A 1888 news story about a “Gay Queen of the Wav” a Jersey Shore town suggts that a fact the history of surfg may be … | Wyckoff Taggg

Contents:

• GAY QUEEN OF THE WAV
• A 1888 NEWS STORY ABOUT A “GAY QUEEN OF THE WAV” A JERSEY SHORE TOWN SUGGTS THAT A FACT THE HISTORY OF SURFG MAY BE …
• PALE WAV’ HEATHER BARON-GRACIE IS MIC’S REIGNG QUEER EMO QUEENIN MANY WAYS, THE BAND’S SEND ALBUM, WHO AM I?, IS A LOVE LETTER TO BARON-GRACIE’S GIRLIEND—WHO SHE PLANNED TO MARRY VEGAS LAST MARCH. THE OPENNS IS NEW, BUT THE SENTIMENT ISN’T. “WHEN I ME OUT OF THE WOMB I KNEW I WAS GAY,” BARON-GRACIE SAYS.BY CLAIRE LANDSBMFEBARY 12, 2021BY JORDAN CURTIS-HUGH.SAVE THIS STORYSAVESAVE THIS STORYSAVEHEATHER BARON-GRACIE DON’T KNOW MUCH ABOUT ASTROLOGY. “I JT KNOW I’M A CAPRIRN,” THE 26-YEAR-OLD LEAD SGER OF U.K.-BASED BAND PALE WAV TELLS ME. “MY FANS MA ME A BIRTH CHART BEE THEY KNEW I HAVE NO KNOWLEDGE OF STAR SIGNS.”FROM THE OUTSI LOOKG , THOUGH, THE SMOS WAS ALMOST UNIQUELY ALIGNED AGAST THE CREATN OF PALE WAV’ SEND STUD ALBUM, WHO AM I?, OUT THIS FRIDAY. LAST FEBARY, A TOUR-B CRASH VOLVG THE OTHER THREE MEMBERS OF THE PALE WAV QUARTET—CIARA DORAN, HUGO SILVANI, AND CHARLIE WOODS—SILED THE BAND FOR SEVERAL WEEKS. THEN THE PANMIC CUT THEIR L.A. RERDG SSNS SHORT; HALF THE BAND FLEW HOME, AAID OF GETTG STUCK STATI, AND HALF REMAED CALIFORNIA, NECSATG A FRANKENSTEG OF RERDGS MA ON DIFFERENT NTENTS. AND OF URSE, THE PANMIC H S STRI L.A. AS BARON-GRACIE WAS FALIZG THE ALBUM LAST SPRG. “IT WAS JT ME AND A PRODUCER MASKS AND GLOV,” SHE SAYS. “I MALY STAYED THE VOL BOOTH. WE WERE WASHG OUR HANDS EVERY SEND.” ULTIMATELY, THOUGH, HER EARTH SIGN NATURE PREVAILED. “I REMEMBER MY MANAGER RGG ME UP AND BEG LIKE, WHAT SHOULD WE DO?” SHE SAYS. “AND I WAS LIKE, THERE’S NO OPTN HERE. I’M GOG TO THE STUD, AND I’M GOG TO FISH .”WHO AM I? IS A HARR SOUND FOR PALE WAV—GNGIER, WH A POP-PUNK SENSIBILY AND VISUALS THAT WOULD BE AT HOME A TIM BURTON FILM. THE TULAR “WHO AM I?” IS A TE BALLAD, BUT THE RT OF THE ALBUM—A NOSTALGIC MISHMASH OF AVRIL LAVIGNE AND HAYLEY WILLIAMS WH SOME BRAND NEW MELANCHOLIA THROWN —STAYS UPBEAT. “CHANGE,” THE OPENG SONG, IS PALE WAV’ TYPIL MIX OF LIGHT AND DARK: A CHEERY MELODY PAIRED WH LYRICS SPAIRG OF A DYSFUNCTNAL RELATNSHIP. “YOU DON’T OWN ME” IS A GIANT “FUCK YOU” TO THE PATRIARCHY, BUT A TEMPO THAT V YOU TO JUMP AROUND YOUR BEDROOM SGG TO A HAIRBSH. “SHE’S MY RELIGN” IS A LOVE SONG WH A TWIST; THE MIC VIO, SET ON A MISTY