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WHY THE GAY SUBPLOTS ‘THE LIGHTHOE’ AND ‘JOJO RABB’ DON’T GO FAR ENOUGH
Take, for stance, Jennifer Kent’s The Babadook, which the tular boogeyman n be read as an allegory for a mother’s grief and trma, or A Nightmare on Elm Street 2: Freddy’s Revenge, which not so subtly hts at the protagonist beg gay. While the dynamic between the film’s two lighthoe keepers seems to be more hate-hate than love-hate, Eggers’ psychelic imagery, the psdo-domtic edy between the two lighthoe keepers, and the homoerotic overton monstrate how The Lighthoe is actually a queer romance. But their fal nontatn, this vlence tak on overtly homoerotic ton.