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Gay Haton. Actrs: A Challenge for Rob Hood. Gay Haton was born on 29 April 1943 Uddgston, Lanarkshire, Stland, UK. She is an actrs, known for A Challenge for Rob Hood (1967), Barry Lyndon (1975) and Wawright's Law (1980)." data-id="ma

Contents:

THE 10 BT GAY MILS OF ALL TIME

Was Alexanr Haton gay? Haton arrived on Disney Pl to the light of fans, but there's more to the foundg father than L-Manuel Miranda shows. * hamilton musical gay *

The amic and gay rights activist Dennis Altman has highlighted how Haton builds on the beloved Amerin Dream, where “anyone n fd succs”. Was Haton gay?

TEXAS CHURCH’S RENDN OF ‘HATON’ ENDS WH SERMON PARG BEG GAY TO DG ADDICTN

Gay-themed Broadway mils have e a long way the past fifty years. The on are the bt. * hamilton musical gay *

Haton’s grandson actually referred to the men as “the gay tr. Do this mean Haton was gay? Ghosts is CBS's naway new edy h, and we love learng more about each dividual of our favore characters on the show is, of urse, the gay Revolutnary War Capta Isaac Higgtoot, played by Brandon Stt Jon.

ALEXANR HATON’S GAY LOVERS THE MIL DON’T TELL YOU ABOUT

What would a mil about the gay Revolutnary War pta look like? Actor Brandon Stt Jon tells Out his theori. * hamilton musical gay *

A Texas church has e unr fire for a Christian-themed — and allegedly unthorized — rendn of the acclaimed Broadway mil “Haton” that appeared to nclu wh a sermon by a church pastor parg beg gay to beg addicted to alhol or dgs. The vio of the livtream has been taken show end wh a sermon by an associate pastor, Victor Lopez, that pared homosexualy to dg addictn, acrdg to the full vio of the performance. “Maybe you stggle wh alhol, wh dgs, homosexualy, maybe you stggle wh other thgs life, your fanc, whatever, relatnships, ” Lopez said.

Velma was “explicly gay” origal script for live actn Soby Doo movie. André was gay, as most historians adm. The Door Christian Fellowship McAllen Church livtreamed s versn of the Broadway mil, which was saturated wh biblil referenc and clud homophobic language.

At the end of the play, the associate pastor of the church, Victor Lopez, gave a closg sermon nouncg homosexualy. "Maybe you stggle wh alhol, wh dgs, homosexualy, maybe you stggle wh other thgs life, your fanc, whatever, relatnships, " Lopez said a vio posted on Twter by YouTuber and podst host Hemant Mehta.

GAY HATON

* hamilton musical gay *

) Miranda’s men aren’t dog the ual “gay” work of the mil, which is to say sgg about their feelgs (at least, not at first); they’re guys a circle jerk, and the lube is ambn, chicks, and once Haton works his way to Washgton’s ner circle, be the Treasury Secretary, and meets his future wife, the rich and socially proment Eliza Schuyler (played by the genteel and th dull Phillipa Soo), the show’s radilism is slowly draed, and the rultg rpse is a nventnal mil love story. “Beg the only out gay guy, startg om the workshop and the origal Off-Broadway st, was difficult an environment that felt very masculy-foced.

It’s been hard, pecially for black gay men to fd a voice the broar black muny.

THE TTH ABOUT ALEXANR HATON: GAY OR BI?

” As an uptown cizen wh a ne and a pe, he’d let himself be “as flamboyant as I wanted to be so that any gay person the dience or people down the road uld see themselv , ” reflects Harurt. “I hope that the ntributn I ma was to make visible on stage, that even though we’re talkg about the revolutn and the 18th century, homosexuals existed so that wouldn’t be strictly a cisgenr heterosexual male story. At the same time, John Lrens and Marquis Lafayette may have had homosexual sir, as revealed historil documents.

ALEXANR HATON’S GAY LOVERS THE MIL DON’T TELL YOU ABOUT

Celebri om the world of pop mic (Madonna), polics (Dick Cheney), books (Gay Tale) and Hollywood (Jake Gyllenhaal) flocked to see the show, which beme one of the hottt tickets New York. Was Alexanr Haton bisexual, gay, or straight?