WDG ROAD, A SERTED MEADOW, AND A DIMLY L UNTRY HOE, SCREAMS ROMANTIC TRAGEDY, WHILE THE ACPANYG WORDS SPEAK OF LOVG SOMEONE SPE THEIR FLAWS. FOR BARON-GRACIE, THIS TYPE OF BATN IS LIBERATE. “THE STMENTATN IS QUE UPLIFTG AND POSIVE AND PHORIC, AND THE SONGWRG TENDS TO BE DARKER,” SHE EXPLAS. “I TRY TO BALANCE …. I’M A CRIER—I’LL LERALLY CRY AT ANYTHG ON TV. I LOVE THOSE KDS OF SONGS. BUT I DON’T WANT A FULL RERD OF PEOPLE CRYG.”STILL, PARTS OF THE ALBUM ARE TEAR-JERKG. “SHE’S MY RELIGN,” THE QUEER EMO ANTHEM OF MY TEENAGE DREAMS, IS SHOT THROUGH WH EMOTN, A MIL LOVE LETTER TO BARON-GRACIE’S GIRLIEND, KELSI LUCK. (FOR THE RERD, LUCK IS A PISC.) LUCK’S STARRG ROLE THE SONG’S MIC VIO IS HER MOST OBV NTRIBUTN, BUT BARON-GRACIE TELLS ME THAT LUCK’S FGERPRTS ARE ALL OVER THE ALBUM. SHE HAD “FALLEN A B OUT OF LOVE WH MIC,” UNTIL LUCK “HAD ARTISTIC, CREATIVE NVERSATNS WH ME THAT MA ME BEE A BETTER WRER.” PART OF THIS, SHE SAYS, WAS A POETRY BGE—LUCK HAD HER READ “POEMS THAT HAD REALLY MEANT SOMETHG TO HER. ‘YOU DON’T OWN ME’ WAS SPIRED BY A POEM SHE WROTE ABOUT WHAT ’S LIKE TO BE A WOMAN THE WORLD. AND ‘WISH YOU WERE HERE’ WAS A POEM SHE WROTE ABOUT ME THAT I SECRETLY RERD ON MY PHONE. SHE HAD NO IA. I WAS LIKE, ‘CAN YOU JT READ ME THAT POEM AGA?’… LATER ON SHE DISVERED THAT I’D PUT A SONG AND AT FIRST SHE WAS LIKE, ‘TAKE OUT. I DON’T WANT THERE.’” “SHE’S VERY MUCH A GIRL WHO WANTS TO BE BEHD THE MERA AND NOT ONT OF , AND THAT’S WHY OUR RELATNSHIP WORKS SO WELL,” BARON-GRACIE SAYS. “WE’LL CREATE THIS WHOLE WORLD, AND THEN I GO AND PERFORM . IT’S THE PERFECT RELATNSHIP FOR ME…. I WOULDN’T HAVE THIS RERD IF WASN’T FOR KELSI.” MOST POPULAROUR FLAG MEANS DEATH SEASON 2: EXCLIVE FIRST LOOKBY SARAH CATHERALLFLORENCE PUGH SAYS CHRISTOPHER NOLAN “APOLOGIZED” FOR HER SMALL OPPENHEIMER ROLEBY SAVANNAH WALSHHOW MK, THIEL, ZUCKERBERG, AND ANDRESEN—FOUR BILLNAIRE TECHNO-OLIGARCHS—ARE CREATG AN ALTERNATE, AUTOCRATIC REALYBY JONATHAN TAPLIN FACT, THE TWO TEND TO TIE THE KNOT LAST MARCH—YET ANOTHER PLAN RAILED BY THE PANMIC. “WE WERE GOG TO GET MARRIED VEGAS,” BARON-GRACIE SAYS. “I WANTED A TRASHY WEDDG, AND I’M ANNOYED THAT DIDN’T HAPPEN.” THE MOMENT FOR VEGAS “HAS PASSED,” SHE SAYS, BUT THEY’LL FIGURE OUT ANOTHER WAY TO GET HCHED DOWN THE LE. “YOU KNOW HOW GAY RELATNSHIPS GO; YOU MEET THAT PERSON AND YOU’RE LIKE, ‘LET’S MOVE TOGETHER,’” SHE JOK. BUT SHE FEELS ROCK-SOLID LUCK: “WHEN YOU TABLISH THAT MUTUAL RPECT FOR ONE ANOTHER, IS REALLY