Glter and Be Gay: Sexualy the Life and Mic of Leonard Bernste

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Samuel Woodward, 21, is acced of killg 19-year-old Blaze Bernste bee he was gay.

Contents:

INSI LEONARD BERNSTE’S ‘SLOW CREEP TOWARD OVERT GAYNS’

He studied unr Frank Bridge, John Ireland and Arthur Benjam among others, and was also a fe ground-breakg operas, which clu Peter Grim (1945), and The Turn of the Screw (1954) – and his famo War Requiem – tackle ntemporaneo issu around psychology and post-war trma, as well his own homosexualy, which was illegal Brten’s lifetime. As well as beg one of the first openly gay posers full stop, Poulenc also didn’t chew his sexualy the ntext of his relig posns spanned om timate chamber sonatas wh sublime, twistg melodi and lite imprsnist harmoni (thk the 1957 Flute Sonata), to his Piano Concerto and epic one-act opera for soprano and orchtra, La voix humae. Tchaikovsky was gay at a time when was illegal Rsia.

He was believed to have been gay, movg circl Italy and London where same-sex sire was accepted. Mic historian Ellen Harris leads on the se for Hanl’s homosexualy, argug that his ntatas exhib a clear homosexual subtext her book Hanl as Orphs.

And like them, he was associated wh gay clergyman, Cardal Pietro Baroque poser and vlist is known for his chamber sonatas and ncerti grossi, and has gone down history for refg to play a sectn of Hanl’s orator, The Triumph Of Time And Tth, bee a vl note went higher than Corelli believed appropriate for the stment. Unlike Copland, US poser Samuel Barber ma no effort to keep his homosexualy out of explic view and his life partner was poser Gian Carlo Menotti, who he studied wh at the Curtis Instute. Leonard Bernste also studied at the Curtis Instute wh Barber and Menotti (see above), and although he had an on-aga-off-aga relatnship wh actor Felicia Cohn Montealegre and eventually married her, he was openly gay.

GLTER AND BE GAY: SEXUALY THE LIFE AND MIC OF LEONARD BERNSTE

Montealegre herself wrote publicly about her book, The Bernste Letters, “you are a homosexual and may never change – you don’t adm to the possibily of a double life, but if your peace of md, your health, your whole nervo system pend on a certa sexual pattern what n you do? ” Bernste’s Wt Si Story llaborator Arthur Lrents is known to have lled Bernste “a gay man who got married”, statg, “He wasn't nflicted about at all. He was jt gay.

Those gay romanc were particularly hard on his wife, Felicia Montealegre, a Chilean actrs of Jackie Kennedy-que elegance.

BERNSTE LETTERS - GIFTED, GAY AND LOVED BY HIS WIFE

“You are a homosexual and may never change, ” she wrote him the year they wed, a letter her children found after her ath.

Gradually, his libido revered — and wh gto, as he began what his dghter lls a “slow creep toward overt gayns.

Bernste, acrdg to his Wt Si Story llaborator Arthur Lrents, was “a gay man who got married. “We n be exampl, a way, to spire young micians who fear that this is gog to be a problem their profsn and reer advancement, ” Nézet-Ségu said, speakg to The New York Tim about beg an openly gay nductor. He had a relatnship wh actor Felicia Cohn Montealegre, who he did eventually marry, but he was openly gay.

GLTER AND BE GAY: SEXUALY THE LIFE AND MIC OF LEONARD BERNSTEGLTER AND BE GAY: SEXUALY THE LIFE AND MIC OF LEONARD BERNSTEGLTER AND BE GAY: SEXUALY THE LIFE AND MIC OF LEONARD BERNSTEGLTER AND BE GAY: SEXUALY THE LIFE AND MIC OF LEONARD BERNSTEGLTER AND BE GAY: SEXUALY THE LIFE AND MIC OF LEONARD BERNSTE

Montealegre reunted the fact The Bernste Letters, statg, “you are a homosexual and may never change – you don’t adm to the possibily of a double life, but if your peace of md, your health, your whole nervo system pend on a certa sexual pattern what n you do? And Arthur Lrents, who llaborated wh Bernste on Wt Si Story, clarified that Bernste was “a gay man who got married” who “wasn't nflicted about at all.

Michael Tilson Thomas is the founr and artistic director of the New World Symphony, mic director lreate of San Francis Symphony Orchtra, and nductor lreate of London Symphony Orchtra, Classic FM’s Orchtra the Cy of eleven-time Grammy wner is openly gay, and married to orchtral manager Joshua Mark Robison sce 2014.

