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« TTBM » : VOYAGE ROYME LA BD GAY !

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class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">The Pmanok Lecture memorat the name given to Long Island by s digeno habants, but also refers to Walt Whman’s tobgraphil poem “Startg om Pmanok,” “Leav of Grass,” which opens wh two l that seemed apropos of Bechl’s subject:</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssS ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="xq7kx"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssS ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="374djj"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>Startg om fish-shape Pmanok where I was born,</p><p>Well-begotten, and rais’d by a perfect mother . . .</p></div></blockquote><p class="paywall">She nfsed to the dience, however, that she had missed out on Whman’s “queer, radil, lunatic pannship” when she was growg up, bee “my dad ed him for me,” along wh many other great wrers. “I didn’t want to read the books he loved, bee he was always stuffg them down my throat,” she told me. Those books, by Prot, Joyce, Fzgerald, Cam, and other morn masters, ame the chapters of “Fun Home.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">Bce Bechl, who was born 1936, Beech Creek, was a part-time mortician and a high-school English teacher who had once dreamed of a glamoro bohemian life Europe. He and Helen met 1956, as st members a stunt productn of “The Tamg of the Shrew” at the State Teacher’s College Lock Haven, near his home town. They did live abroad, early their marriage, when Bce was a soldier, statned Germany. But 1960—Helen was pregnant wh Alison—Bce’s father had a heart attack, and he was lled home to help his mother n the Bechl Funeral Home.</p><p class="paywall">The tle of “Fun Home” officially refers to the fay’s nickname for this venerable tablishment, found by Bce’s great-grandfather. But, om the book’s openg panels, the old clapboard hoe on Ma Street—where Bce embalmed bodi, Alison vacuumed the viewg parlor, and she and her two younger brothers, John and Christian, played “rps”—tends to merge, a rear’s md, wh the Bechl homtead, a short walk away. Fun Home II was a relict Gothic Revival mansn, and Bce took a “manic, libidal,” but also funerary approach to s dér. He ripped s rottg guts out, then filled the void wh simulacra of Victorian granur. The effect was ls of a livg space, perhaps, than an unad one. “Early on,” Bechl wr “Fun Home,” “I began nfg wh the Addams Fay.”</p><p class="paywall">“Fun Home” is the story of a man posssed—a mad “artificer”—who has noble quali, but a vlent temper and isolatg secrets. Helen took refuge her mic and her actg, and Bechl experienced her parents’ “rapt immersn” their solary pursus as abandonment. Yet “om their example,” she wr “Fun Home,” “I quickly learned to feed myself,” and she admted to the dience Brooklyn that she “would rather posss the abily to tell the stori than to have had better parents.”</p><p class="paywall">There are no monsters Bechl’s work—certaly none like the gargantuan Pentestal Fury who raised Jeate Wterson, another distguished lbian memoirist her early fifti for whom wrg is an act of self-remptn. And Bechl’s brothers take pole issue wh her portra of Bce. John was “a b shocked,” he told me an e-mail, “at how miserable Alison portrays herself growg up,” and he scribed an almost idyllic regimen of wholome fay activi: playg chs or croquet, noeg the lol waterways, gog on moonl walks. Christian, Alison’s junr by a year, is planng to wre his own fay memoir, which, he said, will be “much different” om his sister’s. “Alison is much harsher on my father than I would be,” he wrote an e-mail. “He did have a temper, though.”</p><p class="paywall">Birth orr chang the experienc, sometim radilly, of siblgs growg up unr one roof, and neher of Bechl’s brothers is homosexual. “My father was as unfortable wh the gayns that he tued me as he was wh himself,” she told me. “He wanted me to nform,” and he bought her illy cloth that he forced her to wear. They had a fight over the wallpaper for her room—Bce sisted on hangg a fsy prt, wh pk flowers, that Alison spised.</p><p class="paywall">Bce, like Helen, was pable, on ocsn, of “nscent” tenrns, and “Fun Home” opens wh an image of Alison and her father playg “airplane” on the floor. It ends wh Alison poised to dive to a swimmg pool, where Bce has his arms outstretched to tch her. “He favored me,” she said. “We had a special bond.” But the memoir also ntas a hntg scene that suggts a streak of sadism rerved, would seem, for his only dghter. One day, while he was preppg the daver of a young man, he asked Alison to help him the embalmg room. The body was laid out on the table, and, her drawg of “Fun Home,” rembl the fallen statue of a centurn: marbly and mcular, wh imposg genals. But what most disturbed her was the gapg, vulva-shaped red hole where Bce had started to extract the viscera. She was, at the time, about ne.