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class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/annals-of-entertament"><span class="RubricName-fVtemz cLxcNi">Annals of Entertament</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Pamela Adlon, the TV Autr Hidg Pla Sight</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">After s on the g of Hollywood, the shownner, wrer, and actor talks about “Better Thgs,” sudn succs, and her relatnship wh Louis C.K.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/rrie-battan">Carrie Battan</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2019-02-04T05:00:00-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">Febary 4, 2019</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz cAtzoz"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Portra of Pamela Adlon." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">“A ln horrible thgs happened,” Adlon said, of makg “Better Thgs.”</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Amanda Demme for The New Yorker</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark 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class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg cjyRVU iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ fXVBaX"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="90" width="100%" sandbox="allow-scripts allow-same-orig allow-popups" tle="Embedd Frame" data-src=" allowfullscreen="" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p class="has-dropp has-dropp__lead-standard-headg paywall">Each day, on the set of her show “Better Thgs,” the director and actor Pamela Adlon retreats to a small room while the st and crew eat lunch. She turns off the lights, shuts down her phone, remov her pants and her bra, and li face down on a uch. Often, she falls asleep. Adlon is a sgle mother of three dghters, as well as one of the few shownners who direct, produce, wre, and star their own seri. This makhift sensory-privatn room is often the only opportuny she has to generate new ias.</p><p class="paywall">One afternoon September, durg the filmg of the show’s third season, Adlon was directg a scene which her character’s creasgly absent-md mother, Phyllis, who liv next door (as Adlon’s mother do real life), barg to her kchen. Adlon’s character, Sam Fox, is hangg out wh her brother and a uple of iends, okg a meal. After a take, Adlon, who lik to scribe her show as “handma,” darted behd the director’s monor to review the footage. The st broke for lunch, and she retreated to her chamber of solu.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Adlon, who is five feet one ch, hunch nstantly. She lov to ll people “bro” and has the energy of a hyperactive teen-ager, but she also has a tenncy to lumber about, brows furrowed. She looks prepubcent one moment and geriatric the next, and that mak difficult to gus her age, which is fifty-two. She lik to e up behd her st and crew, reach up, grab them by the shoulrs, and march them over to whatever she wish to show them. She emerged om her break and took Celia Imrie, who plays Phyllis, asi. She had cid that she wanted Phyllis, whose gnive abili have gradually flagged over the urse of the seri, not to regnize one of the iends, Rich, played by Diedrich Bar. Instead, she would thk he was “a handsome, sexy man” to flirt wh, Adlon said. “Even though he’s gay.”</p><p class="paywall">After the next take, Bar left the set, appearg stricken. In 2017, his father died, after stgglg wh Alzheimer’s disease. “Alzheimer’s patients are tryg to prove, like dnks, that they’re fe,” Bar said. “Before, was a light, othy scene about the mom not likg the risotto. And then she sprang this on me and didn’t tell me she was gog to change the way she did . This show, ’s a fluid thg.”</p><p class="paywall">Adlon, however, felt that she had crossed a tonal boundary that didn’t su the show. “It was very tense,” she told me the next day. “Now we’re gettg tragic. And I always have to remember that my show is a edy.”</p><p class="paywall">“Better Thgs,” which airs on FX, is ncerned above all wh realism. “Smaller is better,” Adlon said. The show is loosely the story of a middle-aged sgle mother of three dghters who is also a workg actor. Like Adlon, Sam is not starved for rol, but stg directors are not chasg after her, eher. Sam is lewd and lite, but the show has a gentle way of explorg how a sgle mother the entertament dtry mt juggle her iends, her agg mother, her work, her shoddy romantic prospects, and the needs of her prec, headstrong children. It is a s the leage of shows such as “<a href=">Girls</a>” and “<a href=">Insecure</a>”—and “<a href=">Louie</a>,” which Adlon -wrote and gut-starred on. It exprs a character-driven pot of view rather than followg a narrative arc. Many such shows land on unsettlg or unrolved not to affirm their mment to tth. Adlon, though, is not aaid to make feel-good televisn. “It always feels like the are real choic beg ma, and is, at the end of the day, a very life-affirmg, heartwarmg show,” Dan Cohen, one of the executive producers of the Netflix seri “Stranger Thgs,” told me. “The show isn’t ma wh a gdge.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">“She did somethg that every wrer is supposed to do, but they never actually do, which is wre the show that only she uld wre,” Tom Kapos, the creator of “Californitn,” said. In 2007, he st Adlon the pilot of that show as Marcy, a foulmouthed athetician. Kapos had no long-term plans for the role of Marcy, but he admired Adlon’s unflchg pacy for rnch and kept her on as a permanent st member. (He said she beme his “gutter me.”)</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="The owner of a judgmental dog troduc him to a ltle girl." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“He won’t be, but he rri wh him a large reposory of judgments.”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-pylk" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Copy lk to rtoon</tle><g clip-path="url(#clip0_3732_178637)"><path fill-le="evenodd" clip-le="evenodd" d="M16.3488 10.5017C16.2107 10.7357 16.2926 11.035 16.5318 11.17C16.7709 11.3052 17.0767 11.225 17.2148 10.991L18.4648 8.87225C19.5694 7.00002 18.9139 4.60601 17.0007 3.52508C15.0875 2.44415 12.6412 3.08562 11.5366 4.95785L9.53657 8.34782C8.432 10.22 9.08751 12.6141 11.0007 13.6949C11.1888 13.8012 11.382 13.8908 11.5785 13.9642C11.7819 14.0403 12.0058 13.9485 12.1147 13.764C12.2794 13.4849 12.1103 13.1276 11.8083 12.9992C11.7041 12.9549 11.6014 12.9044 11.5007 12.8475C10.0658 12.0368 9.57417 10.2413 10.4026 8.83712L12.4026 5.44715C13.2311 4.04298 15.0658 3.56187 16.5007 4.37257C17.9356 5.18327 18.4272 6.97878 17.5988 8.38295L16.3488 10.5017ZM7.6526 13.4983C7.79067 13.2643 7.70873 12.965 7.46959 12.8299C7.23044 12.6948 6.92464 12.775 6.78657 13.009L5.53657 15.1278C4.432 17 5.0875 19.394 7.00068 20.475C8.91385 21.5558 11.3602 20.9144 12.4648 19.0422L14.4648 15.6521C15.5694 13.78 14.9139 11.3859 13.0007 10.305C12.8127 10.1988 12.6195 10.1091 12.4229 10.0357C12.2195 9.95975 11.9956 10.0515 11.8867 10.236C11.7221 10.5151 11.8911 10.8724 12.1932 11.0008C12.2973 11.0451 12.4 11.0956 12.5007 11.1525C13.9356 11.9632 14.4272 13.7587 13.5988 15.1628L11.5988 18.5529C10.7704 19.957 8.93555 20.4382 7.50068 19.6274C6.0658 18.8167 5.57417 17.0212 6.4026 15.6171L7.6526 13.4983Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button><div class="AlertWrapper-gvFATk MdjE RponsiveCartoonLkAlertPopup-BPAXn kdMXRM shoppg-alert" role="dialog"><div aria-hidn="te" role="prentatn" class="AlertArrow-daOgye AlLda alert-arrow"></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm ifgabc iOlxjf alert-msage"><p aria-hidn="te">Lk pied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" 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19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">Even the age of tofictn and the televisn tr, “Better Thgs” is particularly tobgraphil. Adlon ially nsired tweakg the central character to distguish between Sam’s life and her own—“to make her a manicurist, or have a gay brother livg the back yard, or somethg,” she said—but eventually she cid that the tails of her own life felt the most ronant. Sam liv a shabby-chic home the Valley, ornamented wh an eclectic llectn of trkets and art ma by iends. (Adlon picked out the art that crowds the walls of the hoe built to stage the show.) One of the few pots of viatn between Adlon and Sam is that the fictnal character is more vol about her feelgs. It’s satisfyg to watch Sam snap at her children, her mother, lleagu, or strangers, as if Adlon is reactg onscreen ways that she is unable to real life. In an episo of the third season, which will beg airg on Febary 28th, Sam tak her dghters to drive go-karts. Jt before they strap , Sam’s dghter Frankie asks, “Do you want to ri the go-karts, or not?” Sam turns to her and says, “No, I really don’t. But I’m tryg to give you guys a fun childhood, and, at the same time, to not die or get paralyzed.” (Adlon once took her children go-kartg, and got whiplash.) Later, when the girls are argug over who will ri home the ont seat, Sam tri to solve the problem the way Adlon’s mother once had: she stcts them to spew the meant, foult possible remarks to one another for exactly one mute. “It was a great fer,” Adlon told me.