C Barn article on opera-ballet and on homosexualy dance; fds opera-ballet 'rarely appropriate'; c dancg Benajam Brten's Death Venice; says dance is advancg very slowly directn of 'gay liberatn'; c some ballets, cludg Gerald Arpo's The Relativy of Is, performed by Cy Center Jofey Ballet; ill of Is ballet (L)
Contents:
- HOW A GROUP OF GAY MALE BALLET DANCERS IS RETHKG MASCULY
- IN AND OUT: BOLLE, GOM, STIEFEL – HOW EASY IS TO BE AN OPENLY GAY BALLET DANCER?
- GAY MALE BALLET DANCERS, PHOTOS
- Y, ROBERTO BOLLE IS GAY- WHO IS HIS PARTNER? FAY AND NET WORTH
- GAY STEREOTYP: ARE THEY TE?
- PAS DX: SEXISM AND THE GENR BARY {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}SARA KOMATSU, CRIMSON STAFF {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}THE PAS UX IS ARGUABLY THE CENTERPIECE OF CLASSIL BALLET. TRADNALLY, FEATUR A MAN AND A WOMAN DANCG TOGETHER, EACH PERFORMG SOLOS, AND THEN G TOGETHER ONCE MORE FOR A DA. WHEN THE TWO ARE DANCG ON STAGE TOGETHER, THE JOB OF THE MAN IS TO SUPPORT AND PRENT THE BALLERA, BEE “BALLET IS WOMAN,” AS GEE BALANCHE FAMOLY (OR PERHAPS NOTORLY) SAID. WHILE THIS MAY BE TE, THERE IS MUCH TO BE QUTNED ABOUT THE ROLE OF GENR BALLET.CLASSIL BALLET NTAS EXTREMELY STRICT GENR ROL, WH MEN AND WOMEN PERFORMG DIFFERENT TYP OF MOVEMENTS AND DANCG VERY DIFFERENT ROL. IN SCHOOLS, THOUGH EVERYONE TAK BARRE AND CENTER TOGETHER, THE BOYS WILL THEN LEAVE FOR A SEPARATE “MEN’S CLASS” WHILE THE GIRLS FOC ON POTEWORK. DRS S ARE GENRED AS WELL — PK TIGHTS AND BLACK LEOTARDS FOR THE GIRLS, BLACK TIGHTS AND WHE SHIRTS FOR THE BOYS. THIS RIGID DIVI LEAV LTLE ROOM FOR FLEXIBILY OR THE CLN OF THOSE WHOSE GENR INTY DON’T F WH THE TRADNAL CISGENR ROL ON WHICH BALLET IS BUILT.THOUGH PANI LIKE THE ALL-MALE DRAG L BALLETS TROCKARO MONTE CARLO EXIST, THE PANY IS MEANT TO PERFORM PARODI, WH A EDIC ELEMENT. OPPORTUNY AND CLN OF NON-BARY DANCERS CLASSIL BALLET ARE NEARLY NONEXISTANT, AND THE STARK GENR DIVI MAY BE DIFFICULT TO SURMOUNT FOR TRANSGENR DANCERS. IN 2018, CHASE JOHNSEY BROKE BARRIERS WHEN HE BEME THE FIRST MAN TO PERFORM A FEMALE ROLE A MAJOR BALLET PANY—ENGLISH NATNAL BALLET. THOUGH POSIVELY RECEIVED, SOME, LIKE FORMER NEW YORK CY BALLET PRCIPAL WENDY WHELAN, WERE UT THEIR RPONSE, CG THE POSSIBILY OF YET MORE OBSTACL FOR WOMEN A WORLD ALREADY STACKED AGAST THEM.RETURNG TO THE PAS UX, THE BALLET WORLD HAS ONLY RECENTLY BEGUN TO SEE MORE SUBVERSN OF S TRADNAL STCTURE, ALBE MOSTLY WH NTEMPORARY PAS UX NSISTG OF TWO MEN. AMERIN BALLET THEATER’S RECENT WORK “TOUCHE” WAS GROUNDBREAKG AS THEIR FIRST ALL MALE PAS UX AND WAS ALSO EXPLICLY GAY D. THOUGH THE WORKS ARE PROOF OF PROGRS AND THE BREAKDOWN OF STIFLG TRADNS, THEY ARE ONCE AGA PRIMARILY CREATG OPPORTUNI FOR MEN AND NOT WOMEN. WHILE PERHAPS THIS IMBALANCE IS DUE TO HIGHER VISIBILY OF GAY MAL BALLET OR THE ABILY OF MEN TO PERFORM PARTNERG FEATS LIKE LIFTS, STANDALONE PIEC SUCH AS THE ROYAL BALLET’S 2017 “DUET” HELP TO CREATE BARRIER-BREAKG OPPORTUNI FOR WOMEN AS WELL. A RARE PIECE THE BALLET WORLD, “DUET” WAS CHOREOGRAPHED FOR TWO WOMEN—BY A FEMALE CHOREOGRAPHER, NO LS.WHELAN’S RERVATNS ABOUT