In the 1950s, New York Couldn’t Handle Andy Warhol’s Gay Art

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Read THE DAILY PIC on “Inventg Downtown” at the Grey Art Gallery: Andy Warhol failed to place his gay art one space the show explor.

Contents:

ANDY WARHOL AS A GAY ARTIST NFLICT WH HIS CATHOLIC FAH

In an say "Andy Warhol: Love, Sex, and Dire," out om TASCHEN, Gopnik argu that Warhol had good reason to believe that darg gay imagery was where art ought to have been headg. * andy warhol gay art *

“In New York, he pletely threw himself to this creative queer muny, ” Moran even the New York gay and arts scen, Warhol — who as a public figure was famoly elive about his bgraphil tails and inty — was “almost but never que out, ” Gopnik wr his Warhol bgraphy. “Anyone wh half a bra realized that Warhol was gay, but he didn’t actually e out and say really until the 1970s and ’80s, and even then was only said a somewhat jokg way, ” Gopnik ’s artistic immersn gay culture New York is on view a selectn of his early le drawgs om the 1950s featured the Tate exhib. Together, they rell not only a “moment of gay life New York, ” as Gopnik not, but also Warhol’s role as both a wns to and a participant that the drawgs, like most of Warhol’s explic works throughout the 1950s, were not well received by the U.

RARE ANDY WARHOL COLLECTN DEPICTG "GAY UNRGROUND CULTURE" HS CHRISTIE'S AUCTN {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}CULTUREBY MATTHEW THARRETTJUNE 23, 2015/11:24 AMBY MATTHEW THARRETTJUNE 23, 2015 / 11:24 AM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"RARE ANDY WARHOL COLLECTN DEPICTG \"GAY UNRGROUND CULTURE\" HS CHRISTIE'S AUCTN BLOCK","DATEPUBLISHED":"2015-06-23T15:24:55.000+0000","DATEMODIFIED":"2015-06-23T15:24:55.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"MATTHEW THARRETT","ARTICLESECTN":"CULTURE"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHRISTIE'S CTN HOE IS SELLG OVER 100 RARE PHOTOS, PRTS AND DRAWGS BY ANDY WARHOL TO CI WH LGBT PRI {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE UNIQUE LLECTN, SOURCED DIRECTLY OM THE LLECTN OF THE ANDY WARHOL FOUNDATN FOR THE VISUAL ARTS, IS TLED "ANDY'S RANDY SUMMER" AND CLUS SOME OF WARHOL'S LSER-KNOWN AND MORE GAY-ORIENTED {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SOME PIEC THE LLECTN HAVE NEVER BEEN SHOWN PUBLIC BEFORE NOW, CLUDG PHOTOS OF MEN UNDRSG, NU PORTRAS, AND NDID SHOTS THAT SHOWSE WARHOL'S "UNIQUE GAZE ON THE LGBTQ MUNY."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}RELATED: CHRISTIE’S PUTS HOMOEROTIC WARHOL ART UP FOR BID WH “ANDY WARHOL’S EYE CANDY”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LAST YEAR, A WARHOL PATG OF ELVIS SMASHED A CHRISTIE'S CTN RERD WHEN SOLD FOR $81.9 {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A RELEASE READS:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THROUGHOUT HIS REER, WARHOL PICTED MALE NUS THROUGH PHOTOGRAPHY OR DRAWG, OFTEN G GAY UNRGROUND CULTURE AS HIS BACKDROP. HIS VISUAL EXPLORATNS OF THE PLEXY OF SEXUALY AND SIRE CHRONICLE THE MOMENTO CHANG WH THE GAY MUNY THE LATE 20TH CENTURY, WHEN MANY YOUNG MEN WERE FLOCKG TO URBAN CENTERS SUCH AS NEW YORK, SAN FRANCIS, AND NEW ORLEANS OM THEIR SUBURBAN AND RAL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE FULL "ANDY'S RANDY SUMMER" LLECTN IS AVAILABLE TO VIEW ONLE, WHERE BUYERS N BID EXCLIVELY UNTIL THE SALE'S END ON JUNE 25. CHECK OUT A FEW OF THE LLECTN'S BT SHOTS BELOW:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;}{BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