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="p4vo"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="k5e6m"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">One of the revelatns of “Better Thgs” is that children are the people least sensive to the plight of their parents. Sam’s dghters are blhely different to her stggl. Adlon is not aaid to nvey that most of the emotn generated the act of parentg is not love. “I n’t remember a time when I’ve seen my mom stay at home and relax,” Gion, her olst dghter, told me. “I <em>n</em> remember when she’s had a breakdown bee ’s been too much. All of have been really difficult.” Gion, who is twenty-one, has moved out of her mother’s hoe twice—once for a brief stt at llege and once to her own apartment Hollywood—before promptly returng home. Gion’s bt iend, who works as a member of the art partment on “Better Thgs,” also lived at Adlon’s hoe for a while. “My mom is a chary,” Gion said.</p><p class="paywall">When televisn dienc hear the word “shownner,” they often assume that that person is rponsible for the majory of the creative cisns on a show. But there is a rroel of profsnals volved any productn—there are the wrers, the directors, the executive producer, and the stars. Adlon sps all the plat at once. She has evangelized to other shownners the importance of directg. Issa Rae, the creator and star of “Insecure,” wrote me an e-mail, “She’s always exhsted and claims ’s worth , but I don’t want that life. She’s great at and lov to challenge herself more and more every season.” Rae add, “No thanks.”</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Felicia Fasano, the show’s stg director, has known Adlon for almost fourteen years, but after readg the script of the “Better Thgs” pilot she lled Adlon to apologize: “I’m so sorry for all those tim I’ve ma you have dner wh me! Oh, my God, I fet how by you are.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">“Better Thgs” is Adlon’s first time directg a TV show, but she has been actg sce she was twelve years old, mostly parts that she lls “kick-around si characters . . . the ltle racons, the gut stars.” Her IMDb page lists a hundred and nety actg creds, wh rol rangg om the younger sister of a Pk Lady, “Grease 2,” to an alien an episo of “Star Trek: The Next Generatn” to Jenny Shefeld, the dghter of a doctor “E/R,” a short-lived CBS s. Four s of scrappg for parts has given her a ep well of bad Hollywood experienc to be addrsed onscreen, and “Better Thgs” doubl as a crique of an entertament dtry that glorifi a small mory of stars while largely moralizg an army of supportg actors and crew members. In the neteen-neti, Adlon worked on a monster film lled “The Gate 2: Trpassers.” One scene required her to wear a harns and get pulled through a ceilg, a manver that had not ially been classified as a stunt. Adlon’s head broke through the ceilg, leavg her unnsc. “When I me to, my arms were pletely torn up,” she told me. After prottg, she was given an eight-hundred-dollar stunt fee.</p><p class="paywall">Adlon showed me a scene om a new “Better Thgs” episo that rells this cint. While shootg a blockbter film the sert heat, Sam is strapped to a fast r. Everyone is unfortable—two of her -stars vom—but not que unfortable enough to prott.</p><p class="paywall">Sam, however, nnot hold back om talkg about . She stands before a few crew members, perspirg heavily. “Was that legal, what jt happened?” she asks, the director earshot. As nsolatn, he offers her accs to his private toilet.</p><p class="paywall">“This was, like, my MeToo rponse,” Adlon told me, but was one amed more broadly around ab of power on set. “Which I thk is more rampant than the other stuff, and nobody talks about .” The mistreatment of non-famo actors and crew members looms large Adlon’s experience of Hollywood. “It’s producers, ’s studs, ’s directors,” she said. “Everybody’s aaid to say somethg. People are aaid for their jobs.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">Yet directg a meta scene like this forc Adlon to assume the duti of the people she is criqug. She’s now the person wh the power to abe or to behave rponsibly. The scene was shot the Inland Empire of California, hundred-gree heat. “It was the send week of shootg—I have all the people to take re of,” Adlon said.</p><p class="paywall">Adlon’s father, Don Segall, was a screenwrer and producer who took her to sound stag when she was a girl, but was her mother, Mara, who created the blueprt for her reer. Segall was termtently unemployed, and so Mara Segall, who is Brish, worked as a travel agent and a reporter, among other jobs, as the fay bounced between Los Angel and New York Cy. Adlon and her olr brother, Gregory Segall, were exposed to the g of Hollywood—mor screenwrers, classmat whose parents worked the bs. “As a child, she was meant for this world,” Mara told me. One of Adlon’s close iends is the actrs and talk-show host Ricki Lake, whom she met while attendg Manhattan’s Profsnal Children’s School. She beiend Lenny Kravz high school; he was a gut star the first season of “Better Thgs.” As a teen-ager, Adlon was iendly wh Katey Sagal, who played Peggy Bundy “Married wh Children” and who starred the FX seri “Sons of Anarchy.” Through Sagal, Adlon met Allee Willis, an eccentric artist and songwrer two s her senr—she -wrote the “Friends” theme song, pl hs for Earth, Wd & Fire. This past Christmas Eve, Willis and Adlon, along wh Mara, Gion, and Frank Zappa’s dghter Diva Zappa, went to Tolu Lake, California—about seven om Adlon’s home the San Fernando Valley—and followed a rated b full of rollers which was blastg mic to crowds of revellers.</p><p class="paywall">At Willis’s parti, which are attend by dtry people rangg om “A-list all the way at the top to D-list all the way at the bottom,” Willis said, she wears a microphone, so that all the guts n hear her nversatns, even if they don’t get the opportuny to speak to her. Ocsnally, Adlon will m.c. the party, g another microphone. “People love hearg her talk,” Willis said. Adlon’s hky, androgyno voice—a surfer-bro affect wh a fat New York accent—is her fg characteristic and her meal ticket. She told me that her voice-over jobs, which she began dog at age ne, are her most lucrative. (She said, of her paychecks om voicg Bobby Hill on “Kg of the Hill,” “That’s the money my ex-hband is terted .”) The high-pched rasp of her voice sounds like that of a child cha-smoker, and magnifi the ic effect of her profane way of speakg. Acrdg to Gion, Adlon was given the nickname F-mom by her dghter’s prcipal, for cursg at a school event. That isn’t to say that Adlon is aggrsive or domeerg; on the many ocsns I heard her ask someone for somethg—a waer for extra sce, an edor to rewd the tape on a scene—she followed up wh a thunrg “I love you!” If anythg sticks wh dienc, is Adlon’s voice, a versn of which has been passed down to all three of her dghters. (Gion has jt begun dog voice work, as well as actg feature films.) “But, even now, at the most recent party I had, I would still say that most of the people at the party, although show bs, did not really know who she was,” Willis said.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="A sculptor shows off his sculpture to an unimprsed iend." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“Have you given any thought to my suggtn about a sculpture that’s jt a chubby kid nstantly peeg?”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div 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10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">“Nobody gets my name right, ever, or my show right, or me,” Adlon said, soundg proud and amed. Jt a few weeks before, she had flown to New York to participate <em>Glamour’s</em> Women of the Year Summ. “And my makp woman, who I love, puts me on Instagram: ‘Oh, my God, the bt boss the world! I love her so much. You have to watch her show, “Better Days.” ’ ”</p><p class="paywall">In Adlon’s post-productn edg office, a mock promotnal poster for the show hangs by the door. Instead of “Better Thgs,” the poster reads “Better Days,” and, stead of Adlon, pictur the actrs Constance Zimmer—the two look que siar, and Zimmer appeared the “Better Thgs” pilot as another actrs dng for the same role as Sam. Unr Zimmer’s image is the name “Pan Aldon.” Fake reviews of the show feature several of Adlon’s least favore words: “A brave, empowerg, badass femist,” and “So brave. Real thighs.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Adlon got her first vio mera 1986, when she was twenty. Madonna’s “Te Blue” album had jt e out, and the sger held a ntt for young filmmakers to create a vio for the tle track. Adlon and two iends ma one that was chosen as a falist, an achievement that she scrib as “the most excg thg my life.” Around the same time, she helped direct a documentary lled “Street Sweep.” Adlon and her iends would head to downtown Los Angel to beiend and film people who had bee homels as a rult of Print Reagan’s feral hog-budget cuts. “There were so many documentari narrated by Mart Sheen, or whatever,” Adlon said. “This was for people to be able to speak for themselv.”</p><p class="paywall">The documentary ma to the Cleveland Internatnal Film Ftival, but Adlon was rejected om New York Universy’s Tisch Film & Televisn program. She spent a sgle semter at Sarah Lawrence. “I was really more terted workg,” she told me. She’d already sred a number of rol that fans and lleagu still associate wh her, appearg “The Facts of Life” and “Say Anythg.”