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BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/priyanka-mattoo">Priyanka Mattoo </a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2022-05-09T06:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">May 9, 2022</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz iDpyIO"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Ali Sethi and Shae Gill the Pasoori." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">“Pasoori” is ostensibly about star-crossed lovers, but ’s also an apt metaphor for the relatnship between two untri perpetual nflict.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Source: Coke Stud / YouTube</span></div></div></figure><div 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data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">A few years ago, the mician Ali Sethi was drivg through Punjab, behd a jgle tck—the long-hl tcks known his native Pakistan for their filigreed pat signs—when he spotted a phrase florid Punjabi lligraphy on s back. “Agg lavaan teriya majbooriya nu,” said—a ll to “set fire to your pulsns.” It’s not unmon to glimpse bs of verse, or dire warngs—agast strayg ey or losg yourself the big world out there—among the fluorcent parrots and tropil u schem of jgle tcks. But Sethi uldn’t stop thkg about that phrase.</p><p class="paywall">It spired the first le of “<a href=">Pasoori</a>,” the thirty-seven-year-old’s latt sgle, a joyo, dance-fuelled h that has drawn more than a hundred ln views on YouTube sce s release three months ago and is playg on the rad everywhere, om the Uned Arab Emirat to Canada. The song is stealthily subversive: a tradnal raga—the classil Indian amework for mil improvisatn—has been laid over an fect beat that sounds South Asian, Middle Eastern, and, improbably, reggaetón, all at once. Even if you don’t unrstand the lyrics, you n tell that ’s a song about longg. “If your love is poison, I’ll drk a flurry,” Sethi sgs Punjabi wh smooth anguish, a rog duet wh Shae Gill, a Pakistani sger and Instagram star. “It’s my favore genre,” a iend of me said. “A love song that sounds like a threat.”</p><p class="paywall">The ia for the song began when Sethi, who liv New York, was ved to llaborate on a project Mumbai, which he had vised many tim before for lerary ftivals and mic gigs. But any travel to India for Pakistani natnals is subject to the polics of the moment, and Sethi was told by the producers that he wouldn’t be able to work there as a Pakistani artist, bee extremists might burn down the stud. The danger of arson remd Sethi of that le om the jgle tck. “So I did what si bards have done for ag,” he said, referrg to South Asian songwrers of yore. “I might not have been able to travel to India, but I knew my mic uld.”</p><p class="paywall">“Pasoori,” a Punjabi word that translat roughly to “difficult ms,” is about an age-old suatn: two people who are forbidn om meetg each other. It’s wrten the style of a urtan song, a genre wh origs medieval South Asian poetry that emerged rponse to the ctom of arranged marriag. (Often the song is about an extramaral affair, and a urtan is tryg to persua her married paramour to stay the night.) Full of puns and erotic nuendos, urtan songs typilly lament trysts that mt take place secret, meetgs that don’t materialize, and the opprsivens of pole society. “Pasoori” is ostensibly about star-crossed lovers, but ’s also an apt metaphor for the relatnship between two untri perpetual nflict whose histori and cultural touchston are entwed.</p><p class="paywall">In early 2021, Sethi sent a voice note wh the melody and the first few bars of the lyrics he had md to the producer Zulfiqar Khan, who go by Xulfi. Xulfi had jt been brought on to helm the fourteenth season of “Coke Stud,” a popular mil TV seri Pakistan produced by the soda pany. “I had goosebumps. I wanted to dance,” Xulfi said. “I knew that people were gog to love , and that they wouldn’t know what h them.” Xulfi found Anhae Gill, a.k.a. Shae Gill—a stunt of enomics whose bt iend started postg vios of her sgg on Instagram 2019—and brought her to the project, thkg that her smoky voice would pair nicely wh Sethi’s rich tenor.