One of Ameri’s most beloved artists kept a secret. Andy Warhol — pop artist and gay in — was also a lifelong Catholic who went to mass regularly at a church New York Cy’s Upper East Si. * andy warhol gay art *

Like the early le drawgs, “Sleep” implicly suggts Warhol’s dual rol both as an observer of gay life and a member of . “By makg so formally avant-gar, he saved himself om havg to worry about whether people would be up arms about s gay ntent, ” Gopnik ntrast, the ntent of Warhol’s “Ladi and Gentlemen” seri, which Marsha P.

RARE ANDY WARHOL COLLECTN DEPICTG "GAY UNRGROUND CULTURE" HS CHRISTIE'S AUCTN {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}CULTUREBY MATTHEW THARRETTJUNE 23, 2015/11:24 AMBY MATTHEW THARRETTJUNE 23, 2015 / 11:24 AM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"RARE ANDY WARHOL COLLECTN DEPICTG \"GAY UNRGROUND CULTURE\" HS CHRISTIE'S AUCTN BLOCK","DATEPUBLISHED":"2015-06-23T15:24:55.000+0000","DATEMODIFIED":"2015-06-23T15:24:55.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"MATTHEW THARRETT","ARTICLESECTN":"CULTURE"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHRISTIE'S CTN HOE IS SELLG OVER 100 RARE PHOTOS, PRTS AND DRAWGS BY ANDY WARHOL TO CI WH LGBT PRI {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE UNIQUE LLECTN, SOURCED DIRECTLY OM THE LLECTN OF THE ANDY WARHOL FOUNDATN FOR THE VISUAL ARTS, IS TLED "ANDY'S RANDY SUMMER" AND CLUS SOME OF WARHOL'S LSER-KNOWN AND MORE GAY-ORIENTED {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SOME PIEC THE LLECTN HAVE NEVER BEEN SHOWN PUBLIC BEFORE NOW, CLUDG PHOTOS OF MEN UNDRSG, NU PORTRAS, AND NDID SHOTS THAT SHOWSE WARHOL'S "UNIQUE GAZE ON THE LGBTQ MUNY."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}RELATED: CHRISTIE’S PUTS HOMOEROTIC WARHOL ART UP FOR BID WH “ANDY WARHOL’S EYE CANDY”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LAST YEAR, A WARHOL PATG OF ELVIS SMASHED A CHRISTIE'S CTN RERD WHEN SOLD FOR $81.9 {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A RELEASE READS:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THROUGHOUT HIS REER, WARHOL PICTED MALE NUS THROUGH PHOTOGRAPHY OR DRAWG, OFTEN G GAY UNRGROUND CULTURE AS HIS BACKDROP. HIS VISUAL EXPLORATNS OF THE PLEXY OF SEXUALY AND SIRE CHRONICLE THE MOMENTO CHANG WH THE GAY MUNY THE LATE 20TH CENTURY, WHEN MANY YOUNG MEN WERE FLOCKG TO URBAN CENTERS SUCH AS NEW YORK, SAN FRANCIS, AND NEW ORLEANS OM THEIR SUBURBAN AND RAL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE FULL "ANDY'S RANDY SUMMER" LLECTN IS AVAILABLE TO VIEW ONLE, WHERE BUYERS N BID EXCLIVELY UNTIL THE SALE'S END ON JUNE 25. CHECK OUT A FEW OF THE LLECTN'S BT SHOTS BELOW:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;}{BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

* andy warhol gay art *

“It was rare for women who weren’t naked to be the subject of art; was extremely rare for people of lor to be the subject of art by and for the mastream world; and my gus is ’s one of very few imag of transgenr people, and certaly the only signifint reprentatn of transgenr people of lor by a major whe artist, ” Gopnik Italian art aler Luciano Anselmo missned the seri om Warhol after the artist brought him to the Gild Grape, a bar Midtown Manhattan that attracted gay and transgenr people, along wh drag queens. But the exhibn’s foc on the artist’s fah touch on the nflict, and sometime the horror, of beg a gay man a tradn that eply disapproved, and adds dimensn to what we know about Warhol’s relatnship wh his mother.

