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ontend-pencraft-Text-module__weight-medium--x7khA ontend-pencraft-Text-module__font-meta--U_nxy ontend-pencraft-Text-module__lor-pub-primary-text--RzL7j ontend-pencraft-Text-module__transform-upperse--IDkUL ontend-pencraft-Text-module__ret--dW0zZ ontend-pencraft-Text-module__meta--jzHdd"><div class="profile-hover-rd-target ontend-rear2-ProfileAndPublitnHoverCard-module__profileHoverCardTarget--Od_YL"><a href=" class="pencraft ontend-pencraft-Box-module__ret--VfQY8 ontend-pencraft-Text-module__ratn-hover-unrle--BEYAn ontend-pencraft-Text-module__ret--dW0zZ">Charl Taylor</a></div></div><div class="pencraft ontend-pencraft-Box-module__ret--VfQY8 ontend-pencraft-Box-module__display-flex--ZqeZt ontend-pencraft-Box-module__flex-gap-4--zeW5_"><div class="pencraft ontend-pencraft-Box-module__ret--VfQY8 ontend-pencraft-Text-module__size-11--k1e8b ontend-pencraft-Text-module__le-height-20--p0dP8 ontend-pencraft-Text-module__weight-medium--x7khA ontend-pencraft-Text-module__font-meta--U_nxy ontend-pencraft-Text-module__lor-pub-sendary-text--OzRTa ontend-pencraft-Text-module__transform-upperse--IDkUL ontend-pencraft-Text-module__ret--dW0zZ ontend-pencraft-Text-module__meta--jzHdd">May 25, 2023</div><div class="pencraft ontend-pencraft-Box-module__ret--VfQY8 ontend-pencraft-Text-module__size-11--k1e8b ontend-pencraft-Text-module__le-height-20--p0dP8 ontend-pencraft-Text-module__weight-medium--x7khA ontend-pencraft-Text-module__font-meta--U_nxy ontend-pencraft-Text-module__lor-pub-sendary-text--OzRTa ontend-pencraft-Text-module__transform-upperse--IDkUL ontend-pencraft-Text-module__ret--dW0zZ ontend-pencraft-Text-module__meta--jzHdd">∙ Paid</div></div></div></div></div><div class="pencraft ontend-pencraft-Box-module__flexGrow--mx4xz ontend-pencraft-Box-module__ret--VfQY8 ontend-pencraft-Box-module__display-flex--ZqeZt ontend-pencraft-Box-module__flex-jtify-space-between--NvIcg ontend-pencraft-Box-module__flex-align-center--rSd6h ontend-pencraft-Box-module__flex-gap-16--TpblU ontend-pencraft-Box-module__paddg-y-16--ohCEm ontend-pencraft-Box-module__borr-top-tail-themed--e17yZ ontend-pencraft-Box-module__borr-bottom-tail-themed--eVwFY post-ufi"><div class="pencraft ontend-pencraft-Box-module__ret--VfQY8 ontend-pencraft-Box-module__display-flex--ZqeZt ontend-pencraft-Box-module__flex-gap-8--HFpIK"></div><div class="pencraft ontend-pencraft-Box-module__ret--VfQY8 ontend-pencraft-Box-module__display-flex--ZqeZt ontend-pencraft-Box-module__flex-gap-8--HFpIK"><a role="button" href="javascript:void(0)" class="post-ufi-button style-button no-in has-label wh-borr"><div class="label">Share</div></a></div></div></div></div><div class="visibily-check"></div><div class class><div class="available-ntent"><div dir="to" class="body markup"><p><em>Wh Pl Schrar’s betiful new film </em><span>Master Garner</span><em> begng s theatril n, I wanted to look back to his most romantic and least seen film, the 1999 </em><span>Forever Me</span><em>. Stuck distributn limbo before beg sloughed off to ble and DVD, the movie, apart om s ial showg at the Telluri Film Ftival and a screeng the Film Comment Selects seri at the Film Society of Lln Center, has not been shown on the big screen. It remas one of the bt Amerin movi of the last thirty years and one a ravishg embodiment of movie romance. This piece origally appeared a slightly different form the publitn formerly known as Salon.</em></p><div class="ptned-image-ntaer"><figure><a class="image-lk is-viewable-img image2" target="_blank" href=" data-ponent-name="Image2ToDOM" rel><div class="image2-set"><picture><source type="image/webp" srcset=" 424w, 848w, 1272w, 1456w" siz="100vw" /><img src=" width="1415" height="615" data-attrs="{"src":"" class="sizg-normal" alt srcset=" 424w, 848w, 1272w, 1456w" siz="100vw" fetchprry="high" /></picture><div class="image-lk-expand"><svg xmlns=" width="16" height="16" viewBox="0 0 24 24" fill="none" stroke="#FFFFFF" stroke-width="2" stroke-lep="round" stroke-lejo="round" class="luci luci-maximize2"><polyle pots="15 3 21 3 21 9"></polyle><polyle pots="9 21 3 21 3 15"></polyle><le x1="21" x2="14" y1="3" y2="10"></le><le x1="3" x2="10" y1="21" y2="14"></le></svg></div></div></a></figure></div><p><span>Pl Schrar's </span><em>Forever Me</em><span>—one of the lht movi recent memory—will have s big-screen life nfed to s recent showg at the Telluri Film Ftival. The vagari of film distributn have nfed s release to lower-tier ble statns, and eventually DVD. Which is an athetic crime bee a movie this geo movie cri out for the big screen.