The Washgton Post</tle><path d="M39.2 32v36.6c4.7-2.8 7-6.8 8.7-12.1l1.2.6c-1.1 13.2-10.3 26-24.3 26S0 72.6 0 55.8C0 43 7.7 35.1 18.7 28.2a16.11 16.11 0 00-4.4-.6c-7.2 0-11.4 4.9-11.4 9.9H1.5a14.77 14.77 0 01-.1-2.1c0-9.3 5.5-19.7 16.9-19.7 7.3 0 12.9 6.7 21.4 6.7 4.3 0 6.7-1.6 8.4-5.3h1.2c-.1 6.5-2 12.8-10.1 14.9zm-19-3.3C15.1 34 10.1 39.6 10.1 50.9c0 6.2 1.9 12.4 6.6 16.4l3.1-1.7V40.3L16.6 42l-1-1.6 15-8.4c-3.8-.8-6.9-2.3-10.4-3.3zm17.1 3.7a17 17 0 01-2.3.1 17.52 17.52 0 01-4-.4v29.5l-12.8 7a15.57 15.57 0 009.9 3 22.58 22.58 0 009.2-2zm44 9.2v34.3c0 9.6-8.51 16.11-18 18l-.6-1c4.7-2.3 7.8-6.41 7.8-11.41V45.7l-4.9-4.5-2.6 2.6v27.1l3 2.8v.4l-8.1 8.61-9.3-8.51v-.4l3.6-3.8V25.8l10.6-11.3.2.1v26.6l8.7-9.2 8.7 7.9 2.7-2.6 1.31 1.3zM97.91 62v4.5l9 7.1 7-7.3 1.3 1.3L101 82.8 88.21 72.6l-2.8 2.8-1.2-1.3 3.1-3.2V45.8l18.9-13.8 10.5 16.3zm.2-22.6l-.2.1v20.1l8.7-6.4zM180 82.71l-13.9-12-10.6 12-14.4-12.41V50.7h-2.8a3.89 3.89 0 00-4.1 3.5h-1a15.87 15.87 0 01-.5-3.8c0-2.6 1.1-9.4 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39l-.09.1v29.8l8.5 6.4zm50.4 37l-8.7-7.9V45.5l-4.7-4.4-3.41 3.5v26.1l3.1 2.9v.4l-8.2 8.61-9.3-8.51v-.3l3.6-3.8V44.8l-4.1-3.7-3 3-1.4-1.3 10.2-10.9L502 40v2l9.5-10.1 8.7 7.8 2.9-2.9 1.3 1.4-3.5 3.5v28l3.9 3.7 3.3-3.4 1.2 1.3zm61.39.11a12.91 12.91 0 00-6.3-4.61v20.81l-.2.1-5.5-5.1-11.6 10.7-.2-.1V77.6a18.83 18.83 0 00-10.2 6.61l-.8-.5c.7-7.71 4.5-13.41 11-15.61V48.6h-2.1a5.25 5.25 0 00-5.3 4.2h-1.2a12.28 12.28 0 01-.7-4.6c0-4.9 3.3-8.6 8.7-8.6h.6V28.8l-3.6-3.2-2.8 2.8-1.4-1.3 11.1-11.4 9.4 8.6v9.8L572 31V19.5h1.9V29l12.5-13.3L597.7 26v43.5zM572 32.9l-2.9 3v56.31l2.9 2.7zm13.1-2.3l-5.9-5.4-5.3 5.6v36.3c4.7.6 8.2 2.2 11.1 5.3l.1-.1zm48.7 12v27.7l-16.9 12.5-12.3-9.3-2.8 2.8-1.3-1.3 3.2-3.3v-27L621.4 32l11.4 8.9 2.9-2.9 1.3 1.4zm-10.8 3l-8.4-6.6-.1.1v29.8l8.5 6.4zm35.6 4.5h9.4v21.4l-15.9 11.21a11.52 11.52 0 00-8.8-4.11c-3 0-5.4 1.4-7.8 4l-1.4-.5 13.8-19.8h-8.5V43.7L656 32c2 1.6 3.6 2.6 6.2 2.6a11.38 11.38 0 007.11-2.2l1 .7zm-1.4 8.8h-4.7l-11.1 15.9.1.2a12.36 12.36 0 017.6-2.5 10.4 10.4 0 018 3.8l.1-.09zm6.41-19.6a9.78 9.78 0 01-6.91 2.3 8.92 8.92 0 01-6.3-2.9l-.2.1v14.6h3.8l9.7-14zm22.9 43.41l-8.8-6.91-2.71 2.7-1.3-1.29 3.1-3.21V39.4H671l-.2-.2 3.5-5.2h2.5v-6.7L687.41 16l.2.2V34h8l.2.2-3.5 5.2h-4.7v30.3l4.8 3.7 3.3-3.4 1.3 1.4z"></path></svg><span class="alic gray font-xxxxs font--body">Democracy Di Darkns</span></div></div><hear class="w-100" data-qa="ma-full"><div class="hi-for-prt"></div><div class="mt-lg"><div data-qa="kicker" class="wpds-c-eyomNc wpds-c-PJLV wpds-c-PJLV-jYXVnY-lor-black wpds-c-PJLV-mlvxn-size-lg"><a href="/liftyle/style" class="PJLV PJLV-ieDwgbC-css">Style</a></div></div><div class="w-100" style="max-width:1000px"><h1 class="font--headle offblack headle mb-sm" data-ttid="headle" data-qa="headle" id="ma-ntent"><span data-qa="headle-text">Art has yet to face up to homosexualy</span></h1></div><div class="flex prt-byle prt-mt-none"><div class="byle-wrapper flex-lumn flex"><div class="PJLV PJLV-ihSmMVC-css"><div class="PJLV PJLV-iPJLV-css mb-xxs overriStyl" style="gap:0.5rem" data-qa="thor-byle"><span class="wpds-c-PJLV"><div class="flex ems-center" data-qa="thor-byle"><div class="mr-sm flex lh-0"><div class="wpds-c-iTcer"><img src=" alt="" class="wpds-c-dgBqAZ"/></div></div><span class="left"><div class="flex"><div class="dib font-xxs" data-qa="name-wh-optnal-lk" data-cy="name-wh-optnal-lk"><span data-qa="attributn-text" class="wpds-c-cNdzuP">By <!-- --> </span><a data-qa="thor-name" href=" rel="thor" class="wpds-c-cNdzuP wpds-c-cNdzuP-ejzZdU-isLk-te">Philip Kennitt</a></div></div></span></div></span></div></div><div data-ttid="timtamp" class="wpds-c-kgabfe wpds-c-kgabfe-ieEDlgV-css"><span data-ttid="display-date" class="wpds-c-iKQyrV">July 1, 2011 at 1:46 p.m. EDT</span></div></div></div></hear></div><article class="grid-article mb-xxl-ns" data-qa="ma"><div class="grid-body"><div class="wpds-c-PJLV wpds-c-PJLV-hSmMVC-isLuf2-false"><div class="wpds-c-jUMcim wpds-c-jUMcim-ibVGacg-css hi-for-prt mb-sm"><div class="PJLV 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1 .47-.17h.17a.77.77 0 0 1 .51.4l.83 1.7L5.48 4A.74.74 0 0 1 5 3.43ZM3 6h4.5v2H3Zm1 3h3.5v4H4Zm4.5 4V9H12v4ZM13 8H8.5V6H13Z" data-name="Path 10"></path></svg></div></div><span aria-hidn="te" class="wpds-c-fBEbFG">Gift<!