Is Queer Cema Still Too Straight? | Supernova, Ammone, Fallg</tle><meta name="tle" ntent="Is Queer Cema Still Too Straight? | Supernova, Ammone, Fallg" /><meta name="scriptn" ntent="Wh the release of a quartet of LGBT-centred films, om 'Ammone' to 'Supernova', queer filmmakg hs a purple patch. But there's still somethg missg" /><meta name="keywords" ntent /><meta property="og:type" ntent="webse" /><meta name="theme-lor" ntent="#000000" /><lk href="/_assets/sign-tokens/quire/static/imag/" rel="in" /><meta property="og:se_name" ntent="Esquire" /><meta name="fb:app_id" ntent="1643411472613830" property="fb:app_id" /><meta name="article:publisher" ntent=" property="article:publisher" /><meta name="twter:se" ntent="@EsquireUK" /><meta name="google-se-verifitn" ntent="1vf5i9wM7chlCFc_0XI_e-oCfDf4sEvp32sTGKokQ" /><meta property="og:tle" ntent="Is Queer Cema Still Too Straight?" /><meta property="og:scriptn" ntent="Wh the release of a quartet of LGBT-centred films, om 'Ammone' to 'Supernova', queer filmmakg hs a purple patch. But there's still somethg missg" /><meta name="robots" ntent="max-image-preview:large,max-snippet:-1,max-vio-preview:30" /><lk rel="apple-touch-in" href="/_assets/sign-tokens/quire/static/imag/" /><meta property="og:image" ntent="" /><meta property="og:image:width" ntent="1200" /><meta property="og:image:height" ntent="600" /><meta name="thumbnail" ntent="" /><meta name="" ntent="" /><meta name="" ntent=" /><meta name="twter:image" ntent="" /><meta ntent=" property="og:url" /><meta name="to-publish" ntent="timely" /><meta property="og:type" ntent="article" /><meta name="twter:rd" ntent="summary_large_image" /><meta name="article:opn" property="article:opn" /><meta ntent="Film" property="article:sectn" /><meta ntent="2020-11-27T14:59:18Z" property="article:modified_time" /><meta ntent="2020-11-27T09:00:00Z" property="article:published_time" /><meta name="sailth.excerpt" ntent="Wh the arrival on our screens this season of several queer-themed films, the thorny qutn of how bt to do jtice to LGBT liv onscreen is rearg s head once more. In prtige, awards-y films, om Francis Lee’s Ammone to Viggo Mortensen’s Fallg, via the Pl Bettany-starrg Uncle Frank and" /><meta name="" ntent="culture,Culture,film,Film" /><meta name="" ntent="2020-11-27 09:00:00" /><meta name="sailth.socialtle" ntent="Is Queer Cema Still Too Straight?" /><meta name="ntenttype" ntent="standard-article" /><meta id="m1" name="m1" emProp="cssSelector " ntent=".ntent-hed" /><meta id="m2" name="m2" emProp="cssSelector" ntent=".ntent-k p" /><lk href="/" emSpe emType=" emRef="m1 m2" /><lk rel="preload" as="image" image-src-set=" 640w, 980w, 1120w, 1200w, 1920w" image-siz="100vw" /><meta name="next-head-unt" ntent="45" /><meta name="next-font-prennect" /><script id="vice-tect" data-nscript="beforeInteractive">(()=>{nst o="ontouchstart" wdow||!!navigator.maxTouchPots||("__touch"),t=wdow.matchMedia("only screen and (max-width: 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7qn7yr">{lor:her;display:le-block;le-height:2.58918;m-height:3rem;m-width:3rem;paddg:.5rem 0 .5rem 0;text-align:center;-webk-text-ratn:none;text-ratn:none;-webk-transn:outle 0.3s ease--out,outle-offset 0.3s ease--out;transn:outle 0.3s ease--out,outle-offset 0.3s ease--out;}@media(m-width: 61.25rem){{lor:her;}}{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-unrle-offset:0.25rem;}</style><a href="//style/" aria-current="false" class="e1c1bym11 css-7qn7yr e1c1bym14">Style</a></li><li class="css-q9n041 efnztv71"><a href="//culture/" aria-current="false" class="e1c1bym11 css-7qn7yr e1c1bym14">Culture</a></li><li class="css-q9n041 efnztv71"><a href="//watch/" aria-current="false" class="e1c1bym11 css-7qn7yr e1c1bym14">Watch</a></li><li class="css-q9n041 efnztv71"><a href="//style/groomg/" aria-current="false" class="e1c1bym11 css-7qn7yr e1c1bym14">Groomg</a></li></ul></div><style data-emotn="css 8wyh98">{-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;height:1.875rem;width:to;marg:0 0 0 to;paddg-left:1.05rem;paddg-right:1.05rem;text-align:center;-webk-text-ratn:none;text-ratn:none;paddg-top:0.125rem;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;text-transform:upperse;lor:#000;borr:th solid #FF3A30;background-lor:#FF3A30;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;borr-radi:2rem;background:#FF3A30;font-size:0.875rem;le-height:1.3;letter-spacg:0.04rem;} {width:unset;word-spacg:unset;}@media (any-hover: hover){{-webk-transn:box-shadow 