Yet aga, Warhol was offerg up gay imagery: pictur of boys “wh their tongu each others’ mouth, ” acrdg to Pearlste. Three attempts at showg his “ser” art a “ser” gallery; three portfols of gay-themed pictur; three rejectns. Warhol’s Tanager flailgs have often been billed as the product of a certa cluelsns on his part, and on a gay inty that he jt did not have the pacy — or the savvy — to reprs, even when art-world succs pend on .

ANDY {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}ANDY WARHOL WAS ONE OF THE MOST PROLIFIC AND POPULAR ARTISTS OF HIS TIME, G BOTH AVANT-GAR AND HIGHLY MERCIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: MAR 11, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: BROWNIE HARRIS/CORBIS VIA GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1928-1987){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS ANDY WARHOL?ANDY WARHOL WAS A SUCCSFUL MAGAZE AND AD ILLTRATOR WHO BEME A LEADG ARTIST OF THE 1960S POP ART MOVEMENTS. HE VENTURED TO A WI VARIETY OF ART FORMS, CLUDG PERFORMANCE ART, FILMMAKG, VIO STALLATNS AND WRG AND NTROVERSIALLY BLURRED THE L BETWEEN FE ART AND MASTREAM ATHETICS. WARHOL DIED ON FEBARY 22, 1987, NEW YORK CY.EARLY LIFEBORN ANDREW WARHOLA ON AUGT 6, 1928, THE NEIGHBORHOOD OF OAKLAND PTSBURGH, PENNSYLVANIA, WARHOL'S PARENTS WERE SLOVAKIAN IMMIGRANTS. HIS FATHER, ANDREJ WARHOLA, WAS A NSTCTN WORKER, WHILE HIS MOTHER, JULIA WARHOLA, WAS AN EMBROIRER. THEY WERE VOUT BYZANTE CATHOLICS WHO ATTEND MASS REGULARLY AND MATAED MUCH OF THEIR SLOVAKIAN CULTURE AND HERAGE WHILE LIVG ONE OF PTSBURGH'S EASTERN EUROPEAN ETHNIC ENCLAV.AT THE AGE OF EIGHT, WARHOL NTRACTED CHOREA—ALSO KNOWN AS ST. V'S DANCE — A RARE AND SOMETIM FATAL DISEASE OF THE NERVO SYSTEM THAT LEFT HIM BEDRIDN FOR SEVERAL MONTHS. IT WAS DURG THE MONTHS, WHILE WARHOL WAS SICK BED, THAT HIS MOTHER, HERSELF A SKILLFUL ARTIST, GAVE HIM HIS FIRST DRAWG LSONS. DRAWG SOON BEME WARHOL'S FAVORE CHILDHOOD PASTIME. HE WAS ALSO AN AVID FAN OF MOVI, AND WHEN HIS MOTHER BOUGHT HIM A MERA AT THE AGE OF NE, HE TOOK UP PHOTOGRAPHY AS WELL, VELOPG FILM A MAKHIFT DARKROOM HE SET UP THEIR BASEMENT.WARHOL ATTEND HOLM ELEMENTARY SCHOOL AND TOOK THE EE ART CLASS OFFERED AT THE CARNEGIE INSTUTE (NOW THE CARNEGIE MM OF ART) PTSBURGH. IN 1942, AT THE AGE OF 14, WARHOL AGA SUFFERED A TRAGEDY WHEN HIS FATHER PASSED AWAY OM A JNDICED LIVER. WARHOL WAS SO UPSET THAT HE ULD NOT ATTEND HIS FATHER'S FUNERAL, AND HE HID UNR HIS BED THROUGHOUT THE WAKE. WARHOL'S FATHER HAD REGNIZED HIS SON'S ARTISTIC TALENTS, AND HIS WILL HE DICTATED THAT HIS LIFE SAVGS GO TOWARD WARHOL'S LLEGE TN. THAT SAME YEAR, WARHOL BEGAN AT SCHENLEY HIGH SCHOOL, AND UPON