-- --> <span class="PJLV PJLV-ikqOWxF-css">Article</span></span></div></div><div class="dib poter" data-qa="wpds-tooltip-ntrol"><div aria-ntrols="actns-tooltip" aria-owns="actns-tooltip" id="actns-tooltip-ntrol" class="" aria-haspopup="te" aria-expand="false"><div class="wpds-c-mfMEg"><div class="wpds-c-kSOqLF wpds-c-hnjNCH wpds-c-kSOqLF-bywHgD-variant-primary wpds-c-kSOqLF-biynoz-nsy-pact wpds-c-kSOqLF-hZSyid-isOutle-te wpds-c-kSOqLF-ejCoEP-in-left wpds-c-kSOqLF-futx-cv wpds-c-hnjNCH-eNNUQD-cv wpds-c-hnjNCH-jGqLyO-cv"><div tabx="0" aria-label="Share" class="PJLV PJLV-ietWzJw-css"><svg xmlns=" viewBox="0 0 16 16" fill="currentColor" aria-hidn="te" focable="false" role="img" class="wpds-c-dJBvpf wpds-c-dJBvpf-iPJLV-css "><path d="M14 14H2V7h1v6h10V7h1Zm-5.5-2h-1V3h1Z"></path><path d="M10.29 5.71 11 5 8 2l-.71.71L5 5l.71.71L8 3.42l2.29 2.29z"></path></svg></div><span aria-hidn="te" class="wpds-c-fBEbFG">Share</span></div></div></div></div></div></div></div><div class="teaser-ntent grid-center"><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">There may be a reckong the wds. Attus about gays and lbians, and about same-sex marriage particular, are now changg so fast that Amerin culture is sufferg om gnive dissonance: still prone to habs of homophobia while simultaneoly aware that overt bigotry is no longer acceptable much of the public square.</p></div></div><div></div><div class="article-body" data-qa="article-body"><div class="db dn-ns mr-neg-gutter ml-neg-gutter mb-md hi-for-prt" data-qa="subscribe-promo"><div data-orientatn="horizontal" role="separator" class="wpds-c-dbVHzF wpds-c-dbVHzF-hDkAcj-variant-flt"></div><a class="pt-sm pb-sm flex ems-center bold font-xxxs font-xxs-ns jtify-center" href=" target="_blank" rel="noreferrer noopener" style="lor:#166dfc;borr:none"><svg class="ntent-box" width="24" height="24" viewBox="0 0 24 24" xmlns=" aria-hidn="te" focable="false" role="img"><tle>Wp</tle><path d="M11.055 8.728l-1.018-1.019-.782.782v6.292l1.782 1.564.018-.019v-7.6zm-4.11.236L5.674 7.71l-.836.855v6.237l1.545 1.327.564-.636V8.964zm2.656 9.074l-2.528-2.182-1.927 2.182-2.619-2.255v-3.564h-.509c-.454 0-.672.273-.745.636H1.09a2.89 2.89 0 0 1-.091-.69c0-.473.2-1.71 1.527-1.71V7.691c0-1.073-.709-1.127-.709-2.054 0-1.037.982-2 2.782-2.637l.164.145c-.6.291-1.09.655-1.09 1.437 0 1.2 1.163.89 1.163 2.782v.727l2.127-2.236 2.237 2.2 2.109-2.2 2.036 2v6.728l-3.745 3.455zm11.108-9.625l-1.073-.982-.964 1.018v6.6c.855.11 1.491.4 2.019.964l.018-.018V8.413zm-2.382.418l-.528.545v10.237l.528.492V8.83zm1.49 9.055c-.308-.382-.69-.709-1.145-.836v3.782l-.036.018-1-.927-2.11 1.945-.036-.018V16.96c-.636.145-1.327.545-1.854 1.2l-.146-.091c.127-1.4.818-2.436 2-2.837v-3.545h-.382c-.527 0-.89.363-.963.763h-.219c-.054-.145-.127-.381-.127-.836 0-.891.6-1.564 1.582-1.564h.11V8.085l-.655-.582-.51.51-.254-.237 2.018-2.073 1.71 1.564V9.05l.527-.564v-2.09h.345v1.727l2.273-2.419L23 7.576v7.91l-3.182 2.4z" fill-le="evenodd"></path></svg><span class="mr-xs ml-xs gray-darkt flex ems-center">Get the full experience.<span class="ml-xs subs-theme blue">Choose your plan</span></span><svg class="ntent-box" width="16" height="16" viewBox="0 0 16 16" xmlns=" style="fill:#166dfc" aria-hidn="te" focable="false" role="img"><tle>ArrowRight</tle><path d="M7.664 1.25l6 6a1 1 0 010 1.414l-6 6L6.25 13.25 10.499 9H2V7h8.585L6.25 2.664 7.664 1.25z" fill-le="nonzero"></path></svg></a><div data-orientatn="horizontal" role="separator" class="wpds-c-dbVHzF wpds-c-dbVHzF-hDkAcj-variant-flt"></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">And so you get a para of dramatic <span>ntortns: <a href=" tle=">Comedian Tracy Man performs a self-laceratg apology tour</a> after makg anti-gay jok; major league sports figur, such as Kobe Bryant, face the prospect of <a href=" tle="">six-figure f for yellg anti-gay slurs</a> (pecially if they are ught on vio); and Southwt Airl fights for s reputatn as a progrsive bs after restatg a pilot ught on an open mike <a href=" tle=">makg rogatory ments </a>about gay men and olr women.