While many black pastors nmn homosexualy om the pulp, the choir lofts behd them are often filled wh gay sgers and micians. The fact that gays and lbians often hold learship posn the church is the worst kept secret black Ameri.
Contents:
- SOUTHERN GOSPEL SGER KENNY BISHOP IS NOW A GAY UNED CHURCH OF CHRIST PASTOR
- WHO'S GAY GOSPEL MIC?
- ARE THERE GAY PEOPLE SOUTHERN GOSPEL MIC?
- PROMENT CHRISTIAN SGER COM OUT OF THE CLOSET AS GAY! WHO IS IT?
- BLACKS, GAYS AND THE CHURCH: A COMPLEX RELATNSHIP
- GAYS, GOD AND GOSPEL MIC
- CHRISTIAN SGER RAY BOLTZ COM OUT, LIV A NORMAL GAY LIFE
SOUTHERN GOSPEL SGER KENNY BISHOP IS NOW A GAY UNED CHURCH OF CHRIST PASTOR
Former Evangelil pastor Bce Gerencser wr about Southern Gospel Sger Kenny Bishop is Now a Gay Uned Church of Christ Pastor! * gay southern gospel artists *
Whe southern gospel mic seems like a strange source of pleasure for a "gay, secular humanist amic, " as Douglas Harrison intifi himself (17).
WHO'S GAY GOSPEL MIC?
* gay southern gospel artists *
Guid by theologil fundamentalism and social nservatism, southern gospel's performers and fans tend to take a dim view of homosexualy. In 2003, gospel sger Kirk Talley was "outed" when the FBI arrted a man who attempted to blackmail Talley wh suggtive photographs he shared on a gay web se. First, how n a homosexual nonbeliever like Harrison, who as a youth was a "Southern Baptist sissy, " who dreamed of beg a southern gospel star until he me out and suffered the nsequenc for dog so by a reprsive relig culture, still fd ecstatic "glory-rollg joy" southern gospel mic?
ARE THERE GAY PEOPLE SOUTHERN GOSPEL MIC?
Whout the artistic and emotnal ntributns of gay people there would be no gospel mic. This is the provotive and nvcg claim ma by Anthony Heilbut his majtic new book, "The Fan Who Knew Too Much." * gay southern gospel artists *
Dpe his clear disda for the homophobia, fundamentalism, and, at tim, racism lurkg beneath the surface of whe southern gospel, he do not bee polemil or "substute one set of moral dogmas for another. The Gay-Gospel Paradox.
PROMENT CHRISTIAN SGER COM OUT OF THE CLOSET AS GAY! WHO IS IT?
If racism and distct unrstandgs of gospel mic's meang and purpose have rerced s separatn as genr, whe and black gospel n, neverthels, fd mon ground wh their shared tradns of homophobia. Then Sgs My Soul was released jt one month before Anthony Heilbut's The Fan Who Knew Too Much, portns of which open a door to what he lls the "secret closet" of gays black gospel mic.
The tend dienc of each book may not overlap but they both expose the hypocrisy of the gay-gospel paradox nservative Christian culture and, hopefully, will force broar bate. His immersn the gospel world exposed him to the genre's "fay secret": gay people formed the heart and soul of black gospel mic while the fundamentalism of church and clergy kept them the closet.
BLACKS, GAYS AND THE CHURCH: A COMPLEX RELATNSHIP
"Arch-homophob" the gospel muny, Heilbut wr, equently sg "the mic of gay people, acknowledgg wh every breath and step that if you banished the sissi and the bull daggers [gospel sger Shirley Caar's homophobic aspersns], the tabernacle might cmble.
" Harrison's gay-gospel paradox transcends race and uld be applied to any homophobic area of Amerin life, but the hypocrisy seems all the more glarg, as Heilbut emphasiz, a mil and relig culture that played such a pivotal role the civil rights movement. Freedman, "Usg Gospel Mic's Secrets to Conont Black Homophobia, " The New York Tim, June 1, 2012, accsed Augt 4, 2012, ; Louis Bayard, "Review of Anthony Heilbut's 'The Fan Who Knew Too Much, '" The Washgton Post, Augt 3, 2012, accsed Augt 5, 2012,.
GAYS, GOD AND GOSPEL MIC
For more on the difficulti faced by black gospel sgers who e out as gay see, Kelefah Sanneh, "Revelatns: A Gospel Sger Com Out, " The New Yorker, Febary 8, 2010, 48–57,. Ironilly, Harrison tak Heilbut to task Then Sgs My Soul for his ial discsn of homosexualy gospel culture The Gospel Sound. In this olr work, Heilbut argued that black gospel appealed to gay people bee of the mic's "theatril" quali.
Goodman has been imated by other sgers, cludg mal, while also beg a character habed by drag queens gay bars throughout the South. For an dience a gay bar, wr Harrison, gospel drag "transmutat the gospel classic to a ll for actn on the part of the dience" (144).
CHRISTIAN SGER RAY BOLTZ COM OUT, LIV A NORMAL GAY LIFE
"If orthodox evangelil popular culture has a vted tert portrayg the gay-gospel nnectn as a sful paradox, " Harrison persuasively argu, " is no small part an attempt to efface the fact that sner and sat alike e to the mic as nonnformists—real or imaged, gay or straight, and everythg between—drawn to southern gospel's dramatic renrg of spirual margaly and social misftedns" (148).