He led top orchtras, cludg Mneapolis Symphony Orchtra and the New York never married, and was known to be homosexual, wh mours that he had a relatnship wh Leonard Bernste (see above). He was married to shippg heirs, Elae Phipps, but he was known to be gay and is thought to have had a relatnship wh poser Gian Carlo Menotti, who was the partner of fellow poser Samuel Barber. Read more: 15 great classil posers who also happened to be gay.

THE MET’S NEW MIC DIRECTOR IS THE FIRST TO BE OPENLY GAY

As well as beg a leadg poser, sufagist Dame Ethel Smyth nducted prolifilly, cludg takg to the podium to premiere her own works, and nductg the Metropolan Police Band at the unveilg of the statue to Emmele Pankhurst London was gay, and at the age of 71 she met and was very taken wh Virgia Woolf.

LONDON (Rters) - It may be one of the sadst but most lovg letters wrten by a woman to a man - Chilean actrs Felicia Montealegre tellg her future hband, nductor and poser Leonard Bernste, she knows he is homosexual but wants to marry him letter, which Montealegre says “you are a homosexual and you may never change”, is among hundreds a recent volume “The Letters of Leonard Bernste” eded by English mic scholar Nigel Simeone, who prevly wrote a book about Bernste’s famed Broadway mil “Wt Si Story” the volume of letters, 650 of them a book of almost that many pag, Simeone said he had sifted through some 10, 000 the U.

THE MAN ACCED OF KILLG HIS GAY CLASSMATE WAS SEXUALLY 'CONFED,' ATTORNEY SAYS

“Send: you are a homosexual and may never change - you don’t adm to the possibily of a double life, but if your peace of md, your health, your whole nervo system pend on a certa sexual pattern, what n you do?

