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class="PersistentBottomWrapper-eddooY bIieWF persistent-bottom" data-journey-hook="persistent-bottom"><asi class="PaywallBarWrapper-hbEokK lcyTCU paywall-bar"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut paywall-bar__nsumer-marketg-un nsumer-marketg-un nsumer-marketg-un--paywall-bar-ll-to-actn" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-bar-ll-to-actn"></div><div class="journey-un"></div></div></asi></div><div class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><div class="StickyHeroAdWrapper-eNLJUc gStsdY ad-stickyhero ad-stickyhero--standard ad-stickyhero-enable-mobile should-hold-space"><div class="AdWrapper-dQtivb fZrssQ ad ad--hero"><div class="ad__slot ad__slot--hero" data-no-id="bw6v"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-hero" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot 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cLxcNi">Longform</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd hWGSa-D jTptLg">How Future Rewrote Rap His Own Image</h1><span class="ContentHearContentDivir-liIxwf kOTubb"></span></div><div class="ContentHearAccredatn-lfctVB etVsnJ ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ gMTlPZ">It isn’t hyperbole to claim that the rapper is one of the 2010s’ most sential artists.</div><div class="ContentHearByle-kmPyCa emiglw"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bHLeKI"><p class="ByleWrapper-jWHrLH jslqCu byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd JArb kUYkyS eErqIx byle__name-lk button" href="/staff/stephen-kearse/">Stephen Kearse</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2019-10-21T09:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd jIyViq eMOiwD">October 21, 2019</time></div></div><div class="SocialInsWrapper-hKMEXV ffgPVr social-ins social-ins--standard ContentHearAccredatnSocialIns-jorO fPzfaa ntent-hear__social-share"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA ivmblD social-ins__list"><li class="SocialInsListItem-mbhR fxaFQj social-ins__list-em social-ins__list-em--facebook social-ins__list-em--standard"><a aria-label="Share on Facebook" class="external-lk SocialInExternalLk-huuzOU lobXkm social-ins__lk social-ins__lk--facebook" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" 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Imag via Getty Imag.</span></div></div></figure></div></div><asi class="PersistentAsiWrapper-VGrR oEIBz persistent-asi persistent-asi--align-left" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jNgrSF sticky-box ContentHearPersistentAsi-fsnAmQ dFzKzm"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="SocialInsWrapper-hKMEXV ffgPVr social-ins social-ins--has-background ContentHearSocialIns-jzJiyg fgMkJI social-ins--share"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA ivmblD social-ins__list"><li class="SocialInsListItem-mbhR gQILrJ social-ins__list-em social-ins__list-em--facebook social-ins__list-em--has-background"><a aria-label="Share on Facebook" class="external-lk SocialInExternalLk-huuzOU ktsBmR social-ins__lk social-ins__lk--facebook" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><div class="SocialInContaer-huXzUC pMzVC social-ins__in-ntaer"><svg class="SocialInNetworkInComponent-cZaKGz dlOAhZ in in-facebook" focable="false" viewBox="0 0 32 32" width="32" height="32" fill="none" xmlns="><tle>Facebook</tle><path d="M13.621 11.099V13.302H12V15.995H13.621V24H16.951V15.995H19.186C19.186 15.995 19.395 14.704 19.496 13.292H16.964V11.45C16.964 11.175 17.327 10.804 17.686 10.804H19.5V8H17.033C13.539 8 13.621 10.696 13.621 11.099Z" fill="black"></path></svg></div></a></li><li class="SocialInsListItem-mbhR gQILrJ social-ins__list-em social-ins__list-em--twter social-ins__list-em--has-background"><a aria-label="Share on Twter" class="external-lk SocialInExternalLk-huuzOU ktsBmR social-ins__lk social-ins__lk--twter" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><div class="SocialInContaer-huXzUC pMzVC social-ins__in-ntaer"><svg class="SocialInNetworkInComponent-cZaKGz dlOAhZ in in-twter" focable="false" viewBox="0 0 32 32" width="32" height="32" fill="none" xmlns="><tle>Twter</tle><path d="M13.032 22.003C19.07 22.003 22.372 17.001 22.372 12.663C22.3719 12.5216 22.3686 12.3803 22.362 12.239C23.0045 11.7744 23.5592 11.1991 24 10.54C23.401 10.8056 22.7656 