</span></p><p><em>Forever Me</em><span> is the most fluid and openly emotnal piece of directn Schrar has yet done. Never an tuive director, Schrar’s first movi tackled hot, dicey topics (unn polics </span><em>Blue Collar</em><span>, porn </span><em>Hardre</em><span>, male prostutn </span><em>Amerin Gigolo</em><span>) only to ol them out wh his distanced tellectualized approach. Somethg started to change wh </span><em>Patty Hearst</em><span> (1988). It was as atheticized as anythg he'd ma, but there was excement, as well as fearsome telligence, Schrar’s exploratn of the "did she jump or was she phed" enigma of Patty Hearst. </span></p><div class="ptned-image-ntaer"><figure><a class="image-lk is-viewable-img image2" target="_blank" href=" data-ponent-name="Image2ToDOM" rel><div class="image2-set"><picture><source type="image/webp" srcset=" 424w, 848w, 1272w, 1456w" siz="100vw" /><img src=" width="600" height="300" data-attrs="{"src":"" class="sizg-normal" alt srcset=" 424w, 848w, 1272w, 1456w" siz="100vw" /></picture><div class="image-lk-expand"><svg xmlns=" width="16" height="16" viewBox="0 0 24 24" fill="none" stroke="#FFFFFF" stroke-width="2" stroke-lep="round" stroke-lejo="round" class="luci luci-maximize2"><polyle pots="15 3 21 3 21 9"></polyle><polyle pots="9 21 3 21 3 15"></polyle><le x1="21" x2="14" y1="3" y2="10"></le><le x1="3" x2="10" y1="21" y2="14"></le></svg></div></div></a></figure></div><p><span>Sce then, Schrar has grown om movie to movie, right up through his sldg last picture, his adaptatn of Rsell Banks’ novel </span><em>Afflictn</em><span>.</span></p><p><span>The tenrns and sweepg romance at the heart of </span><em>Forever Me</em><span> are somethg new for Schrar. From Angelo Badalamenti's ravishg sre to the glowg pastels of John Bailey's cematography to the sensualy of the lead performanc om Joseph Fienn and Gretchen Mol, </span><em>Forever Me</em><span> is awash the heightened, overwhelmg emotn that's the life's blood of movi. It's that most movieish of movi, </span><em>The Count of Monte Cristo</em><span> done as a film-noir romance, and yet there's nothg ironic or self-nsc about eher Schrar's wrg or his directn. You might thk of Douglas Sirk except that Schrar disdas the ol, analytic scty Sirk brought to the mechanics of melodrama. Schrar seems to feel that eher distance or irony would dodge emotn, dimish , apologize for . So Schrar tells this story as if he were enunterg this sort of outsize romanticism for the first time--and he mak feel we're enunterg for the first time as well. </span><em>Forever Me</em><span>, which mov wh the grace of a great soul ballad, offers the pleasure that's unique to the movi and to rock 'n' roll: the sense of beg swept up and rried along somethg bigger than yourself.</span></p></div></div><div class="visibily-check"></div><div data-ttid="paywall" data-ponent-name="Paywall" class="paywall"><h2 class="paywall-tle">Keep readg wh a 7-day ee trial</h2><div class="paywall-ee-trial-subtle"><p translated class="pencraft ontend-pencraft-Box-module__ret--VfQY8 ontend-pencraft-Text-module__ret--dW0zZ paywall-subtle">Subscribe to <div class="pencraft ontend-pencraft-Box-module__ret--VfQY8 ontend-pencraft-Text-module__weight-bold--Ps9DB ontend-pencraft-Text-module__font-style-alic--pVGY_ ontend-pencraft-Text-module__ret--dW0zZ">Crackers Bed </div> to keep readg this post and get 7 days of ee accs to the full post archiv.</p></div><div class="paywall-cta"><a href=" native><button tabInx="0" type="button" class="button subscribe-btn">Start trial</button></a></div><div class="paywall-log"><a href=" native>Already a paid subscriber? <b>Sign </b></a></div></div><div class="post-footer e-separators post-ufi themed next-prev"><div><a role="button" class="post-ufi-button style-button has-label wh-borr"><svg role="img" style="height: 20px; width: 20px;" width="20" height="20" viewBox="0 0 24 24" fill="#000000" stroke-width="1.5" stroke="#000" xmlns=" class="in"><g><tle>