0.2s lear,background 0.2s lear;transn:box-shadow 0.2s lear,background 0.2s lear;}{;;}}{outle-lor:#000000;} svg>path{fill:#000000;}{background-lor:#ffffff;lor:#000;borr:th solid #FF3A30;} svg{fill:#000000;} svg>path{fill:#000000;}{outle:0.125rem dotted #000000;outle-offset:0.2rem;} svg{fill:#000000;}</style><a target="_blank" rel="noopener" href=" class="css-8wyh98 e1c1bym14">Subscribe</a><style data-emotn="css 1y41cbl">{paddg-right:0.9375rem;posn:relative;}@media(m-width: 40.625rem) and (max-width: 90rem){{paddg-right:2.5rem;}}@media(m-width: 90rem){{paddg-right:0rem;}}</style><div class="css-1y41cbl e7dmux20"><style data-emotn="css 90yh27">{-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.75rem;letter-spacg:0.04rem;le-height:2rem;marg-left:0.3125rem;-webk-text-ratn:none;text-ratn:none;text-transform:upperse;}@media(m-width: 48rem){{marg-left:0.9375rem;}}</style><a href=" class="css-90yh27 e1c1bym14"><style data-emotn="css 1o5u0ki">{whe-space:nowrap;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.75rem;le-height:2rem;letter-spacg:0.04rem;text-transform:upperse;}</style><span class="css-1o5u0ki e7dmux21">Newsletter</span></a></div></div></nav><div class="oop-ad css-0 e1x3pu1"><div id="gpt-ad-oop-1" class="ad-ntaer css-0 e1x3pu0"></div></div><style data-emotn="css 1ny62y9">{background-lor:bg-primary;posn:relative;}@media(m-width: 64rem){{marg-right:var(--sponsor-panel-width, to);}}</style><ma id="ma-ntent" class="css-1ny62y9 e1q9j2sb0"><div supprsHydratnWarng class="css-0 e9hzx6g0"><style data-emotn="css 138tvzr">{-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;borr-bottom:th solid #CDCDCD;borr-top:th solid #CDCDCD;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;marg:0 to;width:100%;}@media(max-width: 64rem){{overflow-x:scroll;overflow-y:hidn;whe-space:nowrap;}}</style><div class="css-138tvzr e1go836y1"><style data-emotn="css e4zgqv">{-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;marg:to;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.75rem;le-height:2rem;letter-spacg:0.04rem;text-transform:upperse;} a{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-text-ratn:none;text-ratn:none;paddg:0.9375rem 1.2rem;-webk-transn:lor 0.3s ease--out;transn:lor 0.3s ease--out;} a::after{-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;lor:#CDCDCD;ntent:"|";display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;left:1rem;posn:relative;} nav:last-child>a:after{display:none;} a:hover{lor:#6F6F6F;}</style><nav class="css-e4zgqv e1go836y0"></nav></div></div><style data-emotn="css 179grqf">{background-lor:#E8E8E8;lor:#000;display:none;m-width:45.5rem;paddg:0.9375rem 0;text-align:center;width:100%;}@media prt{{display:none!important;}}@media(m-width: 48rem){{m-height:121px;}}@media(m-width: 61.25rem){{display:block;}}</style><div id="gpt-learboard-ad" class="css-179grqf e1hka4w80"></div><style data-emotn="css joveom">{width:100%;max-width:100vw;display:grid;marg-bottom:0.9375rem;posn:relative;z-x:to;}@media prt{{max-width:100%;}} .ejku7p03{top:0.75rem;right:0.75rem;bottom:to;}</style><hear class="css-joveom exadjwu12"><style data-emotn="css 1s0pb9c">{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}</style><div class="css-1s0pb9c m8yu71"><style data-emotn="css 8atqhb">{width:100%;}</style><div class="css-8atqhb exadjwu5"><style data-emotn="css 1pypu">{width:100%;posn:relative;} text-unr-hear-imagewidth{props:width;sle:siz;} text-unr-hear-imagewidth transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} height{props:height;sle:siz;} height transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof 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overflowY{props:overflowY;sle:overflowY;} vertilAlign{props:vertilAlign;sle:vertilAlign;} objectF{props:objectF;sle:objectF;} objectPosn{props:objectPosn;sle:objectPosn;} WebkLeClamp{props:WebkLeClamp;sle:WebkLeClamp;} WebkBoxOrient{props:WebkBoxOrient;sle:WebkBoxOrient;} mask{props:mask;sle:mask;} listStyle{props:listStyle;sle:listStyle;} listStyleType{props:listStyleType;sle:listStyleType;} unterRet{props:unterRet;sle:unterRet;} unterIncrement{props:unterIncrement;sle:unterIncrement;} cursor{props:cursor;sle:cursor;} poterEvents{props:poterEvents;sle:poterEvents;} lumnCount{props:lumnCount;sle:lumnCount;} lumnGap{props:lumnGap;sle:lumnGap;} appearance{props:appearance;sle:appearance;} ntaer{props:ntaer;sle:ntaer;} marg{props:marg;sle:space;} marg transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} m{props:marg;sle:space;} m transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margTop{props:margTop;sle:space;} margTop transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mt{props:margTop;sle:space;} mt transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margRight{props:margRight;sle:space;} margRight transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mr{props:margRight;sle:space;} mr transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margBottom{props:margBottom;sle:space;} margBottom transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mb{props:margBottom;sle:space;} mb transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margLeft{props:margLeft;sle:space;} margLeft transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} ml{props:margLeft;sle:space;} ml transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margX{props:margLeft;props:margRight;sle:space;} margX transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mx{props:margLeft;props:margRight;sle:space;} mx transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margY{props:margTop;props:margBottom;sle:space;} margY transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} my{props:margTop;props:margBottom;sle:space;} my transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margBlockEnd{props:margBlockEnd;sle:space;} margBlockEnd transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margBlockStart{props:margBlockStart;sle:space;} margBlockStart transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} top{props:top;sle:space;} top transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} right{props:right;sle:space;} right transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} bottom{props:bottom;sle:space;} bottom transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} left{props:left;sle:space;} left transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} posn{props:posn;sle:posn;} zInx{props:zInx;sle:zIndic;} clear{props:clear;sle:clear;} set{props:set;sle:set;} img{object-f:ver;vertil-align:top;}</style><style data-emotn="css xluzk0">{width:100%;posn:relative;} text-unr-hear-imagewidth{props:width;sle:siz;} text-unr-hear-imagewidth transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} height{props:height;sle:siz;} height transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mWidth{props:mWidth;sle:siz;} mWidth transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mHeight{props:mHeight;sle:siz;} mHeight transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} maxWidth{props:maxWidth;sle:siz;} maxWidth transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} maxHeight{props:maxHeight;sle:siz;} maxHeight transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} size{props:width;props:height;sle:siz;} size transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} overflow{props:overflow;sle:overflow;} overflowX{props:overflowX;sle:overflowX;} overflowY{props:overflowY;sle:overflowY;} vertilAlign{props:vertilAlign;sle:vertilAlign;} objectF{props:objectF;sle:objectF;} objectPosn{props:objectPosn;sle:objectPosn;} WebkLeClamp{props:WebkLeClamp;sle:WebkLeClamp;} WebkBoxOrient{props:WebkBoxOrient;sle:WebkBoxOrient;} mask{props:mask;sle:mask;} listStyle{props:listStyle;sle:listStyle;} listStyleType{props:listStyleType;sle:listStyleType;} unterRet{props:unterRet;sle:unterRet;} unterIncrement{props:unterIncrement;sle:unterIncrement;} cursor{props:cursor;sle:cursor;} poterEvents{props:poterEvents;sle:poterEvents;} lumnCount{props:lumnCount;sle:lumnCount;} lumnGap{props:lumnGap;sle:lumnGap;} appearance{props:appearance;sle:appearance;} ntaer{props:ntaer;sle:ntaer;} marg{props:marg;sle:space;} marg transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} m{props:marg;sle:space;} m transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margTop{props:margTop;sle:space;} margTop transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mt{props:margTop;sle:space;} mt transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margRight{props:margRight;sle:space;} margRight transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mr{props:margRight;sle:space;} mr transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margBottom{props:margBottom;sle:space;} margBottom transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mb{props:margBottom;sle:space;} mb transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margLeft{props:margLeft;sle:space;} margLeft transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} ml{props:margLeft;sle:space;} ml transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margX{props:margLeft;props:margRight;sle:space;} margX transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mx{props:margLeft;props:margRight;sle:space;} mx transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margY{props:margTop;props:margBottom;sle:space;} margY transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} my{props:margTop;props:margBottom;sle:space;} my transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margBlockEnd{props:margBlockEnd;sle:space;} margBlockEnd transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margBlockStart{props:margBlockStart;sle:space;} margBlockStart transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} top{props:top;sle:space;} top transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} right{props:right;sle:space;} right transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} bottom{props:bottom;sle:space;} bottom transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} left{props:left;sle:space;} left transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} posn{props:posn;sle:posn;} zInx{props:zInx;sle:zIndic;} clear{props:clear;sle:clear;} set{props:set;sle:set;} img{object-f:ver;vertil-align:top;}</style><img fetchPrry="high" alt="queer cema" tle="Queer cema" width="1000" height="500" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="exadjwu13 css-xluzk0 exi4f7p0" /><style data-emotn="css 13l7o78">{paddg-left:0.625rem;}</style><div class="css-13l7o78 m8yu70"><style data-emotn="css 1am3yn9">{paddg-left:0rem;le-height:1;}</style><figptn class="css-1am3yn9 enfs9c50"><style data-emotn="css 1mcfn5x">{lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;paddg-right:0.3125rem;}@media(max-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><span class="css-1mcfn5x e6iqd1">Esquire</span></figptn></div></div><style data-emotn="css mktybr">{marg:0 to;max-width:75rem;paddg:0 0.938rem;text-align:center;}@media(m-width: 64rem){[data-has-sponsor] {text-align:start;}}@media(m-width: 40.625rem){{paddg:0 2.5rem;}}@media(m-width: 48rem){{paddg:0.9375rem 1.875rem;}}@media(m-width: 64rem){{paddg:0 1.875rem;}}</style><div class="css-mktybr exadjwu4"><nav aria-label="breadcmbs" class="css-0 e9l0kn03"><style data-emotn="css 4j90ja">{lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.70284rem;le-height:1.3;list-style:none;marg:0 to;max-width:75rem;paddg:1.25rem 1.25rem 0 1.6875rem;}@media(m-width: 40.625rem){{paddg:1.25rem 2.5rem 0 3.3125rem;}}@media(m-width: 90rem){{paddg:1.25rem 0 0 0.8125rem;}}</style><ol emSpe emType=" class="css-4j90ja e9l0kn02"><style data-emotn="css zxq36b">{display:le;}{paddg:0.25rem;ntent:">";}</style><li emProp="emListElement" emSpe emType=" class="css-zxq36b e9l0kn01"><style data-emotn="css rg26">{-webk-transn:all 0.3s ease--out;transn:all 0.3s 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73.75rem){{font-size:3.37499rem;le-height:1.1;}}</style><h1 class="css-g4r5va exadjwu10"><span aria-hidn="te" class="css-0 eagam8p0"></span>Is Queer Cema Still Too Straight?<span aria-hidn="te" class="css-0 eagam8p1"></span></h1><style data-emotn="css 2qf7xf">{lor:#515150;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;marg-bottom:0.625rem;}@media(max-width: 48rem){{font-size:1.0625rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:1.3125rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:1.3125rem;le-height:1.3;}} a{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:#000000;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;} a:hover{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><div class="css-2qf7xf exadjwu8"><p data-ce-key="13699">Wh the release of a quartet of LGBT-centred films, om <em data-ce-key="17341">Ammone</em> to <em data-ce-key="17348">Supernova</em>, queer filmmakg hs a purple patch. But there's still somethg missg</p></div><style data-emotn="css 18k4ks7">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;marg-bottom:0.625rem;paddg-right:0.3125rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}} span{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0rem;text-transform:palize;}@media(max-width: 48rem){ span{le-height:2rem;font-size:0.875rem;}}@media(m-width: 48rem){ span{le-height:2rem;font-size:0.875rem;}}@media(m-width: 64rem){ span{le-height:2rem;font-size:0.875rem;}}</style><div