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emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/michael-schulman">Michael Schulman</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2022-04-29T06:00:00-04:00" class="SplScreenContentHearPublishDate-bMGEVk gvRvVr">April 29, 2022</time><div class="SocialInsWrapper-hKMEXV ffgPVr social-ins social-ins--standard SplScreenContentHearSocialShare-gSVclr kUKgnn"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA ivmblD social-ins__list"><li class="SocialInsListItem-mbhR hHoUCw social-ins__list-em social-ins__list-em--facebook social-ins__list-em--standard thner"><a aria-label="Share on Facebook" class="external-lk 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Story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z" fill="black"></path><path class="in-bookmark-stroke" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z" fill="black"></path></svg></div></a></li></ul></div></div></div><div class="GridItem-buujkM eHLzLy grid--em"><div class="SplScreenContentHearLeadWrapper-jYfGAC kBeEbL"><div data-ttid="ContentHearLeadAsset" class="SplScreenContentHearLeBlock-nUOA cwQiEB"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SplScreenContentHearLe-bGywFh gyNssY"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SplScreenContentHearLe-bGywFh gyNssY rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="A portra of Elizabeth Moss who characters are often poised at the crossroads of meekns and ferocy." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 SplScreenContentHearGrid-kFpOdh fLkIyA"><div class="GridItem-buujkM kHPPIF grid--em"><div class="CaptnWrapper-jSZdqE iTuhkZ ptn SplScreenContentHearCaptn-iOfEOv ckLUKG"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Moss’s characters are often poised at the crossroads of meekns and ferocy.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Steph Martyni for The New Yorker</span></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ 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class="IameEmbedWrapper-sc-dRedg cjyRVU iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ fXVBaX"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="90" width="100%" sandbox="allow-scripts allow-same-orig allow-popups" tle="Embedd Frame" data-src=" allowfullscreen="" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p class="has-dropp has-dropp__lead-standard-headg paywall">“Wowzers,” Elisabeth Moss said, peerg down at a bloodied rpse ma of siline. It was January, and Moss was on the Toronto set of “<a href=">The Handmaid’s Tale</a>,” the Hulu seri on which she plays June, an pee om a patriarchal dystopia known as Gilead. The seri, based on Margaret Atwood’s 1985 novel, imag a reprsive theocracy that has overthrown the Uned Stat and forced women to regimented rol, cludg Handmaids, who are ceremonially raped and impregnated by their Commanrs. The first season, hewg to Atwood’s book, troduced June’s life as Ofed, renamed to mark her ownership by Commanr Fred Waterford, played by Joseph Fienn. By Season 5, for which Moss was preproductn, June has fled to Canada and, along wh a pack of former Handmaids, pummelled Fred to oblivn. The nu siline body, wheeled out on a metal tray, was his.</p><p class="paywall">Moss spected s exposed shbon, mangled wrists, and clawed-up cht. “Anyone want a charcuterie plate?” she said, lghg. Moss was vettg the rpse her role as the director of the first two episos of the season; she began directg Season 4, and she is also an executive producer. The day had been rerved for mera tts, wh the crew sortg out such tails as the exact sha of red that June’s bloody handprt should leave on a r wdow.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">“I do have a penile note,” Moss said, brightly.</p><p class="paywall">“More? Ls?” a prosthetics signer named Zane asked, as they surveyed Fred’s damaged genals.</p><p class="paywall">“Well, I jt don’t want to look like they <em>b</em> off.”</p><p class="paywall">“We uld always add more on.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">“Maybe,” Moss said. “So looks more like ’s smashed.” Her ey trailed downward. “The to look so real!”</p><p class="paywall">Moss had hly dyed blond hair and wore a T-shirt that read “Liberté! Egalé! Materné!” At thirty-ne, she has worked on televisn sets for more than three s, and she projects a jnty profsnalism. “The Handmaid’s Tale” may be relentlsly gome, but Moss’s off-screen prence is as light as tulle. She snapped gum, cracked jok, and showed me photographs of her two tangere ts, Lucy and Ethel. A Los Angel native, she ployed the ocsnal Valley-girl “Totally!” Everyone lls her Lizzie.