Comics ed to be dismissed for their perceived d gay msag. Now, openly queer ics are the fastt-growg area the dtry.
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The bety and simplicy of Puu's art and wrg is tly enchantg and though the story is a happy one, also als closely wh ntemporary Indian polics, steism, homophobia, transphobia and relig tolerance. The fastt-growg area ics right now may be, broadly speakg, queer ics—ics that feature some way the liv, whether real or imaged, of LGBTQ (lbian, gay, bisexual, transgenr, and/or queer) characters. Queer ics are one of the most vibrant areas of ntemporary ics, fueled large part by the naway succs of Alison Bechl’s 2006 graphic memoir Fun Home: A Fay Tragiic—the story of a gay girl and her closeted, ultimately suicidal gay father that was adapted to be a Broadway mil of the same tle, and went on to w the Tony Award for Bt Mil 2015.
Gayns ed to be a public accatn leveled at ics to discred the medium: the 1950s, Batman and Rob, and Wonr Woman, were spected to be gay, and therefore a negative fluence. Fredric Wertham wrote his fluential book on ics that the former reprent “a wish dream of two homosexuals livg together, ” and for the latter, “the homosexual nnotatn of the Wonr Woman type of story is psychologilly unmistakable … For girls she is a morbid ial. ” The famo 1954 Comics Co, spired by Wertham’s study, banned “sex perversn or any ference to same”—a clear reference to homosexualy.
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” Most signifintly, however, the range and volume of queer ics appearg right now monstrat how forcefully the reali and tails of gay life n get exprsed and visualized ics.
Bechl’s hugely important and popular syndited ic strip Dyk to Watch Out For, which chronicl the everyday liv of a diverse group of mostly gay iends and lovers, began 1983 and ran for twenty-six years; changed ics culture and broar queer culture fively. The film director Lana Wachowski, of the Matrix anchise (and a trans gay woman), wrote recently that although she was a fan of mastream ics as a kid, and later the work of Robert Cmb, “It wasn’t until I disvered Alison Bechl’s Dyk to Watch Out For that I really unrstood what I was lookg for, a queer world wh stori and characters that I uld regnize, that I uld lgh wh and re about.
(He later appears to longtime character Mark Slackmeyer a dream to tell Mark that Mark is fact gay, g him to e out of the closet. Akbar and Jeff—also early and proment gay characters who eventually beme well-known popular culture—are intil-lookg men fezz and Charlie Brown–style shirts who ially were troduced by Groeng as “brothers, or lovers, or both” but were soon acknowledged as gay. “The ma reactn was when I first acknowledged that eher of the characters uld possibly be gay, some people who had been followg the strip for years and had feelgs about gays were very, very upset, which ma me very, very happy.