BETIFUL.” THIS TYPE OF OPENNS, BOTH TERVIEWS AND HER SONGWRG, IS RELATIVELY NEW FOR BARON-GRACIE. THOUGH SHE’S BEEN OUT FOR YEARS—“Y I’M GAY” SHE TWEETED NOVEMBER 2018, A LIGHTFULLY NONCHALANT MOVE RIVALED ONLY BY KRISTEN STEWART’S “I’M, LIKE, SO GAY, DU” ON SATURDAY NIGHT LIVE—THIS IS THE FIRST TIME SHE’S BEEN LIBERATELY VOL ABOUT THIS ASPECT OF HER INTY. “WHEN I WROTE THE FIRST PALE WAV ALBUM [MY MD MAK NOIS, RELEASED 2018,] I FELT VERY YOUNG,” SHE SAYS TO EXPLA THE SHIFT. “I WAS AWARE OF MY SEXUALY, BUT I HADN’T YET OWNED . I HAD A LOT MORE TO EXPLORE AND EXPERIENCE. I DIDN’T HAVE ANYONE TO WRE ABOUT.” IN THE TERIM, SHE’S BEE MORE FORTABLE HER OWN SK. “TOO MANY PEOPLE THK I’M STRAIGHT AND I’M LIKE, REALLY? MOST ARE MEN. [I’M LIKE,] I’M NOT STRAIGHT; I A’T GOG TO GET WH YOU…. I’VE ALWAYS BEEN GAY. WHEN I ME OUT OF THE WOMB I KNEW I WAS GAY.” ARRIVG AT THIS POT, OTHER WORDS, HAS BEEN A PROCS. AND LIKE MANY ARTISTS, BARON-GRACIE CREDS THE COVID-DUCED LULL PALE WAV’ TOURG SCHLE WH GIVG HER TIME TO DO THE KD OF PERSONAL WORK THAT’S ALLOWED HER SONGWRG TO PROGRS. “WHEN YOU GET TO THAT LIFTYLE OF TOURG, ’S A WHOLE DIFFERENT WORLD,” SHE SAYS. “IT’S NOT REAL LIFE. YOU’RE PTURED BY . AND I THK THAT STUNTED MY MATURY AND MY PERSPECTIVE.” PALE WAV HAS ANNOUNCED A TOUR OF THE U.K. AND IRELAND 2022, BUT BARON-GRACIE DIT SHE’LL STAY FOCED WARD UNTIL THEN, LIKELY ON A THIRD STUD ALBUM. AND WHEN SHE RETURNS TO THE ROAD, SHE’LL HAVE FIRMER BOUNDARI PLACE. “I’VE BEE A LOT MORE STUBBORN TERMS OF LETTG PEOPLE KNOW WHEN I NEED A BREAK,” SHE SAYS. “IT’S IMPORTANT TO SET BOUNDARI AND SAY, I NEED TIME TO GO OFF AND JT BREATHE. AND THEN I’LL E BACK TO THE CHAOS.” MORE GREAT STORI FROM VANY FAIR— COVER STORY: THE CHARMG BILLIE EILISH— KOBE BRYANT’S TRAGIC FLIGHT, ONE YEAR LATER— HOW THE PGA POLISHED OFF DONALD TMP— COULD THE MONARCHY “GO OVER A CLIFF” AFTER QUEEN ELIZABETH DI?— 36 ESSENTIAL ITEMS FOR RECREATG INIC BILLIE EILISH NAIL MOMENTS— INSI 2021’S CELEBRY-GOSSIP RENAISSANCE— WHAT WILL MELANIA TMP’S LEGACY BE?— FROM THE ARCHIVE: THE BRANT BROTHERS’ QUT TO CONQUER MANHATTAN— NOT A SUBSCRIBER? JO VANY FAIR TO RECEIVE FULL ACCS TO AND THE PLETE ONLE ARCHIVE NOW.CLAIRE LANDSBM
• THE SURPRISG STORY OF HOW ABBA BEME BELOVED GAY INS
• QUEEN ELIZABETH II LED THROUGH S OF CHANGE ON GAY RIGHTS, BUT HER LGBTQ LEGACY IS PLITED
• A 1888 NEWS STORY ABOUT A “GAY QUEEN OF THE WAV” A JERSEY SHORE TOWN SUGGTS THAT A FACT THE HISTORY OF SURFG MAY BE …