</p><p class="paywall">[<em>Support The New Yorker’s award-wng journalism. <a href=">Subscribe today »</a></em>]</p><p class="paywall">On mera, though, Moss has an almost alien self-posssn, channellg extreme stat of trma, rage, fear, or savagery. Her characters are often poised at the crossroads of meekns and ferocy. Directors like to shoot her lgerg closps, her knotty, exprsive face gog blank wh tachment or flashg wh wildns, her ey starg down her beaky nose like a pair of termed headlights. Alex Ross Perry, who directed her three pennt films, scribed her talent for “lookg to the darkns and g back wh a b of a glt her eye.”</p><p class="paywall">Moss, who was raised the Church of Scientology, is one of the most unnventnal stars of her generatn, and her reer trac the trajectory of the past quarter century of televisn. At seventeen, she began playg the Print’s dghter on “The Wt Wg,” perhaps the high-water mark of turn-of-the-lennium work drama. At twenty-three, she was st as Peggy Olson on “Mad Men,” which starred Jon Hamm as the adman Don Draper, part of a wave of prtige ble seri centered on male antihero. But as the show went on—and Peggy morphed om moy secretary to tart pywrg whiz—she beme s stealth heroe, potg the way to TV’s more female-centric next phase. (Moss received six Emmy nomatns.) Before “Mad Men” was over, she starred Jane Campn and Gerard Lee’s limed seri, “Top of the Lake,” a forenner of such highbrow whodunns as “Mare of Easttown.” Then me “The Handmaid’s Tale.” If “The Wt Wg” was liberal Ameri’s alternative to the Bh Admistratn, “The Handmaid’s Tale,” which premièred the sprg of 2017, midway between Tmp’s Inguratn and #MeToo, was timed for the Ristance. Women prottg abortn rollbacks bons and red rob is now a staple of Amerin activism. Moss won her first Emmy for the role.</p><p class="paywall">At the same time, she has built up an idsyncratic film résumé, choosg projects that reflect her penchant for dark, even feral characters. She played a woman stabbed the neck by her own doppelgänger, Jordan Peele’s “Us,” and a monic versn of the wrer Shirley Jackson, Josephe Decker’s “Shirley.” Many of her rol al wh vlence agast women. In 2020, she starred Leigh Whannell’s “The Invisible Man,” which rest the H. G. Wells novel as the story of a woman terrorized by her abive tech-mogul ex, who his visibily su to stalk her. She told me, gigglg, “I n’t tell you how many children I’ve lost rol. They’re eher beg taken away or stolen. It’s, like, <em>J Christ</em>.”</p><p class="paywall">In the past , Moss has bee a kd of me to Alex Ross Perry. After stg her the lerary satire “Listen Up Philip,” Perry ma her the protagonist, a woman on the edge of madns, of his micro-budget drama “Queen of Earth.” Then he wrote her a tour--force role as a self-stctive punk rocker, “<a href=">Her Smell</a>.” Anyone who still thought of Moss as a secretary a Peter Pan llar was disabed, watchg her prowl around rock clubs smeared masra, snarlg l such as “Dg-dong, the bch is back!” Durg awards season, Perry wrote a letter to the New York Film Crics Circle pleadg for Moss to be regnized, to ltle avail. “It obvly remas a black mark on any anizatn—all of them—that didn’t appropriately award that performance,” he told me.</p><p class="paywall">Durg the panmic, Moss and the former WME agent Ldsey McMan lnched a productn pany, Love & Squalor Pictur. Its first project, “Shg Girls,” a crime thriller wh flecks of sci-fi, has jt premièred, on Apple TV+. The show, based on a 2013 novel by Lren Bk, stars Moss, who also directed two episos, as a newspaper archivist early-neti Chigo. After survivg a near-adly asslt, she is pursued by a time-bendg serial killer.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">“I like playg rol that are very nflicted or have some major trma, which is all very different om my life,” Moss told me one day, applyg lip balm wh her pkie. She watch rom-s and Marvel movi, but through actg she travels to an emotnal herworld, a procs she lik to scribe as “fun.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">Moss, who wouldn’t dream of gog mpg, enjoys extreme-sports documentari. “I’m fascated by that need to climb that mounta, this need to show yourself what you n do,” she said. Actg is her versn of ee-solog. Early “The Handmaid’s Tale,” Margaret Atwood had a meo as an Aunt, one of Gilead’s matronly enforcers, who smacks June on the face durg an doctratn. “We had to shoot four tim, bee I was apparently not dog forcefully enough or wh enough swlg and termatn,” Atwood told me. “So I had the bizarre experience of my leadg lady turng around and sayg to me, ‘H me harr! C’mon, gimme a whack!’ ”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">One afternoon, Moss sat her “Handmaid’s Tale” productn office, an unglamoro buildg on the outskirts of Toronto. The walls were vered storyboards and shots om movi (“Moonlight,” “Black Swan”) whose look she wanted to emulate. Ocsnally, an associate me to show her head shots of potential extras. “Every day, we lose a Handmaid,” Moss lamented. “Search the uch chns!” (Some actors, she said, had dropped out bee of the show’s vacce requirement.) She had tacked John Everett Millais’s patg of the drowned Ophelia on the door. “One of the them this season is water,” she explaed. “There’s fely a theme of rebirth and fdg out who you are.”