</span></p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Even the arts world, often seen as a haven for diversy, is beg forced to nont a long rerd of g cultural power to mean, ntrol and hi the ntributns of gay artists. A new book om Oxford Universy Prs, <a href=" tle=">"Art and Homosexualy: A History of Ias,"</a> by Christopher Reed, lays out a broad history of the relatnship between art and sexualy, datg back before the "ventn" of homosexual inty the late 19th century and enpassg such a plex array of same-sex behavrs that Reed clus a chart his troductn to map all the possibili.</p></div><div class="article-body" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Published last month, Reed's book rri forward a long-overdue reckong that began a very public and ntroversial way wh the exhibn "Hi/Seek: Difference and Dire Amerin Portraure" at the Smhsonian's Natnal Portra Gallery late last year. The power of <a href=" tle=">the "Hi/Seek" exhibn</a>, and of Reed's prehensive history, is the rtatg of the obv: Artists wh same-sex sir have played a disproportnate role the creatn of Wtern art, pecially the past century. As mic (Aaron Copland, Leonard Bernste, Samuel Barber), so too the visual arts (Robert Rschenberg, Jasper Johns, Cy Twombly): Much of what is seen as qutsentially Amerin is the product of gay creators. "A plete acunt of the 20th-century artists who were or were thought to be homosexual," Reed wr, "would e close to a chronicle of morn art s entirety."</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">While both the exhibn and Reed’s book make a posive se for the often timately entwed histori of homosexualy and art (pecially the 20th century), they also document a lany of shameful events and grievanc, many of them perpetrated by stutns and people who may be forced to nont past bigotry and make amends.</p></div><div class="article-body" data-qa="article-body"></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">As Reed monstrat, the “super-macho” ethos of the Amerin abstract exprsnists wasn’t jt about hard livg and womanizg. The downtown Artists’ Club, which served proment ab-ex paters, also end a “no homosexuals” clse s nstutn. Artists such as Andy Warhol and Robert Mapplethorpe found themselv on the outsi of the tablished arts world their early reers large part bee of the overtly homoerotic them their work. Crics such as Hilton Kramer trafficked more or ls vilently homophobic rhetoric throughout their reers. And as the art world begs to memorate the 25th anniversary of Warhol’s ath (there are major exhibns g to Washgton September), ’s hard to fet cric Vivian Gornick’s famoly anti-gay analysis om 1966, dismissg the role of gay culture pop art as “a malic fairy’s joke.”</p></div><div class="article-body" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Even mms that are not actively the bs of anti-gay bigotry are often prone to hidg the rich history of same-sex sire. A Greek ceremonial chair known as the Elg Throne, rved almost 2,500 years ago, clus an image of Harmodi and Aristogeon, who killed a tyrant Athens and are celebrated as hero of mocracy. They were also lovers, acrdg to Thucydis, but no mentn of that is ma the ptn rmatn near the chair at the Getty Villa Malibu, Calif. Rarely, if ever, is any explanatn given for the role that figur such as Ganyme (a boy kidnapped by Zs), Sat Sebastian (picted as a handsome youth pierced by arrows) and Orphs (who some versns of the legend turns away om women and to the love of boys after his ultimate loss of Eurydice) play the inography of same-sex eroticism.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">In some s is mm policy not to expla anythg about the art (another suicidal hab of the morn Amerin mm). But other s, the rmatn is simply missg. As cultural change ntu — the space of six months, gays have earned the right to <a href=" tle=">serve openly the ary </a>and n now <a href=" tle=">marry New York state </a>— stutnal silence on gay them may no longer be seen as an nocuo, "fay iendly" strategy. "Fay" is now unrstood to clu gay parents, married gay upl and people wh gay children, and the absence of basic rmatn about the role of same-sex sire art history has bee an overt s of omissn.