GAY QUEEN OF THE WAV

In the summer of 1888, several newspapers report a girl surfg at Ashbury Park, New Jersey – they refer to her as the “Gay Queen of the Wav. 18, 1888, Natnal Police Gazette wh the ptn: “A Gay Queen Of The Wav: Asbury Park, New Jersey, Surprised By The Darg Of A Sandwich Island Girl. A GAY QUEEN OF THE WAVES.

A 1888 NEWS STORY ABOUT A “GAY QUEEN OF THE WAV” A JERSEY SHORE TOWN SUGGTS THAT A FACT THE HISTORY OF SURFG MAY BE …

But while the Netherlands, which 2001 beme the first untry to legalize gay marriage, has paved the wave for a queer royal to officially wear the crown, LGBTQ people have long been dog so unofficially.

(The term “cut sleeve” remaed a Che phemism for male homosexualy for centuri. The liph’s sexualy has been the source of some bate: Acrdg to the French medievalist Évariste Lévi-Provençal, the phrase “hubb al-walad, ” found 16th-century historian Ahmed Mohammed al-Maqqari’s pendium "Nafh at-Tib" reference to Al-Hakam II, translat as a “preference for boys, ” though other scholars mata refers to paternal Medieval Europe scholar Francis Prado-Vilar wrote that knowledge of Al-Hakam’s homosexualy the urt of Córdoba “enuraged the ambns of the factns gathered around his much younger brother, Prce al-Mughira. ”“In his youth his lov seem to have been entirely homosexual, ” queer studi scholar Louis Crompton wrote “Male Love and Islamic Law Arab Spa.

Young as “​​the most proment homosexual figure the early morn perd. )“To the shock of many urtiers, the pair were monstratively affectnate to each other public, spe Jam’ var proclamatns agast homosexualy, ” Daniel Smh wrote “Love Letters of Kgs and Queens. Frerick the Great of Pssia (1712 - 1786)Even his lifetime, this Pssian royal was wily mored to be a homosexual, though that term wouldn’t be ed till nearly 90 years after his years after the kg’s ath, his physician Johann Ge Rter von Zimmermann published a book which he sperately tried to dispel gossip Frerick had a “Grecian taste love.