how do birds sing so gay

Why Do Fools Fall Love? Lyrics: Why do fools fall love? / Why do birds sg so gay / And lovers awa the break of day / Why do they fall love / Why do the ra fall om up above / Why do fools fall

Contents:

WHY DO BIRDS SG SO GAY?

But have you ever wonred why birds sg so gay? There are many reasons why birds sg so gay. But have you ever wonred why they sg so gay?

So there you have : Birds sg so gay bee they want to get laid.

Nearly one-fifth of all long-term greylag gee upl are gay, posed of two mal.

WHY IT'S OK FOR BIRDS TO BE GAY

They're not alone: More than 130 bird speci are known to engage homosexual behavr at least ocsnally, a fact that has puzzled all, evolutnary terms same-sex matg seems to rce the birds' chanc of reproductive succs.

In some speci the same-sex pairs even raise young (nceived wh outsi partners, obvly) and stay together for several 2007, a team led by Geoff MacFarlane, a blogist at the Universy of Newstle Atralia, reported that male homosexual behavr was more mon polygyno bird speci, where mal mate wh numero femal, and that female homosexual behavr was more mon monogamo speci.

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Srg sexTo fd out whether the theory might extend to homosexual behavr, MacFarlane and his team exhstively bed the lerature for acunts of same-sex urtship, mountg, or pair bondg. They foced on the 93 bird speci whose homosexual teractns scientists had seen the wild.

WHY DO BIRDS SG SO GAY....

For each speci, the team lculated the equency of homosexual behavr as well as both sex' ntributns to parentg. Overall, homosexual behavr amounted to ls than 5 percent of all sexual activy the 93 speci, though some s was much higher.

And sure enough, there was a strong rrelatn between a speci' matg system and s homosexual behavr. The balance shifted to femal socially monogamo speci, where the sex spl the work more far, female homosexualy hasn't turned up the handful of birds where each female mat wh many mal, but MacFarlane's team predicts may. "Homosexual behavr is more likely to be mataed and not be selected agast than if you are a sex that r a lot for offsprg and only has one or few reproductive partners, " he wh plenty of reproductive prospects, a ltle homosexual behavr won't have much effect on long-term reproductive succs, MacFarlane said.

WHY DO FOOLS FALL LOVE?JONI MCHELLTRACK 12 ON SHADOWS AND LIGHT PRODUCED BYJONI MCHELL1 VIEWER2 CONTRIBUTORSWHY DO FOOLS FALL LOVE? LYRICSWHY DO FOOLS FALL LOVE?WHY DO BIRDS SG SO GAYAND LOVERS AWA THE BREAK OF DAYWHY DO THEY FALL LOVEWHY DO THE RA FALL OM UP ABOVEWHY DO FOOLS FALL LOVEWHY DO THEY FALL LOVELOVE IS A LOSG GAMELOVE N BE A SHAMEI KNOW OF A FOOL YOU SEEFOR THAT FOOL IS METELL ME WHYTELL MY WHYWHY DO BIRDS SG SO GAYAND LOVERS AWA THE BREAK OF DAYWHY DO THEY FALL LOVEWHY DO THE RA FALL OM UP ABOVEWHY DO FOOLS FALL LOVEWHY DO THEY FALL LOVEWHY DO MY HEART SKIP THIS CRAZY BEATFOR I KNOWIT WILL REACH FEATTELL ME WHYTELL ME WHYWHY DO FOOLS FALL LOVE?YOU MIGHT ALSO LIKEEMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

"That's que different to what the tradnal argument is the lerature, where homosexual behavr is seen as a st. "In some s, homosexual allianc may even be adaptive, helpg dividuals fend terrori, advance their social stat, or get help wh parental re.

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