10.9799 22.115 11.057C22.8003 10.6467 23.3132 10.0013 23.558 9.24103C22.9138 9.62343 22.209 9.89297 21.474 10.038C20.9799 9.50946 20.325 9.15892 19.6112 9.04091C18.8973 8.9229 18.1644 9.04403 17.5265 9.38545C16.8886 9.72688 16.3813 10.2695 16.0836 10.9289C15.7858 11.5884 15.7142 12.3277 15.88 13.032C14.5746 12.9664 13.2976 12.6269 12.132 12.0356C10.9663 11.4444 9.93808 10.6145 9.114 9.60003C8.69297 10.3223 8.56366 11.1782 8.7525 11.9926C8.94134 12.8071 9.43407 13.5187 10.13 13.982C9.60866 13.9664 9.0987 13.8258 8.643 13.572V13.614C8.64319 14.3718 8.90547 15.1063 9.38536 15.6928C9.86525 16.2793 10.5332 16.6818 11.276 16.832C10.7924 16.9633 10.2852 16.9825 9.793 16.888C10.0027 17.5404 10.411 18.1109 10.961 18.5197C11.5109 18.9286 12.1749 19.1552 12.86 19.168C11.6971 20.0805 10.2611 20.5754 8.783 20.573C8.518 20.573 8.257 20.558 8 20.528C9.5011 21.4921 11.248 22.0038 13.032 22.002" fill="black"></path></svg></div></a></li></ul></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kJkLmH article-body__ntent"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG eSsnKa"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>Nartized, addled, and sometim tenr, <a href=">Future</a> has spent the past makg whatever mic he wants: trap ballads, twerk anthems, petty kiss-offs, trippy blu. His superpower is his abily to smear emotnal stat to odd llag, his protean voice ascendg to the peaks of exuberance or plungg to the pths of misery. In a sgle moment, a Future song n pivot to the sublime, alterg what me before and everythg after. Future is chaos unleashed and distilled.</p><p>Though he’s got fewer Grammys than Macklemore, ls hs than Drake, and has never received the acclaim of Kendrick Lamar, Future sts a long shadow over rap at large. Through him, the 2000s swag-rap of artists like Rose Dash and Soulja Boy fed wh the granur of Atlantan trap stalwarts like Gucci Mane and Young Jeezy. He bridged the robosoul of <em>808s & Heartbreak</em> Kanye and the bugged out trospectn of peak Lil Wayne. He mutated T-Pa’s horny stripper os to seedy noir.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p>Like so many legends of Atlanta rap, Future’s orig story begs the Dungeon, the home of the llective that birthed OutKast, Goodie Mob, and Killer Mike. “I helped create that monster,” says Organized Noize producer Ri Wa over the phone, rellg Future’s days the early 2000s as Meathead, the youngt member of Dungeon Fay group Da Connect. Wa, Future’s , fostered Future’s mic early his reer. Followg Wa’s stctns, Meathead was stctured his approach to songcraft. In ntrast to the eeform rappg and sgg Future do now, Meathead was tght that songs were built first around hooks, followed by ncepts and vers. Wa se that early mentorship reflected Future’s current output, which volv nstantly rerdg and buildg songs crementally.</p><div class="Contaer-bkChBi byNLHx"></div><p>When Meathead emerged as Future 2010, he distguished himself through his attentn to melody. His first verse on that year’s “Old Hunnduds,” om his send mixtape, <em>Kno Mercy</em>, is dolloped wh ltle melodi that give his flows odd kicks. Where rappers tradnally e melody to nvey vulnerabily or scery, Future for richns, flavor. The song’s almost choral hook is warm and cky and aspiratnal; feels like a TED Talk sung as a church hymn and livered a strip club.</p><div class="AdWrapper-dQtivb fZrssQ ad ad---ntent"><div class="ad__slot ad__slot---ntent" data-no-id="qqjj"></div></div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps kaOLzO"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="345" width="620" sandbox="allow-scripts allow-popups allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="bx2xc"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>Future had his first h the next year, wh his feature on YC’s “Racks.” The song is a se study his e of melody. On the hook he pronounc “racks” multiple ways: as a sgsong chant (“racks-on-racks-on-racks”), as an exclamatn (“RACKS!”), and as a croon (“RAAAA-ACKS”). The variatns give the song momentum spe s rndancy—every rack feels distctive. In the age of hashtag rap, which often ma punchl and lyricism feel formulaic, Future unlocked new ways to be clever and stylish.