Marv Gaye's All-Star Game natnal anthem performance: Lookg back at the fg moment om 1983

marvin gaye nba

We remember the memorable performance of the Natnal Anthem by sger Marv Gaye at the 1983 NBA All-Star game.

Contents:

MARV GAYE’S INIC NBA ALL-STAR GAME NATNAL ANTHEM: ‘HE TURNED THAT THG TO HIS OWN’

It was 20 years ago, at the 1983 NBA All-Star Game, that Marv Gaye stole the show wh his sgular rendn of the Natnal Anthem, set to a sultry rhythym-and-blu beat. * marvin gaye nba *

So much so, was nsired a big ask when then-Suns owner Jerry Colangelo went to CBS Sports print Bob Wsler 1975 requtg two mut at the top of the work’s upg broadst of the All-Star Game Phoenix so crooner Andy Williams uld sg “By The Time I Get to Phoenix” wh Henry Manci’s was to this vanilla void that stepped Marv Pentz Gay Jr., on Feb.

20 YEARS AGO, MARV GAYE TOOK 'NATNAL ANTHEM' TO NEW HEIGHTS

FLASHBACK: Marv Gaye Delivers Inic Anthem At 1983 NBA All-Star Game * marvin gaye nba *

Addg an E to his surname, Marv Gaye beme one of Motown’s biggt stars durg nearly two s wh the label, a mil leviathan whose semal 1971 album “What’s Gog On” was voted, almost 50 years later, as the greatt album of all time by Rollg Stone. But Gaye’s voice — stirrg, sultry and fiant all at once — had bee vox ’s reer was a paeon to survivg life’s tribulatns and perseverg. Fans claimed all of , the angelic croong and the flawed the early ’80s, Gaye had aga fallen to prsn.

The album featured the h “Sexual Healg, ” which got Gaye back to the top of the charts at age 43. (Armando Gallo / Getty Imag)In ’83, Gaye was the send choice to sg the anthem at the All-Star game.

”Seemgly at the last mute, Gaye arrived, walkg down the center aisle of the Fom, drsed to the n, wh a ssette tape his hand. It was the dm track that had been laid down Saturday by Gaye and his longtime llaborator, guarist Gordon Banks, at Gaye’s sister’s hoe L.

THE PLAYERS’ ANTHEM: WHEN MARV GAYE SANG ‘THE STAR-SPANGLED BANNER’ AT THE 1983 ALL-STAR GAME

Marv Gaye gave "The Star-Spangled Banner" the soulful remix served at the 1983 N.B.A. All-Star Game Los Angel. * marvin gaye nba *

It was all he uld to keep his mouth om htg the years later, he was centerstage wh Gaye at the All-Star Game.

FLASHBACK: MARV GAYE GROOV UP NATNAL ANTHEM AT 1983 NBA ALL-STAR GAME

* marvin gaye nba *

But if Hoton’s adaptatn f neatly to the jgoistic narrative of a natn at war, Gaye’s versn spoke to a different kd of patrtism, one which Black Amerins were, still, wag for the untry to do what said was gog to do. ”In a 1987 Showtime special about his life and reer — premierg three years after Gaye was shot and killed 1984 by his father, Marv Gay Sr., followg an argument at his parents’ Los Angel home — Gaye said, “I felt that sgg wh that kd of mic the background gave me an spiratn. All-Star Game, they say, ‘That’s the Marv Gaye natnal anthem game, '” Thomas like the anthem were still sacrosanct.

Gaye had sung the anthem before sportg events many tim, but wh more of the tradnal October 1968, Gaye sang the anthem Detro before Game 4 of the World Seri between the Tigers and Cardals.