class="css-18k4ks7 exadjwu7"><style data-emotn="css 1eqkg5m">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-style:normal;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><addrs class="css-1eqkg5m ehvvd9m2"><style data-emotn="css 19e0noj">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><span class="css-19e0noj ehvvd9m1">By Caspar Salmon</span><style data-emotn="css 1bcsdhu">{display:le-block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;marg-left:0.625rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><time class="css-1bcsdhu exadjwu6">Published: 27 November 2020</time></addrs></div></div></div></hear><style data-emotn="css k008qs">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;}</style><div class="css-k008qs ewisyje0"><style data-emotn="css 7ce51e">{marg-bottom:0.9375rem;posn:relative;}@media(max-width: 64rem){{max-width:lc(100vw - (1rem * 2));marg-left:1rem;marg-right:1rem;} .e152u5os0{width:100vw;marg-left:lc(-1 * 1rem);}}@media(m-width: 48rem) and (max-width: 61.25rem){{marg-left:to;marg-right:to;} .e152u5os0{width:100vw;marg-left:lc((100vw - (lc(20.625rem * 2 - 1rem) - 2 * 1rem)) / -2);}}@media(m-width: 61.25rem) and (max-width: 90rem){{max-width:lc(20.625rem * 2 - 1rem);marg-left:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 2);paddg-left:1rem;paddg-right:1rem;} .e152u5os0{width:100vw;marg-left:lc(lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / -2) - 1rem);}}@media(m-width: 90rem){{marg-left:lc((100vw - lc(20.625rem * 2 - 1rem)) / 2);max-width:lc(20.625rem * 2 - 1rem);paddg-left:1rem;paddg-right:1rem;} .e152u5os0{width:100vw;marg-left:lc(lc((100vw - lc(20.625rem * 2 + 1rem)) / -2) - lc(2 * 1rem));}[data-has-sponsor] {marg-left:lc((100vw - lc(20.625rem * 2 - 1rem)) / 4);marg-right:lc((100vw - lc(20.625rem * 2 - 1rem)) / 4);}}</style><div class="standard-ntaer ntent-ntaer article-ntaer css-7ce51e ewisyje3"><style data-emotn="css woto36">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;paddg-left:0rem;paddg-right:0rem;posn:relative;}@media(m-width: 48rem){{paddg-left:3.5rem;paddg-right:3.5rem;}}@media(m-width: 48rem) and (max-width: 61.25rem){{max-width:45.25rem;marg-left:to;marg-right:to;}}@media(m-width: 61.25rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 73.75rem) and (max-width: 100rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;paddg-right:0rem;}} em{font-style:alic;font-fay:Charter,Geia,Tim,Serif;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;}{clear:both;ntent:" ";display:block;font-size:0.7rem;le-height:1.5rem;height:0rem;visibily:hidn;}</style><div class="article-body-ntent article-body standard-body-ntent css-woto36 ewisyje7"><style data-emotn="css aeyldl">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;} em{font-style:alic;font-fay:Charter,Geia,Tim,Serif;}</style><p data-ce-key="17475" data-no-id="0" class="css-aeyldl et3p2gv0">Wh the arrival on our screens this season of several queer-themed films, the thorny qutn of how bt to do jtice to LGBT liv onscreen is rearg s head once more. In prtige, awards-y films, om Francis Lee’s <em data-ce-key="17476">Ammone</em> to Viggo Mortensen’s <em data-ce-key="17477">Fallg</em>, via the Pl Bettany-starrg <em data-ce-key="17478">Uncle Frank</em> and the two-hanr <em data-ce-key="17479">Supernova</em> (wh Col Firth and Stanley Tucci), we have, perhaps, a plethora of gay-themed stori such as we haven't seen cema for some time. This marks, for certa, a step forward for reprentatn and acceptance; and yet, as gay rights have progrsed, the film world still fds self behd on certa markers. <br data-ce-key="17480" /></p><p data-ce-key="17481" data-no-id="1" class="css-aeyldl et3p2gv0">Blockbters have been all but absent om our screens 2020, but the most wily watched movi of our time – superhero anchis – have been appallgly slow to throw the queer muny a bone. This looks set to change next year wh the release of <em data-ce-key="17482">Eternals</em>, the next Marvel film, which featur a much-bed about same-sex relatnship between two characters played by Brian Tyree Henry and Haaz Sleiman. The guri are good: both are actors of lour, markg a rehg change om the norm, and Sleiman is one of very few openly out actors Hollywood. Not jt this, but he is brazenly gay, beg (at least this queer cric’s rellectn) the only actor to e out as both gay and a total bottom. This means that the relatnship picted the film has the chance to be visually thentic, nnectg to a lived queer