JOHNSEY’S HISTORIC PERFORMANCE, WHILE PERHAPS OVERBLOWN THIS NTEXT, ARE GROUND REALY. AS THE FIRST FEMALE A POSN OF ARTISTIC LEARSHIP AT NYCB, SHE CERTALY KNOWS THE GLASS CEILGS OF BALLET ALL TOO WELL. THOUGH THERE ARE TYPILLY MORE WOMEN A PANY OF DANCERS THAN MEN, POSNS OF POWER — ARTISTIC DIRECTN AND CHOREOGRAPHY — HAVE NEARLY ALWAYS BEEN, AND NTUE TO BE, HELD BY MEN. UNRNEATH THE SHOWMANSHIP OF BALANCHE’S “BALLET IS WOMAN,” THE POSNS THAT DICTATE FEMALE VISIBILY ON STAGE ARE ONCE AGA ULTIMATELY NTROLLED BY MEN, A REALY THAT MIGHT EVEN BE SAID TO BE REFLECTED THE CHOREOGRAPHY OF THE CLASSIL BALLET NON. AS DANCE CRIC ALASTAIR MAULAY NSIRS, IS THE MALE PARTNER BEHD THE BALLERA “SERVG HER OR NTROLLG HER?”BALLET, AS AN ART FORM TIED TO TRADN, N BE A EPLY SEXIST AND EXCLIVE PLACE. BUT WOMEN ARE SLOWLY BUT SURELY BREAKG THROUGH THE GLASS CEILG AND PROVG THEIR PABILI. TAMARA ROJO, ARTISTIC DIRECTOR OF ENGLISH NATNAL BALLET, IS ONE OF THOSE RARE WOMEN A POSN OF POWER AT A MAJOR BALLET PANY. SHE HAS SUCCSFULLY LED THE PANY TO FELY GREATER PRTIGE THE LAST , WHILE NTUG TO DANCE AS A PRCIPAL BALLERA, AND WAS ALSO THE DIRECTOR WHO GAVE THE PREVLY MENTNED CHASE JOHNSEY THE RADIL OPPORTUNY TO DANCE THE FEMALE RPS.WH THE CHOREOGRAPHY AND NARRATIV OF THE CLASSIL BALLET NON, THERE IS CERTALY ROOM TO REEVALUATE HOW THE WORKS PRENT AND REPRENT WOMEN AND POWER DYNAMICS BETWEEN THE SEX. MOREOVER, THE BALLET WORLD MT LEARN TO LET GO OF SOME OF S RIGIDY AND ACTIVELY WORK TO BEE A MORE CLIVE AND WELG PLACE.— SARA KOMATSU ‘23’S LUMN “BACKSTAGE AT THE BALLET” EXPLOR ANYTHG AND EVERYTHG BALLET-RELATED, OM S MOMENTS OF JOY AND SPAIR TO THE BROAR, SYSTEMATIC ISSU WH {FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? 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HOW A GROUP OF GAY MALE BALLET DANCERS IS RETHKG MASCULY
When Roberto Bolle popped out and of the closet four years ago ter foms and gossip rags foamed at the mouth. Openly gay ballet dancers, like openly * ballet is gay *
No, this is about the ballero — my word for him — I met and what he reprented to a lonely gay kid Southern California 1984, a kid who had never before met another gay person.
IN AND OUT: BOLLE, GOM, STIEFEL – HOW EASY IS TO BE AN OPENLY GAY BALLET DANCER?
Roberto Bolle Gay news has been circulatg onle as people are cur about his sexualy and personal life. * ballet is gay *
Somethg about his movement told me he was gay, and I felt he was dancg not only for himself but for me. (I showed the clip to a gay iend, who said, “That basilly sums up my relatnship wh my boyiend. Shortly after “Not Our Fate” premiered, Jt Peck, Cy Ballet’s rint choreographer, further challenged ballet’s genr norms when he adapted the woman’s role the pas ux at the heart of his 2017 “The Tim Are Racg, ” pairg Stanley wh Daniel Applebm, a 32-year-old gay soloist wh the you didn’t know much about classil ballet, you might thk ’s an obv home for queer artists and narrativ, but ’s more plited than that: Ballet, of urse, has always had gay dancers and choreographers and homoeroticism, but ’s an artistic disciple shaped by tradn.