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">The speed of change is unbalancg even tablished stutns. After Smhsonian Secretary G. Wayne Clough overled his top curators and tervened to censor the crilly acclaimed "Hi/Seek" exhibn on Nov. 30, he acknowledged only one mistake: havg moved too quickly and whout enough put om stakeholrs. Clough was rpondg to attacks om a ant right-wg Catholic group, as well as the fear of potential budget cuts om a newly Republin-domated Hoe of Reprentativ. <a href=" tle=">The removal of a vio</a> by gay artist David Wojnarowicz that showed a cross wh ants on was prented as a small price to pay for keepg the exhibn open. Clough's terventn was wily seen as endorsg a rigidly nservative Catholic view of sacrilege agast a eply personal, and inoclastic, gay view of spirualy.</p></div><div class="article-body" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">But many ways, was the culture that was movg too quickly for the Smhsonian, and the firtorm that epted afterward, severely damagg both Clough’s and the Smhsonian’s credibily, reflected an emergg nsens: that the acceptable level of anti-gay bigotry at an stutn such as the Smhsonian is now zero.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">It may prove paful, and chasteng, as such stutns e to accept that realy and reflect their prentatn of art. Whole movements and eras, om the atheticists of the late 19th century to the abstract exprsnists of the mid-20th century, simply don’t have herence whout reference to same-sex sire. As this history is ma obv, even tablished standards of how we judge art may be shaken. As Reed documents, ias about abstractn, formalism and dividualism art have domated cricism, but often at the st of enforcg heterosexual valu and power. Artists who hid their “gay” work (Charl Demuth), or stood to the si of the mastream art world (Marsn Hartley), or are simply fotten (a circle of artists Italy that clud Emma Stebbs, Edmonia Lewis and Harriet Hosmer) may serve new attentn and stat.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">The reckong that fally re­tablish the legimacy and acplishments of gay artists the morn mm may not be fortable for many artists who intify as gay, eher. Reed sketch a recent history of fightg and atrici as a younger generatn mov away om the fns of gay inty that rmed the thkg of artists who worked durg the socially turbulent 1960s and ’70s and the darkt days of the AIDS epimic the ’80s and ’90s. Although the “Hi/Seek” exhibn was billed as the first major mm show voted to gay art this untry, there was a precursor, the 1982 “Extend Sensibili” exhibn at the New Mm New York. That show foced on emergg and maly unknown artists, large part bee tablished artists (or their agents and alers) wanted no associatn wh a public claratn of homosexualy. The artist duo Gilbert and Gee, who create overtly homoerotic imag of epicene young men, refed to allow their work the show. They also refed to allow to be reproduced Reed’s book, acrdg to the thor.</p></div><div class="article-body" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body" data-qa="article-body"></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Havg lacked the urage to be open about homosexualy may e back to hnt some tablished artists, crics, mm directors and curators. So, too, beg dogmatic about what means to be gay or lbian may e back to hnt some antly gay artists.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">It's clearly too early to wre an obuary of homophobia. Durg the bate about same-sex marriage New York, Catholic Archbishop Timothy Dolan pared advot for equaly marriage <a href=" tle=">to the North Korean regime</a>, a ernment that tortur, kills and starv s cizens. It was an unnny remr of the vilent homophobic rhetoric ed agast artists mid-20th century Ameri, when homosexuals were often likened to the Red Menace. Yet even mastream nservativ such as the Natnal Review's Kathryn Jean Lopez and Gee Weigel leapt to Dolan's fense. Weigel even add a parison of pro-equaly groups to Bull Connor, the 1960s Birmgham, Ala., official who turned fire hos and attack dogs on civil rights protters and gave the Klu Klux Klan a ee hand to beat, harass and timidate Ain Amerins and their supporters.