*BEAR-MAGAZINE.COM* BERNSTEIN WAS HE GAY

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iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/books"><span class="RubricName-fVtemz cLxcNi">Books</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Leonard Bernste Through His Dghter’s Ey</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">On the centenary of his birth, a memoir ptur what ’s like beg raised by a man wh mythic succs and long-held secrets.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/david-nby">David Denby</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2018-06-18T05:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">June 18, 2018</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz bMFTem"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Jamie Bernste8217s memoir reckons wh the secrets and succs of a man who was larger than life at home and public." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Jamie Bernste’s memoir reckons wh the secrets and succs of a man who was larger than life, at home and public.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph om Bettmann / Getty</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button 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data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg cjyRVU iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ fXVBaX"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="90" width="100%" sandbox="allow-scripts allow-same-orig allow-popups" tle="Embedd Frame" data-src=" allowfullscreen="" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p class="has-dropp has-dropp__lead-standard-headg paywall">What happens if you are Crella and the prce turns out to be your father? Jamie Bernste, Leonard Bernste’s firstborn dghter, has wrten a memoir of her fay, a fay that her overwhelmg dad—lovg, spired, and sometim sufferable—domated for s. The thor grew up wrigglg si a paradox, stgglg to bee a self when so much of her was fed by her brilliant parent. “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Famo Father Girl: A Memoir of Growg Up Bernste</a>” (HarperColls) is unique among classil-mic memoirs for s physil timacy, s humor and tenrns, s ambivalence toward an irreprsible fay geni. In the year of Leonard Bernste’s <a href=">centenary</a>, wh s worldwi celebratns, this book is a startlg si view—not a rrective, exactly (Jamie rarely thought her dad ls than great), but a story of enpassg fay love, Jewish-Amerin style, wh all s glori and rrosns. No one liv easily on the slop of a volno; Jamie Bernste has been fahful to her unease. Tth-tellg, rather than digny, is her goal.</p><p class="paywall">As a young man, <a href=">Leonard Bernste</a> was prodigly gifted and exceptnally handsome, and he slept wh many men and wh women, too. He seemed to be omnisexual, a man of unendg appete who worked and played all day and most of the night, wh a motor that would not shut down until he was near llapse. Conductg, posg for the ncert hall, posg for the theatre, playg the piano, teachg, wrg about mic, talkg about on televisn, sufferg over everythg he <em>wasn’t</em> dog—he burned the ndle om the middle out. From the neteen-forti to the eighti, he was everywhere, an tellectual Amerin Adonis, <em>our</em> geni—ede, popular, media-wise, and unstoppably fluent. Many people long to be at the center of attentn; Leonard Bernste was actually good at the center—he routely gave more than he received.</p><p class="paywall">On the podium, he was so exprsive that he embarrassed the fastid, who thought there was somethg appropriate (i.e., erotic) about his full-body nductg style. Usg his hips, his arms, his back, his eyebrows, he acted out the mic, providg an emotnal story le parallel to the piece self; he was narrative flight. At some pot his adolcence, Bernste mt have disvered that he uld exprs wh his body whatever he thought or felt, a disvery that was jt as important as a sexual awakeng, though his se the two were obvly related. Bernste, one might say, liberated the Jewish body om the nstrats felt by the immigrant generatn, cludg his father, Sam, who relquished his severe, stiff-llar meanor only when celebratg the High Holidays wh the Boston Hasidim. For Lenny, every day was a High Holiday. Most of the dience and his llaborators got ed to his turbo-mobile style, or found betiful, even thrillg. But how, if you are his child, do you pe wh a father whose sensualy enfold everythg?</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">After a whirlwd life as a young man, Bernste married Felicia Montealegre, 1951. He was thirty-three; she was twenty-ne. Montealegre was raised Chile; her mother was Costa Rin and Catholic; her father, an Amerin Jew, was a wealthy dtrialist. A South Amerin aristocrat who beme socially amb Ameri, Felicia was an acplished actrs wh an elevated elocutnary style that was losg favor to so-lled naturalistic mos; she was good at narratg orators. Still, she had ser work for a while on the stage and the burgeong field of live TV drama. Once Bernste beme the mic director of the New York Philharmonic, 1958, she entertaed the mil and social world at home. In general, she required l and orr, while her hband luxuriated his own habs, some discipled, some not. They were temperamentally at odds, but they adored each other.