Gays are flockg to rap culture, spe s homophobic streak...
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Meanwhile, women are tolerated as sex objects, and gay inty, the least wele face, remas an irrelevant, unwanted always has had a homophobic streak–homosexualy equals weakns, which one n’t afford a hostile, racist society. 8, 2000), is one of New York Cy’s largt gay dance clubs pumpg hs by thuggish rappers Juvenile and DMX, while a le of hard-posg gay black men forms outsi? More and more young gay men of lor are intifyg wh hip-hop’s roughneck ghetto imagery and rejectg the more tasteful, “privileged” ins of whe gay culture, Trebay not.
Straight-up homi, niggaz, and thugz n walk through projects and be gay.
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”By fg a “faggot” as soft or passive, and a “gay” man as tough or real, many gay black men flect the ‘faggot’-bag lyrics of rappers such as DMX or Snoop Doggy Dogg. Rap lyrics have unniably advoted vlence agast gay people; the Goodie Mob once asserted, “P the hollow-pot tip / On this gay rights activist. “Homo thugz, ” though not ee to publicly display their affectn for other men, embrace hip-hop style.
They value hip-hop’s rebelln agast whe mastream society more than whe gay culture’s perceived need for quot novelist Jam Earl Hardy explag the origs of the “homie-sexual” movement ’80s vogue balls, where “banjee boy” or “realns” tegori featured gay men strikg pos as, basilly, hip-hop tough guys. Realns was a cheeky asi, a spoof that Hardy refers to as the “same-genr-lovg man who don’t look, act, talk, or drs a way that says gay. ” But wh mercial rap’s rtoonish machismo now celebrated big-budget vios and advertisg, Trebay reports that this year’s Ultra-Omni Ball, New York’s black gay/lbian “vogug” venue, was almost entirely nsumed by hard-re hip-hop posturg.