</p><p class="paywall">Moss was also postproductn for “Shg Girls”; McMan, her producg partner, lls her “an absolute workhorse.” “I went to dner a uple of weeks ago wh some of the st, and you would have thought I was gog to the fuckg Osrs,” Moss told me. “I’m not ed to havg a life outsi of work.” In her office, she held up a display of stume swatch. “I love prep,” she said. “Actg I’m much more laissez-faire about.” Collaborators say that she n stantly swch om sual banter to earth-shatterg emotn. “Lizzie has an credible abily to turn on and turn off,” Jon Hamm told me.</p><p class="paywall">When I asked Moss about a harrowg scene “The Handmaid’s Tale” which June nonts her former tormentor Mrs. Waterford wh such seismic fury that sp shoots om her mouth, she lghed and said, “The fun part is that, life, you’re not supposed to go and scream people’s fac like that.” Mic is sential to her procs. She mak a tailed playlist for each character, to get the mood. The one for “The Handmaid’s Tale” clus works by the post-mimalist poser Max Richter, Hans Zimmer’s soundtrack for “Interstellar,” and, when June is avengg mo, Beyoncé’s “Formatn.” For “Her Smell,” she listened to Radhead. “AirPods were a massive addn to my reer, bee I don’t get all wrapped up wir now,” she said.</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="fnzhpr"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">In Toronto, Moss reported to the stud for a lotn survey. Lurkg among the crew was Bradley Whford, who plays a Commanr and was observg Moss before directg an episo himself. “I’m jt here out of fear,” he said, dryly. Whford has known Moss sce “The Wt Wg,” and, as she led the walk-through, he beamed wh avuncular pri. “It’s a very odd batn of beg able to be the bird that fli around the ge and to re about how the ge is built,” he said. “It’s extremely imprsive to me, and my heart is the size of a rais.”</p><p class="paywall">We drove to a small park next to a thedral, the se of a scene which June ss on a bench Canada. Although she has ped Gilead, she stggl to adjt to her eedom, her wrath fadg to a kd of damaged glee. A blizzard had dumped more than a foot of snow on the cy, and Moss was barely visible behd her srf, hat, and sunglass. She discsed removg some recyclg bs on the day of the shoot. “We good, Boss?” she asked an assistant director, Michael Johnson, known as MJ.</p><p class="paywall">“Yeah, Boss,” he replied. Moss told me, “We all jt ll everybody Boss. MJ’s Boss, I’m Boss—or Moss Boss.”</p><p class="paywall">At a civic center that would double as the exterr of a mue, Moss surveyed a spot where extras would assemble. “I’ve tend to thk like a director for a while,” she told me, mentng that she’d been volved the tactile world-buildg of “Handmaid’s” sce the begng. When Moss took up directg, she asked every director she enuntered (W Anrson, Taika Wai) for advice. Ben Stiller remd her not to shortchange herself as an actor when she need another take. But her mol was Jane Campn. “I learned om Jane that ’s O.K. to say, ‘I don’t know,’ ” Moss told me. She was talkg about her more reee approach to actg when Whford walked by. “I’m jt dispensg some wisdom,” she adpanned. “You might want to stick around.”</p><p class="paywall">The two chatted the snow. “I learned how a set should be om ‘The Wt Wg,’ ” Moss went on. “Everyone was so profsnal—knew their l, bee those l were <em>sane</em>—but had fun.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">As sually as Moss talks about actg, the rults n ep. For “Queen of Earth,” Perry wrote Moss a monologue which she exriat a man she loath at a dner table. The l are vic—“You are weak and greedy and selfish”—and Moss livered them a methodil near-whisper. A lav mike was taped near her cht, and durg edg Perry noticed that he uld hear her heartbeat accelerate as her character released more bile. He kept the film. “She’s changg her blogy as pertas to the scene,” he said. “And then n do aga the next take.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Moss has always had a transportive imagatn. As a child, livg Lrel Canyon, she would read “Ltle Hoe on the Prairie” and pretend she lived on a farm. She tend to an imagary garn the back yard. “I would dig a ltle hole and put some gravel or ston , and then I would put a ltle stick there,” she relled. “I mt have read a book about a garn.”</p><p class="paywall">She om a fay of micians: her father, Ron, is a jazz trombonist and manager, and her mother, Lda, plays blu harmoni. (They are now divorced.) She has a younger brother, Derek. One of her earlit memori is of hangg around backstage at the Blue Note Jazz Club, New York. “Micians would e over all the time, and everyone would brg an stment and play,” she relled. “And I would dance. It was a very creative, artistic environment. But not, like, a hippie way— a jazz way.” When she was five, her mother put her ballet class. “Growg up a fay of micians, you weren’t a dilettante about thgs,” she said. “If you had a chosen art form, you took that serly.”