</p><p class="paywall">They had three children: Jamie, who is now sixty-five; a boy, Alexanr, and another girl, Na, followed. Jamie says that her father was an arnt fay man, attentive, affectnate, an unendg didact who crammed his kids wh poetry, mic, Hebrew lsons. He was very much at home—when he was at home at all. The tails of Jamie’s memoir are timate: Lenny eatg Connecticut rn the summer wh his hands drenched butter; or, back New York, half awake and agrant the morngs. “In my md’s eye, my father is always a scffy brown wool bathrobe; my cheek still prickl at the memory of his scratchy morng hugs,” she wr. You uldn’t say of Bernste, as you might of John Cheever (as revealed his dghter San Cheever’s sombre, brilliant book, “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Home Before Dark</a>”), that he was unreachable at tim, or that his art absolutely me first. On the ntrary, fay was emotnally central to Bernste. And fay meant not jt Felicia and the kids but his lovg and foolish immigrant parents; his talented brother, Burton, a <em>New Yorker</em> wrer; and his ebullient sister, Shirley, who ran a theatril lerary agency. Even mid-reer, Lenny would go off on holiday wh Burtie and Shirley, the three of them joed hilary over childhood memori, plete wh an vented nonsense language.</p><p class="paywall">An eager paterfaias at home, he remaed sexually active wh men. Felicia knew om the start and was hardhead about . At the time of their marriage, she wrote to him, “You are a homosexual and may never change—you don’t adm to the possibily of a double life, but if your peace of md, your health, your whole nervo system pends on a certa sexual pattern, what n you do? I am willg to accept you as you are, whout beg a martyr or sacrificg myself on the L.B. altar.” But he did live a double life, and Felicia wound up tendg the altar.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="“This prcriptn for Adrall will help you work hard enough to afford the dg you really need.”" 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10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">Jamie and the younger children knew nothg of their father’s adventur away om home or of Felicia’s way of pg wh them. On the ntrary, Jamie’s acunt of her childhood, one tects somethg like the fervent nostalgia of Rsian expatriat for life before the revolutn. There was glory then, ample untry luxury as well as cy luxury, fahful servants, tennis wh Isaac Stern, the Macy’s Thanksgivg Day Para om the wdows of their apartment the Dakota, and live mic, much of generated by Lenny stg at the piano. The fay gathergs were a nspiracy to have fun. Parents and children created rhymg nonsense songs for special ocsns; they ma clowng home movi (“What Ever Happened to Felicia Montealegre?,” an overwrought salute to Bette Davis and Joan Crawford). If Lenny’s effivens was sometim hard to bear, plenty of smart people uldn’t get enough of him, cludg Mike Nichols, Richard Avedon, Betty Comn, Adolph Green, and the young Stephen Sondheim. Lillian Hellman, terrifyg to Jamie, was a growlg prence. Wh that crew around, however, and L.B. drivg the entertaments, the long evengs uld bee barbed—anagrams and other word gam were played as life-and-ath matters, and more than one participant, Jamie says, left the room tears.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Jamie Bernste’s wrg is voted to what she directly experienced, altered, seems, as ltle as possible by the passage of time. Leonard Bernste is always “Daddy,” not a figure a novel, or the hero of myth, but an all too palpable man, wh an endls pacy to please her or hurt her. Like the Tom Stoppard play “Rosencrantz and Guilnstern Are Dead,” the book offers an off-angle view of a geni. We hear relatively ltle about Leonard Bernste as a poser or as a workg mician, studyg sr, rehearsg orchtras and sgers. The mil triumphs away om New York, Vienna, Tel Aviv, and elsewhere, and Bernste’s cizenly public life—his advocy of civil rights and world peace—are no more than a distant excement, like the sound of an offstage band. Nor is there much sense of his velopment as a poser. (For that, one should read Allen Shawn’s excellent “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Leonard Bernste: An Amerin Mician</a>.”) The four great Broadway sr (“On the Town,” “Wonrful Town,” “Candi,” and “Wt Si Story”) were all posed before Jamie was born or when she was a small child.</p><p class="paywall">She did, however, live through the posn and the première, 1976, of “1600 Pennsylvania Avenue,” which Bernste wrote wh the lyricist Alan Jay Lerner, and, for the first time, she experienced some doubt about her father’s grip on thgs. “The two llaborators wanted to make a major statement about the meang of mocracy: to remd their untry of s te purpose,” she wr. The high-md show was so roundg a flop that was never rerd. “Our father had been unassailably magnificent to —jt as he had been to the world,” she go on. “Now he seemed plex, flawed, mortal.” Yet the mic was not entirely lost. In 1997, the Bernste and Lerner tat put together a ncert piece for voic and orchtra lled “A Whe Hoe Cantata,” which has been rerd by soloists and the London Symphony Orchtra, wh Kent Nagano nductg. It is one of Bernste’s retrieved sr, an element the ntuo revaluatn of his work, and much of the mic, as Jamie Bernste says, is ventive and tuneful.