MARV GAYE'S SOULFUL 'THE STAR-SPANGLED BANNER' AT 1983 NBA ALL-STAR GAME IS NATNAL HEALG

40 years ago today (2/13/83), almost a year before his ath, Mav Gaye livered the goods at the NBA All-Star Game at the old Fom Los Angel, * marvin gaye nba *

When Gaye sang the anthem at the World Seri, he sang straight, at the requt of the Tigers’ legendary play-by-play man, Ernie Harwell, who was charge of pickg anthem sgers durg the Seri. ”Years later, Gaye knew the signifince of the urt where he stood, the magnu of the players led up behd him and the timacy of the the end of the first le — which Gaye shortened to “Say, n you see, ” omtg the openg “Oh” — the crowd began gaspg and squealg.

”Gaye started rampg up towards the end of the song, turng up the passn on his lounge vibe. ”Gaye bent the song to his will and tempo, gog fast on some sectns, slowg down others. ”When Gaye fished, Rosen said, “He walked right out of the buildg, and I never saw him aga.

MARV GAYE'S ALL-STAR GAME NATNAL ANTHEM PERFORMANCE: LOOKG BACK AT THE FG MOMENT OM 1983

The Star-Spangled Banner (Live at the 1983 NBA All-Star Game) Lyrics: Now along wh the Uned Stat Mare Color Guard / To sign the natnal anthem / Famed rerdg artist Marv Gaye / O say n you see / By the dawn's early light / What so * marvin gaye nba *

Rosen thought he was gog to be fired, after O’Brien, as Rosen relled, “tore me a new (one)” when Gaye was fished.

Fortunately for Rosen, his immediate boss, the late Jerry Bs, the Lakers’ owner, loved Gaye’s rendn, so his job was time, what Bs regnized, what the players knew stantly, beme clearer to the mass.

MARV GAYE SPIC UP “THE STAR-SPANGLED BANNER” AT NBA ALL-STAR GAME, ON THIS DAY IN 1983 [WATCH]

Nona Gaye has displayed diverse artistic tras her reer cludg sgg, molg, and actg. Some of the 46-year-old actrs’ most notable works clu Zee ‘The Matrix Reload’ and ‘The Matrix Revolutns’ * marvin gaye nba *

What happened that one night Inglewood beme the watershed moment Gaye’s performance not only legimized the A-list worths of the NBA All-Star Game and the league self, but opened the door for future artists to exprs the diversy of the U. It was 20 years ago, at the 1983 NBA All-Star Game, that Marv Gaye stole the show wh his sgular rendn of "The Star-Spangled Banner. ” Gaye would e the NBA’s center stage to propel him to the Grammys jt 10 days later.

Gaye, a lchp of swagger, walked to center urt at The Fom a ep blue su — jacket buttoned — wearg dark shas urty of an NBA gift package that had been distributed to all media and VIP guts. The honor guard of nearby Edwards Air Force Base was behd Gaye wh the Amerin and California flags raised.

Four years earlier, 1979, Gaye sang at the send Larry Holm-Earnie Shavers fight at Caars Palace Las Vegas. Whether or not he knew , though, as much as Gaye found spiratn the athlet who stood behd him on The Fom’s urt, they found as much if not more him.

MARV GAYE ANTHEM

Gaye was a tortured spir whose life oftentim played out publicly — spe the sger’s natural shyns. By the time of the 1983 All-Star Game, Gaye had long sce returned om his self-imposed European exile. The two-time NBA champn and Fals MVP lghs at the memory of first meetg Gaye Hollywood — alongsi Johnson — at the famo and famo The Palladium.

40 YEARS AGO TODAY – MARV GAYE STUNS AT NBA ALL-STAR GAME WH RIVETG NATNAL ANTHEM

Abdul-Jabbar, on a break om the book tour for his Beg Kareem: On and Off the Court, rells nng to Gaye at stud ssns for his iend Stevie Wonr’s 1976 Songs In The Key of Life. ” But as for Gaye himself: “What happened the late ’60s was a lot of what’s gog on our society today.

All durg the day, and right before the early afternoon tipoff, Gaye was nowhere to be found. It was a simple beat dubbg a dm track done by Gaye’s guarist and mil director Gordon Banks and a keyboard track that Gaye laid down himself. ” For a two-mute stretch, the basketball world revolved around Marv Gaye and wh his gravatnal pull were MVPs, world champns, former Rooki of the Year, future Hall of Famers and 17, 505 people the stands.