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p>As “Racks” elevated his profile Future ntued to novate. His barked vers on mixtape-track-turned-mercial-h “Same Damn Time” are hoarse yet fluid. As imatn, his Al Paco imprsn on club h “Tony Montana” is illy awful; as self-exprsn, ’s exhilaratg. Auto-Tune helps him channel how <em>Srface</em> mak him <em>feel</em>, his warped hk stretchg “Tony Montana” to a war cry.</p><p>On “Turn on the Lights,” the love song that troduced him as a bluman, his croak is so straed be tenr. Constantly skg beneath producer Mike WiLL Ma-It’s shimmery synths, his voice cracks throughout the song, the imperfectn beg the pot. He ed Auto-Tune better than any rapper before him, embracg s transformative quali not to sound alien but to more fully bee himself—to stretch feelgs to moods and imag to atmospher, habg emotns as much as exprsg them.</p><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps kaOLzO"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="345" width="620" sandbox="allow-scripts allow-popups allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>This abily to flip sgle words and sparse phras to full-fledged vib kept him nstant mand as a llaborator. For half the , he was the premier hook-maker and me to the stars. Through Future, JAY-Z found the <a href=">keys</a>. Ace Hood woke up a <a href=">new Bugatti</a>. Lil Wayne <a href=">blissed out</a> to good kh and alhol. Kanye <a href=">stacked</a> Maybachs on ’Bachs on ’Bachs. Jt Bieber <a href=">asked</a> “What’s hatn’?” as if he’d been born and raised Fulton County. Ubiquy is the nature of popdom, but ’s tellg that so many of the songs (or their many rbon pi) beme hs. For much of this , Future has been the wd sails and the current beneath the ships. He has birthed mantras and moments, artists and wav.</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="szsl2a"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>Yet almost fiance of this populary, his most val work has been as a soloist. When Future’s alone he sks to himself, the btle of the outsi world hhed by the roar of his private thoughts. Part sunken place, part fortrs of solu, this mo his smeared melodi swell to k clouds, shroudg every feelg and image and memory muck—yet somehow renrg his exprsns more pure, more hont.</p><p><em>Monster</em>, the first glimpse of this versn of Future, is unrstandably remembered as his embtered breakup album. This isn’t wrong per se—the prologue to the 2014 mixtape was the birth of Future and Ciara’s son and the end of their engagement, and toxic ragers like “Throw Away” and “Monster” bathe that turmoil—but the fuller story is told by the gut list. Whereas his send album, <em>Hont</em>, released a few months earlier, had eight guts, <em>Monster</em> has a sgle feature, tensifyg the feelg that is Future agast the world. He plays that tensn up by stg everyone around him as treachero and schemg, but as the tape ntu, be clear that he’s as dangero to himself as to his perceived enemi.</p><p>That stggle between self-reliance and self-dulgence peaks wh <em>Monster</em>’s closer, “Coe Crazy.” Celebratg fame while spisg s empts, Future downs champagne and e a joyls, exhstg loop. “Pour that bubbly/Drk that muddy drank,” he sighs. As he refills his poison chalice between bored flex, oblique referenc to mors and hookups eventually ept to a moment of clary. “I’m an addict and I n’t even hi ,” he adms. It’s ndid, but a breakthrough never . Moments later, the cup aga overflows, the cycle renewed.</p><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps kaOLzO"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="345" width="620" sandbox="allow-scripts allow-popups allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="qxoqk"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>The optics of partg ways wh a beloved celebry then gog on a bched benr lent Future’s heel turn a tabloid allure, but the mic told the more tertg story. <em>Beast Mo</em>, the follow-up to <em>Monster</em>, stripped Future’s numbns to s re. Produced entirely by Zaytoven, the rerd is spre and lh, brimmg wh twkly arpeggs and lhe dm sequencg that feel like wd chim dancg the breeze. Future’s melodi on <em>Beast Mo</em> are vis, his words slurrg to sypy rivulets that seep to the beats. Future sounds jt as jndiced and xanned out as he did on <em>Monster</em>, but there’s a glow to him. Zaytoven scrib the rerd to me as “havg a soul, a heartbeat to .” Future mak misery feel both overwhelmg and normal, otherworldly and eply human.