Masc Femme Butch KweenThere’s a hashtag for everythg on Instagram; when you type #gayballet, you will e across men tights and trag shorts, and eventually you might fd Jam Whi, most likely bare-chted wh a large scratch tattooed on his ribs.
GAY MALE BALLET DANCERS, PHOTOS
* ballet is gay *
For the choreographer Lar Lubovch’s 2015 productn of “Othello, ” Whi didn’t want to waste the opportuny of workg wh a gay llaborator — his Iago was fed wh what he lls “queer rage.
Y, ROBERTO BOLLE IS GAY- WHO IS HIS PARTNER? FAY AND NET WORTH
ReprentHarper Watters, 26, is many thgs: acclaimed Hoton Ballet soloist; son of two former llege profsors; host of a backstage chat show lled “The Pre Show” on his YouTube channel; a black gay man om New Hampshire now livg Texas; a lean, ventive artist who danc wh the eedom that om knowg who you are; a vourer of pop culture. In many ways, this uld be a live-stream of two young gay men gettg ready for a night out at the bars, but over the urse of the 16.
GAY STEREOTYP: ARE THEY TE?
Drsed as a swan hunter, Watters talks to the mera a butch tone and says he and Stark are about to go out and do “boy thgs” like scg women and fightg, but then they lgh and return to their natural voic — distctly, unapologetilly gay — and clarify, “a different kd of boy thg. This was the domant narrative the 1990s, when only a few male dancers were openly gay. “My inty as a gay man has many layers, ” Lidberg adds.
PAS DX: SEXISM AND THE GENR BARY {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}SARA KOMATSU, CRIMSON STAFF {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}THE PAS UX IS ARGUABLY THE CENTERPIECE OF CLASSIL BALLET. TRADNALLY, FEATUR A MAN AND A WOMAN DANCG TOGETHER, EACH PERFORMG SOLOS, AND THEN G TOGETHER ONCE MORE FOR A DA. WHEN THE TWO ARE DANCG ON STAGE TOGETHER, THE JOB OF THE MAN IS TO SUPPORT AND PRENT THE BALLERA, BEE “BALLET IS WOMAN,” AS GEE BALANCHE FAMOLY (OR PERHAPS NOTORLY) SAID. WHILE THIS MAY BE TE, THERE IS MUCH TO BE QUTNED ABOUT THE ROLE OF GENR BALLET.CLASSIL BALLET NTAS EXTREMELY STRICT GENR ROL, WH MEN AND WOMEN PERFORMG DIFFERENT TYP OF MOVEMENTS AND DANCG VERY DIFFERENT ROL. IN SCHOOLS, THOUGH EVERYONE TAK BARRE AND CENTER TOGETHER, THE BOYS WILL THEN LEAVE FOR A SEPARATE “MEN’S CLASS” WHILE THE GIRLS FOC ON POTEWORK. DRS S ARE GENRED AS WELL — PK TIGHTS AND BLACK LEOTARDS FOR THE GIRLS, BLACK TIGHTS AND WHE SHIRTS FOR THE BOYS. THIS RIGID DIVI LEAV LTLE ROOM FOR FLEXIBILY OR THE CLN OF THOSE WHOSE GENR INTY DON’T F WH THE TRADNAL CISGENR ROL ON WHICH BALLET IS BUILT.THOUGH PANI LIKE THE ALL-MALE DRAG L BALLETS TROCKARO MONTE CARLO EXIST, THE PANY IS MEANT TO PERFORM PARODI, WH A EDIC ELEMENT. OPPORTUNY AND CLN OF NON-BARY DANCERS CLASSIL BALLET ARE NEARLY NONEXISTANT, AND THE STARK GENR DIVI MAY BE DIFFICULT TO SURMOUNT FOR TRANSGENR DANCERS. IN 2018, CHASE JOHNSEY BROKE BARRIERS WHEN HE BEME THE FIRST MAN TO PERFORM A FEMALE ROLE A MAJOR BALLET PANY—ENGLISH NATNAL BALLET. THOUGH POSIVELY RECEIVED, SOME, LIKE