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">Leonard Bernste found nductg easy and posg excciatgly difficult, yet he was sure that was more important for him to pose. Dpe his many suffergs, and a hostile ial receptn to much of the ncert work, he managed to produce a great al of mic. It’s now a safe bet that the followg will rema active repertory piec: the three symphoni; the ballets “Fancy Free” and “Dybb”; the Serena for vl, strgs, percsn, and harp; the choral work “Chichter Psalms”; the film sre for “On the Wateront”; as well as the four early mils and (maybe) “A Whe Hoe Cantata.” Bernste wrote a satiril, jazzy short opera about a warrg honeymoon uple, “Trouble Tahi,” 1952. Thirty-one years later, he fold “Trouble” to a longer, tragic opera about the uple’s fay, “A Quiet Place”—a bed work that’s both dazzlg and bewilrgly sad. In all, the reputatn of his classil posns has gone way up recent s. A sgle historil marker will suffice to show the shift. In 1983, <a href=">Leon Botste</a>, the print of Bard College and the nductor of the Amerin Symphony, <a href=">wrote</a>, <em>Harper’s</em>, a lengthy, ntemptuo dismissal of Bernste as a classil poser and nductor. “His reer until now has been an accumulatn of false starts, spent opportuni; a rerd of extensive exposure wh ephemeral rults.” Yet last fall Botste programmed Bernste’s Symphony No. 3 (“<a href=">Kaddish</a>”) wh his own orchtra, and, om the stage, he acknowledged that Bernste has had the last lgh. The centenary year plet the rtoratn: most of Bernste’s early work as the nductor of the New York Philharmonic—part of the activy that Botste was nmng—has been recently reissued a hundred-CD box set om Sony, cludg classic performanc of Iv, Copland, Mahler, and Stravsky. At the moment, Bernste’s mic is beg played all over the world. On a sgle day, June 23rd, there will be ncerts featurg his work Richmond, Kansas Cy, Hong Kong, Bilbao, and Klgenberg am Ma. Two Hollywood b-pics, starrg Jake Gyllenhaal and Bradley Cooper, are on the way.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">“Kaddish,” wh s lerally Heaven-stormg narratn (“O my father, ancient, hallowed, lonely, disappoted Father, rejected ler of the universe”), will always rema troublome—at least until someone satisfactorily rewr the rambunctly blasphemo text. But the piece has some of Bernste’s most powerful and lyrilly affectg mic. The other monster—the Mass, posed for the openg of the Kennedy Center, 1971—n never settle to route ncert life, sce mountg at all requir huge forc. The Mass is led by a prit, the Celebrant, who is joed, and sometim asslted, by a chos of street kids, dancers, synpated jazz, rock, and several other forc, enzied antiphonal bursts, qutng the necsy of fah. Near the end, the Celebrant breaks down, a fourteen-mute monologue that rc dienc eher to tears or to exasperatn, followed by a boy soprano sgg “Sg God a simple song.” Mixg Broadway, rock, jazz, and classil, ’s the most ecumenil of Mass, wh pag of excg mic—a pleasure-seekg rebelln, Jamie says, agast “the rigidy of the mil Establishment, who creed that all ‘ser’ mic had to be posed g the twelve-tone system.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="7xmkea"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="wup0ni"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">In 1973, Bernste appeared to settle the tonal/atonal qutn, the extraordary viotaped Norton Lectur, “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">The Unanswered Qutn</a>,” which he sisted, g Chomsky’s lguistics as an analogue, that tonaly was rooted human blogy and the laws of physics. (Dpe the assertns, he ocsnally blked, flirtg his post-Norton mic wh both atonaly and twelve-tone rows.) The Norton Lectur are the most amb of his pedagogil efforts, addg historil and theoretil ntext to his warm-spired earlier work for the Young People’s Concerts, which CBS aired prime time durg the neteen-fifti and sixti, and to his many filmed mentari on Mahler, Beethoven, Brahms, Shostakovich, and others. So much productive activy (there are a half-dozen books, too) is almost impossible to image.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">In 1970, before enterg Harvard, Jamie Bernste spent the summer at the Tanglewood Mic Ftival, where her father had flourished as a young man. After a while, she heard tal of his earlier days (“moonl naked swims the lake, scurryg between practice bs . . . you weren’t supposed to hear such thgs about your own father”). His other life beme pable, and she wrote him a long letter, mandg answers. He nied everythg, at Felicia’s sistence, as Jamie now believ—an assertn that (perhaps unfairly) plac the blame for lyg on her mother. In any se, Jamie’s sense of her father as a sexual beg, and his superabundant warmth wh his children, add to her own romantic difficulti. There were many boyiends, some good, some not, but all, apparently, lackg the dive spark. The phrase for this, I suppose, is emotnal ct; Lenny was all over her life, tyg her up whout meang to. He enjoyed rock mic the sixti, pecially the Beatl, and would acpany her to ncerts and clubs. But sometim his enjoyment spilled over:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>One night we all went to Caso Vail, a dis. They began playg the theme om “Zorba the Greek,” of all thgs, and Daddy grabbed me. The next thg I knew we were dancg full tilt to the bouzoi mic, jt the two of , while the crowd ma a rg around , clappg rhythm and eggg on. Daddy pulled out a handkerchief and was wavg around above his head—then he was down on his kne! I danced a circle around him; what else uld I do? I was trapped: a mortified moon, doomed to eternal orb around an ecstatic, sweaty, handkerchief-swirlg sun.