experience. </p><div supprsHydratnWarng data-no-id="2" data-embed="pullquote" class="embed css-0 e9hzx6g0"><style data-emotn="css 1eiql25">{text-align:center;marg:0rem;paddg-top:0.9375rem;paddg-bottom:0.9375rem;}</style><blockquote class="css-1eiql25 e1pe3zr91"><style data-emotn="css ow0dpz">{borr:0.3125rem solid #FF3A30;borr-radi:100%;ntent:'';display:block;height:2.1875rem;left:50%;marg:-0.99rem to 0 -1.33rem;posn:absolute;width:2.1875rem;}</style><span aria-hidn="te" class="css-ow0dpz eagam8p0"></span><style data-emotn="css la9czl">{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:1.625rem;le-height:1.2;marg:0rem;}@media(max-width: 48rem){{font-size:1.75rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:2.375rem;le-height:1.2;}} b, strong{font-fay:her;font-weight:bold;} em, i{font-fay:her;font-style:alic;}{ntent:'＂';display:block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:3.4375rem;le-height:0.72;font-style:alic;paddg:0.3125rem 0.875rem 0 0;}</style><blockquote class="css-la9czl e1pe3zr90">"The ntual stg of straight actors queer rol has had several effects, none of them particularly lightful"</blockquote><span aria-hidn="te" class="css-0 eagam8p1"></span></blockquote></div><p data-ce-key="17484" data-no-id="3" class="css-aeyldl et3p2gv0">But the suatn film – certaly mastream cema – is otherwise relatively bleak. So many gay actors are closeted; so few ply their tra movi. TV, om <em data-ce-key="17485">Pose</em> to <em data-ce-key="17486">Orange Is The New Black</em> via <em data-ce-key="17487">I May Dtroy You</em> and untls others, is, by and large, far more progrsive s reprentatn and stg of LGBT characters. It may well be that one effect of the streamg revolutn, which blurs the l between cema and TV, will be to reprent queer people more hontly movi, sce part of the lculatn seems to be that people will be more acceptg of LGBTQ+ them their own hom than at the cema.</p><p data-ce-key="17594" data-no-id="4" class="css-aeyldl et3p2gv0">In 2020, however, we are still faced wh the issue of straight actors playg gay rol, a qutn which has started to make wav recent years. Followg the release a ltle while ago of such films as <em data-ce-key="17595">Call Me By Your Name</em> or <em data-ce-key="17596">Love, Simon</em> or <em data-ce-key="17597">The Mistn of Cameron Post</em>, and prompted by the stg of Jack Whehall Disney’s first ever gay role, <style data-emotn="css umdwtv">{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:her;-webk-transn:background 0.4s;transn:background 0.4s;background:lear-gradient(#ffffff, #ffffff 50%, #d5dbe3 50%, #d5dbe3);-webk-background-size:100% 200%;background-size:100% 200%;}{lor:#000000;text-ratn-lor:borr-lk-body-hover;-webk-background-posn:100% 100%;background-posn:100% 100%;}</style><a href=" target="_blank" data-ce-key="17598" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="I wrote about what I saw as a kd of queer mstrelsy" class="body-lk css-umdwtv et3p2gv0">I wrote about what I saw as a kd of queer mstrelsy</a>.</p><p data-ce-key="17492" data-no-id="5" class="css-aeyldl et3p2gv0">It seemed to me – and still seems so, to varyg gre – that the ntual stg of straight actors queer rol had several effects, none of them particularly lightful. First off, means the disappearance, or erasure, om our screens, of what n be thought of as a kd of gay language: this is to do wh body language, voice, and other ways of beg, that uld be thought of as notg queerns. The s, the idms that queer people have vised, or are drawn to, orr to mark ourselv out om straight people or to subvert or unteract straight people – our historic opprsors – are the stanc replaced wh a weird kd of void. At tim, to the queer viewer, watchg straight actors “playg gay” n feel like an unnny graftg of straight behavur onto specifilly queer experienc; somethg feels amiss but n be hard to know jt what. Watchg <em data-ce-key="17493">Call Me By Your Name</em>, I feel like somethg is lackg: might be a certa tensy; uld be the way the two bodi size each other up and -exist alongsi one another; the way the sire feels anonymo, or lackg a particular directn. </p><div supprsHydratnWarng data-no-id="6" data-embed="pullquote" class="embed css-0 e9hzx6g0"><blockquote class="css-1eiql25 e1pe3zr91"><span aria-hidn="te" class="css-ow0dpz eagam8p0"></span><blockquote class="css-la9czl e1pe3zr90">"The other si of this is that queer people n bee engaged gatekeepg, when fact queer sexualy is fluid"</blockquote><span