PALE WAV’ HEATHER BARON-GRACIE IS MIC’S REIGNG QUEER EMO QUEENIN MANY WAYS, THE BAND’S SEND ALBUM, WHO AM I?, IS A LOVE LETTER TO BARON-GRACIE’S GIRLIEND—WHO SHE PLANNED TO MARRY VEGAS LAST MARCH. THE OPENNS IS NEW, BUT THE SENTIMENT ISN’T. “WHEN I ME OUT OF THE WOMB I KNEW I WAS GAY,” BARON-GRACIE SAYS.BY CLAIRE LANDSBMFEBARY 12, 2021BY JORDAN CURTIS-HUGH.SAVE THIS STORYSAVESAVE THIS STORYSAVEHEATHER BARON-GRACIE DON’T KNOW MUCH ABOUT ASTROLOGY. “I JT KNOW I’M A CAPRIRN,” THE 26-YEAR-OLD LEAD SGER OF U.K.-BASED BAND PALE WAV TELLS ME. “MY FANS MA ME A BIRTH CHART BEE THEY KNEW I HAVE NO KNOWLEDGE OF STAR SIGNS.”FROM THE OUTSI LOOKG , THOUGH, THE SMOS WAS ALMOST UNIQUELY ALIGNED AGAST THE CREATN OF PALE WAV’ SEND STUD ALBUM, WHO AM I?, OUT THIS FRIDAY. LAST FEBARY, A TOUR-B CRASH VOLVG THE OTHER THREE MEMBERS OF THE PALE WAV QUARTET—CIARA DORAN, HUGO SILVANI, AND CHARLIE WOODS—SILED THE BAND FOR SEVERAL WEEKS. THEN THE PANMIC CUT THEIR L.A. RERDG SSNS SHORT; HALF THE BAND FLEW HOME, AAID OF GETTG STUCK STATI, AND HALF REMAED CALIFORNIA, NECSATG A FRANKENSTEG OF RERDGS MA ON DIFFERENT NTENTS. AND OF URSE, THE PANMIC H S STRI L.A. AS BARON-GRACIE WAS FALIZG THE ALBUM LAST SPRG. “IT WAS JT ME AND A PRODUCER MASKS AND GLOV,” SHE SAYS. “I MALY STAYED THE VOL BOOTH. WE WERE WASHG OUR HANDS EVERY SEND.” ULTIMATELY, THOUGH, HER EARTH SIGN NATURE PREVAILED. “I REMEMBER MY MANAGER RGG ME UP AND BEG LIKE, WHAT SHOULD WE DO?” SHE SAYS. “AND I WAS LIKE, THERE’S NO OPTN HERE. I’M GOG TO THE STUD, AND I’M GOG TO FISH .”WHO AM I? IS A HARR SOUND FOR PALE WAV—GNGIER, WH A POP-PUNK SENSIBILY AND VISUALS THAT WOULD BE AT HOME A TIM BURTON FILM. THE TULAR “WHO AM I?” IS A TE BALLAD, BUT THE RT OF THE ALBUM—A NOSTALGIC MISHMASH OF AVRIL LAVIGNE AND HAYLEY WILLIAMS WH SOME BRAND NEW MELANCHOLIA THROWN —STAYS UPBEAT. “CHANGE,” THE OPENG SONG, IS PALE WAV’ TYPIL MIX OF LIGHT AND DARK: A CHEERY MELODY PAIRED WH LYRICS SPAIRG OF A DYSFUNCTNAL RELATNSHIP. “YOU DON’T OWN ME” IS A GIANT “FUCK YOU” TO THE PATRIARCHY, BUT A TEMPO THAT V YOU TO JUMP AROUND YOUR BEDROOM SGG TO A HAIRBSH. “SHE’S MY RELIGN” IS A LOVE SONG WH A TWIST; THE MIC VIO, SET ON A MISTY WDG ROAD, A SERTED MEADOW, AND A DIMLY L UNTRY HOE, SCREAMS ROMANTIC TRAGEDY, WHILE THE ACPANYG WORDS SPEAK OF LOVG SOMEONE SPE THEIR FLAWS. FOR BARON-GRACIE, THIS TYPE OF BATN IS LIBERATE. “THE STMENTATN IS QUE UPLIFTG AND POSIVE AND PHORIC, AND THE SONGWRG TENDS TO BE DARKER,” SHE EXPLAS. “I TRY TO BALANCE …. I’M A CRIER—I’LL LERALLY CRY AT ANYTHG ON TV. I LOVE THOSE KDS OF SONGS. BUT I DON’T WANT A FULL RERD OF PEOPLE CRYG.”STILL, PARTS OF THE ALBUM ARE TEAR-JERKG. “SHE’S MY RELIGN,” THE QUEER EMO ANTHEM OF MY TEENAGE DREAMS, IS SHOT THROUGH WH EMOTN, A MIL LOVE LETTER TO BARON-GRACIE’S GIRLIEND, KELSI LUCK. (FOR THE RERD, LUCK IS A PISC.) LUCK’S STARRG ROLE THE SONG’S MIC VIO IS HER MOST OBV NTRIBUTN, BUT BARON-GRACIE TELLS ME THAT LUCK’S FGERPRTS ARE ALL OVER THE ALBUM. SHE HAD “FALLEN A B OUT OF LOVE WH MIC,” UNTIL LUCK “HAD ARTISTIC, CREATIVE NVERSATNS WH ME THAT MA ME BEE A BETTER WRER.” PART OF THIS, SHE SAYS, WAS A POETRY BGE—LUCK HAD HER READ “POEMS THAT HAD REALLY MEANT SOMETHG TO HER. ‘YOU DON’T OWN ME’ WAS SPIRED BY A POEM SHE WROTE ABOUT WHAT ’S LIKE TO BE A WOMAN THE WORLD. AND ‘WISH YOU WERE HERE’ WAS A POEM SHE WROTE ABOUT ME THAT I SECRETLY RERD ON MY PHONE. SHE HAD NO IA. I WAS LIKE, ‘CAN YOU JT READ ME THAT POEM AGA?’