</p><p class="paywall">In the early neti, Adlon was st “Down the Shore,” a pre-“Friends” s about the foibl of a group of twenty-somethgs at the Jersey Shore. “Right away, I fell love wh her, bee she was the funnit one,” Phil Rosenthal, one of the show’s wrers and the creator of “Everybody Lov Raymond,” told me. But Adlon’s character was eventually cut om the show, bee, acrdg to Rosenthal, she wasn’t attractive enough. “I was fur about ,” he said. “I thought, This is everythg that’s wrong wh TV. Nobody watch a s bee of pretty people!” At the time, Adlon was livg Lrel Canyon wh her -star, Anna Gunn, who cried when she learned that her roommate had been let go. Adlon’s reactn was more jad: “I was, like, I’ve been down this road before, bro!” Her dghter Gion summed up this qualy, sayg, “She giv a fuck about everythg, but she don’t give a fuck about anythg.”</p><p class="paywall">Adlon married the movie producer Felix Adlon (the son of the German director Percy Adlon), 1997. They had three dghters—Gion, Ossa, who is now eighteen, and Rocky, fifteen—before divorcg, 2009. Felix Adlon then moved to Europe. In “Better Thgs,” Sam’s ex-hband gets the villa treatment—he to Los Angel for the summer only to warn her that he won’t have much time to spend wh their kids. Mara Segall, who is as cheeky and chatty as Celia Imrie portrays her to be on “Better Thgs,” told me, “She was always the person who earns the money. The fact that she’s had to pay her ex-hband a great al of money when he basilly, as far as I know, never earned a dime . . . I don’t thk that’s easy for her, but she never talks about .”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="4hbg64"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">For both Adlon and Sam, datg middle age is a nuisance that mt be extguished quickly each time pops up. “I don’t thk datg is gonna be part of my life,” Adlon told me. “I say this le my show this season: ‘I’ve aged out of men like kids age out of the foster-re system.’ ”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">In 2006, Phil Rosenthal remend Adlon to the producers of “Lucky Louie,” a short-lived HBO show wrten and directed by Louis C.K. The show was, many ways, a dry n for FX’s “Louie.” “Lucky Louie” had a more nventnal format than s succsor— was a multi-mera s filmed before a live stud dience—but hted at the ways which televisn creators uld ploy their bgraphi and pots of view to nstct a tired genre. C.K. played a broke, sexually trated mechanic married to a nurse. At the dn, “I was brought up agast all the blons and cute women,” Adlon told me. “And he says he wanted to st me bee I was a mother of three, and that was tertg, and he knew I would have stori to tell.” In the first episo of the seri, C.K.’s character masturbat a closet while his wife, Kim, played by Adlon, giv their dghter a bath.</p><p class="paywall">“Lucky Louie” was ncelled before s send season ran, but Adlon and C.K. had bee close. Together, they wrote a pilot that was rejected by CBS and Fox. But FX picked up another show, “Louie,” wh Adlon as a wrer, and began airg 2010. The seri was her first exposure to a new way of makg televisn—one which a sgle person uld exhib plete creative ntrol over a project. But, as much as the show reprents C.K.’s visn, is bted to the sensibily of Adlon, who helped serve as a proxy for the female characters who enter Louie’s orb. When C.K. was wrg an episo which his character go out on a date wh an overweight woman, he lled Adlon and asked her for dialogue for the woman. “I said, ‘Tell her to say, “I got my perd when I was ne,” ’ ” Adlon told me. When the episo aired, 2014, the Washgton <em>Post</em> scribed the woman’s monologue as an “epic, mmerizg speech.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">Adlon gut-starred on the show as one of Louie’s ar iends, wh whom he is also love. They have a t-and-moe relatnship. She repeatedly rists his overtur. One night she is babystg his dghters and, when he returns home, he tri to force himself on her. “This would be rape if you weren’t so stupid,” she tells him, more exhsted than aaid. “You n’t even rape well.”</p><p class="paywall">“Louie” won two Emmys for s wrg. “There was an immediate sophistitn and olns to . She jt hooked up wh the right person,” Allee Willis said of Adlon’s relatnship to C.K. “Bee she was volved so much of his work, I thk that translated over when she fally got a chance to do her own thg.”</p><p class="paywall">Like many works, FX wanted more of the kd of nstcted, personaly-driven shows that C.K. had pneered, but on that featured the perspectiv of people of lor and women. The work tried to buy Aziz Ansari’s “Master of None,” but lost a biddg war to Netflix. At the time, Adlon was actg a major-work televisn show—“a big-budget show for NBC or ABC, one of those,” she told me. (She has had so many parts the past four s that they blur together.) “I was dog an arc and a Friday turned to a Saturday, and I was, like, ‘What the fuck? Don’t they have kids? Don’t they want to go home?’ I remember beg on set that day and thkg, I’m ready. I thk I know how to n a show.” C.K. pched Adlon as a shownner, and the first season of “Better Thgs”—wh C.K. as Adlon’s -wrer and executive producer—began shootg the sprg of 2016.</p><p class="paywall">“This is what I would ll, bs terms, arbrage,” John Landgraf, the C.E.O. of FX, told me. “It’s about fdg a masterpiece hidn pla sight that might have been overlooked bee of bias we have rried forward our dtry and our society.”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="Two patrons s nervoly a butcherque abrasive rtrant." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“You’re the one who wanted to go someplace off the beaten track—<em class="unrle">you</em> ask him what’s gluten-ee.”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair 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class="has-dropp has-dropp__lead-standard-headg paywall">Adlon lik to say that the challeng of sgle parentg equipped her wh the skills necsary for nng her own show, and she exus a maternal energy on her set. When someone is sick, she is sure to suggt a remedy, which is typilly homeopathic. “I want to hear your s-fectn story!” she shouted across the set at a crew member one day. When I had arrived, I had been prented wh a rsable water bottle by an FX reprentative, who explaed that sgle-e plastic bottl were not permted. Between tak, Adlon took lloidal silver for her own s fectn. She is fixated on food, and on makg sure that her st and crew are fed properly. On set, there is kombucha on tap, and, the day I vised, a food tck arrived midafternoon to serve bowls of cucumber and mango wh chili salt to the st and crew. “Food tck! Food tck! Food tck!” Adlon yelled, like a middle-school softball ach.</p><p class="paywall">Dpe the faial environment that Adlon has tried to cultivate on set, “Better Thgs” has experienced major setbacks. “A ln horrible thgs happened, and then other fuckg earth-shatterg, terrible thgs happened,” Adlon told me. For the first season, FX hired Nisha Ganatra, who has worked on Lena Dunham’s “Girls” and Jill Soloway’s “<a href=">Transparent</a>,” to direct seven episos. It eventually beme clear that Adlon should be directg the show, but the shift to stall her was turbulent; Adlon’s words, was “a fuckg sh show.” (Acrdg to Ganatra, there was always an unrstandg that Adlon would take over directg duti.) The Directors Guild of Ameri has rigid l place to prevent executive producers or other employe of a show om replacg directors, and a grievance was filed. “That got really bumpy,” Ganatra said. FX hired Lance Bangs to “smooth the transn,” Adlon said. (“They had to hire some guy, and that was a ltle disappotg,” Ganatra told me.)</p><p class="paywall">After the first season, Adlon was nomated for an Emmy for actg, and she received a Peabody Award for the show, as well as the go-ahead to direct the send season. As a director, Adlon prefers warm, natural light. She has stcted her mera crew to watch John Cassavet movi and take not; she has a fixatn on Cassavet’s abily to make “nversatnal, documentary-style films,” she told me. “Like a fable, based on realy.” She shoots the mimum number of tak possible to nail a scene; this is partly so that she and her employe n get home to their fai. She lik to let her shots lger even when the dialogue is over, allowg the scene to wallow s own awkwardns or tensn.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">For a , seemed as though Adlon and C.K. were a well-matched pair—two disillned entertaers and parents middle age wh equal proclivi for the stologil and the profound. Then, November, 2017, jt before the fale of Season 2 aired, the <em>Tim</em> published a <a href=">report</a> tailg a pattern of sexual misnduct by C.K. Several women said that he had exposed himself and masturbated ont of them. The reports had been circulatg for years, albe on blogs, like Gawker, makg them easy enough to dismiss as gossip, for those who wished to. (If there is any theme C.K.’s work, is the plight of the chronic masturbator, somethg he explor at great length most of his televisn and standup work.) A few days before the news broke, C.K. phoned Adlon and warned her that “people were llg people he knew” about reports of sexual misnduct. Although Adlon was his clost llaborator, she says that she was not ntacted by any reporters. FX ncelled s extensive al wh C.K. and his productn pany. “What’s happeng? What’s <em>happeng</em>?” Adlon remembered thkg.