aria-hidn="te" class="css-0 eagam8p1"></span></blockquote></div><p data-ce-key="17495" data-no-id="7" class="css-aeyldl et3p2gv0">A sendary effect of the stg of straight actors queer rol is that robs queer actors of reasons to e out, and of opportuni to show their worth – their abily to w over dienc. Part of the problem is herently palistic: if queer actors n’t be seen to rry a film, the dtry will always revert to straight movie stars wh proven box office crentials. There is a vic circle at play here – and the chet earned by straight actors for playg gay don’t tend the other way. </p><p data-ce-key="17496" data-no-id="8" class="css-aeyldl et3p2gv0">Not all of is cut-and-dry: <a href=" target="_blank" data-ce-key="17497" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="the wrer Otamere Guobadia argu" class="body-lk css-umdwtv et3p2gv0">the wrer Otamere Guobadia argu</a> that the other si of this is that queer people n bee engaged gatekeepg, when fact queer sexualy is fluid; requirg actors to label themselv, so that we n terpret their performanc a certa light, n have an effect trimental to queer experimentalism and progrs. Guobadia rightly pots out that Chloe Grace Moretz had simply not labelled herself at the time of appearg <em data-ce-key="17498">The Mistn of Cameron Post</em>, and had sce e out. It’s not possible to tell everybody’s ner sexualy, nor necsary to require om everyone. </p><p data-ce-key="17499" data-no-id="9" class="css-aeyldl et3p2gv0">On top of the qutns of performance, so many other aspects of a film’s creatn ntribute to thenticy, to accurately pictg queer liv; towards makg somethg excg and vivid out of that enavour. Directg, wrg; the visg of the piece – the thgs terplay wh the actg performanc at a film’s heart. So how do this new crop of arthoe movi, none of which featur a queer actor a queer role, nvey queer sexualy? What choic are prent the films, and how do they ntribute to queer culture, if at all? </p><div supprsHydratnWarng data-no-id="10" class="embed css-0 e9hzx6g0"><style data-emotn="css 10klw3m">{height:100%;}</style><div data-embed="youtube" class="embed align-center css-10klw3m ez8lbhw1"><style data-emotn="css 63r9na">{-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;m-height:10rem;background-lor:#F5F5F5;lor:#000;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;height:100%;marg-bottom:0.9375rem;}</style><div class="css-63r9na ez8lbhw0"><style data-emotn="css 1msakm2">{width:3.125rem;height:3.125rem;}</style><img data-dynamic-svg src="/_assets/sign-tokens/e/static/ins/social/;id=lk-out-embed" loadg="lazy" alt="youtube in" height="to" width="to" class="css-1msakm2 ez8lbhw2" /><a target="_blank" rel="noreferrer noopener" href=" aria-label="View full post on Youtube" class="css-0 e1c1bym14">View full post on Youtube</a></div></div></div><p data-ce-key="17501" data-no-id="11" class="css-aeyldl et3p2gv0">Viggo Mortensen’s <em data-ce-key="17502">Fallg</em> tells the story of Willis Peterson, a ntankero, foul-mouthed, rightwg old homophobe (played by Lance Henriksen) who is forced to sell the fay home and move to California to live wh his gay son (Mortensen), orr to be red for durg his bouts of mentia. (In this the film prents a mirror image of Alan Ball’s <em data-ce-key="17503">Uncle Frank</em>, which fds a gay man reluctantly returng to the home of his homophobic pater faias – of which more later) <em data-ce-key="17504">Fallg</em>, then – a Tmp-era film if ever there was one – stag an opposn between, on the one hand, a man reprentg the past, heterosexualy, righwgery and ral Ameri, and on the other hand the morn day, homosexualy, progrsive polics and Amerin cy life. </p><p data-ce-key="17505" data-no-id="12" class="css-aeyldl et3p2gv0">This is simplistic but relatively effective, sofar as the dichotomy mak Mortensen’s performance as John Peterson stand out for s dns. There is almost a votnal qualy to this man’s steadfast refal of vlence, and of nontatn. This much rgs te, and feels, furthermore, as if this character has unrgone therapy, the ways he manag not to rise to his father’s tnts. Still, though, somethg here seems lackg. The film is so oddly fivg toward the monstroly vile character at s heart, a way that – seems to me – robs of any queerns. Some sense of queer rage at this paternal figure, a wholale rejectn of him, would feel more plsible than this fairly benevolent pictn of a Deplorable; or a touch of irony, some acid the tone, would lift the narrative out of what feels like a straight-patriarchal format.