FORMER NEW YORK CY BALLET PRCIPAL WENDY WHELAN, WERE UT THEIR RPONSE, CG THE POSSIBILY OF YET MORE OBSTACL FOR WOMEN A WORLD ALREADY STACKED AGAST THEM.RETURNG TO THE PAS UX, THE BALLET WORLD HAS ONLY RECENTLY BEGUN TO SEE MORE SUBVERSN OF S TRADNAL STCTURE, ALBE MOSTLY WH NTEMPORARY PAS UX NSISTG OF TWO MEN. AMERIN BALLET THEATER’S RECENT WORK “TOUCHE” WAS GROUNDBREAKG AS THEIR FIRST ALL MALE PAS UX AND WAS ALSO EXPLICLY GAY D. THOUGH THE WORKS ARE PROOF OF PROGRS AND THE BREAKDOWN OF STIFLG TRADNS, THEY ARE ONCE AGA PRIMARILY CREATG OPPORTUNI FOR MEN AND NOT WOMEN. WHILE PERHAPS THIS IMBALANCE IS DUE TO HIGHER VISIBILY OF GAY MAL BALLET OR THE ABILY OF MEN TO PERFORM PARTNERG FEATS LIKE LIFTS, STANDALONE PIEC SUCH AS THE ROYAL BALLET’S 2017 “DUET” HELP TO CREATE BARRIER-BREAKG OPPORTUNI FOR WOMEN AS WELL. A RARE PIECE THE BALLET WORLD, “DUET” WAS CHOREOGRAPHED FOR TWO WOMEN—BY A FEMALE CHOREOGRAPHER, NO LS.WHELAN’S RERVATNS ABOUT JOHNSEY’S HISTORIC PERFORMANCE, WHILE PERHAPS OVERBLOWN THIS NTEXT, ARE GROUND REALY. AS THE FIRST FEMALE A POSN OF ARTISTIC LEARSHIP AT NYCB, SHE CERTALY KNOWS THE GLASS CEILGS OF BALLET ALL TOO WELL. THOUGH THERE ARE TYPILLY MORE WOMEN A PANY OF DANCERS THAN MEN, POSNS OF POWER — ARTISTIC DIRECTN AND CHOREOGRAPHY — HAVE NEARLY ALWAYS BEEN, AND NTUE TO BE, HELD BY MEN. UNRNEATH THE SHOWMANSHIP OF BALANCHE’S “BALLET IS WOMAN,” THE POSNS THAT DICTATE FEMALE VISIBILY ON STAGE ARE ONCE AGA ULTIMATELY NTROLLED BY MEN, A REALY THAT MIGHT EVEN BE SAID TO BE REFLECTED THE CHOREOGRAPHY OF THE CLASSIL BALLET NON. AS DANCE CRIC ALASTAIR MAULAY NSIRS, IS THE MALE PARTNER BEHD THE BALLERA “SERVG HER OR NTROLLG HER?”BALLET, AS AN ART FORM TIED TO TRADN, N BE A EPLY SEXIST AND EXCLIVE PLACE. BUT WOMEN ARE SLOWLY BUT SURELY BREAKG THROUGH THE GLASS CEILG AND PROVG THEIR PABILI. TAMARA ROJO, ARTISTIC DIRECTOR OF ENGLISH NATNAL BALLET, IS ONE OF THOSE RARE WOMEN A POSN OF POWER AT A MAJOR BALLET PANY. SHE HAS SUCCSFULLY LED THE PANY TO FELY GREATER PRTIGE THE LAST , WHILE NTUG TO DANCE AS A PRCIPAL BALLERA, AND WAS ALSO THE DIRECTOR WHO GAVE THE PREVLY MENTNED CHASE JOHNSEY THE RADIL OPPORTUNY TO DANCE THE FEMALE RPS.WH THE CHOREOGRAPHY AND NARRATIV OF THE CLASSIL BALLET NON, THERE IS CERTALY ROOM TO REEVALUATE HOW THE WORKS PRENT AND REPRENT WOMEN AND POWER DYNAMICS BETWEEN THE SEX. MOREOVER, THE BALLET WORLD MT LEARN TO LET GO OF SOME OF S RIGIDY AND ACTIVELY WORK TO BEE A MORE CLIVE AND WELG PLACE.— SARA KOMATSU ‘23’S LUMN “BACKSTAGE AT THE BALLET” EXPLOR ANYTHG AND EVERYTHG BALLET-RELATED, OM S MOMENTS OF JOY AND SPAIR TO THE BROAR, SYSTEMATIC ISSU WH {FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? 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Johnsey, who male pronouns, says he and others felt harassed bee “we don’t live up to some mascule ial of what a gay man is. Whi tells me about a letter he received om a woman who thks her young son is gay. “I wrote her back and said that was me — headstrong ltle effemate gay kid, ” Whi says.