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Late last year, as the curators of the “Hi/Seek” exhibn stggled to expla and nmn Clough’s censorship while fendg the urage of the Natnal Portra Gallery, they revealed that several other mms had been offered the exhibn and refed , probably out of fear of ntroversy. A full acunt, and reckong, of the homophobia at work the “Hi/Seek” ntroversy would probably embarrass (and perhaps te) arts lears far beyond the Smhsonian’s Castle.</p></div><div class="article-body" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">It won’t be easy, but will be excg and productive, pecially as gay people and their alli take an active hand challengg mms to be more hont. The arts world is by no means the most homophobic stutn U.S. society. But the arts are a laboratory for cultural cricism, and they flourish when they are out ont of cultural change, not tchg up to . Some major universi have already begun to explore their own stutnalizatn of homophobia, jt as they me clean about anti-Semic polici generatns earlier. As stutns such as the Mm of Morn Art grapple wh why they never gave Warhol a solo show durg his life, the historil rerd will get richer, and the bonds between mms and their public stronger.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">But isn’t jt a matter of settg the rerd straight. Fundamentally, ’s about tg dienc and epeng the appreciatn of art. As Reed explas, homosexualy the 20th century “beme the paradigmatic secret of avant-gar art.” It’s not the only thg that explas art, but whout an unrstandg of , there is a lot of nonsense the history of art. As arts stutns tch up wh Amerin culture, they will only benef om more tth, ls silence and no nonsense.</p></div><div class="wpds-c-ipATMk wpds-c-ipATMk-hCiGAB-removeMobileStyl-te"><div class="PJLV flex mt-md tt"><div class="mb-lg-mod" data-qa="ments-btn-div"><button aria-label="Scroll to the ments sectn" data-qa="ments-btn" class="wpds-c-kSOqLF wpds-c-kSOqLF-SQjOY-variant-sendary wpds-c-kSOqLF-eHdizY-nsy-flt wpds-c-kSOqLF-ejCoEP-in-left ments hi-for-prt"><svg xmlns=" viewBox="0 0 16 16" fill="currentColor" aria-hidn="te" focable="false" role="img" class="wpds-c-fBqPWp "><path d="M14 14V2H2v9.47h8.18L12.43 13ZM3 10.52V3h10v9.23l-2.5-1.66Z"></path></svg><span class="ral-unt unfed" data-ral-notext="te"></span> Comments</button></div><div class="wpds-c-dXjReQ"><button id="gift-share-shortcut" class="wpds-c-kSOqLF wpds-c-kSOqLF-SQjOY-variant-sendary wpds-c-kSOqLF-biynoz-nsy-pact wpds-c-kSOqLF-ejCoEP-in-left hi-for-prt ml-sm"><svg xmlns=" viewBox="0 0 16 16" fill="currentColor" aria-hidn="te" focable="false" role="img" class="wpds-c-dJBvpf "><path d="M10.73 5h.14a1.75 1.75 0 0 0 1-2.25 1.83 1.83 0 0 0-.51-.75 1.72 1.72 0 0 0-1.48-.35 1.76 1.76 0 0 0-1.2.94L8 3.93l-.68-1.4A1.76 1.76 0 0 0 4 3.59 1.74 1.74 0 0 0 5.13 5H2v4h1v5h10V9h1V5ZM9.58 3a.77.77 0 0 1 .51-.4h.17a.73.73 0 0 1 .47.17.72.72 0 0 1 .27.71.72.72 0 0 1-.48.58l-1.77.66ZM5 3.43a.72.72 0 0 1 .27-.71.73.73 0 0 1 .47-.17h.17a.77.77 0 0 1 .51.4l.83 1.7L5.48 4A.74.74 0 0 1 5 3.43ZM3 6h4.5v2H3Zm1 3h3.5v4H4Zm4.5 4V9H12v4ZM13 8H8.5V6H13Z" data-name="Path 10"></path></svg><span class="wpds-c-iSKIAI">Gift this article</span>Gift Article</button></div></div><div class="PJLV PJLV-iipsdti-css"></div><div class="PJLV PJLV-iipsdti-css"><div></div></div><div class="PJLV PJLV-iipsdti-css"><div></div></div><sectn class="PJLV PJLV-iipsdti-css dn-ns hi-for-prt" data-ttid="mostRead" subscriptns-sectn="ntent"><div data-ttid="lazy-most-read-parent" class=""><div style="m-height:800px"></div></div></sectn><div class="PJLV PJLV-ickXkbz-css"><div data-qa="newsletter" class="hi-for-prt relative"><div class="dib w-100"><div><div class="flex jtify-center align self-center center transn-all duratn-400 ease--out" data-qa="sc-newsletter-signup" aria-label=""><svg aria-labelledby="react-aria-1-aria" role="img" viewBox="0 0 100 80"><tle id="react-aria-1-aria">Loadg...