</p><p class="paywall">Moss told me that her actg reer began when her ballet class put on “The Sound of Mic” and an agent saw her play Gretl, the ltlt von Trapp. She was soon bookg toy and cereal mercials. At seven or eight, she got her first televisn job, a Jackie Colls miseri lled “Lucky Chanc,” as a girl who fds her mother, played by a young Sandra Bullock, ad a pool. She worked steadily as a child actor, projects cludg “Suburban Commando” ( which she watch Hulk Hogan rcue a t om a tree) and the TV movie of “Gypsy,” starrg Bette Midler. (Moss played the child versn of Gypsy Rose Lee.)</p><p class="paywall">But her profsnal life predat “The Sound of Mic.” When she was five, her godfather, Chick Corea, the famo jazz pianist, st her a mic vio for a piece he’d posed lled “Eternal Child.” Corea was a longtime Scientologist—he’d once rerd a jazz album based on an L. Ron Hubbard novel set on a time-travellg spachip—and Moss’s father was his manager. In a neteen-eighti advertisement that has ma s way onle, Corea and Ron Moss pose at a keyboard, next to the slogan “Who guarante the future of Scientology? WE DO!”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="Frog a pot of boilg water talkg to another og." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“I know the water is slowly heatg up, but I figure that’s the younger generatn’s problem.”</span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn RponsiveCartoonCred-bKlQqO faLAFb rponsive-rtoon__cred"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT bmQtfn ptn__cred">Cartoon by Ellie Black</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT 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19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">Moss’s parents joed Scientology before she was born. Her father, who om England, once played a jazz band wh Ron Misvige, whose son, David, is the current head of the Church. (Ron Misvige, who died last year, later published a damng book about his son, tled “Ruthls.”) Acrdg to an terview that Ron Moss gave last year, on the ocsn of Corea’s ath, he and Corea met England, at the Scientology headquarters East Grstead, around the early seventi. Soon afterward, Ron moved to L.A. and beme Corea’s tour manager, and they formed a label together. He later managed Isaac Hay, another Scientologist, who stopped voicg the character of Chef on “South Park” after an episo that spoofed the Church.</p><p class="paywall">Moss told me that Corea was “the first person to see me as an artist, even at five years old. He treated me the same as he would if I was his age.” Geoff Lev, a poser who knew the Moss through the Church and has sce left Scientology, relled seeg the young Moss, who then went by Lissa, at the Church’s Celebry Centre Internatnal, L.A., and fdg her strikgly prec. But that may have had to do wh how Scientology views children. Lev said, “In Scientology, they are ancient begs that jt happen to get a baby body that is born to you.”</p><p class="paywall">Moss performed Corea’s “Eternal Child” theatr on both asts; the vio she was aired on MTV 1988, wh meos by Karen Black, Al Jarre, and John Travolta—all celebry Scientologists. In <a href=">the vio</a>, she appears a red drs wh a lace llar, then picks up pk ballet sho and transports to a barre a leotard and tights; later, she returns as an apparn a mirror, as another young girl picks up ballet sho. At the time, a Los Angel <em>Tim</em> profile of Moss scribed her as a ballet prodigy wh a perfect arabque. Asked by the wrer what she liked bt about dancg, Moss said, “The lights and the people and the clappg. I like Chick Corea, and I like dancg wh Chick Corea. And I like beg the Eternal Child.”</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="35z84h"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Acrdg to Scientology rerds that have been ma public, Moss took the Hubbard Key to Life Course when she was eight and achieved the state of Clear when she was eleven. Although Moss downplays her relig affiliatn publicly, she is part of a small set of send-generatn Hollywood Scientologists, and her relig work has played a role her reer. Her manager sce the age of ten has been Gay Ribisi, the mother of the actors Gvanni and Marissa Ribisi, a proment Scientology fay; when she was preparg for “Her Smell” and need to ask someone about punk rock, she lled Beck, who at the time was married to Marissa Ribisi. (He has sce nied that he ever “actively pursued” Scientology.)