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iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/the-theatre"><span class="RubricName-fVtemz cLxcNi">The Theatre</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Daniel Fish’s Dark Take on “Oklahoma!”</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">In s stagg, s stg, and s mil arrangements, the vivid, stripped-down revival emphasiz realism to offer dienc a new visn of themselv.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" 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class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz fDAaLa"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Damon Dnno Rebec Naomi Jon and Patrick Vaill are photographed warm light." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Damon Dnno, Rebec Naomi Jon, and Patrick Vaill as the nflicted tr the first Rodgers and Hammerste mil.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Stefan Ruiz for The New Yorker</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save 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xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">In 1943, when Richard Rodgers and Osr Hammerste II’s first llaboratn, “Oklahoma!,” ma s Broadway début, soarg wh airy pastoralism and paeans to statehood, not only revented the <a href=">mil</a> (“Oklahoma!” was the first show to thoroughly tegrate songs, story, and dance); brought joy and a sense of Amerin inty to the cizens of an anx natn at war. Daniel Fish’s vivid, stripped-down revival, at St. Ann’s Warehoe (first veloped at Bard’s Fisher Center, 2015), siarly offers dienc a visn of themselv. Seventy-five years ago, we were at war wh foreign powers; now the enemy is wh.</p><p class="paywall">Fish told the <em>Tim</em>, 2015, that his productn—which, everythg om s stagg to s stg to s mil arrangements, emphasiz realism—wasn’t “about tryg to ph the show” but “about tryg to really hear .” Like David Cromer’s brilliant 2009 productn of “<a href=">Our Town</a>,” Fish’s “Oklahoma!” is staged plaly, wh the dience seated around the actors, who wear morn drs— this se, tcker hats, knotted T-shirts, statement nim— an almost startlgly bright room. A rt of lorful metallic ge hangs om the ceilg. On one wall is a grayish mural of a distant farm, on another a near-arsenal of rifl. As the show begs, the actors s at long tabl, like lols at a muny-center potluck, bi pil of rn and pots of chili. Immersive theatre, sometim volvg food, has bee relatively monplace. (This chili is served, wh rn bread, at termissn.) But, an inic work like this one, the immersn n be powerful, alterg our stctive reactns to what we see and hear.</p><p class="paywall">“Oklahoma!,” which Rodgers and Hammerste adapted om Lynn Riggs’s 1931 play, “Green Grow the Lilacs,” has a simple plot: at the turn of the century, the Oklahoma Terrory, a wboy named Curly wants to take Lrey, a farm girl, to a box social, as do Jud Fry, her fay’s menacg hired hand. By the end, Curly and Lrey are married, Jud is ad, and the settlers are all sgg, “Everyth’s go’ my way.”</p><p class="paywall">Damon Dnno, who plays Curly this productn, stts onstage, sgg “Oh, What a Betiful Morn’.” He’s rangy and stubbled, pleased wh himself weathered chaps. Fish’s stagg emphasiz the muny—the townspeople, still seated, ocsnally sg along. At the other end of the stage, Lrey’s Aunt Eller (the pch-perfect Mary Tta) roughly tears open a seri of Jiffy box and begs to make rn bread. Curly stms an atic guar, wh the half-sg exprsn of the handsome guy who’s a b too eager to pick up a guar at a party, though his manner n suggt a slightly embarrassed distance om the lyrics he’s sgg. Like the stagg, the orchtral mic, arranged by Daniel Kluger, is pared down and shaken up; a seven-piece band rporat banjo, pedal steel guar, and mandol, but retas bass, cello, and vl, keepg Rodgers’s lh harmoni tact.</p><p class="paywall">One of “Oklahoma!” ’s charms is the way alternat expansive songs about plac and sir wh clever, teasg nversatnal numbers. The first of the, “The Surrey wh the Frge on Top,” tablish that Lrey and Curly are love and too proud to adm . (Her first le, to him, is “Oh, I thought you was somebody.”) Curly is tradnally played as a petent, reliable sort of wboy, a gently funny character who needl the people he lov, like Lrey (Rebec Naomi Jon) and Aunt Eller, as well as the on he don’t, like Jud Fry (Patrick Vaill). Dnno’s Curly, however, is amiable but diffe, his affectns and his sense of humor unclear. (In recent rol as diverse as a troubled teen-age mician “The Lucky On,” Rasput “Beardo,” and Orphs “<a href=">Hastown</a>,” Dnno often projected a siar blasé ntentment.) Tta and Jon, on the other hand, uldn’t be more on target. Jon has a geo sgg voice, and her Lrey is arrtg, termed, and smart. She is prented unvaly, jeans and a plaid shirt, but she radiat nfince and bety, a notable ntrast to Curly’s amblg peack. As he sgs about “the stars gt’ blurry,” Dnno ventur a few moments of wele earntns. The lightg turns green, the mic quiets to a hh, and we n beg to image that the two tly like each other.