anti gay art

Shop for anti-gay wall art om the world's greatt livg artists and inic brands. All anti-gay artwork ships wh 48 hours and clus a 30-day money-back guarantee. Choose your favore anti-gay signs and purchase them as wall art, home r, phone s, tote bags, and more!

Contents:

TO PROTT IRAN’S ANTI-GAY AB, AN ARTIST PATED A DICTATOR’S CAR

Intimate portras of iends created by a Che artist before he took his own life. An Indian pater's pictn of life before and after gay sex was crimalized. * anti gay art *

Attus about gays and lbians, and about same-sex marriage particular, are now changg so fast that Amerin culture is sufferg om gnive dissonance: still prone to habs of homophobia while simultaneoly aware that overt bigotry is no longer acceptable much of the public so you get a para of dramatic ntortns: Comedian Tracy Man performs a self-laceratg apology tour after makg anti-gay jok; major league sports figur, such as Kobe Bryant, face the prospect of six-figure f for yellg anti-gay slurs (pecially if they are ught on vio); and Southwt Airl fights for s reputatn as a progrsive bs after restatg a pilot ught on an open mike makg rogatory ments about gay men and olr the arts world, often seen as a haven for diversy, is beg forced to nont a long rerd of g cultural power to mean, ntrol and hi the ntributns of gay artists. A new book om Oxford Universy Prs, "Art and Homosexualy: A History of Ias, " by Christopher Reed, lays out a broad history of the relatnship between art and sexualy, datg back before the "ventn" of homosexual inty the late 19th century and enpassg such a plex array of same-sex behavrs that Reed clus a chart his troductn to map all the possibili.