</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-4 viewport-monor-anchor"></div><p class="paywall">Moss says that her iends growg up were mostly other balleras, not the children of Scientologists. As an adolcent, she acted on shows such as “Picket Fenc” and ntued to dance, attendg the School of Amerin Ballet, New York, and studyg at Suzanne Farrell’s summer tensive at the Kennedy Center. At fifteen, she faced a choice: apply for year-round ballet programs or pursue actg. “I remember thkg, I want to have a reer past thirty-five,” she said. But her ballet trag gave her a sense of rhythm, she said, and an stct for “how your entire body n munite an emotn a scene, whether ’s stillns or the oppose of stillns.” That same year, after a “bbled together” tn of homchoolg and tutors, she got her G.E.D. She knew she wanted to be a full-time actrs: “I was, like, I don’t know why I need algebra.”</p><p class="paywall">As a teen-ager wh gawky featur, Moss began to figure out where she f Hollywood. “I wasn’t the perfect-cheerlear type. I uldn’t get one of those WB shows to save my fuckg life,” she said. “It was also to do wh my style as an actor, which was kd of weird, and remas kd of weird. I was not very good at playg somethg straight.” In 1999, she appeared as an stutnalized burn victim “Girl, Interpted” and began her role on “The Wt Wg,” as Zoey Bartlet. At her dn, she saw an actrs who looked jt like Wnie Cooper, om “The Wonr Years.” “I remember thkg, Oh, that’s that. Wnie Cooper’s here. I’m not gettg this part,” she relled. “And all three tim I read wh this man who seemed really nice and was really good at the dialogue, and I had no ia who he was. It was only after I got the part that I realized was Aaron Sork.”</p><p class="paywall">At neteen, Moss moved to New York to act an Off Broadway play, “Franny’s Way,” alongsi Mart Srse’s dghter Domeni. (The <em>Tim</em> wrote that both actrs “mix fensive malice and vulnerabily.”) After the n, she moved to an apartment Stuyvant Town that she found on Craigslist and shared wh a fiftysomethg man whose name, she thks, was eher Johnny or Walter. “He had the livg room, which had a partn, and I had the bedroom, which had a mattrs on the floor,” she relled. “He was a substute teacher, so he was gone durg the day, and I was neteen, so I was kd of out all night.” She stayed the apartment for three or four years. In 2003, she starred an die film lled “Virg,” as a pregnant teen-ager who believ she is rryg the child of God, and was nomated for an Inpennt Spir Award. But she was often short on sh, and Johnny-slash-Walter would sometim ver her four-hundred-dollar rent. She had no backup plan and no day job. “It was this weird juxtaposn of beg a super ty b famo but then also havg absolutely no money,” she said. “I’d go, ‘I don’t thk I n get another job. They’re gog to be, like, Why is Zoey Bartlet workg at the ffee shop?’ ”</p><p class="paywall">After years of termtent rol, she dned for “Mad Men.” She showed up lookg like a “beachy California girl”: long blond hair, tanned sk, skimpy halter drs. “I looked nothg like Peggy,” she said. But she got the part. “I jt knew who she fuckg was. It felt like puttg on the most fortable sweater you own. It felt like a good cktail.”</p><p class="paywall">In the first season of “Mad Men,” Peggy is so naïve that she don’t realize she’s pregnant until she go to labor. Moss brought an unnny, even creepy qualy to the character which add to the show’s gelid mystique. In one scene, she tells her nscendg supervisor, Joan, “I jt realized somethg. You thk you’re beg helpful.” Moss livered the le a slow whisper, like an alien observg an earthlg. She had ltle sense of how Peggy would evolve. “The first season, I spent a lot of time stg outsi an office,” she relled. “I’d be behd the door on a typewrer. And the door would close, and I’d pull out a gossip magaze, and when I heard the scene was endg I’d put back and the door would open, and I’d be there pretendg to type aga.” Her first ditn that Peggy was sted for somethg greater was when the creator, Matthew Weer, showed the st the openg creds, and she saw that her name was send, after Jon Hamm’s.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">In 2008, Hamm hosted “Saturday Night Live,” and Moss ma a meo a “Mad Men” sketch. That night, she met Fred Armisen, a st member. Three months later, they got engaged, and they were married wh a year. “I was twenty-seven years old, and I was young, and thgs happened for reasons that I believed at the time,” she told me. They spl after eight months. Not long afterward, Moss told the <em>Post</em>, “One of the greatt thgs I heard someone say about him is, ‘He’s so great at dog impersonatns. But the greatt impersonatn he do is that of a normal person.’ To me, that sums up.” Sce then, the story of what happened between them has played out cryptilly the prs: Armisen admtg he was a “terrible hband,” Moss sayg that the marriage was “trmatic.” In 2015, Armisen told Marc Maron, on his podst, that he’d been ught up the fantasy of datg the girl om “Mad Men.” “I have a problem wh timacy, where, all of a sudn, there’s a real person there,” he told Maron. He add that he tend to sabotage relatnships wh fily.