Williams v. Gaye: “Blurred L” Appeal Hearg Centers on Admissibily of Evince About Origal Sound Rerdg
Contents:
- WILLIAMS V. GAYE: “BLURRED L” APPEAL HEARG CENTERS ON ADMISSIBILY OF EVINCE ABOUT ORIGAL SOUND RERDG
- MARV GAYE FAY PREVAILS 'BLURRED L' PLAGIARISM SE
- MARV GAYE'S FAY WS 'BLURRED L' APPEAL; PHARRELL, ROB THICKE MT PAY
- HOW SIAR IS ‘BLURRED L’ TO A 1977 MARV GAYE H?
WILLIAMS V. GAYE: “BLURRED L” APPEAL HEARG CENTERS ON ADMISSIBILY OF EVINCE ABOUT ORIGAL SOUND RERDG
* blurred lines gaye *
Gaye, No.
MARV GAYE FAY PREVAILS 'BLURRED L' PLAGIARISM SE
Marv Gaye fay's pyright gement lawsu agast Rob Thicke and Pharrell Williams ends $5 ln judgment. * blurred lines gaye *
In the 2015 trial urt proceedgs, the jury renred a verdict fdg Pharrell Williams and Rob Thicke liable for pyright gement, based on the “substantial siary” of their song “Blurred L” to the 1977 Marv Gaye h “Got To Give It Up.
4 ln dollars to Gaye’s heirs. ” Gaye’s rerdg was released 1977, when sound rerdgs were not protected by the then-effective Copyright Act of 1909; only the pyright the origal posn was protectable.
MARV GAYE'S FAY WS 'BLURRED L' APPEAL; PHARRELL, ROB THICKE MT PAY
Composer, arranger, and thor Richard Nil, PhD., talks about the signifince of the pyright claim agast Rob Thicke and Pharrell Williams song “Blurred L” and victor lawsu om the Marv Gaye tate. * blurred lines gaye *
In 2015, Profsor Jennifer Jenks of De Law School poted out that “[m]any of the featur that make the songs sound siar—cludg the falsetto and the e of a wbell to provi rhythmic accents—were not part of Gaye’s posn. Gaye’s attorney, Lisa Shiavo, rejected the “flawed premise” that the jury uld only nsir the sheet mic. Bee Gaye never wrote the song down and the lead sheet was later prepared by a transcriber, she argued, the origal rerdg was the bt evince of Gaye’s pyright the posn.
HOW SIAR IS ‘BLURRED L’ TO A 1977 MARV GAYE H?
Rob Thicke has lost the "Blurred L" lawsu he has been engaged wh the Marv Gaye tate. * blurred lines gaye *
Legal saga wh Marv Gaye's fay nclus wh fal judgment. Marv Gaye fay's pyright gement lawsu agast Rob Thicke and Pharrell Williams ends $5 ln judgment.
A judge has entered a nearly $5 ln judgment agast Rob Thicke and Pharrell Williams favor of Marv Gaye’s fay the long-nng lawsu volvg pyright gement surroundg Thicke and Williams’ song “Blurred L” and Gaye’s 1977 h “Got to Give It Up, ” Billboard reports. Are jotly required to pay Gaye’s fay. 97 to the Gaye fay.
A feral appeals urt on Wednday upheld a $5.3 ln judgment agast Rob Thicke and Pharrell Williams for pyg a Marv Gaye song to create their 2013 smash "Blurred L." * blurred lines gaye *
Addnally, The Gaye fay is entled to receive prejudgment tert on the damag award and rpective profs agast each of them, which totals to $9097. The Gaye fay is also entled to royalti gog forward for 50 percent of the songwrer and publishg revenue g om “Blurred L. Composer, arranger, and thor Richard Nil, PhD., talks about the signifince of the pyright claim agast Rob Thicke and Pharrell Williams song “Blurred L” and victor lawsu om the Marv Gaye tate.
Stevie Wonr told the Gaye fay not to waste s money. But when the Marv Gaye tate was victor s claim that the Rob Thicke and Pharrell Williams song “Blurred L” had ged the pyright of Marv Gaye’s “Got to Give It Up, ” sent rippl through the mic dtry.
This is why, like many others, I never believed the Gaye tate would w.
The "Blurred L" legal battle is far om over, so Rollg Stone explas Rob Thicke, Pharrell Williams and T.I.'s si as well as the Gay'. * blurred lines gaye *
Still, while ncedg that “Blurred L” did not py any of Gaye’s melodi or lyrics, the urt neverthels led that the siary of the “feel” of the rhythm sectn was sufficient grounds for a cisn of pyright gement.
” After the Gaye cisn, the orchtrator might expect cred and royalti as a -poser. The tchy brass troductn to “Dancg the Street” was not wrten by the song’s creded songwrers, Marv Gaye, Mickey Stevenson, and Ivy Joe Hunter. The Gaye tate is takg the money and nng.
But no one has mentned that the rhythm arrangement on “Got to Give It Up” was not wrten by Marv Gaye alone, though he owned the rights to acrdg to pyright law as terpreted at the time.