GRADUATG, 1945, HE ENROLLED AT THE CARNEGIE INSTUTE FOR TECHNOLOGY (NOW CARNEGIE MELLON UNIVERSY) TO STUDY PICTORIAL SIGN.POP ARTWHEN HE GRADUATED OM LLEGE WH HIS BACHELOR OF FE ARTS GREE 1949, WARHOL MOVED TO NEW YORK CY TO PURSUE A REER AS A MERCIAL ARTIST. IT WAS ALSO AT THIS TIME THAT HE DROPPED THE "A" AT THE END OF HIS LAST NAME TO BEE ANDY WARHOL. HE LAND A JOB WH GLAMOUR MAGAZE SEPTEMBER, AND WENT ON TO BEE ONE OF THE MOST SUCCSFUL MERCIAL ARTISTS OF THE 1950S. HE WON EQUENT AWARDS FOR HIS UNIQUELY WHIMSIL STYLE, G HIS OWN BLOTTED LE TECHNIQUE AND BBER STAMPS TO CREATE HIS DRAWGS.CAMPBELL'S SOUP CANS IN THE LATE 1950S, WARHOL BEGAN VOTG MORE ATTENTN TO PATG, AND 1961, HE BUTED THE NCEPT OF "POP ART"—PATGS THAT FOCED ON MASS-PRODUCED MERCIAL GOODS. IN 1962, HE EXHIBED THE NOW-INIC PATGS OF CAMPBELL'S SOUP NS. THE SMALL NVAS WORKS OF EVERYDAY NSUMER PRODUCTS CREATED A MAJOR STIR THE ART WORLD, BRGG BOTH WARHOL AND POP ART TO THE NATNAL SPOTLIGHT FOR THE FIRST TIME. BRISH ARTIST RICHARD HATON SCRIBED POP ART AS "POPULAR, TRANSIENT, EXPENDABLE, LOW ST, MASS-PRODUCED, YOUNG, WTY, SEXY, GIMMICKY, GLAMORO, BIG BS." AS WARHOL HIMSELF PUT , "ONCE YOU 'GOT' POP, YOU ULD NEVER SEE A SIGN THE SAME WAY AGA. AND ONCE YOU THOUGHT POP, YOU ULD NEVER SEE AMERI THE SAME WAY AGA." WARHOL'S OTHER FAMO POP PATGS PICTED CO-LA BOTTL, VACUUM CLEANERS AND HAMBURGERS. PORTRASHE ALSO PATED CELEBRY PORTRAS VIVID AND GARISH LORS; HIS MOST FAMO SUBJECTS CLU {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARILYN MONROE, ELIZABETH TAYLOR, MICK JAGGER AND MAO TSE-TUNG. AS THE PORTRAS GAED FAME AND NOTORIETY, WARHOL BEGAN TO RECEIVE HUNDREDS OF MISSNS FOR PORTRAS OM SOCIAL AND CELEBRI. HIS PORTRA "EIGHT ELVIS" EVENTUALLY ROLD FOR $100 LN 2008, MAKG ONE OF THE MOST VALUABLE PATGS WORLD HISTORY.THE FACTORY IN 1964, WARHOL OPENED HIS OWN ART STUD, A LARGE SILVER-PATED WAREHOE KNOWN SIMPLY AS "THE FACTORY." THE FACTORY QUICKLY BEME ONE OF NEW YORK CY'S PREMIER CULTURAL HOTSPOTS, A SCENE OF LAVISH PARTI ATTEND BY THE CY'S WEALTHIT SOCIAL AND CELEBRI, CLUDG MICIAN LOU REED, WHO PAID TRIBUTE TO THE HTLERS AND TRANSVT HE'D MET AT THE FACTORY WH HIS H SONG "WALK ON THE WILD SI"—THE VERS OF WHICH NTA SCRIPTNS OF DIVIDUALS WHO WERE FIXTUR AT THE LEGENDARY STUD/WAREHOE THE '60S, CLUDG HOLLY WOODLAWN, CANDY DARLG, "LTLE JOE" DALLANDRO, "SUGAR PLUM FAIRY" JOE CAMPBELL AND JACKIE CURTIS. (WARHOL WAS A IEND OF REED'S AND MANAGED REED'S BAND, THE VELVET UNRGROUND.) WARHOL, WHO CLEARLY RELISHED HIS CELEBRY, BEME A FIXTURE AT FAMO NEW YORK CY NIGHTCLUBS LIKE STUD 54 AND MAX'S KANSAS CY. COMMENTG ON CELEBRY FIXATN—HIS OWN AND THAT OF THE PUBLIC AT LARGE—WARHOL OBSERVED, "MORE