</p><p class="paywall">When I read the ments to Moss, she said, evenly, “I would say, good for him for beg open about that. He said more to Marc Maron than he said to me at the time.” She went on, “I fely learned that you should make sure you know somebody before you marry them.” Her bt iend, San Goldberg, who was an AMC executive durg “Mad Men,” told me, “It was rough. One of the thgs Lizzie says, which I thk is te, is everyone is to Hollywood breakups. We all get <em>Us Weekly</em> when we’re gettg on the plane, so she unrstands the tert behd . But then, when ’s you, ’s not that fun.”</p><p class="paywall">In Season 5 of “Mad Men,” Peggy gets another job and giv notice to her mentor, Don Draper. When Moss, shootg the scene, held out her hand for a handshake, Hamm surprised her by kissg and not lettg go, and the mera ught Moss chokg up. She kept only one stume om the show, the purple drs she wears that scene. “I don’t know if was my favore scene to shoot, but was the most real,” she told me. “Bee I was jt about to go do ‘Top of the Lake,’ and I had this feelg of leavg the nt, and that I was gog to go off and try somethg new.”</p><p class="paywall">Among the “Mad Men” st, Moss has had the most adventuro post-show reer. Josephe Decker, who directed “Shirley,” told me, “She’s drawn to really plited material.” But Decker admted that there was “an ocean of Lizzie” that remaed enigmatic to her: “I never talked to her about the Scientology thg, but I’m really cur about .”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">The Scientology thg. Even the sual Moss fan has to grapple wh gnive dissonance: what’s an approachably ol pop-culture femist in dog an anizatn that s fectors, among other crics, scribe as a dangero cult? It’s temptg to image that she’s jt culturally Scientologist, like a Jew who go to temple only on Yom Kippur. And yet, acrdg to a Web se that tracks “service pletns” listed Scientology magaz, 2017 Moss did a Purifitn Rundown, a tox treatment that volv prolonged heat exposure and gtg large quanti of niac.</p><p class="paywall">When I brought up Scientology, Moss was Zoomg om her trailer Toronto, stg on the floor. In my time wh her, she had been iendly and accsible. “I don’t want to e off as beg gey,” she said. “If you and I met, jt hangg out as iends, I’m, like, an open book about .” But, she add, “I don’t want people to be distracted by somethg when they’re watchg me. I want them to be seeg the character. I feel like, when actors reveal too much of their liv, I’m sometim watchg somethg and I’m gog, Oh, I know that she jt broke up wh that person, or, I know that she lov to do hot yoga, or whatever is.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-5 viewport-monor-anchor"></div><p class="paywall">I told her that people are already distracted by —that they don’t always know how to hold the public and the private Lizzi their md. Sg, she replied, “People n obvly hold their md whatever they want to, and I n’t ntrol that. If ’s not that, ’s gog to be somethg else.” She smeared on lip balm and ntued, “It’s not really a closed-off relign. It’s a place that is very open to, like, welg somebody who wants to learn more about . I thk that’s the thg that is probably the most misunrstood.”</p><p class="paywall">One of the tes of Scientology is that the md is divid to two parts: the analytil, which we e to make nsc choic, and the reactive, which holds on to trma and pa, and mt be vanquished orr to “go Clear.” It seems like an odd f for Moss, who is drawn to performg trma. “Well,” Moss said, “I thk ’s more about those trmatic cints, or those moments of pa, whether ’s emotnal or physil, holdg you back om beg who you are now.” I asked how Scientology had helped her as she grew up. She scratched her neck, thkg, and said, “Communitn is somethg that I obvly e so much, not only my job but my terpersonal relatnships as well. That is probably one of the No. 1 basic thgs that I grew up learng and grew up g and e every day: the power of jt beg able to listen to somebody, of makg somebody feel heard, of not beltlg them for what they thk or believe, even if you thk ’s wrong. ”</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="zv58gb"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Many of the <a href=">reported ab</a> perpetrated by Scientology—md ntrol, makg fay members cut ti wh apostat (a policy known as Disnnectn), assigng troublome members to hard labor—echo the thorarian tactics of Gilead. (The Church lls the allegatns “false and mischaracterized.”) I asked how a viewer of “The Handmaid’s Tale” might rencile the two thgs.</p><p class="paywall">“I would jt enurage people to fd out for themselv,” Moss said, a le she would repeat several tim. “I’ve certaly been guilty of readg an article or watchg somethg and takg that as gospel.” She said that she thought was important to reflect her own valu the work she do. “And obvly somethg like relig eedom and ristance agast a theocracy is very important to me.”