*BEAR-MAGAZINE.COM* HAMILTON MUSICAL GAY

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grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><div class="GenericCalloutWrapper-tojWn iHBnEl llout--has-top-borr set-embedd-le" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="Blood brothers Llie Odom Jr. and LManuel Miranda “Haton.”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Blood brothers: Llie Odom, Jr., and L-Manuel Miranda “Haton.”</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Illtratn by Stamatis Laskos</span></div></figure></div><p class="has-dropp has-dropp__lead-standard-headg">There is so much good will and enthiasm the days among theatregoers who have seen L-Manuel Miranda’s plited, valuable mil “Haton” (directed by Thomas Kail, at the Public) that troducg anythg ls to the nversatn mak one feel rather like Debbie Downer at a buoyant fête. But a cril take on Miranda’s work—which do everythg n to stand outsi the Amerin-mil non and then don’t—should only add to the productn’s gold-star succs, sce nothg succeeds like ntroversy.</p><p class="paywall">Alexanr Haton knew om disrd. Born Nevis, 1755, he had a childhood marked by waste and btaly. At sixteen, his mother, Rachel Fcette, the dghter of an Englishwoman and a Frenchman, hered her father’s Nevis plantatn and was married off, to Johann Michael Lavien, an olr Danish man St. Croix, who had aspiratns to be a planter. When she ran away om the marriage and their child, her hband had her locked up for several months. After her release, Rachel fled to St. Kts, where she met Jam Haton, a St, who, havg failed to distguish himself at home, had e to seek his fortune the land-rich Wt Indi. Eventually, Rachel took Jam to Nevis, where Alexanr, their send son, was born. Bee she’d never divorced Lavien, Alexanr was nsired illegimate, a stigma that hnted him for the rt of his life, along wh the myth that he was part black (which, as Ron Chernow wr, “Alexanr Haton,” his juicy 2004 bgraphy, “probably arose om the nttable tth that many, if not most, illegimate children the Wt Indi bore mixed blood”).</p><p class="paywall">By the time Haton was a teen-ager, he had no parents at all. Jam had serted the fay, and Rachel had died of a fever. Lavien, still her legal hband, claimed her tate for their son, leavg the two Haton boys, whom he lled “whore-children,” pennils. Haton, then St. Croix, found work as a clerk and a slave spector, and was there that he had his first stroke of luck, precipated, of urse, by a disaster. In Augt, 1772, a hurrine blew through the Virg Islands, wipg out hom, property, and people. A vivid letter that Haton wrote about the tastrophe found s way to a newspaper and imprsed a lol clergyman, who, wh Haton’s employers, arranged his passage to New York, where was hoped that he would study medice and then return home to mister to his people. But, once Haton board that ship, he never went back.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Knowg all this n only crease your admiratn for Miranda’s abily to synthize so much rmatn his big, breathg script. “Haton” is a one-set play. The woon stage has been staed a light brown that suggts, at first, the beach of Nevis, then the ck of the ship that rri Haton to New York, and, fally, the ground where he spends his fal moments. Around the stage is a gallery hung wh rop and other marime paraphernalia; the actors and a small troupe of precise, lively dancers e stairs to make quick entranc and exs. (Digned by David Kors and l by Howell Bkley, the mise en scène mak Haton’s world believable.)</p><p class="paywall">First entrance: the Foundg Fathers Aaron Burr (Llie Odom, Jr.) and Thomas Jefferson (Daveed Diggs), along wh Gee Washgton’s ai--mp John Lrens (Anthony Ramos), Haton (Miranda), and the rt of the pany, eighteenth-century-style knee brch and waistats. Starg out at the dience, Burr rap-sgs rentfully, “How do a bastard, orphan, son of a whore and a Stsman, dropped the middle of a fotten spot the Caribbean by province, impoverished, squalor, grow up to be a hero and a scholar?” Lrens answers:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>The ten-dollar Foundg Father whout a father</p><p>Got a lot farther by workg a lot harr</p><p>By beg a lot smarter</p><p>By beg a self-starter</p><p>By fourteen, they placed him charge of a tradg charter</p></div></blockquote><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Miranda troduc his characters wh a child’s wonr but a father’s thory; you n feel him standg at the edge of the game he’s created, a historil world he has rema his image, startg wh lor-bld stg that evok Joseph Papp, the founr of the Public, who stuted the practice downtown. Burr is played by a black actor, and Miranda is of Puerto Rin scent. Part of what the dience members light —what mak them feel so high and telligent as they watch the show—is the fact that they’re on this fabulo joke. Here is a <em>boricua</em> actor—whose Puerto Rin brethren, wh their Spanish, Ain, whe, and Carib Indian roots, are Amerin cizens but nnot vote natnal electns—playg a whe slave spector turned abolnist and polician, who was born on an island ls than three hundred om his own parents’ birthplace. Who uld be better for the role? Especially given Miranda’s Haton-like dtrns and skill. (As Haton and another character tone, “Immigrants . . . we get the job done.”)