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">“Pasoori” opens wh a seri of hand claps, which lls to md si mil tradns but also straight out of flamen. “It was very liberate, the mil hybridizatn,” Sethi said. The track don’t feature tradnal si stments. When they need strgs, Xulfi remend the Turkish bağlama. Abdullah Siddiqui, a twenty-one-year-old mic producer and mician who worked wh Xulfi on the song, sampled om his library of sounds, g whale lls for what Siddiqui scribed as their “bendy, ep guttural ton” and a reggaetón beat—“a to our bhangra, if you thk about ,” Sethi said—to create a sound Sethi has been llg “ragaton.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">The vio, shot old-Bollywood, Technilor style and directed by Kamal Khan, troduc Sethi and Gill, drsed boho terpretatns of tradnal outfs—he a striped kurta pajama jewel ton and a matchg p, she a flowg whe drs and embroired vt—as they sg the urtyard of an anctral home. Their duet is tercut wh glamoro stills—a young man gem-studd makp, a woman elaborate braids. Each character sends a msage of cln, om Sheema Kermani, the bharata-natyam dancer and activist om Pakistan, who sps slowly between two lumns, to Gill, who is om the Christian muny, which mak up only 1.59 per cent of the populatn of Pakistan. A pair of boys performs a lite jhumar dance, the hems of their kurtas flarg. Like many si classics, the song operat outsi tradnal genr rol—here Sethi sgs to a man—wh the sger the role of a narrator weavg a tale.</p><p class="paywall">As happens, I am fishg a memoir about beg om Kashmir—that plited regn where India and Pakistan meet—and after I first heard “Pasoori,” March, I kept listeng to on a loop while drivg around L.A., where I now live. The song felt at once stantly faiar and thrillgly new, and I was cur to fd out more about s creator. I had recently rrpond wh Sethi’s sister, Mira, through our mutual book edor. Mira, who is also an actrs, troduced me to her brother over WhatsApp, the si msagg app of choice, so that I uld fd out more about him and how the song me to be.</p><p class="paywall">Sethi was born Lahore 1984; his parents are the proment journalists and publishers Najam Sethi and Jugnu Mohs. His childhood home was “full of jail-gog wrers and activists,” he told me, over Zoom, om his apartment New York, and, by middle school, he was takg lls for his parents om Amnty Internatnal, givg rote updat on polil dissints, such as “Habeas rp has jt been filed!” His mother, when not marchg for equal rights, played a lot of Qawwali, a genre of Sufi votnal mic. Sethi began sgg Qawwali and ghazals—lyril poems— his clear, young voice to imprs his parents’ iends. “Song and prott were tertwed for me,” he said. He started to realize that, a society wh so many flt l—along ste, class, and iology—folk mic ma everyone feel wele and acmodated. Tradnal mic felt like a safe place to exprs himself and to explore the dawng awarens of his own queerns.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Sethi was an exceptnal Ivy-or-bt stunt at Achison College, the prtig boys’ school Lahore, and he didn’t fd an outlet for his emergg voice right away, but he remembers sgg the art room, where he ma his clost childhood iends, cludg the pater Salman Toor. After graduatg om Harvard, where he majored South Asian studi, Sethi wrote a novel—“<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">The Wish Maker</a>,” a story of ntemporary Lahore told through the ey of a man returng om studi abroad—that was published 2009, jt before he moved back to Lahore. “I was buyg time,” he said, about wrg fictn. Sethi’s mother and father were anx about his job secury and glad to have him home while he ostensibly rearched his send novel. But Sethi felt hemmed by the socpolil narrative that he thought the world wanted om him as a Pakistani wrer the after 9/11. “Thoands of words on Partn,” he said, lghg. The thkg om edors was somethg like “Terrorism—more about that!” he said.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="vn9fxh"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="3tc7cp"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Instead, Sethi found himself drawn back to the creative possibili his childhood love of mic: How did Qawwals go off on mmerizg riffs, weavg seemgly unplanned patterns of melody and rhythm? And how did they so elegantly addrs the yearng for an elive or unreachable beloved—a theme that spoke to him powerfully as a queer person and also as a South Asian migrant Ameri? And, fally, how uld they be so wild and ee, which he secretly wanted to be, while remag rigoro and le-bound, as society dictated? It was a paradox that he sensed held some kd of key for him, and he apprenticed himself to the mician Ustad Saami, 2008.