'Over the Rabow' is jt the begng of Judy Garland's stat as an endurg gay in.
Contents:
- 'HELLO YELLOW BRICK ROAD' — SF GAY MEN'S CHOS PAYS HOMAGE TO ELTON JOHN AND OZ
- HOW JUDY GARLAND BEME A GAY IN — AND WHY SHE ENDUR AS ONE
- CRITIC'S NOTEBOOK; WHY OZ IS A STATE OF MD IN GAY LIFE AND DRAG SHOWS
'HELLO YELLOW BRICK ROAD' — SF GAY MEN'S CHOS PAYS HOMAGE TO ELTON JOHN AND OZ
It is, of urse, mon knowledge that Judy Garland is a gay in — beloved and worshiped by gay men of a certa age and class — but what else explas the ubiquo referenc to “Oz” drag performanc and the nam of bars and bs terg to the muny? It would be a mistake to nfe a discsn of The Wizard of Oz to a certa class of gay men, but seekg a pot of orig, there is a domant narrative of queer history which “Oz” and Garland were important parts of a mostly whe, middle-class, urban gay male subculture by the 1950s. The orig of the exprsn “Friend of Dorothy, ” which beme a phrase ed by gay men to intify themselv to each other, is lost to history — may have predated this era, and may not even refer to Garland’s role the movie, but the belief that do is wispread (another possibily is that refers to Dorothy Parker, who was also a iend to gays).
Acrdg to “Oz” scholar Dee Michel, who is wrg a book on “Oz” and gay men, there are certa beliefs about the film and the LGBT muny that persist spe of a lack of clear historil evince. “The beliefs, ” he said, “overlap and rerce each other and have bee part of gay folklore, creasg our sense of history and rercg gay inty. Some disparagg remarks about gay men attendg Garland ncerts were prted reviews the late 1960s.
Other prt referenc to “Oz” as an unrground culture shared by gay men seem to show up the 1970s and ’80s, lookg back and attemptg to expla the appeal of the film. The explanatns often take the form of an intifitn of gay men and others wh a girl om a small muny who is misunrstood by her fay, who is whisked away to a place where she be iends wh characters who seem like they uld be gay men (pecially the Cowardly Ln, who refers to himself as a “sissy” and “dandy ln”).
HOW JUDY GARLAND BEME A GAY IN — AND WHY SHE ENDUR AS ONE
The story beme a metaphor for the real-life dreams and experienc of gay men who left middle Ameri for the gay muni of New York Cy and San Francis, which were analogized to Oz or the Emerald Cy. There is, of urse, also the unique place occupied by Garland among gay ins. Garland’s stggl seemed to mirror those of gay men at the time, and she was admired for risg above her problems performance, although as she noted herself, she was never able to get over the rabow her life off the stage or screen.
Neverthels, gay folklore and film ntue to tell the story, que possibly imposg the perspective of whe, cisgenr gay male historians on an event that was largely the work of queer and trans people of lor.
Ten years later, at the 1979 March on Washgton, acrdg to Michael Bronski, lbian sger Holly Near end her set wh Over the Rabow, llg the gay natnal anthem.
CRITIC'S NOTEBOOK; WHY OZ IS A STATE OF MD IN GAY LIFE AND DRAG SHOWS
The Wiz, a Broadway mil produced by a black gay man and adapted as a film starrg Diana Ross, occupi an important place both black and gay culture, as evinced by the muny-watch parti and Twter rpons to the recent live broadst on NBC.
After the suici aths of several young people the fall of 2010, cludg Rutgers Universy stunt Tyler Clementi, crowds gathered for a vigil New York’s Washgton Square Park, wavg rabow-lored glow sticks while openly gay Broadway star Cheyenne Jackson led them sgg Over the Rabow.
The Wizard of Oz has long been a treasured piece of art for the LGBTQ+ muny and to this day symboliz hope for many queer people, pecially gay men. It isn’t difficult to see how this story would ronate wh the gay muny the late 1930s and early 1940s.