</p></div></blockquote><p class="paywall">She was dazzled, embarrassed, vaguely disgted. In 1972, when she was a junr at Harvard, her father appeared wh a young lover, Tom Cothran, and took up rince Elt Hoe, his old dorm. For an amic year, he prepared the Norton Lectur. Profsor Daddy, the mp hero! He stayed up half the night wh unrgraduat, talkg and playg mic, stealg her llege social life.</p><p class="paywall">After the early reveri of fay happs, tratn ns through the narrative; the story grows creasgly shadowed and anx. Jamie had wanted to be a mician, but as a child she hated piano lsons. “Well, you’ll never be a great pianist,” Lenny told her, holdg her his lap, a remark that uld be seen as hostile—or, possibly, as a benevolent warng agast heartbreak. In any se, she was more of a rock fan than a classil kid, and for years wrote and performed songs herself, whout much succs. In the end, she wrote songs for her father on special ocsns.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="“I see your thirty. I hear your thirty. I validate your thirty.”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“I see your thirty. I hear your thirty. I validate your thirty.”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-pylk" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Copy lk to rtoon</tle><g clip-path="url(#clip0_3732_178637)"><path fill-le="evenodd" clip-le="evenodd" d="M16.3488 10.5017C16.2107 10.7357 16.2926 11.035 16.5318 11.17C16.7709 11.3052 17.0767 11.225 17.2148 10.991L18.4648 8.87225C19.5694 7.00002 18.9139 4.60601 17.0007 3.52508C15.0875 2.44415 12.6412 3.08562 11.5366 4.95785L9.53657 8.34782C8.432 10.22 9.08751 12.6141 11.0007 13.6949C11.1888 13.8012 11.382 13.8908 11.5785 13.9642C11.7819 14.0403 12.0058 13.9485 12.1147 13.764C12.2794 13.4849 12.1103 13.1276 11.8083 12.9992C11.7041 12.9549 11.6014 12.9044 11.5007 12.8475C10.0658 12.0368 9.57417 10.2413 10.4026 8.83712L12.4026 5.44715C13.2311 4.04298 15.0658 3.56187 16.5007 4.37257C17.9356 5.18327 18.4272 6.97878 17.5988 8.38295L16.3488 10.5017ZM7.6526 13.4983C7.79067 13.2643 7.70873 12.965 7.46959 12.8299C7.23044 12.6948 6.92464 12.775 6.78657 13.009L5.53657 15.1278C4.432 17 5.0875 19.394 7.00068 20.475C8.91385 21.5558 11.3602 20.9144 12.4648 19.0422L14.4648 15.6521C15.5694 13.78 14.9139 11.3859 13.0007 10.305C12.8127 10.1988 12.6195 10.1091 12.4229 10.0357C12.2195 9.95975 11.9956 10.0515 11.8867 10.236C11.7221 10.5151 11.8911 10.8724 12.1932 11.0008C12.2973 11.0451 12.4 11.0956 12.5007 11.1525C13.9356 11.9632 14.4272 13.7587 13.5988 15.1628L11.5988 18.5529C10.7704 19.957 8.93555 20.4382 7.50068 19.6274C6.0658 18.8167 5.57417 17.0212 6.4026 15.6171L7.6526 13.4983Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button><div class="AlertWrapper-gvFATk MdjE RponsiveCartoonLkAlertPopup-BPAXn kdMXRM shoppg-alert" role="dialog"><div aria-hidn="te" role="prentatn" class="AlertArrow-daOgye AlLda alert-arrow"></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm ifgabc iOlxjf alert-msage"><p aria-hidn="te">Lk pied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">She looks back on her fay life wh an unrstandg of the distance between sire and happs. Even Leonard Bernste felt that distance. Fifty years ago, he uld not live openly as a gay man, but he uldn’t stop lovg his wife, eher, and he felt terribly guilty about what he put Felicia through. After twenty years of marriage, she was not dog well. Willg to serve as “Mrs. Matro,” she had given up most of her reer. She veloped eccentrici and odd illns, engaged passnate bywork (llectg, ratg, garng); she ma patgs and threw them away. And then, 1970, meang well, she stepped to the social disaster of the century—a fund-raisg party for the Black Panthers held the Park Avenue fay apartment, an event attend by Tom Wolfe, of <em>New York</em>, who published a poisono (and funny) <a href=">lampoon</a>. Lenny, who was acctomed to brickbats, picked himself up and kept his nductg dat, but Jamie believ that Felicia, sufferg om public huiatn, was never the same. At dner one night, she pronounced a curse upon her hband: “<em>You’re gog to die a lonely, bter old queen!</em> ” Jamie says she uttered as a joke, the self-parodyg ton of theatril high mp. Maybe so, but still sounds like the <em>maledizne</em> om “Rigoletto.” Felicia turns out to be a victim of the fay romance; perhaps next time the story needs to be told om her pot of view.