</p><p class="paywall">In one of the many phone lls between Adlon and C.K. “to procs,” Adlon told him that she, too, would need to sever ti. She gave him a preview of the statement she would release: “My fay and I are vastated by and shock after the admissn of abhorrent behavr by my iend and partner, Louis C.K.” She soon also fired Dave Becky, who managed her and C.K., and who was acced of makg threateng ments to some of C.K.’s accers.</p><p class="paywall">Adlon scrib the perd after the news broke the same extreme terms as she do the time of her divorce. (“The <em>men</em>,” she said, her voice drippg wh disgt.) “I’ve had a few 9/11s my life, cludg the real 9/11,” she told me one eveng, drivg her Audi Q5 S.U.V. om her post-productn stud to dner at a hip Thai rtrant on Sunset Boulevard. “It felt like the world was endg,” she said. “I was his champn and he was my champn for ten years.” She psed. “And then you’ve got the women, who’ve all been through the thgs. And you’re, like, what do that mean? What did you do?”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-4 viewport-monor-anchor"></div><p class="paywall">Her ncern was not only for C.K.’s acknowledged victims. “I felt like I was gog to get arrted,” she said. “I jt felt, like, paranoid. That there were people around every rner.” I asked her if was bee she felt implited some way, for beg so close to C.K. “No,” she said. “It’s not a logil feelg. I jt didn’t want to go outsi.”</p><p class="paywall">She ntued, “I felt enormo empathy for him. And for any woman whose realy is that somebody fucked her up. Bee I’ve been there.” I asked her if she meant wh C.K. specifilly.</p><p class="paywall">“Oh, <em>no</em>. You mean, did he do this to <em>me</em>?” Adlon said, and shook her head. I poted out that she had appeared multiple shows wh C.K. that explore unwanted sexual approach and pulsive masturbatn. “Ewww!” Adlon shrieked. “Don’t say ‘masturbatn.’ Oh, my God!” C.K. seems to be the one subject that draws squeamishns out of Adlon.</p><p class="paywall">“If I name-checked any people, of which there are, who did fucked-up thgs to me,” Adlon said, trailg off. “You s there, and you go, ‘I don’t want my name to be lked wh their nam for the rt of my life. I don’t want to go after somebody’s fay.’ ” She rensired for a moment. “Are they a predator? Can this happen to somebody else? Then you certaly have to speak up and say somethg.”</p><p class="paywall">Adlon felt that the furor about C.K. had bee unproductive. “I wanted the world to lm down. I wanted a nversatn to happen,” she said. “I don’t thk there’s anythg that n pare wh a massive public shamg like that.” Mostly, she has been trated wh what she scrib as the “flyg shrapnel” of the news. “It was another example of extremism happeng my lifetime,” she said.</p><p class="paywall">In C.K.’s silence—he also cled to ment for this piece—the people, particularly the women, beg forced to answer for him are his lleagu. Adlon said, “Anybody who has any associatn wh him is peppered” wh qutns. “Sarah Silverman is his fuckg spokperson.” At the Toronto Internatnal Film Ftival, Chloë Grace Moretz, who was the film “<a href=">I Love You, Daddy</a>” wh C.K., “got murred wh Louis qutns,” Adlon said. “She was tryg to promote her movie.” Even Gion Adlon was asked about C.K., durg the n-up to her début feature film, “Blockers.” At the Emmy Awards last September, where Adlon was one of the nome for Bt Actrs, she avoid red-rpet terviews orr to dodge qutns about C.K. Now every time his name pops up the news—which is creasgly often, sce he has ma a foray back to standup edy—she asks the people around her to rea om talkg about him. “I jt need to foc,” she told me. “I don’t want to have to weigh on his sets.”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="A man pass a display 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17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">Adlon, who had never wrten for televisn whout C.K., didn’t know if she wanted to make “Better Thgs” on her own. She told me John Landgraf had said that, bee of her associatn wh C.K., her show wasn’t beg nsired for var awards. “It was, like, I don’t know if I n do this,” she said. “My heart’s not .” Neverthels, FX executiv enuraged her to ntue. Twice-weekly therapy ssns helped, and Rosenthal ached her on how to ntue makg the show, cludg hirg four wrers to replace C.K. “I told my dghters that I should make T-shirts that say ‘Bad for my life, good for my show,’ ” Adlon said.</p><p class="paywall">This season, Adlon ma her edg room all female (“our ltle trogen chamber,” she lled ), and she often pots out that most of the show’s major cisn-makers are women. Durg the Supreme Court nfirmatn heargs for Brett Kavangh, the st and crew staged a mi walkout. Yet the gtur to womb-ify the show n feel like attempts to buffer the unsettlg new realy of the seri, which is that was shaped and champned by someone wh a grotque track rerd of behavr toward women.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-5 viewport-monor-anchor"></div><p class="paywall">At dner, Adlon begged me to change the subject. I told her that I had terviewed some of the new wrers for her show, and had asked if they felt that C.K.’s shadow loomed over the procs. All of them said no; C.K. was generally off lims as a topic of discsn. (Many people who are associated wh Adlon refer to C.K. simply as “her former wrg partner.”) One wrer, Joe Hortua, nfsed to feelg a sense of anxiety, knowg that he and his lleagu were replacg someone wh such a celebrated—and now marred—legacy. I mentned this to Adlon, and she seemed taken aback. “Of urse,” she said. “That’s so tertg. Of <em>urse</em>. I didn’t even thk about .”</p><p class="paywall">Recently, I asked Adlon if she’d been aware of the Gawker reports. She psed, sighed heavily, and said that she had. “I was aware,” she said. “There’s certa thgs— Do I lay everythg bare? I don’t know how to rpond. All you n do is, when you know somebody you nont them.” I asked if she is still ntact wh C.K. “No, I’m not,” she said. “But I hate sayg that. If I said, ‘Oh, yeah, I talk to him every day,’ or ‘No, I’m not,’ both are awful. But I haven’t spoken to him que a long time.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">One afternoon, I met Adlon for lunch at a quiet dim-sum rtrant, where she did what she always do when beg served food or drk (even at the Emmy Awards, last year): she negotiated wh the wastaff about their e of plastic straws and ntaers.</p><p class="paywall">“Do you want somethg to go?” she asked me as the plat were beg cleared. I said y, and she turned to the waer. “What are the ntaers ma of? Are they paper?”</p><p class="paywall">“It’s Styrofoam. You don’t like those?” the waer asked.</p><p class="paywall">“You have another kd?” she asked him. He nodd. “Thank you, sweetheart!” she said, overjoyed. “I give everybody a hard time,” she said. The waer returned to the table wh a plastic ntaer, which was unsatisfactory.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="ezt9mw"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="3dyfg"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">“Fuck, what do I do?” Adlon asked out loud. “I’ll take one of the and I’ll rse .” Of all the ills the world, the one Adlon is the most preoccupied wh is climate change. She is a csar for the battle agast the e of plastic straws. “We’re fucked,” she said. “And ’s not jt the straws that’s fuckg up, ’s everythg.” Adlon was recently reced to direct a Yopla mercial, an opportuny she turned down bee of her environmental nvictns. “I said, ‘I need money badly!’ ” she told me. “ ‘But I n’t do this unls you tell me you have some kd of staable packagg gog on.’ ”</p><p class="paywall">The Yopla mercial is one of many unexpected opportuni prented to Adlon the wake of “Better Thgs,” some of which are more tertg to her than others. She would like to direct a film, but only one that pays well. “What I don’t need to do is go work a dch and make an pennt movie for thirty days that don’t pay me any money, bee that’s what I do every episo of my show,” she told me.</p><p class="paywall">When Adlon’s father turned fifty, he began to experience a form of discrimatn typilly imaged to be rerved for those ont of the mera. Networks and studs started favorg younger wrers. Adlon remembers her father and one of his wrer iends sendg the iend’s son to pch an ia for a show; the show was picked up. Adlon has experienced the oppose phenomenon. “A new life begng at fifty,” she told me, awe. “I should be the dtb at the Jewish Council Thrift, down the street.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-6 viewport-monor-anchor"></div><p class="paywall">Adlon is eply superst. She is nstantly knockg on wood, and she and her dghters have a tradn of makg a sptg sound—“<em>toi toi toi</em> ”—at their fgers to ward off somethg sister. Adlon is certaly the type to open a fortune okie, which she did at the end of our meal. “You will soon be the center of attentn,” the ty slip of paper read. Adlon ckled. “I don’t know if that’s a good or a bad thg anymore,” she said. ♦</p><p class="paywall">An earlier versn of this piece misstated the nnectn between “E/R,” the CBS s, and “ER,” the popular NBC drama.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="qtyzwo"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2019/02/11" data-reactroot="">Febary 11, 2019</a>, issue, wh the headle “Raw Material.”