THAN ANYTHG PEOPLE JT WANT STARS." HE ALSO BRANCHED OUT NEW DIRECTNS, PUBLISHG HIS FIRST BOOK, ANDY WARHOL'S INX, 1967.READ MORE: HOW ANDY WARHOL AND HALSTON TRANSFORMED ART, FASHN AND STUD 54IN 1968, HOWEVER, WARHOL'S THRIVG REER ALMOST END. HE WAS SHOT BY VALERIE SOLANAS, AN ASPIRG WRER AND RADIL FEMIST, ON JUNE 3. WARHOL WAS SERLY WOUND THIS ATTACK. SOLANAS HAD APPEARED ONE OF WARHOL'S FILMS AND WAS REPORTEDLY UPSET WH HIM OVER HIS REFAL TO E A SCRIPT SHE HAD WRTEN. AFTER THE SHOOTG, SOLANAS WAS ARRTED AND LATER PLEAD GUILTY TO THE CRIME. WARHOL SPENT WEEKS A NEW YORK HOSPAL REVERG OM HIS JURI AND UNRWENT SEVERAL SUBSEQUENT SURGERI. AS A RULT OF THE JURI HE STAED, HE HAD TO WEAR A SURGIL RSET FOR THE RT OF HIS LIFE.READ MORE: LEARN ABOUT VALERIE SOLANAS, THE WOMAN WHO SHOT ANDY WARHOLWARHOL BOOKS AND FILMS IN THE 1970S, WARHOL NTUED TO EXPLORE OTHER FORMS OF MEDIA. HE PUBLISHED SUCH BOOKS AS THE PHILOSOPHY OF ANDY WARHOL (FROM A TO B AND BACK AGA) AND EXPOSUR. WARHOL ALSO EXPERIMENTED EXTENSIVELY WH VIO ART, PRODUCG MORE THAN 60 FILMS DURG HIS REER. SOME OF HIS MOST FAMO FILMS CLU SLEEP, WHICH PICTS POET JOHN GRNO SLEEPG FOR SIX HOURS, AND EAT, WHICH SHOWS A MAN EATG A MHROOM FOR 45 MUT. WARHOL ALSO WORKED SCULPTURE AND PHOTOGRAPHY, AND THE 1980S, HE MOVED TO TELEVISN, HOSTG ANDY WARHOL'S TV AND ANDY WARHOL'S FIFTEEN MUT ON MTV.DEATHIN HIS LATER LIFE, WARHOL SUFFERED OM CHRONIC ISSU WH HIS GALLBLADR. ON FEBARY 20, 1987, HE WAS ADMTED TO NEW YORK HOSPAL WHERE HIS GALLBLADR WAS SUCCSFULLY REMOVED AND HE SEEMED TO BE REVERG. HOWEVER, DAYS LATER HE SUFFERED PLITNS THAT RULTED SUDN RDIAC ARRT AND HE DIED ON FEBARY 22, 1987, AT THE AGE OF 58. THOANDS OF PEOPLE ATTEND A MEMORIAL FOR THE ARTIST AT ST. PATRICK'S CATHEDRAL NEW YORK CY.LEGACYWARHOL'S ENIGMATIC PERSONAL LIFE HAS BEEN THE SUBJECT OF MUCH BATE. HE IS WILY BELIEVED TO HAVE BEEN A GAY MAN, AND HIS ART WAS OFTEN FED WH HOMOEROTIC IMAGERY AND MOTIFS. HOWEVER, HE CLAIMED THAT HE REMAED A VIRG FOR HIS ENTIRE LIFE. WARHOL'S LIFE AND WORK SIMULTANEOLY SATIRIZED AND CELEBRATED MATERIALY AND CELEBRY. ON THE ONE HAND, HIS PATGS OF DISTORTED BRAND IMAG AND CELEBRY FAC ULD BE READ AS A CRIQUE OF WHAT HE VIEWED AS A CULTURE OBSSED WH MONEY AND CELEBRY. ON THE OTHER HAND, WARHOL'S FOC ON NSUMER GOODS AND POP-CULTURE INS, AS WELL AS HIS OWN TASTE FOR MONEY AND FAME, SUGGTS A LIFE CELEBRATN OF THE VERY ASPECTS OF AMERIN CULTURE THAT HIS WORK CRICIZED. WARHOL SPOKE TO THIS APPARENT NTRADICTN BETWEEN HIS LIFE AND WORK HIS BOOK THE PHILOSOPHY OF ANDY WARHOL, WRG THAT "MAKG MONEY IS ART AND WORKG IS ART, AND GOOD BS IS THE BT ART."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK FACTS