</p><p>As Future beme known as an athetic as well as a hmaker, he beme somethg of a llective me. His shelved song “Good Morng” beme the backbone to Beyoncé’s “Dnk Love.” On his breakthrough album <em>Roo</em> Travis Stt embellished Future’s melancholy to opulent trap muzak. Post Malone smoothed his melodi to diet trap. Fetty Wap’s “Trap Queen” turned Future karaoke to pop gold. Survival of the shrewst is par for the urse rap, so isn’t surprisg, or even unfair that Future was slowly absorbed to the public doma. What’s notable is that as he evolved, the world followed real time.</p><hr/><p>The producer rps that formed around Future beme as sential as the rapper himself. <em>Monster</em> was rerd as trap as a scriptor was beg creasgly untethered om the Atlanta streets and narrativ that birthed . Durg the mid-ghts EDM boom, the subgenre was stripped for parts, leavg many of s mil origators overlooked and unrsung. In this ntext, Future gave producers like Metro Boom, Southsi, Zaytoven, and Sonny Digal the opportuny to explore new sound palett, to wrt attentn and rourc back to trap’s home. Future still ma bangers, but his nstant rerdg and his distert rad fare led him down more unpredictable paths, turn monstratg the range of his cy’s talent.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p>2015’s <em>56 Nights</em>, the succsor to <em>Beast Mo</em>, ntued the tached ve of s precsors (“I drk till I pass out, I wake up and drk up aga,” Future raps on “Never Gon Lose”). Produced mostly by Southsi, is dimly l and sullen whout losg Future’s signature rtlsns. Rerd the wake of the rapper’s close iend and Magic Cy stutn DJ Es beg taed Dubai, the mixtape traffics loss and abandon. Milly, <em>56 Nights</em> is marked by offbeat sonic flourish—owl hoots place of snar, weird synths squiggl that quiver like polygraph readgs—that retrospect they feel like previews of the styl of later oddball producers like Pi’erre Bourne, TheGoodPerry, and Maaly Raw. Through Future, trap mic was nstantly mutatg even as felt faiar. He took regnizable scen and sounds and ma them alien and timate.</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="np87d"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>The crown jewel of Future’s was the same year’s <em>DS2</em>, his third stud album and the summ of his long climb om hmaker to athete. The rerd has a thls nsistency that unrsr the extent of Future’s csant tkerg. In potent blips and vigt he nveys his pravy, his bterns, and his spair whout a lick of promise. There is no filler and even the obligatory Drake feature fs well (the ntrast between Drake’s petts and Future’s paranoia is so sharp that ’s kd of geni). Future’s wrg is cryptic yet lucid: “I jt took a piss and I seen e g out.” Workg at the peak of his powers, he brgs the ost of <em>Beast Mo</em>, the grim transparency of <em>Monster</em>, and the luge of <em>56 Nights</em>. It’s a fal evolutn, the pstone of a tly unmatched n. He sums up on “I Serve the Base”: “Tried to make me a pop star and they ma a monster.”</p><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps kaOLzO"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="345" width="620" sandbox="allow-scripts allow-popups allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p><em>DS2</em> was followed by <em>What a Time to Be Alive</em>, a victory lap alongsi Drake. Though the rerd is fe, the staid mix of Drake’s zeal and Future’s melancholy end up nfirmg #FutureHive’s creed that the Monster works bt alone. It’s still an tertg snapshot, however, that ptur how Future ntu to be perceived outsi of his niche, even among rappers. The low-power-mo Future of <em>WATTBA</em>, as well as subsequent songs wh Taylor Swift, Ed Sheeran, and the Weekend, ris an entirely different galaxy om the Future of latter- rerds <em>Purple Reign</em> and <em>HNDRXX</em>, both of which were mixed qualy. It was as if Future was so revered that other artists were ntent to simply be next to him.