</p><p class="paywall">It is 1776, and Ameri is stgglg for pennce om Kg Gee III (the take-no-prisoners Brian d’Arcy Jam, whose Kg looks on his subjects’ sire for eedom as a nonsensil annoyance). Haton ns to Burr on a New York Cy siwalk. He is all starstck enthiasm: like Burr, he wanted to go to Prceton, he gh, but he ma the mistake of punchg out the bursar. Burr v him to a tavern and offers him this advice:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>B<em class="small">urr</em>: Talk ls.</p><p>H<em class="small">aton</em>: What?</p><p>B<em class="small">urr</em>: Se more.</p><p>H<em class="small">aton</em>: Hah.</p><p>B<em class="small">urr</em>: Don’t let them know what you’re agast or what you’re for.</p><p>H<em class="small">aton</em>: You n’t be ser.</p><p>B<em class="small">urr</em>: You wanna get ahead?</p><p>H<em class="small">aton</em>: Y.</p><p>B<em class="small">urr</em>: Fools who n their mouths off wd up ad.</p></div></blockquote><p class="paywall">This, credibly, is what lored elrs ed to tell children: never let the whe world know what you feel, let alone thk; your vulnerabily uld be your ath. By havg actors of lor issue this warng while impersonatg historil whe men, Miranda mak stop and nsir: What are we lookg at? Somethg new and unregnizable on the stage—a dramatic succsor to Derek Waltt’s and Jamai Kid’s lerary exploratns of the surrealy of lonialism.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">In the tavern, Haton meets three other amb young dus: Lrens, the Marquis Lafayette (Diggs), and Hercul Mulligan (Okieriete Onaodowan), who will bee Gee Washgton’s chief nfintial agent durg the Revolutnary War. For now, though, the men are a bunch of Ttosterone Tommi, hangg out, drkg ale, showg off:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>L<em class="small">rens</em>: I’m John Lrens the place to be!</p><p>Two pts o’ Sam Adams, but I’m work’ on three, uh!</p><p>Those Redats don’t want wh me!</p><p>Cuz I will pop chicka pop the ps till I’m ee!</p><p></p><p>L<em class="small">afayette</em>: <em>Oui, oui, mon ami. Je m’appelle Lafayette!</em></p><p>The Lancelot of the revolutnary set!</p><p>I me om afar jt to say <em>bonsoir!</em></p><p>Tell the Kg, <em>Casse-toi!</em> Who’s the bt? <em>C’t moi!</em> . . .</p><p></p><p>H<em class="small">aton:</em> I probly shouldn’t brag, but dag, I amaze and astonish</p><p>The problem is I got a lot of bras but no polish</p><p>I gotta holler jt to be heard</p><p>And wh every word, I drop knowledge!</p><p>I’m a diamond the rough, a shy piece of al</p><p>Try’ to reach my goal.</p></div></blockquote><p class="paywall">Miranda will not be limed by form, and “Haton” feels, at tim, ls like a mil than like an opera—an amalgamatn of dance, speech, mic, and storytellg. There’s another tradn at work here, too, a lored lerary tradn that started wh Sterlg A. Brown’s thirti sound poems about the black experience and ntu today the work of poets like Cldia Ranke, whose rhythms are separable om the munal jury and triumph, and rap, which began as a black-male art form. Ined, part of what mak people feel so jumpy and exced durg “Haton” is s unbridled masculy. (This was why the 2010 mil “Bloody Bloody Andrew Jackson” was a cult h: , the seventh Print of the Uned Stat is a lawls boy.) Miranda’s men aren’t dog the ual “gay” work of the mil, which is to say sgg about their feelgs (at least, not at first); they’re guys a circle jerk, and the lube is ambn, chicks, and power.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">But once Haton works his way to Washgton’s ner circle, be the Treasury Secretary, and meets his future wife, the rich and socially proment Eliza Schuyler (played by the genteel and th dull Phillipa Soo), the show’s radilism is slowly draed, and the rultg rpse is a nventnal mil love story. As David Byrne’s 2013 spectacle about Imelda Mars, “Here Li Love,” polics, the later scen of Miranda’s work, is jt another backdrop to the standard narrative of a man beg undone by a lady.