</p><p class="paywall">Bce’s own funeral took place at the Fun Home July, 1980. It was four months after Alison, then a junr at Oberl, had announced, a letter, that she was a lbian. Her parents got the news, she wr, “on the day that I bullshat my way through the ‘Ulyss’ exam.” Bce’s reactn was unexpected, given his hostily to any signs of queerns his dghter. “At least you’re human,” he told her. “Everyone should experiment.” But he add, “Do you have to put a tag on yourself?” Helen was silent at first, then disapprovg, but several weeks later she breached a lifetime of reticence to nfi Alison that Bce was gay, too. She told her that he had slept wh men and boys, cludg the fay babyster. He had also ma at least one sexual overture to a stunt, after which he was sentenced to six months of “unsellg” at a mental hospal. The hoe had bee a “trbox,” Helen said. As the rare acknowledgment of a paful tth om an veterate nier who had never before addrsed her as “one adult to another,” her mother’s unbosomg was prec to Bechl, on both unts.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssS ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="kvku"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Bce was forty-four when he died. He had been renovatg another old wreck of a hoe to rell, and while crossg the highway that ran past s ont door he had been stck by a Sunbeam bread tck. Helen had fally asked him for a divorce, and Bechl believ that, wh his past—and perhaps a bipolar disorr—tchg up wh him, her father had jumped to s path.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="“O.K. jt tell me which llege classmate did you Google today”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“O.K., jt tell me, which llege classmate did you Google today?”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-pylk" width="24" height="24" viewBox="0 0 24 24" fill="none" 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class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="has-dropp has-dropp__lead-standard-headg paywall">Morny was nceived viance, and the troductn to “Graphic Women,” Hillary Chute quot a particularly apt remark by a lleague at the Universy of Chigo, the cric W. J. T. Mchell: “The m of the arts at bottom has to do wh proper sex rol.” Propriety and m are alien to Bechl. “My artist role and my outsir sexual role are bound up,” she said. “They have been om childhood. I saw myself Harriet the Spy”—the prec heroe of the children’s novel by Louise Fzhugh, who dreams of beg a secret agent and practic for her future votn by spyg on her classmat. She rerds their tics and foibl a notebook, and when the notebook is disvered she be a pariah. “I read Harriet as a lbian character before I knew there was such a thg,” Bechl said. Unlike Harriet, however, she never set out to wre. “I started drawg at the age everyone do—when they pick up a crayon,” she said. “But most people stop, and I didn’t. When I was ltle, I eher wanted to be a rtoonist or a psychiatrist—they were nflated my md by all the analyst rtoons <em>The New Yorker.</em>”</p><p class="paywall">At Oberl, Bechl took a double major stud art and art history, but she also studied German, Greek, semtics, and French, and she gravated toward her fellow-tellectuals. When she me out, however, “I abandoned my old iends,” she said. (One of her early lov, a garage mechanic, typified her new iends.) After graduatn, she moved to New York, where she worked as a word procsor an acuntg firm, a job that gave her time to draw. She specialized mclemen. “It bothered me a lot that I never drew women,” she said. “I have always had a thg about strength. I was a skny kid who read the Charl Atlas ads ic books.” But “Fun Home” she speculat that she “beme a nnoissr of masculy” bee that is what her father was. After his ath, for reasons of genr polics, but also out of self-rpect, she “ma a project” of drawg lbians, and of studyg karate at an all-woman dojo.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">The first “Dyk to Watch Out For” appeared 1983, the alternative newspaper <em>WomanNews</em>. Bechl joed the femist llective that produced , SoHo. She wrote book and film reviews, addn to producg a monthly, then bimonthly, rtoon strip, and learned to do layout and sign. In 1985, she and her then girliend moved to Mneapolis, where they shared a hoe wh another uple. “Dyk” was by now beg wily syndited, and, 1991, by which time Bechl was sgle aga, one of her rears sent her a “flirtat” fan letter, to which she rpond kd. “I was pathetilly vulnerable to other people’s attentn,” she said. Her admirer lived Vermont, on an island Lake Champla, which sound romantic to Bechl, and, on a whim, she moved east to jo her. The affair end after six months, but she has now lived the “Freedom and Uny” state for twenty years.