</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/rrie-battan"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/rrie-battan">Carrie Battan</a> began ntributg to The New Yorker 2015 and beme a staff wrer 2018.</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM 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class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/annals-of-entertament"><span class="RubricName-fVtemz cLxcNi">Annals of Entertament</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Pamela Adlon, the TV Autr Hidg Pla Sight</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">After s on the g of Hollywood, the shownner, wrer, and actor talks about “Better Thgs,” sudn succs, and her relatnship wh Louis C.K.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/rrie-battan">Carrie Battan</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2019-02-04T05:00:00-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">Febary 4, 2019</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz cAtzoz"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Portra of Pamela Adlon." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">“A ln horrible thgs happened,” Adlon said, of makg “Better Thgs.”</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Amanda Demme for The New Yorker</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark 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class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg cjyRVU iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ fXVBaX"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="90" width="100%" sandbox="allow-scripts allow-same-orig allow-popups" tle="Embedd Frame" data-src=" allowfullscreen="" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p class="has-dropp has-dropp__lead-standard-headg paywall">Each day, on the set of her show “Better Thgs,” the director and actor Pamela Adlon retreats to a small room while the st and crew eat lunch. She turns off the lights, shuts down her phone, remov her pants and her bra, and li face down on a uch. Often, she falls asleep. Adlon is a sgle mother of three dghters, as well as one of the few shownners who direct, produce, wre, and star their own seri. This makhift sensory-privatn room is often the only opportuny she has to generate new ias.</p><p class="paywall">One afternoon September, durg the filmg of the show’s third season, Adlon was directg a scene which her character’s creasgly absent-md mother, Phyllis, who liv next door (as Adlon’s mother do real life), barg to her kchen. Adlon’s character, Sam Fox, is hangg out wh her brother and a uple of iends, okg a meal. After a take, Adlon, who lik to scribe her show as “handma,” darted behd the director’s monor to review the footage. The st broke for lunch, and she retreated to her chamber of solu.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Adlon, who is five feet one ch, hunch nstantly. She lov to ll people “bro” and has the energy of a hyperactive teen-ager, but she also has a tenncy to lumber about, brows furrowed. She looks prepubcent one moment and geriatric the next, and that mak difficult to gus her age, which is fifty-two. She lik to e up behd her st and crew, reach up, grab them by the shoulrs, and march them over to whatever she wish to show them. She emerged om her break and took Celia Imrie, who plays Phyllis, asi. She had cid that she wanted Phyllis, whose gnive abili have gradually flagged over the urse of the seri, not to regnize one of the iends, Rich, played by Diedrich Bar. Instead, she would thk he was “a handsome, sexy man” to flirt wh, Adlon said. “Even though he’s gay.”</p><p class="paywall">After the next take, Bar left the set, appearg stricken. In 2017, his father died, after stgglg wh Alzheimer’s disease. “Alzheimer’s patients are tryg to prove, like dnks, that they’re fe,” Bar said. “Before, was a light, othy scene about the mom not likg the risotto. And then she sprang this on me and didn’t tell me she was gog to change the way she did . This show, ’s a fluid thg.”</p><p class="paywall">Adlon, however, felt that she had crossed a tonal boundary that didn’t su the show. “It was very tense,” she told me the next day. “Now we’re gettg tragic. And I always have to remember that my show is a edy.”</p><p class="paywall">“Better Thgs,” which airs on FX, is ncerned above all wh realism. “Smaller is better,” Adlon said. The show is loosely the story of a middle-aged sgle mother of three dghters who is also a workg actor. Like Adlon, Sam is not starved for rol, but stg directors are not chasg after her, eher. Sam is lewd and lite, but the show has a gentle way of explorg how a sgle mother the entertament dtry mt juggle her iends, her agg mother, her work, her shoddy romantic prospects, and the needs of her prec, headstrong children. It is a s the leage of shows such as “<a href=">Girls</a>” and “<a href=">Insecure</a>”—and “<a href=">Louie</a>,” which Adlon -wrote and gut-starred on. It exprs a character-driven pot of view rather than followg a narrative arc. Many such shows land on unsettlg or unrolved not to affirm their mment to tth. Adlon, though, is not aaid to make feel-good televisn. “It always feels like the are real choic beg ma, and is, at the end of the day, a very life-affirmg, heartwarmg show,” Dan Cohen, one of the executive producers of the Netflix seri “Stranger Thgs,” told me. “The show isn’t ma wh a gdge.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">“She did somethg that every wrer is supposed to do, but they never actually do, which is wre the show that only she uld wre,” Tom Kapos, the creator of “Californitn,” said. In 2007, he st Adlon the pilot of that show as Marcy, a foulmouthed athetician. Kapos had no long-term plans for the role of Marcy, but he admired Adlon’s unflchg pacy for rnch and kept her on as a permanent st member. (He said she beme his “gutter me.”)</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="The owner of a judgmental dog troduc him to a ltle girl." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div 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19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">Even the age of tofictn and the televisn tr, “Better Thgs” is particularly tobgraphil. Adlon ially nsired tweakg the central character to distguish between Sam’s life and her own—“to make her a manicurist, or have a gay brother livg the back yard, or somethg,” she said—but eventually she cid that the tails of her own life felt the most ronant. Sam liv a shabby-chic home the Valley, ornamented wh an eclectic llectn of trkets and art ma by iends. (Adlon picked out the art that crowds the walls of the hoe built to stage the show.) One of the few pots of viatn between Adlon and Sam is that the fictnal character is more vol about her feelgs. It’s satisfyg to watch Sam snap at her children, her mother, lleagu, or strangers, as if Adlon is reactg onscreen ways that she is unable to real life. In an episo of the third season, which will beg airg on Febary 28th, Sam tak her dghters to drive go-karts. Jt before they strap , Sam’s dghter Frankie asks, “Do you want to ri the go-karts, or not?” Sam turns to her and says, “No, I really don’t. But I’m tryg to give you guys a fun childhood, and, at the same time, to not die or get paralyzed.” (Adlon once took her children go-kartg, and got whiplash.) Later, when the girls are argug over who will ri home the ont seat, Sam tri to solve the problem the way Adlon’s mother once had: she stcts them to spew the meant, foult possible remarks to one another for exactly one mute. “It was a great fer,” Adlon told me.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="p4vo"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="k5e6m"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">One of the revelatns of “Better Thgs” is that children are the people least sensive to the plight of their parents. Sam’s dghters are blhely different to her stggl. Adlon is not aaid to nvey that most of the emotn generated the act of parentg is not love. “I n’t remember a time when I’ve seen my mom stay at home and relax,” Gion, her olst dghter, told me. “I <em>n</em> remember when she’s had a breakdown bee ’s been too much. All of have been really difficult.” Gion, who is twenty-one, has moved out of her mother’s hoe twice—once for a brief stt at llege and once to her own apartment Hollywood—before promptly returng home. Gion’s bt iend, who works as a member of the art partment on “Better Thgs,” also lived at Adlon’s hoe for a while. “My mom is a chary,” Gion said.</p><p class="paywall">When televisn dienc hear the word “shownner,” they often assume that that person is rponsible for the majory of the creative cisns on a show. But there is a rroel of profsnals volved any productn—there are the wrers, the directors, the executive producer, and the stars. Adlon sps all the plat at once. She has evangelized to other shownners the importance of directg. Issa Rae, the creator and star of “Insecure,” wrote me an e-mail, “She’s always exhsted and claims ’s worth , but I don’t want that life. She’s great at and lov to challenge herself more and more every season.” Rae add, “No thanks.”