… LATER ON SHE DISVERED THAT I’D PUT A SONG AND AT FIRST SHE WAS LIKE, ‘TAKE OUT. I DON’T WANT THERE.’” “SHE’S VERY MUCH A GIRL WHO WANTS TO BE BEHD THE MERA AND NOT ONT OF , AND THAT’S WHY OUR RELATNSHIP WORKS SO WELL,” BARON-GRACIE SAYS. “WE’LL CREATE THIS WHOLE WORLD, AND THEN I GO AND PERFORM . IT’S THE PERFECT RELATNSHIP FOR ME…. I WOULDN’T HAVE THIS RERD IF WASN’T FOR KELSI.” MOST POPULAROUR FLAG MEANS DEATH SEASON 2: EXCLIVE FIRST LOOKBY SARAH CATHERALLFLORENCE PUGH SAYS CHRISTOPHER NOLAN “APOLOGIZED” FOR HER SMALL OPPENHEIMER ROLEBY SAVANNAH WALSHHOW MK, THIEL, ZUCKERBERG, AND ANDRESEN—FOUR BILLNAIRE TECHNO-OLIGARCHS—ARE CREATG AN ALTERNATE, AUTOCRATIC REALYBY JONATHAN TAPLIN FACT, THE TWO TEND TO TIE THE KNOT LAST MARCH—YET ANOTHER PLAN RAILED BY THE PANMIC. “WE WERE GOG TO GET MARRIED VEGAS,” BARON-GRACIE SAYS. “I WANTED A TRASHY WEDDG, AND I’M ANNOYED THAT DIDN’T HAPPEN.” THE MOMENT FOR VEGAS “HAS PASSED,” SHE SAYS, BUT THEY’LL FIGURE OUT ANOTHER WAY TO GET HCHED DOWN THE LE. “YOU KNOW HOW GAY RELATNSHIPS GO; YOU MEET THAT PERSON AND YOU’RE LIKE, ‘LET’S MOVE TOGETHER,’” SHE JOK. BUT SHE FEELS ROCK-SOLID LUCK: “WHEN YOU TABLISH THAT MUTUAL RPECT FOR ONE ANOTHER, IS REALLY BETIFUL.” THIS TYPE OF OPENNS, BOTH TERVIEWS AND HER SONGWRG, IS RELATIVELY NEW FOR BARON-GRACIE. THOUGH SHE’S BEEN OUT FOR YEARS—“Y I’M GAY” SHE TWEETED NOVEMBER 2018, A LIGHTFULLY NONCHALANT MOVE RIVALED ONLY BY KRISTEN STEWART’S “I’M, LIKE, SO GAY, DU” ON SATURDAY NIGHT LIVE—THIS IS THE FIRST TIME SHE’S BEEN LIBERATELY VOL ABOUT THIS ASPECT OF HER INTY. “WHEN I WROTE THE FIRST PALE WAV ALBUM [MY MD MAK NOIS, RELEASED 2018,] I FELT VERY YOUNG,” SHE SAYS TO EXPLA THE SHIFT. “I WAS AWARE OF MY SEXUALY, BUT I HADN’T YET OWNED . I HAD A LOT MORE TO EXPLORE AND EXPERIENCE. I DIDN’T HAVE ANYONE TO WRE ABOUT.” IN THE TERIM, SHE’S BEE MORE FORTABLE HER OWN SK. “TOO MANY PEOPLE THK I’M STRAIGHT AND I’M LIKE, REALLY? MOST ARE MEN. [I’M LIKE,] I’M NOT STRAIGHT; I A’T GOG TO GET WH YOU…. I’VE ALWAYS BEEN GAY. WHEN I ME OUT OF THE WOMB I KNEW I WAS GAY.” ARRIVG AT THIS POT, OTHER WORDS, HAS BEEN A PROCS. AND LIKE MANY ARTISTS, BARON-GRACIE CREDS THE COVID-DUCED LULL PALE WAV’ TOURG SCHLE WH GIVG HER TIME TO DO THE KD OF PERSONAL WORK THAT’S ALLOWED HER SONGWRG TO PROGRS. “WHEN YOU GET TO THAT LIFTYLE OF TOURG, ’S A WHOLE DIFFERENT WORLD,” SHE SAYS. “IT’S NOT REAL LIFE. YOU’RE PTURED BY . AND I THK THAT STUNTED MY MATURY AND MY PERSPECTIVE.” PALE WAV HAS ANNOUNCED A TOUR OF THE U.K. AND IRELAND 2022, BUT BARON-GRACIE DIT SHE’LL STAY FOCED WARD UNTIL THEN, LIKELY ON A THIRD STUD ALBUM. AND WHEN SHE RETURNS TO THE ROAD, SHE’LL HAVE FIRMER BOUNDARI PLACE. “I’VE BEE A LOT MORE STUBBORN TERMS OF LETTG PEOPLE KNOW WHEN I NEED A BREAK,” SHE SAYS. “IT’S IMPORTANT TO SET BOUNDARI AND SAY, I NEED TIME TO GO OFF AND JT BREATHE. AND THEN I’LL E BACK TO THE CHAOS.” MORE GREAT STORI FROM VANY FAIR— COVER STORY: THE CHARMG BILLIE EILISH— KOBE BRYANT’S TRAGIC FLIGHT, ONE YEAR LATER— HOW THE PGA POLISHED OFF DONALD TMP— COULD THE MONARCHY “GO OVER A CLIFF” AFTER QUEEN ELIZABETH DI?— 36 ESSENTIAL ITEMS FOR RECREATG INIC BILLIE EILISH NAIL MOMENTS— INSI 2021’S CELEBRY-GOSSIP RENAISSANCE— WHAT WILL MELANIA TMP’S LEGACY BE?— FROM THE ARCHIVE: THE BRANT BROTHERS’ QUT TO CONQUER MANHATTAN— NOT A SUBSCRIBER? JO VANY FAIR TO RECEIVE FULL ACCS TO AND THE PLETE ONLE ARCHIVE NOW.CLAIRE LANDSBM

