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WHY THE GAY SUBPLOTS ‘THE LIGHTHOE’ AND ‘JOJO RABB’ DON’T GO FAR ENOUGH
Take, for stance, Jennifer Kent’s The Babadook, which the tular boogeyman n be read as an allegory for a mother’s grief and trma, or A Nightmare on Elm Street 2: Freddy’s Revenge, which not so subtly hts at the protagonist beg gay.