</p><p class="paywall">By the mid-seventi, she was ill wh ncer, and Lenny, havg broken up wh Cothran, returned to their apartment and nursed her until her ath, at fifty-six, 1978. And then, guilty and lost, he fell apart. The body electric no longer charmed everyone sight. Adonis had bee Silen, sometim dnk and mean, talkg of sex too much, his hands too active, his tongue placed down unwillg throats. The extraordary cravg for sensatn, for love, for ntact, which he nverted, refed, and fed back to his dience lavishly expend mil effort—a gift to everyone—was wearg him out. Dpe every medil warng, he smoked csantly, even doctors’ offic. When he uld sleep at all, he slept an entire day. Mortified by his creasg physil squalor, Jamie was also dismayed by the entourage that surround him away om home. At the 1983 Hoton première of his late opera “A Quiet Place,” or some distant foreign cy, the after-ncert party would clu his manager, his publicist, var mil assistants, his d engeer, his vio director, lol notabl and social lns, handsome young men, and assorted hangers-on. The receptn had bee a champagne-and-viar versn of a Rollg Ston tour stop.</p><p class="paywall">As he turned seventy, 1988, there were worldwi celebratns and a huge event at Tanglewood wh the Boston Symphony, at the ncln of which, Jamie wr, “everyone was awash emotn,” but Bernste, ntent, “was awash om the waist down. And of urse he had to go on stage and hug everyone. On mera.” For Jamie, the difficulti his last figured as both the ordary disasters of old age and the awe-spirg y of a natnal monument. “Everythg had bee such an effort for him: his breathg, his somnia, and all the addnal threre-and-ten digni. His belly was terribly distend; while the rt of him seemed to be llapsg on self.” Yet, thkg of Bernste’s later years, one has to voke the mysteri of artistic will, s pacy to reem and transcend many kds of failure. Perhaps only Thomas Mann uld have mastered the ironi of Bernste’s story. As he fell apart physilly and morally, he wrote some mandg and betiful mic (cludg the song cycle “Arias and Barroll”), and his work on the podium beme ever more discipled, often profound, even visnary.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">Not all the performanc om the neteen-eighti are at the same level, but the bt on, rerd live at ncerts, put him among the immortals. There was a seri of Mozart symphoni wh the Vienna Philharmonic; a h Mahler cycle rerd Vienna, Amsterdam, and New York; a majtic Sibeli Fifth; Haydn, Schumann, Copland, Shostakovich; his own much abandoned, much revived 1956 show “Candi.” The public acclaim and the mic self kept him gog, and, aga and aga, he pulled himself together for a performance. Right at the end, 1989, as the Wall was g down, he led a powerful Beethoven’s Nth Berl, which was broadst all over the world. The orchtral players were drawn om London, New York, Munich, Drn, Paris, and St. Petersburg, a kd of universal shout of happs that Soviet Communism was fished. On the podium, the superb bone stcture of his handsome brow was tact; a tuxedo pulled the belly; his movements were not as fluent as earlier—he ed his fists more—but he was pletely mand. It was his last great public event. (All this late work—viotaped ncerts and rerdgs—has been rereleased by Dtsche Grammophon as a gigantic box set. The rerdgs are dividually available as well.)</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="83qhwo"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">He died 1990, at seventy-two (young for a nductor), not alone, as Felicia had predicted, but attend by fay and iends and saluted, as the rtège passed through the cy streets, by New York hardhats (“Goodbye, Lenny!”). Charl Iv and Aaron Copland were great posers, but Bernste was by far the greatt Amerin mician. Ocsnally, one is startled by a remr. On YouTube, there is a filmed performance of Mahler’s Symphony No. 4, om 1972, wh the Vienna Philharmonic (the sound wh good headphon is fe) that is astonishg for s transparent textur, s bold transns om one mood to another. That symphony, wh s mil sleigh bells, so remiscent of childhood bliss, is a recurrg motif Jamie Bernste’s book. It’s her Rosebud.</p><p class="paywall">After L.B.’s ath, chagr giv way to relief; life rum s ual shap of succs and failure. The overwhelmed children try to pull themselv together, and Jamie Bernste fds a way—many ways, actually—of makg a life out of mic whout beg a mician, narratg ncert works, creatg an equivalent of the Young People’s Concerts (the Bernste Beat, voted to his mic), makg a film about the trag of young Amerin stmentalists. She and her brother and sister have voted themselv to their father’s name, his work, and his rerdgs, and have helped along rtorative efforts on his posns and much else. As the dghters of great men go, Jamie Bernste has had a happy fate: the existence of this well-wrten book, wh s poignancy and s shudry tail—her father’s agrance the morng—is a mark of sany and survival. In tellg his story, she got to wre her own. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="jmbwdt"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2018/06/25" data-reactroot="">June 25, 2018</a>, issue, wh the headle “Mic Man.”