</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="x4sfho"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><hr/><p>The Future of <em>DS2</em> rurfac ocsnally, as seen on 2018’s <em>BEASTMODE 2</em>, but his te fluence is more cultural. Zaytoven prais Future as one of the first Atlanta artists after Gucci Mane to pletely fo wrg when rerdg. “Fretylg is all rappers do now,” he says. “I haven’t seen anybody wre anythg so long that I feel like that’s jt the way to rerd now. Everythg is about beg spontaneo and on the spot.” Rerdg engeer Alex Tumay, who has worked extensively wh Young Thug, Travis Stt, and other artists, scrib a siar emphasis on immediacy and eedom when artists rerd. “That style of stream-of-nscns rerdg allows you to feel the raw emotn,” Tumay says, addg that artists thrive when they embrace tun and rerd wh an open md. As they see , Future was so fortable beg himself that the dtry crossed over to him.</p><p>After a of Future songs of all typ, I’m nvced the re of his appeal is his steady distance. As immersive and emotnally tense as his mic is, never tly allows intifitn. Future’s te feelgs are always mediated, guard, sgular. There’s no splay his mic, no vatn to bee him. When he sgs of empty sex Gucci flip-flops and the phantom ll of Percets, the wdow to his soul is open but firmly locked. At a time when artists and even policians are liftyl and stum, Future remas a person. For him, the most trigug nnectns are the on that mata our walls stead of tearg them down. “Let’s be selfish,” he sgs wh scery. In his world the parti are terrible, the dgs are bilatg, the sex feels like exercise—but the magic never stops. It’s been an odd, sometim gelg stay, yet the longer you occupy Future’s strange realm, a clary sets . If he n live wh himself, maybe we n too.</p></div></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 PaywallInleBarrierWhWrapperGrid-fyrGfS jyGBoi"><div class="GridItem-buujkM kHPPIF grid--em"><div class="body body__le-barrier article__body article__body--grid-margs"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ContentWrapperGrid-fvkmBv jfHKjr"><div class="GridItem-buujkM kHPPIF grid--em"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div 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summary-em__image-lk summary-em-trackg__image-lk" href="/featur/lists-and-guis/the-200-bt-albums-of-the-2010s/" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gKnDpj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="The 200 Bt Albums of the 2010s" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Lists & Guis</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/featur/lists-and-guis/the-200-bt-albums-of-the-2010s/" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">The 200 Bt Albums of the 2010s</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Pchfork</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href="/featur/article/2010s-drill-rap-songs/" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gKnDpj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="11 Songs That Defe Chigo Drill, the De’s Most Important Rap Subgenre" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Longform</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/featur/article/2010s-drill-rap-songs/" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">11 Songs That Defe Chigo Drill, the De’s Most Important Rap Subgenre</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Alphonse Pierre</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href="/featur/article/2010s-how-twter-changed-mic-kanye-drake-nicki-maj-ariana-gran-vampire-weekend/" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gKnDpj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="How Twter Changed Mic" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Longform</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href="/featur/article/2010s-how-twter-changed-mic-kanye-drake-nicki-maj-ariana-gran-vampire-weekend/" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">How Twter Changed Mic</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Eric Harvey</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm ijsXGm ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="0kcvh"></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href="/featur/article/2010s-pops-great-awokeng-black-liv-matter-beyonce-kendrick-lamar-solange/" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gKnDpj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet="(1) 120w, (1) 240w, (1) 320w, (1) 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet="(1) 120w, (1) 240w, (1) 320w, (1) 640w" siz="100vw"/><img alt="Activism, Inty Polics, and Pop’s Great