Comics ed to be dismissed for their perceived d gay msag. Now, openly queer ics are the fastt-growg area the dtry.
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The bety and simplicy of Puu's art and wrg is tly enchantg and though the story is a happy one, also als closely wh ntemporary Indian polics, steism, homophobia, transphobia and relig tolerance.
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The fastt-growg area ics right now may be, broadly speakg, queer ics—ics that feature some way the liv, whether real or imaged, of LGBTQ (lbian, gay, bisexual, transgenr, and/or queer) characters. Queer ics are one of the most vibrant areas of ntemporary ics, fueled large part by the naway succs of Alison Bechl’s 2006 graphic memoir Fun Home: A Fay Tragiic—the story of a gay girl and her closeted, ultimately suicidal gay father that was adapted to be a Broadway mil of the same tle, and went on to w the Tony Award for Bt Mil 2015. Gayns ed to be a public accatn leveled at ics to discred the medium: the 1950s, Batman and Rob, and Wonr Woman, were spected to be gay, and therefore a negative fluence.