</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/david-nby"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/david-nby">David Denby</a> is a staff wrer at The New Yorker. He is the thor of “<a href=">Great Books</a>” and “<a href=">L Up</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/famo-father-girl-a-memoir-of-growg-up-bernste" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">“Famo Father Girl: A Memoir of Growg Up Bernste”</span></a><a href="/tag/jamie-bernste" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Jamie Bernste</span></a><a href="/tag/leonard-bernste" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Leonard Bernste</span></a><a href="/tag/nductors" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Conductors</span></a><a href="/tag/centennials" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Centennials</span></a><a href="/tag/memoirs" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Memoirs</span></a><a href="/tag/books" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Books</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt kbxOa-D newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Books & Fictn</h3><div class="NewsletterSubscribeFormDek-kXonvc cKOhTM newsletter-subscribe-form__k">Short stori and poems, pl thor terviews, profil, and tal om the world of lerature.</div></div><div data-ttid="NewsletterSubscribeFormInputsWrapper" class="NewsletterSubscribeFormInputsWrapper-keARJE hVWbzr"><form class="form-wh-validatn NewsletterSubscribeFormValidatn-iCYa-Dt dweEln" id="newsletter" name="newsletter" novalidate="" method="POST"><span class="TextFieldWrapper-Pzdqp hNhevp text-field" data-ttid="TextFieldWrapper__email"><label class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TextFieldLabel-klrYvg iUEiRd stdEm fvoOvz text-field__label text-field__label--sgle-le" for="newsletter-text-field-email" data-ttid="TextFieldLabel__email"><div class="TextFieldLabelText-cvvxBl eeDYTb">E-mail addrs</div><div class="TextFieldInputContaer-jcMPhb oFrOs"><put type="email" aria-scribedby="privacy-text" aria-valid="false" id="newsletter-text-field-email" required="" name="email" placeholr="E-mail addrs" class="BaseInput-fAzTdK TextFieldControlInput-eFUxkf eGzzTT lglhcT text-field__ntrol text-field__ntrol--put" data-ttid="TextFieldInput__email"/></div></label><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dwpimO button button--utily TextFieldButton-csBrgY edxbrw" data-event-click="{"element":"Button"}" data-ttid="Button" type="subm"><span class="ButtonLabel-cjAuJN hzwRuG button__label">Sign up</span></button></span><div id="privacy-text" tabx="-1" class="NewsletterSubscribeFormDisclaimer-bTVtiV bsgLJZ"><span><p>By signg up, you agree to our <a href=" rel="nofollow noopener noreferrer" target="_blank">User Agreement</a> and <a href=" rel="nofollow noopener noreferrer" target="_blank">Privacy Policy & Cookie Statement</a>. 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summary-llectn-grid--DenseDktopStack"><div class="GridItem-buujkM kHPPIF grid--em"><div class="SummaryCollectnGridContent-eVUpRm jTGbEO"><div class="SectnTleRoot-dBGvdq kjAxEG SummaryCollectnGridSectnTle-fCmYwG izjbVn" data-ttid="SectnTle"><hear class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet dxqEAa dqtvfu jttyjJ">Read More</hear></div><div class="SummaryCollectnGridItems-DZShR jBCYOL hi-read-more-ad" data-ttid="SummaryCollectnGridItems"><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kdEfwY" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2010/11/15/disquiet-alex-ross" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Disquiet" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Mil Events</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/magaze/2010/11/15/disquiet-alex-ross" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Disquiet</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2010/11/15/disquiet-alex-ross" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Disquiet" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Bernste’s suburban drama, at Cy Opera.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Alex Ross</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kdEfwY" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2008/12/15/the-legend-of-lenny" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Legend of Lenny" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">A Cric at Large</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/2008/12/15/the-legend-of-lenny" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Legend of Lenny</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2008/12/15/the-legend-of-lenny" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Legend of Lenny" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">New York celebrat Bernste the poser.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Alex Ross</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--evio summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kdEfwY" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 720w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 480w" siz="100vw"/><img alt="A Hundred Years of Coney Island" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Vio</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">A Hundred Years of Coney Island</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 720w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 480w" siz="100vw"/><img alt="A Hundred Years of Coney Island" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k summary-em__k--isCneVio">A look at Brooklyn’s Coney Island through a spl-screen tour of s inic landmarks: Nathan’s Famo hot dogs, the Cyclone roller aster, and the beach.</div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kdEfwY" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span 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