</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Felicia Fasano, the show’s stg director, has known Adlon for almost fourteen years, but after readg the script of the “Better Thgs” pilot she lled Adlon to apologize: “I’m so sorry for all those tim I’ve ma you have dner wh me! Oh, my God, I fet how by you are.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">“Better Thgs” is Adlon’s first time directg a TV show, but she has been actg sce she was twelve years old, mostly parts that she lls “kick-around si characters . . . the ltle racons, the gut stars.” Her IMDb page lists a hundred and nety actg creds, wh rol rangg om the younger sister of a Pk Lady, “Grease 2,” to an alien an episo of “Star Trek: The Next Generatn” to Jenny Shefeld, the dghter of a doctor “E/R,” a short-lived CBS s. Four s of scrappg for parts has given her a ep well of bad Hollywood experienc to be addrsed onscreen, and “Better Thgs” doubl as a crique of an entertament dtry that glorifi a small mory of stars while largely moralizg an army of supportg actors and crew members. In the neteen-neti, Adlon worked on a monster film lled “The Gate 2: Trpassers.” One scene required her to wear a harns and get pulled through a ceilg, a manver that had not ially been classified as a stunt. Adlon’s head broke through the ceilg, leavg her unnsc. “When I me to, my arms were pletely torn up,” she told me. After prottg, she was given an eight-hundred-dollar stunt fee.</p><p class="paywall">Adlon showed me a scene om a new “Better Thgs” episo that rells this cint. While shootg a blockbter film the sert heat, Sam is strapped to a fast r. Everyone is unfortable—two of her -stars vom—but not que unfortable enough to prott.</p><p class="paywall">Sam, however, nnot hold back om talkg about . She stands before a few crew members, perspirg heavily. “Was that legal, what jt happened?” she asks, the director earshot. As nsolatn, he offers her accs to his private toilet.</p><p class="paywall">“This was, like, my MeToo rponse,” Adlon told me, but was one amed more broadly around ab of power on set. “Which I thk is more rampant than the other stuff, and nobody talks about .” The mistreatment of non-famo actors and crew members looms large Adlon’s experience of Hollywood. “It’s producers, ’s studs, ’s directors,” she said. “Everybody’s aaid to say somethg. People are aaid for their jobs.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">Yet directg a meta scene like this forc Adlon to assume the duti of the people she is criqug. She’s now the person wh the power to abe or to behave rponsibly. The scene was shot the Inland Empire of California, hundred-gree heat. “It was the send week of shootg—I have all the people to take re of,” Adlon said.</p><p class="paywall">Adlon’s father, Don Segall, was a screenwrer and producer who took her to sound stag when she was a girl, but was her mother, Mara, who created the blueprt for her reer. Segall was termtently unemployed, and so Mara Segall, who is Brish, worked as a travel agent and a reporter, among other jobs, as the fay bounced between Los Angel and New York Cy. Adlon and her olr brother, Gregory Segall, were exposed to the g of Hollywood—mor screenwrers, classmat whose parents worked the bs. “As a child, she was meant for this world,” Mara told me. One of Adlon’s close iends is the actrs and talk-show host Ricki Lake, whom she met while attendg Manhattan’s Profsnal Children’s School. She beiend Lenny Kravz high school; he was a gut star the first season of “Better Thgs.” As a teen-ager, Adlon was iendly wh Katey Sagal, who played Peggy Bundy “Married wh Children” and who starred the FX seri “Sons of Anarchy.” Through Sagal, Adlon met Allee Willis, an eccentric artist and songwrer two s her senr—she -wrote the “Friends” theme song, pl hs for Earth, Wd & Fire. This past Christmas Eve, Willis and Adlon, along wh Mara, Gion, and Frank Zappa’s dghter Diva Zappa, went to Tolu Lake, California—about seven om Adlon’s home the San Fernando Valley—and followed a rated b full of rollers which was blastg mic to crowds of revellers.</p><p class="paywall">At Willis’s parti, which are attend by dtry people rangg om “A-list all the way at the top to D-list all the way at the bottom,” Willis said, she wears a microphone, so that all the guts n hear her nversatns, even if they don’t get the opportuny to speak to her. Ocsnally, Adlon will m.c. the party, g another microphone. “People love hearg her talk,” Willis said. Adlon’s hky, androgyno voice—a surfer-bro affect wh a fat New York accent—is her fg characteristic and her meal ticket. She told me that her voice-over jobs, which she began dog at age ne, are her most lucrative. (She said, of her paychecks om voicg Bobby Hill on “Kg of the Hill,” “That’s the money my ex-hband is terted .”) The high-pched rasp of her voice sounds like that of a child cha-smoker, and magnifi the ic effect of her profane way of speakg. Acrdg to Gion, Adlon was given the nickname F-mom by her dghter’s prcipal, for cursg at a school event. That isn’t to say that Adlon is aggrsive or domeerg; on the many ocsns I heard her ask someone for somethg—a waer for extra sce, an edor to rewd the tape on a scene—she followed up wh a thunrg “I love you!” If anythg sticks wh dienc, is Adlon’s voice, a versn of which has been passed down to all three of her dghters. (Gion has jt begun dog voice work, as well as actg feature films.) “But, even now, at the most recent party I had, I would still say that most of the people at the party, although show bs, did not really know who she was,” Willis said.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="A sculptor shows off his sculpture to an unimprsed iend." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“Have you given any thought to my suggtn about a sculpture that’s jt a chubby kid nstantly peeg?”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div 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BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm ifgabc iOlxjf alert-msage"><p aria-hidn="te">Lk pied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">“Nobody gets my name right, ever, or my show right, or me,” Adlon said, soundg proud and amed. Jt a few weeks before, she had flown to New York to participate <em>Glamour’s</em> Women of the Year Summ. “And my makp woman, who I love, puts me on Instagram: ‘Oh, my God, the bt boss the world! I love her so much. You have to watch her show, “Better Days.” ’ ”</p><p class="paywall">In Adlon’s post-productn edg office, a mock promotnal poster for the show hangs by the door. Instead of “Better Thgs,” the poster reads “Better Days,” and, stead of Adlon, pictur the actrs Constance Zimmer—the two look que siar, and Zimmer appeared the “Better Thgs” pilot as another actrs dng for the same role as Sam. Unr Zimmer’s image is the name “Pan Aldon.” Fake reviews of the show feature several of Adlon’s least favore words: “A brave, empowerg, badass femist,” and “So brave. Real thighs.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Adlon got her first vio mera 1986, when she was twenty. Madonna’s “Te Blue” album had jt e out, and the sger held a ntt for young filmmakers to create a vio for the tle track. Adlon and two iends ma one that was chosen as a falist, an achievement that she scrib as “the most excg thg my life.” Around the same time, she helped direct a documentary lled “Street Sweep.” Adlon and her iends would head to downtown Los Angel to beiend and film people who had bee homels as a rult of Print Reagan’s feral hog-budget cuts. “There were so many documentari narrated by Mart Sheen, or whatever,” Adlon said. “This was for people to be able to speak for themselv.”</p><p class="paywall">The documentary ma to the Cleveland Internatnal Film Ftival, but Adlon was rejected om New York Universy’s Tisch Film & Televisn program. She spent a sgle semter at Sarah Lawrence. “I was really more terted workg,” she told me. She’d already sred a number of rol that fans and lleagu still associate wh her, appearg “The Facts of Life” and “Say Anythg.”</p><p class="paywall">In the early neti, Adlon was st “Down the Shore,” a pre-“Friends” s about the foibl of a group of twenty-somethgs at the Jersey Shore. “Right away, I fell love wh her, bee she was the funnit one,” Phil Rosenthal, one of the show’s wrers and the creator of “Everybody Lov Raymond,” told me. But Adlon’s character was eventually cut om the show, bee, acrdg to Rosenthal, she wasn’t attractive enough. “I was fur about ,” he said. “I thought, This is everythg that’s wrong wh TV. Nobody watch a s bee of pretty people!” At the time, Adlon was livg Lrel Canyon wh her -star, Anna Gunn, who cried when she learned that her roommate had been let go. Adlon’s reactn was more jad: “I was, like, I’ve been down this road before, bro!” Her dghter Gion summed up this qualy, sayg, “She giv a fuck about everythg, but she don’t give a fuck about anythg.”</p><p class="paywall">Adlon married the movie producer Felix Adlon (the son of the German director Percy Adlon), 1997. They had three dghters—Gion, Ossa, who is now eighteen, and Rocky, fifteen—before divorcg, 2009. Felix Adlon then moved to Europe. In “Better Thgs,” Sam’s ex-hband gets the villa treatment—he to Los Angel for the summer only to warn her that he won’t have much time to spend wh their kids. Mara Segall, who is as cheeky and chatty as Celia Imrie portrays her to be on “Better Thgs,” told me, “She was always the person who earns the money. The fact that she’s had to pay her ex-hband a great al of money when he basilly, as far as I know, never earned a dime . . . I don’t thk that’s easy for her, but she never talks about .”