After a of photographg 600 extra(ordary) men over 46 issu of his cult, self-published p-up ze Meat, London photographer Adrian Lourie has llected the bt imag om his archive, which he hop to publish a book. Meat, the UK's most succsful gay p-up ze, was published quarterly between 2010-2020 by Lourie. His goal…
Contents:
- GAY PHOTOGRAPHER REVENTS THE P-UP WH MANLY MEN
- WHEN MEN WERE THE P-UPS HUNKSSAILORS, ROMANS, WBOYS, WRTLERS, AND BOYS NEXT DOOR—WHAT MORE ULD GAY MEN THE 1950S AND ’60S WANT?WILLIAM O’CONNORFORMER TRAVEL EDORUPDATED JUL. 12, 2017 3:21PM EDT / PUBLISHED MAR. 21, 2015 6:45AM EDT PHOTO CRED: WILLIAM O’CONNOR, URTY OF ROBERT LONR AND JAM KEMPSTER COURTY OF ROBERT LONR AND JAM KEMPSTER, AND THE L DEMI DIX WEBSE. PHOTO CRED: DIMRI LEVAS PHOTO CRED: REED MASSENGILL COLLECTN PHOTO CRED: DIMRI LEVAS PHOTO CRED: LEATHER ARCHIV AND MM, CHIGO COURTY OF RIZZOLI WILLIAM O’CONNOR
GAY PHOTOGRAPHER REVENTS THE P-UP WH MANLY MEN
Sailors, Romans, wboys, wrtlers, and boys next door—what more uld gay men the 1950s and ’60s want? * gay pinups *
The distctly queer take on the pup lendar se Ashish, bt known for his eponymo fashn label, ntue his relatnship wh Hoe of Voltaire, which published GAZE 2019, a stunng limed edn 365-page visual diary of gay sire that reflects the playfulns, bety, and subversn associated wh his two- fashn reer, as well as the diversy of his mol stg.
WHEN MEN WERE THE P-UPS HUNKSSAILORS, ROMANS, WBOYS, WRTLERS, AND BOYS NEXT DOOR—WHAT MORE ULD GAY MEN THE 1950S AND ’60S WANT?WILLIAM O’CONNORFORMER TRAVEL EDORUPDATED JUL. 12, 2017 3:21PM EDT / PUBLISHED MAR. 21, 2015 6:45AM EDT PHOTO CRED: WILLIAM O’CONNOR, URTY OF ROBERT LONR AND JAM KEMPSTER COURTY OF ROBERT LONR AND JAM KEMPSTER, AND THE L DEMI DIX WEBSE. PHOTO CRED: DIMRI LEVAS PHOTO CRED: REED MASSENGILL COLLECTN PHOTO CRED: DIMRI LEVAS PHOTO CRED: LEATHER ARCHIV AND MM, CHIGO COURTY OF RIZZOLI WILLIAM O’CONNOR
As wh GAZE the book, and the @GAZEbyAshish Instagram acunt, Ashish’s 2022 lendar featur timate, equently explic portras of men, that pture the queer male gaze wh tenrns, and humour, while challengg tablished notns of masculy and sexs mastream gay culture and porn, where the mols are active participants, not only objects of sire, but subjects engaged timate acts wh the mera.