</p><p data-ce-key="17506" data-no-id="13" class="css-aeyldl et3p2gv0">Qutns about fatherhood (John Peterson has a dghter wh his partner) feel more sued to a film about two straight men opposed their outlook, rather than two men fundamentally at odds the way they view and experience the world. Throughout the film, John’s relatnship wh his partner, Eric (Terry Chen) is prented as chaste, raly, supportive; the are two men late middle age, two fathers; and may be, too, that John has ternalised some homophobia leadg to him beg fairly unmonstrative. But still somethg here feels a ltle unrcharged, as if the two men were good iends rather than lovers. </p><div supprsHydratnWarng data-no-id="14" class="embed css-0 e9hzx6g0"><div data-embed="youtube" class="embed align-center css-10klw3m ez8lbhw1"><div class="css-63r9na ez8lbhw0"><img data-dynamic-svg src="/_assets/sign-tokens/e/static/ins/social/;id=lk-out-embed" loadg="lazy" alt="youtube in" height="to" width="to" class="css-1msakm2 ez8lbhw2" /><a target="_blank" rel="noreferrer noopener" href=" aria-label="View full post on Youtube" class="css-0 e1c1bym14">View full post on Youtube</a></div></div></div><p data-ce-key="17508" data-no-id="15" class="css-aeyldl et3p2gv0"><em data-ce-key="17509">Uncle Frank</em> suffers om a siar problem. Ostensibly a road movie (like <em data-ce-key="17510">Supernova</em>, of which more later), fds Pl Bettany’s tle character journeyg south om New York wh his teenage niece and his boyiend, Walid (played by Ball’s longterm partner, Peter Macdissi), after the ath of his father. The relatnship between Frank and Walid feels, perhaps, a ltle more warm and lived – there is a teasgly affectnate dynamic at play here, and a physil timacy between the players that mak the relatnship believable.</p><p data-ce-key="17511" data-no-id="16" class="css-aeyldl et3p2gv0">But a few problems rema. For one, Frank when travellg is tormented by flashbacks to his tragic first love, as a teenager, which has the unfortunate effect of drag his current relatnship of s life-force. For another, Ball’s wrg, ually rather effervcent, feels somewhat fanged here; there is a goln hue envelopg everythg, givg this movie an MOR, fay-iendly feel, rather than pturg the pa at s heart, as should. This ristance to nflict, or the way the film rolv nflict too readily, feels ak to the dynamic <em data-ce-key="17512">Fallg</em>; seems like the movie didn’t want to offend. As a rult, this -queers s storyle: why, for stance, is Frank viewed through the prism of his borg, straight niece (hence the tle)? Placg Frank ont and centre would have been bolr, and allowed Ball to flh out this homosexual man to match Pl Bettany’s pleasgly mted performance. </p><style data-emotn="css 1v2eakg">{marg-bottom:0.9375rem;posn:relative;}{marg-left:to;marg-right:to;width:100%;}@media(m-width: 48rem){{width:90%;}}{marg-left:to;marg-right:to;width:95%;}@media(m-width: 30rem){{width:75%;}}@media(m-width: 40.625rem){{width:65%;}}</style><div data-no-id="17" data-teractive="VioPlayer-1" class="embed aspect-rat-16x9 css-1v2eakg e3dq3y0"><style data-emotn="css 1ui7hop">{marg-bottom:0.9375rem;--aspect-rat:56.25%;}</style><div class="__rp-ntaer css-1ui7hop e6l0f0"><style data-emotn="css 1yu8e3d">{marg-bottom:0.9375rem;width:100%;height:100%;} .__rp-ntaer{height:to;}</style><div data-embed="embed-vio" class="vio-player css-1yu8e3d e1ou1fny0"><style data-emotn="css 1uds6oo">{height:100%;width:100%;posn:relative;}</style><div class="css-1uds6oo e1f7ylgd6"><style data-emotn="css 1iiivv4">{background-lor:rgba(0, 0, 0, 0.4);borr:.1875rem solid whe;borr-radi:50%;lor:#fff;cursor:poter;height:3.75rem;left:50%;posn:absolute;top:50%;-webk-transform:translate(-50%,-50%);-moz-transform:translate(-50%,-50%);-ms-transform:translate(-50%,-50%);transform:translate(-50%,-50%);-webk-transn:all 0.4s;transn:all 0.4s;width:3.75rem;z-x:1;}.e1f7ylgd6:hover {background-lor:rgba(33, 150, 245, 0.8);lor:#ffffff;}@media(m-width: 48rem){{height:5.625rem;width:5.625rem;borr:.28125rem solid whe;}}</style><button aria-label="Play Vio" class="css-1iiivv4 e1f7ylgd1"><style data-emotn="css 1lhf7lq">{fill:#ffffff;height:1.4rem;vertil-align:middle;width:1.45rem;}@media(m-width: 48rem){{width:2.3125rem;height:3rem;}}</style><svg xmlns=" width="24" height="24" viewBox="0 0 24 24" style="fill: var(--primary, #000);" role="img" tle="Play" class="css-1lhf7lq e1f7ylgd2"><tle>play in.