXECUTIVE PRODUCER MICHAEL PATRICK KG—SORELY MISREPRENT A GROUP THEY’RE A PART OF?BUT ’S OLD NEWS TO NOTE THAT (UALLY UPPER-CLASS) WHE GAY MEN HAVE A SERVED REPUTATN FOR TAKG NSERVATIVE AND EVEN BIGOTED POSNS ABOUT THEIR TRANS, BLACK, LBIAN, OR FAT BRETHREN, ACTG AS IF A MIX OF SELF-HATRED AND DISDA OF THE OTHER IS A CHARMG PERSONALY TRA. ACRDGLY, SEX AND THE CY’S MOST REACTNARY PERSPECTIV ARE NEVER PORTRAYED AS A SOURCE OF SHAME FOR THE CHARACTERS OR THEIR ACQUATANC; THEY’RE ALWAYS MEANT AS LIGHT ENTERTAMENT. SIARLY, STRAIGHT WHE WOMEN—LIKE THE BULK OF SEX AND THE CY’S WRERS—N OFTEN ACT AS ACPLIC AND AVATARS FOR THIS EXCLN. IN MANY WAYS, SEX AND THE CY ED THE MUCH-STEREOTYPED DYNAMIC OF IENDSHIP BETWEEN STRAIGHT WHE WOMEN AND GAY MEN TO PROP UP SELF-ASSUREDLY IGNORANT WORLDVIEWS.IT’S THIS AGE-OLD MIX OF GAY PATRIARCHY AND WHE SUPREMACY THAT ADDS A LAYER OF TREPIDATN TO ANYONE ANTICIPATG HBO’S LIMED-SERI REVIVAL OF THE SHOW. STAR, NOW HELMG THE POPULARLY HATE-WATCHED EY PARIS, IS OUT, WHILE KG, WHO WROTE AND DIRECTED SATC’S CRILLY MALIGNED BUT LUCRATIVE FILM SEQUELS, IS . STAR AND KG WORKED ALONGSI EACH OTHER FOR YEARS ON THE ORIGAL SERI; THE TERIM, KG PRODUCED THE CBS S 2 BROKE GIRLS, WHICH RECEIVED CRICISM FOR BLATANT RACISM. THE SKILL WILL TAKE TO ISSUE A REBOOT THAT IS SELF-AWARE WHOUT BEG SELF-NSC REQUIR MORE THAN EXPERIENCE OR SELF-HELP REVELATNS—IMAGATN IS SENTIAL.BUT AND JT LIKE THAT… WILL BE A H CREATN, EXISTG FIRMLY THE PRENT—A PRENT WHERE, FOR EXAMPLE, CYNTHIA NIXON IS NOW MARRIED TO A WOMAN AND THE MOTHER TO A TRANS CHILD. IT’S UNLIKELY THAT SHE, AT LEAST, WOULD SIGN ONTO AND JT LIKE THAT… IF S SCRIPTS WERE AS VALIER ABOUT QUEER ISSU AS THE ORIGAL SERI SO OFTEN WAS. COULD A REPRISAL FORCE KG TO EXAME HOW HIS CHARACTERS’ FLAWS WERE OFTEN ROOTED AN ANTI-QUEER MENTALY? OR WILL THE NEW SERI SIMPLY PAPER OVER THE SHOW’S HISTORY BY MAKG CARRIE, MIRANDA, AND CHARLOTTE PARAGONS OF MIDLIFE EMOTNAL AND MORAL GROWTH? PERHAPS, THE END, OUR FAN FICTN ABOUT A LBIAN NEW YORK ERNOR MIRANDA HOBB ULD E TO UN—AS AN DIENCE-PANRG PLOT THAT ATON FOR SEX AND THE CY’S PAST SS.MORE GREAT STORI FROM VANY FAIR— INSI BRIDGERTON’S SEXY, MORN MAKEOVER OF THE REGENCY PERD DRAMA— BORAT’S MARIA BAKALOVA HAD A SWEET RNN WH JEANISE JON— TA FEY AND ROBERT CARLOCK WRTLE CLUMSILY WH POLICS MR. MAYOR— BLAZG BLON BOMBSHELL: BARBARA PAYTON’S BOULEVARD OF BROKEN DREAMS— BRYAN CRANSTON DANC WH THE DEVIL YOUR HONOR— MEET BRIDGERTON’S DREAMBOAT DE, REGé-JEAN PAGE— STEPHEN COLBERT ANSWERS THE PROT QUTNNAIRE— FROM THE ARCHIVE: SAN SIMEON’S CHILD— NOT A SUBSCRIBER? JO VANY FAIR TO RECEIVE FULL ACCS TO AND THE PLETE ONLE ARCHIVE NOW.MOST POPULARWH MATRO, LEONARD BERNSTE’S LEGACY AND LOV FALLY H THE BIG SCREENBY REBEC FORD25 PERFECT TV EPISOS FROM THE LAST 25 YEARSBY HILLARY BISTHE BOOK OF CLARENCE IS A BOMBASTIC JOURNEY BACK TO THE BIBLIL ERABY REBEC FORDCASSIE DA COSTA

" exclaims Charlotte, the sequel's first scene, before Carrie adds, "Jt when you thought everyone was too old to get married, here e the gays. It's the clichéd, nscendg hetero fantasy, the one which you troduce the only two gay men you know, and magilly, the sparks fly. If I had a dollar every time I met a woman who said, "Oh, you're gay?

You should meet my gay iend, " I uld probably buy a plane ticket to Abu Dhabi (or, at the very least, Buffalo). And yet, a movie that feigns to tackle the plexi of morn romance, all a gay man needs to do to fd love is be placed the general vicy of another gay person -- even if he's as repellent as Mar Cantone.

Admtedly, when "Sex and the Cy" went on the air 1998, the gay televisn landspe was vastly different. Characters like Will and Jack on NBC's "Will & Grace" had to be sexls and unrveloped to make them palatable to nervo Amerin dienc still gettg ed to the ia of two homos smack dab the middle of mt-see TV. But over the past , televisn portrayals of gay men have cracked open to somethg far more nuanced.

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