</p><p class="paywall">Saami is based Karachi, but spends half of each month Lahore, where he tras a dre of ser stunts. He is the last livg vol practner of the ancient forty-ne-note microtonal Surti sle and a scendant of Mian Samad b Ibrahim, a stunt of the thirteenth-century mician creded wh ventg Qawwali South Asia. “He’s a man of the medieval moment,” Sethi said, and he found Saami a kdred spir. “He mak his own medic. He go to the mountas every year search of roots and elements. He’s a lguist who speaks Arabic, Farsi, Sanskr, Braj Bhasha, but no English.” Saami tght Sethi the melody patterns of raga, and how Vedic chants and Turkic and Persian melodi were fed by guilds medieval India. “And he showed me that, before the enunter wh the Wt, South Asia had s own microton and s own notatns and s own multicultural sense of what a mil sle is. It was much more flexible than what the Wt impos,” Sethi told me. “Our mic is about bendg the not and . . . creatg meang between bari, which I found jt thrillg, bee this was the thg I’d been wag for my whole life—a nonbary South Asian inty.”</p><p class="paywall">In 2012, <a href=">Sethi rerd</a> Farida Khanum’s “Dil Jalaane Ki Baat” (“Talk That Burns the Heart”), for Mira Nair’s film “The Reluctant Fundamentalist.” The song brought Sethi ternatnal regnn as a sger, and, 2015, when he performed a tradnal song, lled “<a href=">Umran Langiyaan</a>” (“Lifetim Have Passed”), on “Coke Stud”—his first appearance on the show—he cemented his place as an terpreter of classics. In 2016, he also started trag wh Khanum, affectnately known as the Queen of Ghazal, who tght him “the exquise art of phrase-makg”—how to generate ptivatg loops and hooks out of ragas. She had performed this art the urts of rajas and maharajas, where sgers like herself were the chief provirs of mil entertament. Sethi creds the playful, sctive-at-all-sts “earworms” of “Pasoori” to the skills that he learned at her si.</p><p class="paywall">It was partly the emergg wave of Pakistani pop sgers such as Siddiqui and Hasan Raheem, who began uploadg their sample-heavy songs onle 2019, that nudged Sethi to branch out milly. He brought up Raheem, a twenty-four-year-old sger-songwrer (and doctor), whose song “<a href=">Joona</a>,” an irristible, poppy guar-funk track, is acpanied by a charmg vio, which Raheem danc his way through a supermarket while shoppg for groceri. The lighthearted lyrics are about the small moments, csh, day-to-day life, stead of the subntent’s llective cultural burn, and, for Sethi, reprented a shift post-Inter South Asian mic. “Here I am,” he said, “tryg to perfect the medieval microton wh my throat, thkg, Enough is enough. I want to make a banger.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">His “banger” now ss firmly at No. 1 on the Indian mic charts, which have tradnally been shaped by the Indian film dtry’s endls supply of soundtracks. People are streamg “Pasoori” villag, ci, regns where people don’t even speak the language but furly feel the vibe, and Sethi has received love letters om every stripe of diaspora si who play to their children every day, the way that he remembers his mother ed to play her Qawwali tap for him. The week that “Pasoori” h No. 1 India—jt after Arooj Aftab beme the first Pakistani sger to w a Grammy—two Indian teens were arrted Bareilly, the state of Uttar Prash, for listeng to Pakistani mic. Wh munal tensns currently on the rise India, the headl weren’t necsarily surprisg, but they ignore a larger tth: even if they n’t cross borrs—India and Pakistan do not generally issue visas to each other’s civilians—Pakistanis were raised on the same diet of Bollywood movi, and Indian hoeholds s down to their favore Pakistani soap operas nightly. They have actively sought out culture om each other, through learship chang and polil upheavals.</p><p class="paywall">Like many popular si songs, “Pasoori” started spreadg wh a forward on WhatsApp om fay members India, movg through the Middle East, Europe, and Atralia, before fally reachg—all of a few weeks later—the Uned Stat. Now ’s poised to cross over, and so is Sethi. When the possibily me up of attendg an Osr party Los Angel that was celebratg South Asian nome, Sethi, who travels equently, was game. Bee we are si, wh a tenncy toward stant overfaiary, the first qutn I asked was about his substantial height (six-three). My follow-up was: “How tall is your ltle sister?” She’s an astonishg five-ten, turned out. Sethi, a black-and-orange shirt that showsed a turbaned magician levatg a woman a sari, ma an entrance—not jt bee he towered over most of the guts but bee half of the party had likely been forwardg “Pasoori” around on WhatsApp. “He’s so tall!” I heard people murmur around me. “And his sister is five-ten!” I add.