And rather than let that secret out, Frerick pretend to be gay, “so that he would ntue to appear virile and pable of sexual terurse, albe wh men. But he did ltle to obscure his sexualy: Sanssouci, his palace Potsdam, was filled wh homoerotic art and, across Europe, “l Potsdamists” beme slang for kg allegedly pursued the Veian philosopher Franc Algarotti and even famed French philosopher Voltaire, who lived wh him at Sanssouci, though ’s not certa if eher relatnship was Voltaire’s ath 1778, a mancript of his memoir tailg Frerick’s homosexual tennci tail was stolen and published the Netherlands. ”The archde spent the rt of his life secln at Klsheim Palace near Salzburg, where he died at the age of 76 1919, three years after his brother’s ath and one year after the Atro-Hungarian Empire was dissolved after the end of World War II of Buganda (1868 - 1903)Discsn of Uganda’s treatment of homosexualy ually settl on Print Yoweri Meveni’s “Kill the Gays” bill, but this 19th century kabaka, or kg, of Buganda allegedly had sexual relatnships wh men along wh his 16 1886, Mwanga II orred the btal torture and aths of dozens of urtiers and pag, wh many burned alive.

“I hear there was homosexualy Mwanga’s palace, ” Meveni told a crowd of thoands on Martyr Day 2010, the Atlantic reported.