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">When Bechl and I first started talkg, late 2010, she was four years to “Are You My Mother?,” a year past her adle, and she had jt jettisoned half her mancript. She thought she uld still fish a few months if she turned the heat up ( actually took her another year). But, spe her sense of urgency, she let me s a rner of her stud while she drew.</p><p class="paywall">The most proment piece of art on her stud walls is a gigantic poster of Tt, who looks like a tw of Mo, so I prumed that he had spired Bechl’s avatar. “I n see ,” she said, though wasn’t nsc. “Mo is me, not Tt. In fact, all the characters ‘Dyk’ are more or ls me. All I’ve ever wrten about is myself, and this book, if I fish , may be the most solipsistic piece of sany ever published. But the thg about Tt is that he’s not androgyno and not mascule—he’s asexual. That athetic ntraly appeals to me. I’m always strivg to be a generic person.”</p><p class="paywall">Durg a break—she was prtg out the first chapter—Bechl talked me through the stag of the book’s evolutn. (“When I see your ey glaze over, I’ll shut up,” she said.) She starts by creatg the grid of panels on her Mac, Adobe Illtrator. I hadn’t realized how much the form of her work, not only s imagery and emotns, relat to her experience of home: The archecture of the blank pag is distctly hoelike. Its square or rectangular am, of different dimensns, are walled off by gutters, the whe spac between them; they are stacked vertilly, like stori, but entered horizontally, like rooms. “The whole thg about a graphic book is that ’s a 3-D object,” Bechl said.</p><p class="paywall">Hangg on a long wall facg the wdows is an old woon sktop plastered wh lored x rds. Bechl don’t outle her stori, which jump back and forth time, so much as map them, g the rds as placeholrs for her scen. Her untidy blueprt remd me of yet another kd of hoe: a memory palace. This ancient mnemonic vice was ed by orators Greece and Rome, and is still a tra secret of morn memory-ntt champns. A practner visualiz a large edifice wh a warren of rooms that she furnish wh faiar objects. She then attach the ems or thoughts that she wish to rell to the objects. As she walks mentally through the edifice, they act as prompts.</p><p class="paywall">Once Bechl is satisfied wh her grid, she begs wrg. She typ the narratn and dialogue to text box or balloons. “Every limetre of space unts,” she said. (The visceral enomy of her style is, to an extent, a product of that squeeze.) “I don’t start drawg until I’ve fished the storytellg”—i.e., for years. When she is fally ready to draw, Bechl begs by sketchg the imag pencil, on tracg paper, makg several overlays, which she ref each time. Some of the figur—a blissfully happy baby Alison, for example, gazg at Helen—were pied om snapshots. For most of them, though, Bechl is her own mol. She sets up her mera on a tripod, assum the posture of a character, then tak a photograph. “I spend a lot of time posg as myself,” she joked. But she also spent a lot of time posg as her mother.</p><p class="paywall">After she has ma a “tight sketch,” she puts on her light box and as the gui for her “fal pencil.” Then she mov to her drawg board and ks over the pencil l. She sns this page to her puter, fix her mistak, and prts out. Usg Magic Markers, she dit the areas that need spot lor, then returns the drawg to the light box. Workg wh a bsh, on a sheet of waterlor paper, she adds a wash of India k. The separate elements of the posn—text, le art, spot lor, and k wash—are bed Photoshop. This is her protol for every page.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">The seven chapters of “Are You My Mother?” all start wh a dream, and the first one is a nightmare that Bechl had shortly after embarkg on “Fun Home.” She is trapped a basement by an avalanche of lumber om a home-improvement project, and she has to crawl out through a small wdow etted wh a spirweb (she suffers om arachnophobia). In orr to fish the memoir, she also had to nquer a stiflg sense of clstrophobia. It was ed, part, by “a surfe of tobgraphil material”—a fay archive of letters and news clippgs that Helen had llected a rton for her. But she was also “drowng” forty years’ worth of her own diari.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="“Im sorry sir but if you werent wearg clean unrwear we tomatilly ny your claim.”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“I’m sorry, sir, but if you weren’t wearg clean unrwear we tomatilly ny your claim.”