</p><p class="paywall">I asked Margaret Atwood, who scrib herself as a “strict agnostic,” the same qutn. She replied, “I don’t thk ’s a qutn of a relign as such. I thk ’s a qutn of who’s nng , and what are they g for. What kd of power are they exertg over other people, benign or not? As far as I n tell, there’s a Hollywood versn of Scientology. I mean, the origs are jt batty, but pared to what?” Then she told me about the Pastafarians, a satiril relig group that worships a spaghetti god and whose members have sued for the right to wear lanrs on their heads ernment-I.D. photos.</p><p class="paywall">Scientology’s ntroversial place Hollywood has embroiled Moss some awkward moments. In 2017, she was nomated for a Televisn Crics Associatn Award for “The Handmaid’s Tale.” At the ceremony, Leah Remi, one of Scientology’s most high-profile fectors (the Church says that she was “expelled”), won for her anti-Scientology doceri. It was reported that Moss left the room durg her speech. “I went to the bathroom,” Moss told me. “I wish was more excg than that.” Remi claimed that the Church forbids Moss to speak to her bee Remi is an “antisocial personaly.” “I have never been approached by her,” Moss said. “I have never received any requt to talk to her. So there hasn’t been an opportuny for her to say that. I don’t know her that well, so ’s not like we were iends.”</p><p class="paywall">That year, Moss won her “Handmaid’s” Emmy, and she thanked her mother onstage for teachg her “that you n be kd and a fuckg badass.” <em>The Hollywood Reporter</em> ran a story which a former Scientologist claimed that swearg was part of how adherents munite “down the tone sle” to average people; Tony Ortega, who wr a Scientology whistle-blower blog, explaed, “Cursg Scientology is almost a sacrament,” havg trickled down om L. Ron Hubbard’s time the Navy. (The Church matas that “no such teachg exists.”) When I asked Moss about the story, she said, “That pissed me off. That was a really, really big moment for me, and was a big moment for my mom and me. My mom, who has supported me through the years and been such an credible mother to both me and my brother. And to tell a lie like that, about that—I didn’t serve that, and was wrong.”</p><p class="paywall">Perhaps was unfair to view Moss’s every move through the lens of Scientology, but I wonred about her ment about munitn. Later, I spoke to Mike Rr, a former senr executive the Church, who has sce bee one of s most proment crics. He said, “That’s a fundamental ncept that is sold to new people to get them to Scientology. You’ll hear a lot of Scientologists say, ‘It tght me to munite,’ bee ’s a simple, unntroversial thg. Lizzie is good at munitg her rol to dienc, so you n’t say that’s a lie. It’s a great le to e, bee ’s one of those thgs that you n’t really challenge.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">In Toronto one eveng, Moss sat her office, vionferencg on her laptop. Outsi, the wter sky grew purple and orange over a parkg lot. Moss, a hoodie and sneakers, was endg her day wh a mic-spottg ssn for “Shg Girls,” reviewg cu for an episo she had directed. She and her llaborators watched a scene which the serial killer, played by Jamie Bell, stumbl around beneath a Chigo El statn.</p><p class="paywall">“The emotn shouldn’t feel omo— should jt feel antic,” the shownner, Silka Luisa, mented. Moss threw out her gum and b to an apple. Ocsnally, when someone knocked on the door wh a “Handmaid’s Tale” qutn, she muted herself. A light snow began to fall, and soon Moss’s office was l by the glow of the Christmas lights she’d stng on the walls.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-6 viewport-monor-anchor"></div><p class="paywall">In “Shg Girls,” Moss’s character, Kirby, experienc abpt shifts her life: her hair style chang, or she’ll sudnly have a hband or a different apartment. In her office, Moss turned to me and said, “This is a very important sre cue.” Onscreen, Kirby was a livg room at night, lookg outsi. Her pursuer, Harper, is out the ra, lookg . He n see her, but she n’t see him. But the two share a metaphysil nnectn. In the scene, Moss explaed, Harper “figur out that he n fuck wh me, and chaos ensu.”</p><p class="paywall">The mic was slow and sister, punctuated wh plks and a sound like sects gatherg. Someone asked how everyone felt about the sre. Moss seemed unsure, but, as she told me later, she hadn’t worked wh the poser, Cldia Sarne, before, and was “hant to take the lead.”</p><p class="paywall">Luisa was unrwhelmed. “It’s a big disvery for Harper,” she said. “So at first feels omo, and then ’s this light-bulb moment, somethg that feels a ltle distct.”