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="efbxj"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="2emjcqv"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">In 1789, a woman distrs named Maria Reynolds (the wonrful Jasme Cephas Jon) shows up at Haton’s home. Her hband has treated her badly, and she has no money. How n she fail to remd Haton of the forsaken Rachel? In a way, by gettg volved wh Reynolds, he returns to his past, to the mother who died too soon and uld not fully mother him. Reynolds’s speratn is not gratg or awful; ’s a force of nature, and Jon nveys wh real unrstandg. But Miranda keeps her maly the background. He don’t have much feelg for his female characters; for the most part, they’re plot pots silk. (“Haton” has an almost all-male productn team.) This was also a problem wh Miranda’s Tony-wng 2008 show “In the Heights,” which centered on his alter ego, Usnavi: the other characters, all too “lorful” by half, were jt fleetg stars his galaxy. “Haton” is the work of a more mature artist, for sure, but one who’s fearful of beg kept out of the whe boys’ club of the Amerin mil. By buryg his trickster-quick take on race, immigrant ambn, lonialism, and masculy unr a monplace love story the send half of the show, Miranda his what he most needs to display: his talent.</p><p class="paywall">The most meangful love story “Haton” is revealed at the end of the play, when Burr, by then the Vice-Print of the Uned Stat, mortally wounds the man who once longed for his acceptance. As Burr pots his gun, there’s a real look of loss Haton’s ey. That regret is not so much for his own life or for the love of his fay but for the treasured petn and mararie of his and Burr’s bromance. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="aps7pg"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2015/03/09" data-reactroot="">March 9, 2015</a>, issue.</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/hilton-als"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/hilton-als">Hilton Als</a>, a staff wrer at The New Yorker, won the 2017 Pulzer Prize for cricism. 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summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2015/02/09/hatons" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="All About the Hatons" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Onward and Upward wh the Arts</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/magaze/2015/02/09/hatons" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">All About the Hatons</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2015/02/09/hatons" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="All About the Hatons" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">A new mil brgs the Foundg Fathers back to life—wh a lot of hip-hop.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Rebec Mead</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2007/03/19/lol-boy" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Lol Boy" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Boards</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/2007/03/19/lol-boy" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Lol Boy</div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Lillian Ross</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Novelist Whose Inventns Went Too Far" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Life and Letters</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Novelist Whose Inventns Went Too Far</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Novelist Whose Inventns Went Too Far" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">After the Ao-Cuban wrer H. G. Carrillo died, his hband learned that almost everythg the wrer had shared about his life was ma up—cludg his Cuban inty.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>D. T. Max</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="On Killg Charl Dickens" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Life and Letters</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">On Killg Charl Dickens</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="On Killg Charl Dickens" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">I did everythg I uld to avoid wrg my historil novel. When I fally started “The Frd,” one prciple was clear: no Dickens.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Zadie Smh</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm eamwqR ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="2m0qvp"></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div 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