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-pylk" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Copy lk to rtoon</tle><g clip-path="url(#clip0_3732_178637)"><path fill-le="evenodd" clip-le="evenodd" d="M16.3488 10.5017C16.2107 10.7357 16.2926 11.035 16.5318 11.17C16.7709 11.3052 17.0767 11.225 17.2148 10.991L18.4648 8.87225C19.5694 7.00002 18.9139 4.60601 17.0007 3.52508C15.0875 2.44415 12.6412 3.08562 11.5366 4.95785L9.53657 8.34782C8.432 10.22 9.08751 12.6141 11.0007 13.6949C11.1888 13.8012 11.382 13.8908 11.5785 13.9642C11.7819 14.0403 12.0058 13.9485 12.1147 13.764C12.2794 13.4849 12.1103 13.1276 11.8083 12.9992C11.7041 12.9549 11.6014 12.9044 11.5007 12.8475C10.0658 12.0368 9.57417 10.2413 10.4026 8.83712L12.4026 5.44715C13.2311 4.04298 15.0658 3.56187 16.5007 4.37257C17.9356 5.18327 18.4272 6.97878 17.5988 8.38295L16.3488 10.5017ZM7.6526 13.4983C7.79067 13.2643 7.70873 12.965 7.46959 12.8299C7.23044 12.6948 6.92464 12.775 6.78657 13.009L5.53657 15.1278C4.432 17 5.0875 19.394 7.00068 20.475C8.91385 21.5558 11.3602 20.9144 12.4648 19.0422L14.4648 15.6521C15.5694 13.78 14.9139 11.3859 13.0007 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ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">Bechl started rerdg the mutiae of her own life at the age of ten, when she veloped an obssive-pulsive disorr. It volved untg and orrg ruals, but as worsened she was pelled to qualify every statement the diary—“Dad got a ad person,” “We watched rtoons”—wh the phrase “I thk.” “My simple clarative sentenc began to strike me as hubristic at bt, utter li at worst,” she wr “Fun Home,” and she serted “I thk,” a ranged scrawl, after every le, then replaced the phrase wh a symbolic ret, and eventually she beme so nsumed wh her rrectns that she uldn’t wre at all. At that pot, Helen began takg dictatn for her “until ‘my penmanship’ improved.” Bechl wr that “gettg her undivid attentn” was a fleetg but exquise triumph, “like persuadg a hummgbird to s on your fger.”</p><p class="paywall">At the end of “Are You My Mother?,” Bechl giv another stance of Helen’s abily, however oblique, to fort her. Alison, about eight, is lyg on the floor, pretendg to be paralyzed. The two of them ll this “the crippled-child game.” Helen mim the act of lacg up her dghter’s “special sho” and hands her two make-believe ctch. “My mother uld see my visible wounds bee they were hers, too,” Bechl wr, and she felt, retrospect, that Helen was sanctng her imagatn, th her future life as an artist.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-4 viewport-monor-anchor"></div><p class="paywall">For some women, however—creative spirs like Helen—who have been suffoted by domticy and cshed by the weight of their own disappotments, a child’s obv helplsns may stir the stct to give sucr, but if the child dar to assert her will, or to manift her valy—which is to say, her otherns—the mother, who feels prived precisely of those eedoms, n’t abi the afont.</p><p class="paywall">Bechl punctuat Helen’s story wh catns om the work of three wrers—Virgia Woolf, the psychoanalyst Alice Miller, and Donald Wnitt—who have explored that dilemma. Woolf was the dghter of a tyrannil father and a martyred mother who died when she was thirteen. Her mother “obssed” her until she was forty-four, when, “ a great, apparently voluntary sh,” while walkg through Tavistock Square, London, she had the visn of a novel that beme “To the Lighthoe.” Woolf noted her diary— an entry that Bechl reproduced by hand (all the quotatns the book are drawn, not snned or retyped om a prted page)—that once the novel was wrten her obssn ceased: “I no longer hear her voice; I do not see her.”</p><p class="paywall">Alice Miller is the thor of “The Drama of the Gifted Child” (1979), a study of parental narcissism and s effect on children who are not necsarily “gifted” wh artistic talent or superr telligence but are unually attuned to the needs of others. A agile or prsive mother may e such a child as a mirror, but only to mirror what she wants to see. The child is obliged to disguise the full range of her own feelgs behd a mask of pliance. She is reward wh love for wearg and punished by rejectn for tryg to take off. Bechl “stumbled upon” Miller’s book 1987, a Mneapolis bookshop, whose shier predicted s effect on her: “Kiss life as you know goodbye.” (The workg tle of “Are You My Mother?” was “The Drama of the Gifted Mother.”) Miller draws heavily on the theori of Donald Wnitt—“and that is how I disvered him,” Bechl said.