Awokeng" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="(1)"/></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Longform</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href="/featur/article/2010s-pops-great-awokeng-black-liv-matter-beyonce-kendrick-lamar-solange/" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Activism, Inty Polics, and Pop’s Great Awokeng</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Jason Kg</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-5" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gKnDpj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Drake Bought Tupac Shakur’s Rg at Sotheby's Auctn for $1 Milln" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-5" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Drake Bought Tupac Shakur’s Rg at Sotheby's Auctn for $1 Milln</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Allison Hsey</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-6" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gKnDpj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Drake Stars New Vio for Young Thug’s “Oh U Went”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-6" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Drake Stars New Vio for Young Thug’s “Oh U Went”</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Evan Msker</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-7" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gKnDpj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Drake and Central Cee Team Up for On the Radar Rad Fretyle: Watch" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-7" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Drake and Central Cee Team Up for On the Radar Rad Fretyle: Watch</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Alphonse Pierre</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-8" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gKnDpj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Injury Rerve Retire Name, Share First Song 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Contents:

GUCCI FLIP FLOPS (GAY PARODY) ROBLOX SONG ID

Stream Gucci Flip Flops (Gay Versn) Remix JOKE SONG by Ar Vib on sktop and mobile. Play over 320 ln tracks for ee on SoundCloud. * gucci flip flop gay version *

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INTER GANGSTERGUCCI FLIPFLOPSDEC. 12, 20151 VIEWER1 CONTRIBUTORINTER GANGSTER LYRICS[INTRO:]BP, YOE AN TER GANGSTER MAD AT ME AND I THK I KNOW WHYJS, YOE AN TER GANGSTER, SEE YOU ONLE YEAH TALKG DRIVE BYSHOMIE YOE AN TER GANGSTER, YOU MAD AT ME E REALLY YOU'RE WHEHOMIE YOE AN TER GANGSTER[VERSE 1:]PEOPLE TALKG SH ON THE TER BUT I DON'T REALLY RE E S THE TERLIVE AND FETOH BUT OH YOU REALLY JT HATG ON ME E REALY YOU N'T E WH YOUR SEXUALYOH, YEAH YOE AN TER GANGSTER, TALKG SH ABOUT HOW YOU GANGBANGBUT REALLY THAT A'T HAPPENG, E REALLY YOU GETTG GANGBANGEDBY LIKE 3 OTHER GUYS, YEAH THAT'S HOW THAT SH GOI SEE YOU DRIVE BY, WA THAT'S JT YOU TALKG SH ON THE TERI DON'T REALLY GIVE A FUCK, BCH BETTER FETAFTER I'M DONE WH THIS, I'M GONNA FET THAT YOU EVEN EXISTOH, AND YOU TALK SH LIKE EVERY OTHER DAY, I'M KEEPG REALI DON'T REALLY GIVE A FUCK IF YOU'RE GAY[BRIDGE:]BETIFUL HARMONIZG[VERSE 2:]I'M JT FUCKG AROUND TRYG TO PISS YOU OFFYOU'RE GOG TO MENT ON THE SONG SAYG I PISSED YOU OFFAND THAT I SUCK DICK, BUT REALY YOU'RE THE ONE THAT SUCKS DICKWORRYG ABOUT STATU PENIS SIZE, ARE YOU REALLY THAT DUMB NOT TO KNOW WHERE NEVADA ISMAN, OH YOU'RE SO STUPID YOU PROBABLY DON'T EVEN KNOW WHERE YOUR MOMMA ISIF YOU REALLY NEED TO KNOW, SHE MY BED AND SHE BOUT TO GIVE ME HEADOH AND IMMA FUCK HER TILL SHE AD, YEAH IMMA FUCK HER TILL SHE ADSHE LIKE "OH GONNA SUCK THIS DICK, I'MMA SUCK THIS"YEAH THATS YOUR MOMMA TALKGHOW YOU FEEL WHEN YOU SEE THAT LIMP WHEN YOUR MOMMA WALKGMEANG THAT I FUCKER HER GOOD, OH GODDAMN YOU A'T REALLY HOODYOU JT WHEYOU MIGHT ALSO LIKE[OUTRO:]HOMIE, YOE AN TER GANGSTER MAD AT ME, I THK I KNOW WHYJS, YOE AN TER GANGSTER, SEE YOU ONLE YEAH YOU TALKG DRIVE BYSBP YOE AN TER GANGSTER, YOU MAD AT ME S ONLY E YOU'RE WHE**MORE HARMONIZG**YOU MAD AT ME FOR NO REASON, MAD AT ME FOR NO REASONWHE GUY HATG ON WHE PEOPLE, THAT'S' TREASONEMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

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*BEAR-MAGAZINE.COM* GUCCI FLIP FLOP GAY VERSION

Gucci Flip Flops Gay Versn lyrics .

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