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">“Oklahoma!” has always had shadows s rnfields and a gun s smokehoe, but, as the plot unfolds, unexpected hts of menace start to poke through the rollickg spectacle. Some of the volve the young men at the center of the show. Jud Fry, who has often been characterized not jt as a shifty, isolated drifter but as a cultural outsir— the 1955 film adaptatn, Rod Steiger’s Jud was a meaty bte wh an unplaceable accent—is played wh great sensivy and quakg stabily by the lean, fair Vaill. This plit him; he uld be your high-school csh, wh a isson of Kurt Coba. Jam Davis plays the wi-eyed wboy Will Parker, the erstwhile be of Lrey’s iend Ado Annie, as a few gre dopier than the average Will Parker, lovable but wh flash of creeps—sometim he’s a ltle ad behd the ey. In his wonrful showse number, “Kansas Cy,” Will danc on tabl and leaps through the air, but when he announc to Ado Annie that he’s back town he’s sprawled on a table, wavg the lid of a chili pot between his legs, lookg horny and a ltle nuts. It’s easy to image him ropg a w, but he’d make an exasperatg hband.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="“Wa—n I be enormo spoon tonight”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" 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11.8867 10.236C11.7221 10.5151 11.8911 10.8724 12.1932 11.0008C12.2973 11.0451 12.4 11.0956 12.5007 11.1525C13.9356 11.9632 14.4272 13.7587 13.5988 15.1628L11.5988 18.5529C10.7704 19.957 8.93555 20.4382 7.50068 19.6274C6.0658 18.8167 5.57417 17.0212 6.4026 15.6171L7.6526 13.4983Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button><div class="AlertWrapper-gvFATk MdjE RponsiveCartoonLkAlertPopup-BPAXn kdMXRM shoppg-alert" role="dialog"><div aria-hidn="te" role="prentatn" class="AlertArrow-daOgye AlLda alert-arrow"></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm ifgabc cxFROy alert-msage"><p aria-hidn="te">Lk pied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq 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16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">Other characterizatns feel siarly ntemporary, if more rpectful. Ado Annie (Ali Stroker, who a wheelchair) has pk streaks her blond hair and red bra straps revealed by her tank top. Stroker go to town on the zty “I Ca’t Say No,” a mock-chagred o to the joys of lt. “Ev’ry time I lose a wrtl’ match / I have a funny feel’ that I won!” she sgs, whirlg around her chair. (It was gratifyg to hear the dience lgh at the and other ancient lyrics.) Ado Annie is torn between Will and the Persian peddler Ali Hakim (Michael Nathanson). Ali Hakim has often been played broadly, wh an exaggerated accent, but the sly and dignified Nathanson’s hands his humor is more tentnal, and ls an ethnic joke. You spect that he’s one of the more telligent men town.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Until this productn, I had never given much thought to the e of guns “Oklahoma!”; they tend to be drowned out by the show’s overwhelmg good cheer. In Fish’s stagg, though, their prence plit the cheer. Near the midpot of the show, durg the wry “Pore Jud Is Daid,” when Curly viss Jud his dgy smokehoe and jovially enurag him to kill himself, Fish plung the theatre to darkns, obscurg the stage, and projects vio of Jud’s face on the wall. The image is gigantic: we see his twchg humany stark relief, his longg for acceptance and love. (The e of vio theatre n be a too poted remr of the world we live , but here enhanc our empathy.) At the end of the scene, Curly fir a bullet through a knothole—a sharpshooter’s veiled threat—Jud rponds kd, and the loud blasts jolt . Durg the moody dream ballet (John Hegbotham’s darg choreography pays tribute to Agn Mille’s origal), wboy boots fall om the rafters, one by one, and the sound they make as they h the stage is as explosive as those gunshots. When Aunt Eller fir a pistol durg a scuffle “The Farmer and the Cowman,” the moment—which tradnally plays as feisty—keeps the townsfolk om grabbg the rifl off the wall and is genuely sry.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">The forebodg tensifi durg the box-social scene, where Jud horrifi everyone by biddg aggrsively on Lrey’s piic basket. Fish stag the moment, bizarrely, wh Curly lyg on the floor, a hat over his face; he alive jt time to bid agast Jud. The scene, which Curly sells his saddle, his horse, and his gun, ually emphasiz his brawny matury, but here he off as a b sperate. Fish doubl down on the darkns the followg scene, where Jud paws at Lrey; the lights go out aga, and we hear kissg, breathg, the clk of a belt buckle. When Lrey ns to Curly afterward, lookg for fort, he barely registers her terror and kiss her so greedily that we reil. (Jon’s Lrey is a powerhoe, who projects such emotnal acuy that ’s hard to image she’s attracted to eher of the guys.)