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="4hbg64"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">For both Adlon and Sam, datg middle age is a nuisance that mt be extguished quickly each time pops up. “I don’t thk datg is gonna be part of my life,” Adlon told me. “I say this le my show this season: ‘I’ve aged out of men like kids age out of the foster-re system.’ ”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">In 2006, Phil Rosenthal remend Adlon to the producers of “Lucky Louie,” a short-lived HBO show wrten and directed by Louis C.K. The show was, many ways, a dry n for FX’s “Louie.” “Lucky Louie” had a more nventnal format than s succsor— was a multi-mera s filmed before a live stud dience—but hted at the ways which televisn creators uld ploy their bgraphi and pots of view to nstct a tired genre. C.K. played a broke, sexually trated mechanic married to a nurse. At the dn, “I was brought up agast all the blons and cute women,” Adlon told me. “And he says he wanted to st me bee I was a mother of three, and that was tertg, and he knew I would have stori to tell.” In the first episo of the seri, C.K.’s character masturbat a closet while his wife, Kim, played by Adlon, giv their dghter a bath.</p><p class="paywall">“Lucky Louie” was ncelled before s send season ran, but Adlon and C.K. had bee close. Together, they wrote a pilot that was rejected by CBS and Fox. But FX picked up another show, “Louie,” wh Adlon as a wrer, and began airg 2010. The seri was her first exposure to a new way of makg televisn—one which a sgle person uld exhib plete creative ntrol over a project. But, as much as the show reprents C.K.’s visn, is bted to the sensibily of Adlon, who helped serve as a proxy for the female characters who enter Louie’s orb. When C.K. was wrg an episo which his character go out on a date wh an overweight woman, he lled Adlon and asked her for dialogue for the woman. “I said, ‘Tell her to say, “I got my perd when I was ne,” ’ ” Adlon told me. When the episo aired, 2014, the Washgton <em>Post</em> scribed the woman’s monologue as an “epic, mmerizg speech.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">Adlon gut-starred on the show as one of Louie’s ar iends, wh whom he is also love. They have a t-and-moe relatnship. She repeatedly rists his overtur. One night she is babystg his dghters and, when he returns home, he tri to force himself on her. “This would be rape if you weren’t so stupid,” she tells him, more exhsted than aaid. “You n’t even rape well.”</p><p class="paywall">“Louie” won two Emmys for s wrg. “There was an immediate sophistitn and olns to . She jt hooked up wh the right person,” Allee Willis said of Adlon’s relatnship to C.K. “Bee she was volved so much of his work, I thk that translated over when she fally got a chance to do her own thg.”</p><p class="paywall">Like many works, FX wanted more of the kd of nstcted, personaly-driven shows that C.K. had pneered, but on that featured the perspectiv of people of lor and women. The work tried to buy Aziz Ansari’s “Master of None,” but lost a biddg war to Netflix. At the time, Adlon was actg a major-work televisn show—“a big-budget show for NBC or ABC, one of those,” she told me. (She has had so many parts the past four s that they blur together.) “I was dog an arc and a Friday turned to a Saturday, and I was, like, ‘What the fuck? Don’t they have kids? Don’t they want to go home?’ I remember beg on set that day and thkg, I’m ready. I thk I know how to n a show.” C.K. pched Adlon as a shownner, and the first season of “Better Thgs”—wh C.K. as Adlon’s -wrer and executive producer—began shootg the sprg of 2016.</p><p class="paywall">“This is what I would ll, bs terms, arbrage,” John Landgraf, the C.E.O. of FX, told me. “It’s about fdg a masterpiece hidn pla sight that might have been overlooked bee of bias we have rried forward our dtry and our society.”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow 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class="has-dropp has-dropp__lead-standard-headg paywall">Adlon lik to say that the challeng of sgle parentg equipped her wh the skills necsary for nng her own show, and she exus a maternal energy on her set. When someone is sick, she is sure to suggt a remedy, which is typilly homeopathic. “I want to hear your s-fectn story!” she shouted across the set at a crew member one day. When I had arrived, I had been prented wh a rsable water bottle by an FX reprentative, who explaed that sgle-e plastic bottl were not permted. Between tak, Adlon took lloidal silver for her own s fectn. She is fixated on food, and on makg sure that her st and crew are fed properly. On set, there is kombucha on tap, and, the day I vised, a food tck arrived midafternoon to serve bowls of cucumber and mango wh chili salt to the st and crew. “Food tck! Food tck! Food tck!” Adlon yelled, like a middle-school softball ach.</p><p class="paywall">Dpe the faial environment that Adlon has tried to cultivate on set, “Better Thgs” has experienced major setbacks. “A ln horrible thgs happened, and then other fuckg earth-shatterg, terrible thgs happened,” Adlon told me. For the first season, FX hired Nisha Ganatra, who has worked on Lena Dunham’s “Girls” and Jill Soloway’s “<a href=">Transparent</a>,” to direct seven episos. It eventually beme clear that Adlon should be directg the show, but the shift to stall her was turbulent; Adlon’s words, was “a fuckg sh show.” (Acrdg to Ganatra, there was always an unrstandg that Adlon would take over directg duti.) The Directors Guild of Ameri has rigid l place to prevent executive producers or other employe of a show om replacg directors, and a grievance was filed. “That got really bumpy,” Ganatra said. FX hired Lance Bangs to “smooth the transn,” Adlon said. (“They had to hire some guy, and that was a ltle disappotg,” Ganatra told me.)</p><p class="paywall">After the first season, Adlon was nomated for an Emmy for actg, and she received a Peabody Award for the show, as well as the go-ahead to direct the send season. As a director, Adlon prefers warm, natural light. She has stcted her mera crew to watch John Cassavet movi and take not; she has a fixatn on Cassavet’s abily to make “nversatnal, documentary-style films,” she told me. “Like a fable, based on realy.” She shoots the mimum number of tak possible to nail a scene; this is partly so that she and her employe n get home to their fai. She lik to let her shots lger even when the dialogue is over, allowg the scene to wallow s own awkwardns or tensn.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">For a , seemed as though Adlon and C.K. were a well-matched pair—two disillned entertaers and parents middle age wh equal proclivi for the stologil and the profound. Then, November, 2017, jt before the fale of Season 2 aired, the <em>Tim</em> published a <a href=">report</a> tailg a pattern of sexual misnduct by C.K. Several women said that he had exposed himself and masturbated ont of them. The reports had been circulatg for years, albe on blogs, like Gawker, makg them easy enough to dismiss as gossip, for those who wished to. (If there is any theme C.K.’s work, is the plight of the chronic masturbator, somethg he explor at great length most of his televisn and standup work.) A few days before the news broke, C.K. phoned Adlon and warned her that “people were llg people he knew” about reports of sexual misnduct. Although Adlon was his clost llaborator, she says that she was not ntacted by any reporters. FX ncelled s extensive al wh C.K. and his productn pany. “What’s happeng? What’s <em>happeng</em>?” Adlon remembered thkg.</p><p class="paywall">In one of the many phone lls between Adlon and C.K. “to procs,” Adlon told him that she, too, would need to sever ti. She gave him a preview of the statement she would release: “My fay and I are vastated by and shock after the admissn of abhorrent behavr by my iend and partner, Louis C.K.” She soon also fired Dave Becky, who managed her and C.K., and who was acced of makg threateng ments to some of C.K.’s accers.</p><p class="paywall">Adlon scrib the perd after the news broke the same extreme terms as she do the time of her divorce. (“The <em>men</em>,” she said, her voice drippg wh disgt.) “I’ve had a few 9/11s my life, cludg the real 9/11,” she told me one eveng, drivg her Audi Q5 S.U.V. om her post-productn stud to dner at a hip Thai rtrant on Sunset Boulevard. “It felt like the world was endg,” she said. “I was his champn and he was my champn for ten years.” She psed. “And then you’ve got the women, who’ve all been through the thgs. And you’re, like, what do that mean? What did you do?”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-4 viewport-monor-anchor"></div><p class="paywall">Her ncern was not only for C.K.’s acknowledged victims. “I felt like I was gog to get arrted,” she said. “I jt felt, like, paranoid. That there were people around every rner.” I asked her if was bee she felt implited some way, for beg so close to C.K. “No,” she said. “It’s not a logil feelg. I jt didn’t want to go outsi.”</p><p class="paywall">She ntued, “I felt enormo empathy for him. And for any woman whose realy is that somebody fucked her up. Bee I’ve been there.” I asked her if she meant wh C.K. specifilly.