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Contents:
DANCE PRI: THE GAY ORIGS OF DANCE MIC
Threw a gay techno ftival Mexi Cy. The gay sectn of the el kartel (the on sellg stuff at our parti) is n by lbian and trans men goths. The secrecy of the illegal rav was sential to avoid beg shut down by the police: Rav were typilly held abandoned buildgs—the Bankle Buildg, the Packard Automotive Plant, and tra statns—as well as black and gay clubs, secret basements, and private hom.
The law, which uld be enforced or ignored at will, was largely perceived as homophobic and racist, and was at odds wh what many night revelers had gone to clubs to pe. Growg up durg uncerta tim, bed wh the experience of beg gay a still-nservative environment, led Tillmans to embrace the world he found Hamburg, where youth danced their nights away to acid hoe.
In 1986, Renaldi reloted to attend New York Universy, where he threw himself to New York Cy’s drag and gay club scen. To be gay New York Cy durg the 1980s meant beg equally gripped by sire and fear. We got here, the thor argu, by raidg Ao-Caribbean blu danc, sound systems and gay night clubs, by forcg travellers off the road – and by beatg up mers and E’d-up the centre of this strategy, he poss, was the Thatcher-era notn of “the enemy wh” – which Gillett extends to pretty much anyone the Conservative party didn’t like the look of (early shots, arguably, what we now know as the culture wars).