</p><p class="paywall">“Exactly,” Moss chimed , relieved that someone else had said first. “It needs to be somethg that’s a ltle more unual.” Sarne said that she would rethk the cue. Moss grned. Later, I spoke to Bradley Whford aga, as he was filmg a “Handmaid’s Tale” episo unr Moss’s directn. “Yterday, I was shootg a scene where I found this weird beat,” he told me. “And she out and says, ‘That thg you found is great. Go ahead and swim the weird.’ ” ♦</p></div></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 PaywallInleBarrierWhWrapperGrid-fyrGfS jyGBoi"><div class="GridItem-buujkM kHPPIF grid--em"><div class="body body__le-barrier article__body article__body--grid-margs"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ContentWrapperGrid-fvkmBv jfHKjr"><div class="GridItem-buujkM kHPPIF grid--em"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG bGJnrW ArticlePageContentFooterGrid-ccsXYy fzwwkW article-body__footer"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0"><div class="GridItem-buujkM kHPPIF grid--em"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2022/05/09" data-reactroot="">May 9, 2022</a>, issue, wh the headle “Dark Lady.”</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0"><div class="GridItem-buujkM kHPPIF grid--em"><div class="LkStackWrapper-NFLYw kgtXXB lkstack" data-ttid="LkStack"><div class="SectnTleRoot-dBGvdq kjAxEG LkStackHear-lKjbE hejl lk-stack--headg" data-ttid="SectnTle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet dxqEAa dqtvfu jttyjJ">New Yorker Favor</h2></div><div class="LkStackContent-jyKicS gPhyME"><ul class="LkStackList-gGcjdZ dnMwpz"><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>The killer who <a href="/unfed" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">got to Harvard</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>A thief who <a href="/unfed" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">stole only silver</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>The light of the <a href="/unfed" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">world’s first nuclear bomb</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>How Steve Mart <a href="/unfed" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">learned what’s funny</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Growg up as the <a href="/unfed" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">son of the Cowardly Ln</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Amelia Earhart’s <a href="/unfed" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">last flight</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Fictn by Milan Kunra: “<a href="/unfed" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">The Unbearable Lightns of Beg</a>.”</p></div></li></ul><div class="LkStackFooter-KfRyO ebnmps lk-stack--footer"><div><p><a href=">Sign up</a> for our daily newsletter to receive the bt stori om <em>The New Yorker</em>.</p></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0"><div class="GridItem-buujkM kHPPIF grid--em"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/michael-schulman"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/michael-schulman">Michael Schulman</a>, a staff wrer, has ntributed to The New Yorker sce 2006. 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768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why Sarah Jsi Parker Keeps Playg Carrie Bradshaw" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">In all of her profsnal enavors, cludg the “Sex and the Cy” anchise, Parker nsirs herself a “bter enr.”</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Rachel Syme</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Upper Wt Si Cult That Hid Pla Sight" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Unr Review</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Upper Wt Si Cult That Hid Pla Sight</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Upper Wt Si Cult That Hid Pla Sight" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">In the sixti and seventi, the Sullivanian Instute had a wng sal pch for young New Yorkers: parti, sex, low rent, and affordable therapy.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Jsi Wter</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Country Mic’s Culture Wars and the Remakg of Nashville" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Amerin Chronicl</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Country Mic’s Culture Wars and the Remakg of Nashville</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Country Mic’s Culture Wars and the Remakg of Nashville" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Tennsee’s ernment has turned hard red, but a new set of outlaw songwrers is challengg Mic Cy’s nservative ways—and lg bro-untry sound.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Ey Nsbm</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ 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