</p><p class="paywall">Wnitt, who was born 1896, and whose work was published by the Woolfs’ Hogarth Prs, was a master prose stylist and a supremely humane pediatric clician. Wh Melanie Kle, his mentor, he pneered the psychoanalytic school of object-relatns theory, which by now has largely supplanted orthodox Frdianism as a way to unrstand a child’s earlit experienc of selfhood. An fant, acrdg to Wnitt, don’t need a perfect or a selfls mother but jt, his famo phrase, a “good enough mother,” which is to say, a flawed but empathetic maternal figure whose “ordary votn” suppli the sential experience of mutual attunement.</p><p class="paywall">Wnitt’s wrgs spoke to Bechl a voice of thory, playfulns, plicy, and profound kdns, which breached her solu. Every chapter of “Are You My Mother?” relat to a ncept om his says on the mother-child bond. His life as a man also evably trigued her. She imag a scene which Wnitt and Woolf cross paths Tavistock Square—he on his way to a ssn of analysis wh the doctor who traed him, Jam Strachey, Frd’s translator and disciple. Bechl draws Wnitt on the uch Strachey’s nsultg room, rellg that his own mother (like Alison’s) “stopped breastfeedg him very early.” And she weav his poignant sexual history (he was married but celibate until the age of forty-eight, when he met another woman, his te love) to her own. Wnitt is Helen’s foil—and her rival.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Showg Helen her reflectn “Are You My Mother?” was the fal impediment to Bechl’s release om her dream of ptivy. It was a dntg prospect. There was not only the risk that Helen would feel hurt and exposed at the way she was reprented. There was a risk for Bechl that her book would have failed to achieve one of s prime objectiv: makg herself visible to the one livg person by whom she most longed to be seen.</p><p class="paywall">Helen’s piano arrived Vermont on Febary 3rd, the day, by cince, that Bechl fished her book. She had, by then, sent her mother five chapters. Bob Fenichel had read them first, so that he uld warn Helen if they ntaed “anythg too upsettg.” Bechl told the dience Brooklyn that her mother “wasn’t thrilled” wh the book but was stoilly “rigned” to . I hoped that Helen might say a b more, so I wrote to her. “I believe that any wrer has an obligatn to be te to her story,” she replied. But she add, “Alison’s story is hers, not me.” Her rponse to her dghter was even more lanic: three words on six years of work and five s of shared experience. Yet they were, their way, a cric’s, if not a mother’s, blsg. “Well,” she said, “ her.” ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssS ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="nhtbi"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2012/04/23" data-reactroot="">April 23, 2012</a>, issue.</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/judh-thurman"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/judh-thurman">Judh Thurman</a> began ntributg to The New Yorker 1987 and beme a staff wrer 2000. Her new say llectn, “<a href=">A Left-Hand Woman</a>,” will be published December.</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/alison-bechl" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Alison Bechl</span></a><a href="/tag/rtoonists" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd 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bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Theatre</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/magaze/2015/05/04/the-wanrers-theatre-hilton-als" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Wanrers</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2015/05/04/the-wanrers-theatre-hilton-als" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Wanrers" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Mil outsirs.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Hilton Als</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2015/05/11/fish-le-backstage-at-fun-home" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Fish Le" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Boards</span></div><a class="SummaryItemHedLk-civM cZPaWG 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hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Cryptic Crossword: Sunday, July 30, 2023" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Cryptic Crossword</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Cryptic Crossword: Sunday, July 30, 2023</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Cryptic Crossword: Sunday, July 30, 2023" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ 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the Succs of Twter for Instagram People, We Brg You Other Meta Versns of Apps You Already Have" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Daily Shouts</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Followg the Succs of Twter for Instagram People, We Brg You Other Meta Versns of Apps You Already Have</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk 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