“I remember the nversatn beg the game was great, ” said Ths, “but that wasn’t anywhere near as good as Marv Gaye.

THE STAR-SPANGLED BANNER (LIVE AT THE 1983 NBA ALL-STAR GAME)MARV GAYETRACK 16 ON A MIL TTAMENT 1964-1984 PRODUCED BYMARV GAYE19881 VIEWER3 CONTRIBUTORSTHE STAR-SPANGLED BANNER (LIVE AT THE 1983 NBA ALL-STAR GAME) LYRICS[INTRO]NOW ALONG WH THE UNED STAT MARE COLOR GUARDTO SIGN THE NATNAL ANTHEMFAMED RERDG ARTIST MARV GAYE[VERSE]O SAY N YOU SEEBY THE DAWN'S EARLY LIGHTWHAT SO PROUDLY WE HAILEDAT THE TWILIGHT'S LAST GLEAMGWHOSE BROAD STRIP AND BRIGHT STARSTHROUGH THE PERILO FIGHT, OH, LORDOH, THE FIGHTO'ER THE RAMPARTS WE WATCHEDWERE SO GALLANTLY, YEAH, STREAMG?AND THE ROCKETS RED GLARETHE BOMBS BURSTG AIRGAVE PROOF THROUGH THE NIGHTTHAT OUR FLAG WAS STILL THEREO SAY DO THY STAR-SPANGLED BANNER YET WAVEFOR THE LAND OF THE EEAND THE HOME OF THE, HOME OF THE BRAVEOH, LORD, WOOYOU MIGHT ALSO LIKEEMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

For those who stood on the floor that day 1983, they rema nnected to Gaye’s rendn.

The versn sung by Whney Hoton at the 1991 Super Bowl is the only other anthem close to a parison to Gaye’s rendn, their ey. Blige, John Legend, Brian McKnight and more, Marv Gaye remas on the NBA’s mil Mount Rhmore.

WHERE ARE MARV GAYE’S CHILDREN NOW? AHEAD OF GRAMMYS' ‘MERCY, MERCY ME’ TRIBUTE, A LOOK AT SOUL LEGEND'S FAY

Many of the issu Gaye addrsed his mic n parallel to Col Kaepernick’s origal msage.

“Marv Gaye’s rendn of the natnal anthem supersed and surpassed any negativy that was anyone’s md, ” he said. Ten days after the All-Star Game, for “Sexual Healg, ” Gaye was award the only two Grammys of his reer. In a figurative sense, Gaye stood between heaven and hell throughout his Midnight Love tour.

“After the performance, we got back to the drsg room, ” Mel Farr relled of his fal meetg wh Gaye.

MARV GAYE’S WIFE REVEALS HOW HE TORTURED HER

Four hundred and fourteen days after his anthem, on April 1, 1984, Gaye was murred by his father, Marv Gay Sr., a day shy of what would have been Marv Jr. Toward the end of his life, as he battled voic his head, Gaye still unrstood the importance of Feb.

MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES

He most certaly moved Riley, who keeps hours upon hours upon hours of Gaye’s and Motown’s greatt hs near him at all tim. The Miami Heat print still keeps a amed picture of himself, Abdul-Jabbar and the Wtern Conference All-Stars led up watchg Gaye.

18), and wh the return of the event to Los Angel, ’s hard not to remember perhaps the most inic performance of the natnal anthem that took place there 35 years honor belongs to the late Marv Gaye, who stepped up to a microphone at the Fom Inglewood, Calif.

” Smooth, sexy, and marked wh unual phrasg and timg, Gaye’s reimaged versn blew the crowd away wh s ol and assured, of urse, were not as smooth for the Motown legend behd the scen.

*BEAR-MAGAZINE.COM* MARVIN GAYE NBA

Marv Gaye Anthem : NPR .

TOP