</p><p class="paywall">“Oh, <em>no</em>. You mean, did he do this to <em>me</em>?” Adlon said, and shook her head. I poted out that she had appeared multiple shows wh C.K. that explore unwanted sexual approach and pulsive masturbatn. “Ewww!” Adlon shrieked. “Don’t say ‘masturbatn.’ Oh, my God!” C.K. seems to be the one subject that draws squeamishns out of Adlon.</p><p class="paywall">“If I name-checked any people, of which there are, who did fucked-up thgs to me,” Adlon said, trailg off. “You s there, and you go, ‘I don’t want my name to be lked wh their nam for the rt of my life. I don’t want to go after somebody’s fay.’ ” She rensired for a moment. “Are they a predator? Can this happen to somebody else? Then you certaly have to speak up and say somethg.”</p><p class="paywall">Adlon felt that the furor about C.K. had bee unproductive. “I wanted the world to lm down. I wanted a nversatn to happen,” she said. “I don’t thk there’s anythg that n pare wh a massive public shamg like that.” Mostly, she has been trated wh what she scrib as the “flyg shrapnel” of the news. “It was another example of extremism happeng my lifetime,” she said.</p><p class="paywall">In C.K.’s silence—he also cled to ment for this piece—the people, particularly the women, beg forced to answer for him are his lleagu. Adlon said, “Anybody who has any associatn wh him is peppered” wh qutns. “Sarah Silverman is his fuckg spokperson.” At the Toronto Internatnal Film Ftival, Chloë Grace Moretz, who was the film “<a href=">I Love You, Daddy</a>” wh C.K., “got murred wh Louis qutns,” Adlon said. “She was tryg to promote her movie.” Even Gion Adlon was asked about C.K., durg the n-up to her début feature film, “Blockers.” At the Emmy Awards last September, where Adlon was one of the nome for Bt Actrs, she avoid red-rpet terviews orr to dodge qutns about C.K. Now every time his name pops up the news—which is creasgly often, sce he has ma a foray back to standup edy—she asks the people around her to rea om talkg about him. “I jt need to foc,” she told me. “I don’t want to have to weigh on his sets.”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="A man pass a display 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17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">Adlon, who had never wrten for televisn whout C.K., didn’t know if she wanted to make “Better Thgs” on her own. She told me John Landgraf had said that, bee of her associatn wh C.K., her show wasn’t beg nsired for var awards. “It was, like, I don’t know if I n do this,” she said. “My heart’s not .” Neverthels, FX executiv enuraged her to ntue. Twice-weekly therapy ssns helped, and Rosenthal ached her on how to ntue makg the show, cludg hirg four wrers to replace C.K. “I told my dghters that I should make T-shirts that say ‘Bad for my life, good for my show,’ ” Adlon said.</p><p class="paywall">This season, Adlon ma her edg room all female (“our ltle trogen chamber,” she lled ), and she often pots out that most of the show’s major cisn-makers are women. Durg the Supreme Court nfirmatn heargs for Brett Kavangh, the st and crew staged a mi walkout. Yet the gtur to womb-ify the show n feel like attempts to buffer the unsettlg new realy of the seri, which is that was shaped and champned by someone wh a grotque track rerd of behavr toward women.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-5 viewport-monor-anchor"></div><p class="paywall">At dner, Adlon begged me to change the subject. I told her that I had terviewed some of the new wrers for her show, and had asked if they felt that C.K.’s shadow loomed over the procs. All of them said no; C.K. was generally off lims as a topic of discsn. (Many people who are associated wh Adlon refer to C.K. simply as “her former wrg partner.”) One wrer, Joe Hortua, nfsed to feelg a sense of anxiety, knowg that he and his lleagu were replacg someone wh such a celebrated—and now marred—legacy. I mentned this to Adlon, and she seemed taken aback. “Of urse,” she said. “That’s so tertg. Of <em>urse</em>. I didn’t even thk about .”</p><p class="paywall">Recently, I asked Adlon if she’d been aware of the Gawker reports. She psed, sighed heavily, and said that she had. “I was aware,” she said. “There’s certa thgs— Do I lay everythg bare? I don’t know how to rpond. All you n do is, when you know somebody you nont them.” I asked if she is still ntact wh C.K. “No, I’m not,” she said. “But I hate sayg that. If I said, ‘Oh, yeah, I talk to him every day,’ or ‘No, I’m not,’ both are awful. But I haven’t spoken to him que a long time.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">One afternoon, I met Adlon for lunch at a quiet dim-sum rtrant, where she did what she always do when beg served food or drk (even at the Emmy Awards, last year): she negotiated wh the wastaff about their e of plastic straws and ntaers.</p><p class="paywall">“Do you want somethg to go?” she asked me as the plat were beg cleared. I said y, and she turned to the waer. “What are the ntaers ma of? Are they paper?”</p><p class="paywall">“It’s Styrofoam. You don’t like those?” the waer asked.</p><p class="paywall">“You have another kd?” she asked him. He nodd. “Thank you, sweetheart!” she said, overjoyed. “I give everybody a hard time,” she said. The waer returned to the table wh a plastic ntaer, which was unsatisfactory.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="ezt9mw"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="3dyfg"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">“Fuck, what do I do?” Adlon asked out loud. “I’ll take one of the and I’ll rse .” Of all the ills the world, the one Adlon is the most preoccupied wh is climate change. She is a csar for the battle agast the e of plastic straws. “We’re fucked,” she said. “And ’s not jt the straws that’s fuckg up, ’s everythg.” Adlon was recently reced to direct a Yopla mercial, an opportuny she turned down bee of her environmental nvictns. “I said, ‘I need money badly!’ ” she told me. “ ‘But I n’t do this unls you tell me you have some kd of staable packagg gog on.’ ”</p><p class="paywall">The Yopla mercial is one of many unexpected opportuni prented to Adlon the wake of “Better Thgs,” some of which are more tertg to her than others. She would like to direct a film, but only one that pays well. “What I don’t need to do is go work a dch and make an pennt movie for thirty days that don’t pay me any money, bee that’s what I do every episo of my show,” she told me.</p><p class="paywall">When Adlon’s father turned fifty, he began to experience a form of discrimatn typilly imaged to be rerved for those ont of the mera. Networks and studs started favorg younger wrers. Adlon remembers her father and one of his wrer iends sendg the iend’s son to pch an ia for a show; the show was picked up. Adlon has experienced the oppose phenomenon. “A new life begng at fifty,” she told me, awe. “I should be the dtb at the Jewish Council Thrift, down the street.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-6 viewport-monor-anchor"></div><p class="paywall">Adlon is eply superst. She is nstantly knockg on wood, and she and her dghters have a tradn of makg a sptg sound—“<em>toi toi toi</em> ”—at their fgers to ward off somethg sister. Adlon is certaly the type to open a fortune okie, which she did at the end of our meal. “You will soon be the center of attentn,” the ty slip of paper read. Adlon ckled. “I don’t know if that’s a good or a bad thg anymore,” she said. ♦</p><p class="paywall">An earlier versn of this piece misstated the nnectn between “E/R,” the CBS s, and “ER,” the popular NBC drama.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="qtyzwo"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2019/02/11" data-reactroot="">Febary 11, 2019</a>, issue, wh the headle “Raw Material.”</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div 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href="/culture/culture-sk/better-thgs-pamela-adlons-unlikely-o-to-sgle-motherhood" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“Better Thgs,” Pamela Adlon’s Unlikely O to Sgle Motherhood" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Culture Dk</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/culture/culture-sk/better-thgs-pamela-adlons-unlikely-o-to-sgle-motherhood" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">“Better Thgs,” Pamela Adlon’s Unlikely O to Sgle Motherhood</div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span 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Revelatns" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Cultural Comment</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/culture/cultural-ment/reactg-to-the-louis-ck-revelatns" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Reactg to the Louis C.K. Revelatns</div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Ey Nsbm</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--evio summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard 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src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Vio</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Wns a Mother's Call wh her Dghter Government Ctody</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">The New Yorker obtaed a rerdg of a mother’s vio ll wh her dghter, who is beg held a San Anton-based nonprof shelter.</div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left 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