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="mcpz0l"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Sethi greeted Tejal Rao, the California rtrant cric for the <em>Tim</em>, and shared a warm hug wh <a href=">Riz Ahmed</a>. (Sethi had rerd a song lled “Aaja,” wh Swet Shop Boys, of which Ahmed is a member, 2016.) He bumped to a childhood iend om Lahore who had jt bee the managg edor for the Juggernt, a South Asian culture se, and a sponsor of the party. There was a lot of love for him the room, and he marvelled at the existence of this group. It was lonely a way, beg a si artist pre-Inter, he said, and he felt hopeful that so many South Asian actors, artists, and micians are now able to meet and work together a way that isn’t limed by lotn or inty. Afterward, at dner, I asked, now that he’s uned the people of South Asia wh his song, what was next? “More ragaton!” he said. “Thk ‘Pasoori’ the album,” wh Siddiqui, and a “long-form medative-raga rerd,” wh Noah Geon, who has also worked wh Devendra Banhart and Joanna Newsom. He was also lookg forward to a trip to Fire Island this summer.</p><p class="paywall">Later, Rao texted me that, after the party, she listened to Sethi’s mic for the entire drive home. “At first I thought I mt be listeng to the wrong person. His voice is jt so betiful, sounds like ’s om another time.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="vjhq8q"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer 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lk-stack--footer"><div><p><a href=">Sign up</a> for our daily newsletter to receive the bt stori om <em>The New Yorker</em>.</p></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/priyanka-mattoo">Priyanka Mattoo </a>is a wrer, a filmmaker, and a -founr of the Ears podst work.</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div 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summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Country Mic’s Culture Wars and the Remakg of Nashville" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Amerin Chronicl</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Country Mic’s Culture Wars and the Remakg of Nashville</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Country Mic’s Culture Wars and the Remakg of Nashville" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Tennsee’s ernment has turned hard red, but a new set of outlaw songwrers is challengg Mic Cy’s nservative ways—and lg bro-untry sound.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Ey Nsbm</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Novelist Whose Inventns Went Too Far" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Life and Letters</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Novelist Whose Inventns Went Too Far</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Novelist Whose Inventns Went Too Far" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">After the Ao-Cuban wrer H. G. Carrillo died, his hband learned that almost everythg the wrer had shared about his life was ma up—cludg his Cuban inty.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>D. T. Max</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="A Small-Town Paper Lands a Very Big Story" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">U.S. Journal</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">A Small-Town Paper Lands a Very Big Story</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="A Small-Town Paper Lands a Very Big Story" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">In Southeast Oklahoma, a father-son reportg duo’s seri on the unty sheriff led to an explosive revelatn.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Paige Williams</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="On Killg Charl Dickens" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Life and Letters</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">On Killg Charl Dickens</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="On Killg Charl Dickens" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">I did everythg I uld to avoid wrg my historil novel. 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