Wan-Hsiu Sunny Tsai, HOW MINORITY CONSUMERS USE TARGETED ADVERTISING AS PATHWAYS TO SELF-EMPOWERMENT: Gay Men's and Lbians' Readg of Out-of-the-Closet Advertisg, Journal of Advertisg, Vol. 40, No. 3 (Fall 2011), pp. 85-97
Contents:
- KEYNOTE ADDRS: CONSUMER CULTURE AND POLIL RISTANCE—HOW GAY ENTREPRENRS SPARKED A MOVEMENT
- FRIENDSHIP TROUBLE: AN EXAMATN OF THE GAY BT FRIEND INTY AMERIN CONSUMER CULTURE
- TURNS OUT, BARBIELAND ISN'T AS GAY AS S QUEER FANS HAD HOPED
- APPEARANCE AND SELF-PRENTATN REARCH GAY NSUMER CULTUR: ISSU AND IMPACT
- REPRENTG FIFTY SHAS OF GAY THE LGBTQ+ MARKETPLACE
KEYNOTE ADDRS: CONSUMER CULTURE AND POLIL RISTANCE—HOW GAY ENTREPRENRS SPARKED A MOVEMENT
The LGBTQ+ populatn is predicted to swell to 1 billn by 2050, prentg a vast and creasgly nuanced nsumer base for brands to appreciate. Wh Pri month g, Tag Warner, CEO of GAY TIMES – a global publisher + now brand advisory group – outl key strategi for June, and beyond * consumer culture gay *
AbstractThe creasg visibily of homosexualy society, bed wh the lbian and gay muny's nsirable buyg power, has triggered marketers and rearchers' tert unrstandg homosexual nsumers' nsumptn patterns. Prr rearch on whether homosexual nsumers behave differently om heterosexual nsumers has yield mixed rults, and rearchers and practners still do not know whether any substantial differenc exist, what the differenc look like, and how they n be explaed.
FRIENDSHIP TROUBLE: AN EXAMATN OF THE GAY BT FRIEND INTY AMERIN CONSUMER CULTURE
Gillian W. Oakenfull, What Matters: Factors Influencg Gay Consumers' Evaluatns of "Gay-Friendly" Corporate Activi, Journal of Public Policy & Marketg, Vol. 32, SPECIAL ISSUE (2013), pp. 79-89 * consumer culture gay *
Fdgs om a morator analysis ntradict nventnal wisdom and lay theori, while partly supportg assumptns that are rooted evolutnary and blogil theori that show nsumptn differenc crease wh age; they crease when parg homosexuals and heterosexuals of the same genr. Redrsg a 2016-iated brilliantly subversive but also highly divisive mpaign where fully lored s famo rabow-lored packagg to honor the ‘most important rabow’ (ntroversial bee some perceived the all-whe sign as promotg the racist whe pri movement) for 2021 partnered wh GAY TIMES and LGBTQ+ helple Swchboard to lorize black-and-whe archive photos om Pri celebratns of the ‘70s and ‘80s.
Documentary shorts, stills and quot featured across Gay Tim’ portfol, on Reebok and (footwear retailer) Schuh’s social media platforms, and activatns Schuh flagships. “Sport is a fascatg place bee statistilly LGBTQ+ people tend to be more unf – fuelled by the way profsnal sports is a very heteronormative terra; nsir the environment that exists that means there are currently no openly Gay profsnal footballers the UK, and what that means to LGBTQ+ nsumers. Bankg too, is ripe for an update (as an dtry wh servic predomantly ground heterosexual fay-centered liftyl) and mental health, another space where LGBTQ+ behavrs tend to differ; GAY TIMES is also early discsns about a project wh Anglo-Amerin mdfulns app, Headspace.
For 2021 was reterpreted aga as #ProudInMyCalvs featurg artists cludg rerd producers Ar and Honey Dijon celebratg fg moments the queer and trans journey, followed by GAY TIMES own story-sharg via s newly formed GT133 group of TikTok-based ntent creators (a micro llective who rpond to topil stori at speed).
TURNS OUT, BARBIELAND ISN'T AS GAY AS S QUEER FANS HAD HOPED
Somewhere over the Rabow: Christian Eichert and Mari Luedicke expla why the gay muny has fallen apart. * consumer culture gay *
” Warner reveals that GAY TIMES is currently discsg a partnership regardg this foc wh a datg app (tails to be revealed later this) anchored fdg love rather than hook-ups. A very different creature to the pre-Warner era where the dience was domated by whe, gay, fortysomethg men ( now boasts an equal genr spl and a broad trans-generatnal mix, om tweens to those their 60s and 70s) Warner reveals GAY TIMES is planng to build on s transn om pure publisher-to-brand builr by beg a full “cultural platform verg rmatn, products and servic. His first book, The Lavenr Sre: The Cold War Persecutn of Gays and Lbians the Feral Government, which has been ma to a crilly acclaimed documentary, explor Cold War hysteria over natnal secury and the troductn of “fay valu” to Amerin polics.
Conttg the notn that a gay market veloped only recently the wake of gay activism, Johnson challeng nventnal unrstandgs of the relatnship between nsumer culture and polil ristance.
APPEARANCE AND SELF-PRENTATN REARCH GAY NSUMER CULTUR: ISSU AND IMPACT
He has held fellowships at the Natnal Humani Center, the Smhsonian Instutn, the Social Science Rearch Council, CUNY’s Center for Gay and Lbian Studi, and the Leather Archiv and Mm, and addn to several book awards has been regnized for his teachg and rearch. Recently popular televisn programs such as Queer Eye for the Straight Guy, which picts the make-over of a straight male by five gay hosts, displays characteristics associated wh the gay muny allowg for the absorptn of stereotyp. While the prence of gay characters the media shows a movement towards greater acceptance of homosexualy, the modifitn of gay stereotyp monstrat the hegemonic nature of mass culture and the jtifitn of exploatn through tolerance.
He also serv as a Rint Assistant; Director of Gay, Lbian, Bisexual, Transgenr Issu for the unrgraduate ernment; and is a member of the Orr of the Cross and Crown honor society. This study seeks to addrs this void by offerg an analysis of the gay bt iend through an examatn of the quali that nstute the gay bt iend inty as is prented Amerin nsumer culture.
The quali are ascertaed through an analysis of popular Amerin televisn shows and movi featurg gay bt iend characters—Will & Grace, Ugly Betty, Glee, Sex and the Cy, Burlque, The Devil Wears Prada, and Sex and the Cy 2. This say propos five tegori through which one n unrstand the quali of the gay bt iend inty: socenomic stat, the body, personal relatnships, behavr, and lack of agency.
REPRENTG FIFTY SHAS OF GAY THE LGBTQ+ MARKETPLACE
The tegori nstct the gay bt iend inty as one that is pletely modified and sentialized and that, although touted as an ditn of creasg acceptance of gay people, nstut ltle more than a new form of opprsn. Contemporary culture has bee saturated wh the gay bt iend; the July, 2010 issue of Teen Vogue pots out “the mt-have ems [for a fashnable teenage girl] clud a Proenza Schouler tie-dyed top, a shnken ary jack, neon bright chunky bracelets, and … a gay bt iend” (Talbot, 2010, page number). Ined, the gay bt iend n even be found on the shelv of booksellers natnwi Terrance Dean’s (2010) book, Straight om Your Gay Bt Friend: The Straight-Up Tth About Relatnships, Work, and Havg a Fabulo Life.
Though the reprentatns of the gay bt iend are fictnal, the pervasivens of the inty poss as one wh the potential to affect the lived experience of real people a myriad of ways.