He had good reason to believe that the darg gay imagery he was proposg was where art ought to have been headg at that particular juncture, and that if he only kept phg his ia long enough, the art world would sign on. By the sprg of 1947, however, jt as Warhol’s sophomore year was wdg down, Greene was turng his back on that past a seri of patgs based on photos of nu women that, as the New York Tim wrote, stood as “his answer to the trend back toward the realm of natural appearanc.

Already at Tech, Warhol would have got hts that gay culture might be volved that ph. Although Greene himself was straight, his urse not show that Warhol would have heard him lecture on “the homosexual as an artist, and the art world.

” Warhol’s iend and classmate Gee Klber was fully out; Warhol relled that was Klber who first troduced him to the gay scene New York, once the two met up there after graduatn. On top of beg gay, Klber was also the most culturally advanced of Warhol’s classmat, fully rmed about Pisso, Mondrian, and Prot a way that his classmat — and profsors — might not have been. In The Homosexual Ameri, a gay nfsnal published ls than two years after Warhol fished at Tech, the thor wrote about his muny’s sense that “Our gay world is actually a superr one … that homosexuals are ually of superr artistic and tellectual abili.

NEW EXHIB ON GAY ARTIST ANDY WARHOL FOC ON HIS RELATNSHIP TO CATHOLICISM

Everywhere we look, we seize upon outstandg exampl of brilliant people, eher our own circl or the public doma, who are gay, or are supposed to be gay. Among several gay stctors at Tech, Perry Davis had been both the most openly queer and the most obvly and eply vted the latt mov and news of the wir art world.

) Gays Ptsburgh knew as much about mastream rejectn, and s sometim life-or-ath nsequenc, as anyone else, anywhere else. While Warhol was llege, two lol judg clared homosexualy to be “society’s greatt menace, ” triggerg the creatn of a vic new police squad whose only job was to root that menace out — via shootgs, beatgs, or extortn, if need be.

IN THE 1950S, NEW YORK COULDN’T HANDLE ANDY WARHOL’S GAY ART

This current volume’s gay imagery, rangg om merely suggtive to ankly pornographic, reprents jt a small samplg om the many hundreds of queer pictur that survive om Warhol’s 1950s art, and even those reprent only a actn of what he mt have produced the same genre, sce we know of several later moments when Warhol stroyed pil of his early work. It reached s matury wh the unflected, style-ee potg of his Campbell’s soups and Brillo box, but got s start the drawgs of his gay iends.

Warhol’s Boy Book exhibn ran for jt two weeks, 1956, begng on Valente’s Day, which giv some ditn of the gay clientele that the gallery appealed to.

*BEAR-MAGAZINE.COM* ANDY WARHOL GAY ART

In the 1950s, New York Couldn’t Handle Andy Warhol’s Gay Art .

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