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article__ntent-hear"><div data-ttid="ContentHearContaer" class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp ikebRK"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT hjnEYM"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX iJOI bric ContentHearRubricContaer-eTudtt edKnIL"><span class="RubricName-fVtemz cLxcNi">The Seventi</span></div></div><div class="RubricWrapper-dKmCNX iJOI bric ContentHearRubricIssueDate-CuIT fFtVss"><span class="RubricName-fVtemz cLxcNi">Febary 2010 Issue</span></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd HXZX gydgrM">Boogie Nights</h1></div><div class="ContentHearAccredatn-lfctVB etVsnJ ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ fYeNbg">It beme known, and ultimately reviled, as Dis. But the mic that surged out of gay unrground New York clubs such as the Loft and 12 Wt the early 70s was the sound of those who wanted to dance, dance, dance—blottg out everythg but their bodi and the beat. The thor hears om Donna Summer, Ian Schrager, Gloria Gaynor, and others who helped create the strobe-l, sex-driven, amyl-nre-fueled scene, the phenomena of Stud 54 and <em>Saturday Night Fever,</em> and the songs that reverberated to a new lennium.</div><div class="ContentHearByle-kmPyCa emiglw"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bHLeKI"><p class="ByleWrapper-jWHrLH jqYyWD byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd bIbWCO gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd kIEUAJ lddgzd eErqIx byle__name-lk button" href="/ntributor/lisa-robson">Lisa Robson</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2010-01-06T00:00:00-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd bSlZUC cmPkTr">January 6, 2010</time></div></div></div></div><div class="ContentHearLeadAsset-hGbumP dDDxdb lead-asset ContentHearLeadAssetWrapper-hfXHEc Grck" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb hONbnm"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz fXTEhc"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearRponsiveAsset-bREgIb hONbnm rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Image may nta Human and Person" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></div></figure></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN diFyUH article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh izlawS viewport-monor-anchor"><button id="bookmark" aria-label="Save" class="ActnBarButton-dyFOZU foKBbl bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story

disco and gay culture

Anyone uld tell you the “typil” dis tras: the synthizer, the twirlg ball, and the funky pants—but fewer know the te origs of dis, which emerged om the gay unrground of New York.

Contents:

THE IMPACT OF DIS ON THE GAY SUBCULTURE THE 1970S

It gave a powerful platform to artists of lour who were often female or gay – perhaps that’s why attracted such hostily, wr Arwa Hair. * disco and gay culture *

Behd velvet rop, blacks, Latos, and wh, women and men, rich and poor, gays and straights were enuraged to wear whatever they wanted, kiss whoever they wanted and — of urse — dance however they wanted. The movement really began wh the Stonewall Rts of 1969, the first major cint which gay men took a llective and forceful stand agast police btaly. Donna Summer simulated asms songs and the Village People would flg off police uniforms, nstctn hats, and wboy outfs a celebratn of gay culture.

The dis movement, as origally was, end the ’80s, as the AIDS epimic stormed through the gay muny and fear settled over the formerly jubilant clubs. But vtig rema: Velvet rop still part for the chict outf, style mavens still fill gay clubs and paras, and mic trends ntue to transcend race and sexualy. (Image cred: Alamy)It gave a powerful platform to artists of lour who were often female or gay – perhaps that’s why attracted such hostily, wr Arwa was never signed to grow old gracefully – stead, has endured wh brilliant fiance.

It ntu to spire mic, movi and fashn, as well as events like London’s Brixton Dis Ftival (28 April); the aren’t retro trips but a regnn that dis still do somethg for backlash was anti-gay, but also anti-women and anti-lour – Nicky SianoDis stemmed om a seri of epiphani and muni, rather than a sgle birthplace; key New York nightspots ranged om David Manco’s open-hearted hoe party The Loft (early ‘70s), to the late ‘70s exclive-chic of Stud 54 and the dancefloor hedonism of Paradise Garage. Pneerg DJ/producer Nicky Siano rells beg a gay Brooklyn youth, drawn to the “social and affirmg” atmosphere of Greenwich Village; he was 18 when he found Manhattan’s The Gallery (where stars like Grace Jon buted), and he later beme a Stud 54 rint. ’”Promiscuo and omnivoro, dis accelerated the transnatnal flow of mil ias – Alice EcholsDis enabled female, gay, black and Lat artists to fe their inti creasgly fluid ways.

DANCE PRI: THE GAY ORIGS OF DANCE MIC

* disco and gay culture *

It phed the transformative power of nightlife onscreen – the grty Saturday Night Fever (1977), but also the 1978 mil edy Thank God It’s Friday (featurg Donna Summer and The Commodor), and the Brish gay drama Nighthawks (1978); more recently, Baz Luhrman’s Netflix seri The Get Down (2016) picted dis’s impact on the birth of hip hop. ”Gloria Gaynor’s dis h I Will Survive has been embraced by the LGBT muny as an empowerment anthem (Cred: Universal Mic Group)For many mic obssiv cludg Brewster, the 1990s brought a h appreciatn of dis’s legacy – through club rerds samplg om ‘70s labels like Salsoul.

“It was probably around this time that I realised both that I was gay, and dis mic reprented a gay culture that I found spirg, ” says Hillard. ” But most agree that none of this really mattered until the early 1970s, when gay unrground dance clubs New York—the Loft, Tenth Floor, 12 Wt, Infy, Flamgo, and, later, the Paradise Garage, Le Jard, and the Sat—spawned a dis culture that brought wh open dg e, on-se sex, and ecstatic, nonstop, all-night one who was there then and is still here now remembers the same way. The Stonewall Inn NYC was a precursor to the clubs, and was the se of a key event that shaped the future for LGBTQI rights and gay liberatn.

Many members of the prott were part of the re formatn of the Gay Liberatn ont, creatg the world’s first gay muny centre. Lbians and gay men started to be elected to public offic and civil rights protectns for gay people were adopted many ci. Some printial ndidat were more vol about supportg gay rights, and lol gay muny centr received feral grants.

THE SURPRISG STORY OF HOW ABBA BEME BELOVED GAY INS

Durg the early to mid-70s, gay rights advanced more quickly than had durg the prr two s bed; many stat, sodomy laws were repealed, and * disco and gay culture *

This was aid by the groups like the Natnal Gay Task Force, who hired profsnal lobbyists to fluence media verage and legislatn regardg gay people and their rights. This forward approach was one of the key reasons that queer dividuals were enuraged to be seen and heard by society – image-nscns, acmodatn, and assiatn beme pillars of the Gay Liberatn movement. As dis beme more mastream, clubs terg for heterosexual people also began to pop up across the US, which further fluenced youth culture and the growg populary of gay clubs.

*BEAR-MAGAZINE.COM* DISCO AND GAY CULTURE

The Impact of Dis on the Gay Subculture the 1970s - College Essay Exampl .

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