THE SURPRISG STORY OF HOW ABBA BEME BELOVED GAY INS

The ptn read: “A Gay Queen Of The Wav: Asbury Park, New Jersey, Surprised By The Darg Of A Sandwich Island Girl. Sandwich Island Girl Hangs Five, A Gay Queen Of The Wav.

Fox wrote a book 1883 tled, 'Coney Island Frolics: How New York’s Gay Girls and Jolly Boys Enjoy Themselv by the Sea. “You know how gay relatnships go; you meet that person and you’re like, ‘Let’s move together, ’” she jok. Though she’s been out for years—“Y I’m gay” she tweeted November 2018, a lightfully nonchalant move rivaled only by Kristen Stewart’s “I’m, like, so gay, du” on Saturday Night Live—this is the first time she’s been liberately vol about this aspect of her inty.

I’ve always been gay.

QUEEN ELIZABETH II LED THROUGH S OF CHANGE ON GAY RIGHTS, BUT HER LGBTQ LEGACY IS PLITED

When I me out of the womb I knew I was gay. Gay revelers (and their lucky straight iends) are wavg their arms, strikg genue pos and shamelsly sgg along to the sugary 45-year-old pop standard that’s bee synonymo wh queer nightlife.

A 1888 NEWS STORY ABOUT A “GAY QUEEN OF THE WAV” A JERSEY SHORE TOWN SUGGTS THAT A FACT THE HISTORY OF SURFG MAY BE …

” and “Macho Man” for themselv, but there’s no way they’ll take this one om to multiple stage and screen rnatns of “Mamma Mia!, ” fabuloly garish stum om gay signer Owe Sandström and nsummately crafted songs more retroactively popular than their ’70s and early ’80s heyday, ABBA has for s been the bull’s-eye of the LGBTQ mil universe.

Ostensibly cheerful but packed wh drama and peppered wh Sndavian melancholy, the Stockholm mixed-genr quartet’s pop has blueprted the glz of untls gay and gay-iendly acts om Kylie Mogue to Lady Gaga, Adam Lambert to Lil Nas X — a sgular achievement for a band that hadn’t pleted an album 40 years. This week releasg “Voyage, ” s first new LP sce 1981 and a teaser for next year’s London ncerts featurg 3D avatars, ABBA is to many gay fans what the Rollg Ston are to straights — archetyp whose appeal transcends time, place and age.