THE ANTI-GAY AGENDA

The dashgly charmg -founr of the Llie-Lohman Mm v si his SoHo apartment—an unbelievable monument to gay creativy and art. " data-reactroot=" * anti gay art *

"While both the exhibn and Reed’s book make a posive se for the often timately entwed histori of homosexualy and art (pecially the 20th century), they also document a lany of shameful events and grievanc, many of them perpetrated by stutns and people who may be forced to nont past bigotry and make Reed monstrat, the “super-macho” ethos of the Amerin abstract exprsnists wasn’t jt about hard livg and womanizg. Clough's terventn was wily seen as endorsg a rigidly nservative Catholic view of sacrilege agast a eply personal, and inoclastic, gay view of many ways, was the culture that was movg too quickly for the Smhsonian, and the firtorm that epted afterward, severely damagg both Clough’s and the Smhsonian’s credibily, reflected an emergg nsens: that the acceptable level of anti-gay bigotry at an stutn such as the Smhsonian is now may prove paful, and chasteng, as such stutns e to accept that realy and reflect their prentatn of art. Artists who hid their “gay” work (Charl Demuth), or stood to the si of the mastream art world (Marsn Hartley), or are simply fotten (a circle of artists Italy that clud Emma Stebbs, Edmonia Lewis and Harriet Hosmer) may serve new attentn and reckong that fally retablish the legimacy and acplishments of gay artists the morn mm may not be fortable for many artists who intify as gay, eher.

A full acunt, and reckong, of the homophobia at work the “Hi/Seek” ntroversy would probably embarrass (and perhaps te) arts lears far beyond the Smhsonian’s won’t be easy, but will be excg and productive, pecially as gay people and their alli take an active hand challengg mms to be more hont. An Indian pater’s pictn of life before and after gay sex was are some of the imag on display at an Asian ntemporary art show that opens the Thai pal Bangkok on Saturday, seekg to fight LGBT+ discrimatn a regn where same-sex behavr is still crimalized many exhibn at the Bangkok Art and Culture Center (BACC), which ns until March 1, featur the works of nearly 60 Asian artists, and is the send such exhibn after a show Taipei two years is aimed at engagg wh people who may have differg views on LGBT+ people and art, said Patrick Sun, founr of Hong Kong-based Sunpri Foundatn, whose llectn is the foundatn of the show. Elsewhere the regn, India crimalized homosexualy last year, but nservative valu and ep-rooted bias have hamstng progrs on gay rights untri cludg Myanmar, Indonia, Sgapore, Malaysia and LGBT+ artists Asian untri where anti-gay sentiment still exists, n be hard to create their work eely, said Chatvichai Promadhattavedi, a former director of BACC, who curated the show.

18 ANTI-GAY GROUPS AND THEIR PROPAGANDA

It is not the gay Black person who be an stment of a whe supremacist attack on Black masculy. It is the Black homophobe. * anti gay art *

It is about sufferg, joy, relatnships, human rights - ’s a reflectn of life, yet a life that has faced terrible tragedi and enormo challeng, ” he show clus photographs by Ren Hang, a gay Che artist who did a seri of timate portras of his iends before takg his own life 2017 at the age of artist Sunil Gupta, who is HIV-posive, Greek myths and pre-Raphaele tradn to portray same-sex upl.

Together, the pair found the Llie-Lohman Mm of Gay and Lbian Art—the first stutn of s kd—which is down the block, on Wooster, unassumg Llie happened to poke his head out to the hallway to terme the e of the ck; before he uld shut the door, a group om the art magaze I worked for had charged their way through. ” Still, was durg this , 1987, that Llie and Lohman created their nonprof foundatn, which was accreded as a mm after the peak of the AIDS crisis, Mayor Rudy Giuliani—“a great, honorable Catholic, ” Llie uldn’t help but jibe—“fally managed to kill public gay life New York. About a week after DaBaby’s rant, Boosie Badazz, a hip-hop artist who me up the 1990s, went after Lil Nas X, one of the rare rappers who are openly, unapologetilly, explosns-of-glter gay, threateng to asslt me say first that the untry has quickly evolved on the acceptance of gayns, and that clus an evolutn among Black people.

I have always ntend that all of the -isms and -phobias are s, that a society that creat a hierarchy of humany wh whe, straight, cisgenr men at the apex, every person who is not whe or straight or cisgenr or male gets assigned a lower orr of that sense, racism and sexism, homophobia and transphobia all branch om the same one bias n fluence and amplify a society that treats racism as a sport, which each racial group is jockeyg agast the others, all of them shadowed by a culture of whe supremacy laced wh misogyny, anythg that rc your percentage of straight mal or “femiz” them is seen as weakeng the Black people bee agents agast Black power and Black liberatn, a weight on the this dulent this is adopted, traracial terror picks up where terracial terror left off. Homophob often e the same tactic, claimg that they are protectg children om is precisely the fense Boosie Badazz ed when appearg on “The Breakfast Club” rad show, at one pot seemgly exprsg a fear that if rappers didn’t speak out agast certa exprsns of gayns, an entire generatn of children uld be aga, to clarify: There is no amount of exposure that n make a straight man prefer a penis or a gay one prefer a vaga.

