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Wh a thrillg soundtrack, the gay men populatg the dancefloor uld eely exprs themselv. “Beg ostracized as black, gay kids, ” says Dunson, founr/print of the Frankie Knuckl Foundatn, which works to prerve Knuckl’ legacy and support his , “this felt like a place where we uld be who we were while beg protected om the judgments of society. The Warehoe “was a haven for the gay muny, which also turned to the heterosexual muny, bee the gay kids were vg their heterosexual iends who were dyg to e .
From Knuckl and pany Chigo to fellow hoe novators David Manco and Larry Levan New York, dance mic’s roots the gay club scen of the late ’70s and early ’80s are well documented. Gay men, and particularly gay men of lor, are wily creded wh creatg hoe mic and plantg the seeds of the many genr that have evolved om .
While unrground LGBTQ-oriented clubs ntue trendsettg major ci, the most visible and lucrative rnatns of the scene they created, gay and black artists are the mory.