</p><p class="paywall">But soon our uncertaty about Curly begs to work the show’s favor, bee Fish turns him to a murrer. In the origal, Jud shows up at Lrey and Curly’s weddg and falls on his knife after startg a fight; his ath is ed by his own fumblg. Here, he kiss Lrey and starts to advance on Curly, who shoots him wh shockg swiftns om several feet away, blood splatterg all over the bri and groom’s whe cloth. The kangaroo-urt scene that follows ually plays as a grave but fivable dispatchg of jtice. Here, and now, don’t. (The night I saw the show, the Senate had jt voted to advance Brett Kavangh’s nomatn to the Supreme Court, which add to a mood of judicial unease.) The townspeople are static and seated. Aunt Eller, who’s had moral thory throughout, now ldly chews the le of law for a thls ontier efficiency. A feral marshal (Anthony Cason), who tri to sist on a urthoe trial, is bshed off—everybody else wants to let Curly go and enjoy his honeymoon. Then, the newlyweds’ cloth still drenched wh blood, the pany sgs a ltle of “Oh, What a Betiful Morn’,” and a hearty reprise of “Oklahoma!,” imprsg on their llective sire to move on. Rodgers’s triumphant mic feels like both an ial we want to believe we fulfill and a distractn om who we really are. It’s eply damng and eply accurate—and the dience eagerly claps time. ♦</p><p class="paywall">A prev versn of this article misintified the fal piece sung by the st.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="9r4ll6"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" 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summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2018/04/23/the-dark-fantasi-of-roel" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Dark Fantasi of “Caroel”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Theatre</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/magaze/2018/04/23/the-dark-fantasi-of-roel" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Dark Fantasi of “Caroel”</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2018/04/23/the-dark-fantasi-of-roel" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Dark Fantasi of “Caroel”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The new stagg of the mil is an timate extravaganza, packed wh ias about the body, genr rol, and fear of closens.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Hilton Als</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kdEfwY" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2018/07/09/anika-noni-ros-star-makg-self-posssn--rmen-jon" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Anika Noni Rose’s Star-Makg Self-Posssn “Carmen Jon”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Theatre</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/2018/07/09/anika-noni-ros-star-makg-self-posssn--rmen-jon" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Anika Noni Rose’s Star-Makg Self-Posssn “Carmen Jon”</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2018/07/09/anika-noni-ros-star-makg-self-posssn--rmen-jon" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Anika Noni Rose’s Star-Makg Self-Posssn “Carmen Jon”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">In John Doyle’s stagg, the forty-five-year-old actrs has found someone who lets her play to her strengths.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Hilton Als</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kdEfwY" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Failure Résumé" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Shouts & Murmurs</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Failure Résumé</div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Aparna Nancherla</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kdEfwY" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Disciplg Power of Disappotment" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Unr Review</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Disciplg Power of Disappotment</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Disciplg Power of Disappotment" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">In a new book, Sara Marc argu that Amerin polics are fed by unfulfilled sire.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Keeanga-Yamahtta Taylor</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm kdEfwY ad 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