ANTI-GAY ART

A small terie of groups now prise the hard re of the anti-gay movement * anti gay art *

Sexual attractn and sexualy jt don’t work that this simplistic notn of sexualy oms is that there are also gay children who have known they were different for as long as they have known anythg, and those children serve reprentatn and visibily; they need to know that there is nothg wrong, broken or evil about them, so that they, too, n feel normal and seen. DeMar has modified that dictum slightly the past, sayg that homosexuals wouldn’t all be executed unr a “renstcted” ernment, but that he did believe that the ocsnal executn of “sodom” would serve society well bee “the law that requir the ath penalty for homosexual acts effectively driv the perversn of homosexualy unrground, back to the closet. It has lled the ia of allowg gays to serve openly the ary “evil”; opposed hate crim legislatn (which many relig-right groups falsely assert would make easy to send pastors to prison for nmng homosexualy); and raged agast a judge’s overturng of California’s Proposn 8, which had validated same-sex marriag.

Although is somewhat benign by parison, the CADC has an advisory board that clus some of the untry’s most hard-le anti-gay activists: Lou Sheldon, head of the Tradnal Valu Coaln (see below); Donald Wildmon, the founr of the Amerin Fay Associatn (above); and O’Neal Dozier, a pastor who wrote his 2008 book that “[h]omosexualy not only spreads disease and ntraliz God’s mand, ” but also “stroys fai.

BOMBS AND BLASPHEMY: THE RISKS OF WATCHG GAY ART RSIA

* anti gay art *

” Last year, CWA acced the Gay, Lbian, and Straight Edutn Network (GLSEN), a group that works to stop anti-gay bullyg schools, of g that missn as a ver to promote homosexualy schools, addg that “teachg stunts om a young age that the homosexual liftyle is perfectly natural … will [e them to] velop to adults who are sensized to the harmful, immoral realy of sexual viance.

Both Dailey and Sprigg have phed false accatns lkg gay men to pedophilia: Sprigg has wrten that most men who engage same-sex child moltatn “intify themselv as homosexual or bisexual, ” and Dailey and Sprigg voted an entire chapter of their 2004 book Gettg It Straight to siar material. In a 1999 publitn (Homosexual Behavr and Pedophilia) that has sce disappeared om s webse, the FRC claimed that “one of the primary goals of the homosexual rights movement is to abolish all age of nsent laws and to eventually regnize pedophil as the ‘prophets’ of a new sexual orr, ” acrdg to unrefuted rearch by AMERICAblog.

30, 2010, bate on MSNBC’s “Hardball wh Chris Matthews” between Perks and the Southern Poverty Law Center’s Mark Potok, Perks fend FRC’s associatn of gay men wh pedophilia, sayg: “If you look at the Amerin College of Pediatricians, they say the rearch is overwhelmg that homosexualy pos a danger to children. In 1985, the Amerin Soclogil Associatn adopted a rolutn sayg Cameron “has nsistently misterpreted and misreprented soclogil rearch on sexualy” and “repeatedly mpaigned for the abrogatn of the civil rights of lbians and gay men”; the followg year, the same group formally nmned Cameron for that misreprentatn of rearch. ” Wh regard to LGBT teen suicis, TVC, unr the headle “Homosexual Urban Legends, ” claims that “[t]he ld, hard fact is that teens who are stgglg wh homosexual feelgs are more likely to be sexually molted by a homosexual school unselor or teacher than to m suici over their feelgs of spair.

RALEIGH’S JIMMY CREECH REUNTS HIS STGGL AGAST ANTI-GAY RELIG DISCRIMATN

"Queer Art" beme a powerful polil and celebratory term to scribe the art and experience of gay, lbian+ people. * anti gay art *

The TVC also mak assertns on s webse about disproportnate homosexual pedophilia and attacks the ia that people are born gay and the claim that gays want the right to marry for the same reasons that heterosexuals do — the TVC suggts the real purpose of marriage equaly is to stroy the ncept of marriage and ultimately replace altogether wh group sex and polygamy. (SOUNDBITE OF ARCHIVED RECORDING)ANITA BRYANT: Jt blogilly - that God ma mothers so that we uld reproduce - homosexuals nnot reproduce blogilly, but they have to reproduce by recg our And that throwback smear - the obvly false claim that LGBTQ people are predators or pedophil - that's gaed tractn as the bills advance.

*BEAR-MAGAZINE.COM* ANTI GAY ART

Raleigh's Jimmy Creech reunts his stggl agast anti-gay relig discrimatn - INDY Week.

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