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A group of French wrers has lled on Print Emmanuel Macron to give “cursed” 19th century gay poets Arthur Rimbd and Pl Verlae a dignified rtg place at Paris's Panthéon. But opponents…

Contents:

RIMBD AND VERLAE: FRANCE AGONIS OVER DIGGG UP GAY POETS

We look back at the bt French gay cema. * french gay poet *

They suffered the harsh homophobia of their time. Supporters say there are both lerary and moral reasons for their only has "their geni nourished for more than a century our lerary and poetic imagatn", but also their current burial plac - Charleville-Mezier, Arnn for Rimbd, a cemetery off the Paris rg road for Verlae - are "unworthy" is also the homophobic persecutn which Verlae above all had to source, Getty ImagImage ptn, The revolver that Verlae ed to try to kill his lover was sold at ctn 2016Famoly, the poets' relatnship end 1873 when Verlae fired a gun and lightly wound Rimbd Bssels. Cavafy is a 20th century Greek poet, known for his highly homoerotic and sexually explic poetry.

While he remaed mostly obscure durg his lifetime, he's now e to be revered as one of the great gay poets of the past hundred years.

Ifti Nasim was a gay Pakistani-Amerin poet who moved to the Stat to pe persecutn for his sexualy back his hometown. Baldw is known as one of the great, proud gay artists of all time. Walt Whman is one of the great poets of all time, and a champn of homoeroticism the lerary form.

RIMBD AND VERLAE: FRANCE AGONIS OVER DIGGG UP GAY POETS

* french gay poet *

Male homosexuals died 19th century. La Cage x Foll (1978)Tradnally France has been seen as one of the most liberal untri the world, and boasts an enviable rerd on gay rights, spe the ocsnal rantgs om Brigte Bardot.

But has this homoiendly attu translated to s cema?

We’ve kept the list to films that are easily available to watch the UK, but honourable mentn should go to The Ostrich Has Two Eggs (1957), a dated farce that at least has a sympathetic gay son, albe one who never appears on screen, and L Amiés particulièr (1964), set a boys’ boardg school. Un chant d’amour (1950)French wrer Jean Ge is one of the key figur of gay culture, whose novels (cludg Querelle of Brt), plays and says have been champned by gay and straight rears alike.

VERLAE AND RIMBD: THE GAY POETS OF GAI PARIS

Charl Blaire is born Paris to a bourgeois fay on this day 1821. The thor of L Flrs du Mal which nsists of 126 poems Blaire is alternately scribed as a Catholic, a Satanist; brilliant, mundane. No one knows much about his sexual explos, although Marcel Prot and Andre Gi tell he was certaly gay. * french gay poet *

There’s nothg explicly gay here, but any film that shov Jacqu Perr  a sailor su, squeez Gee Chakiris to tight whe troers and rat self wh lavish, lurid sets fely has a queer eye. La Cage x Foll (1978)“Une édie très gay” smirked the tagle for this box-office smash.

Blier’s films often foc on two aquate men ung agast women (L Valss, the Osr-wng Get Out Your Handkerchiefs), and unrton of homosexualy have always lgered the air.

Here ’s ma explic, albe an ocsnally homophobic ntext – the scen where the hband is forced to don women’s clothg are particularly unfortable.

10 GREAT FRENCH GAY FILMS

Myl remembers the inic gay poet. * french gay poet *

The arrival of the betiful and charismatic Gill threatens both his thory and his mand on his sexualy, as an unrequed homoerotic attractn tak hold. Anatomy of Hell (2004)Gay men hate and fear women, even more than straight men.

PH TO MOVE GAY POETS RIMBD, VERLAE TO PANTHéON MEETS OPPOSN

When a woman (Amira Casar) slash her wrists a gay bar, she challeng her homosexual rcuer (Italian porn star Roc Sifedi) to spend four nights wh her to “watch me where I’m unwatchable”. Fet the cliché of the gay bt iend, this guy n’t stand women.

It’s easy to snigger at the portento dialogue (“The elasticy of a boy’s an don’t lie about the tightns of the lower tt”) and the assumptn of misogyny may rile male viewers, gay or straight.

PODST: GAY POET POLEMIC, FRENCH TOUCH FOR THE WCH, & ROLAND GARROS THE MAN

Only the fal third is explicly gay, but homoerotic tensns simmer throughout. Most reviews foc on the showy performance of the equently naked Nilas Cazalé as the rebel whout much of a e the first chapter, but the emotnal heart li the fal third, as Morel explor the plexi of the vulnerable gay youth who mt choose between aternal loyalty and a chance at romantic happs. L Invisibl (2012)Sébastien Lifshz is bt known for his gay featur (Prque rien, Gog South), but his ft work to date is this revealg documentary which gay men and women their 60s and 70s talk about their liv and lov.

GAY HISTORY – APRIL 9, 1821: CHARL BLAIRE FRENCH POET, CRIC, AND ESSAYIST IS BORN

Stirrg archive footage om the 1960s shows pro-gay monstratns – tertgly, many of the straight onlookers support the liberal march. The wty, charismatic and urageo people paved the way for the eedom gay men and women enjoy today. Their disarmg ankns creat an valuable oral history, while their tal of opprsn show how far gay rights have progrsed over the s.

Bgraphers have ntually bated Whman’s sexual orientatn; his poetry, particularly Leav of Grass, which faced ser censorship after s publitn, ntas several homoerotic imag, however others argue that this was untentnal. He often nied that there was any homoerotic subtext his wrg, yet those who knew him claimed that their relatnships, he was rather ank about his sexualy.

Osr Wil (who also appears on this list), after meetg Whman 1882, was adamant that Whman was gay, and even told the activist Gee Cecil Iv, “I have the kiss of Walt Whman still on my lips. Dorian Gray was origally published Lipptt’s Monthly Magaze, and drew such harsh cricism for s pictn of “immoraly, ” (one character the novel exprs a potentially romantic fatuatn for another male character) that when was later re-published as a book, Wil toned down the novel’s homoerotic subtext. Locke was gay, and acted as a mentor and role mol to several other gay members of the Harlem Renaissance, cludg Countee Cullen, who appears on this list.

LE CERCLE S POèT DISPAS : CE TABOU QUI PA SUR L PREMIERS éCRIVAS GAYS MORTS DU SIDA"LA RéVOLUTN GAY FUT D'ABORD ET AVANT TOUT UNE RéVOLUTN LTéRAIRE." AU LENMA LA SEN GUERRE MONDIALE, UNE NOUVELLE GéNéRATN D'éCRIVAS AMéRIS HOMOSEXUELS S'T IMPOSéE. EXTRA "ANG BATAILLRS" (2/2). CHRISTOPHER BRAMCHRISTOPHER BRAMCHRISTOPHER BRAM, Né EN 1952 à BUFFALO (NEW YORK), T UN éCRIVA AMéRI. IL A GRANDI à KEMPSVILLE (EN VIRGIE), A éTUDIé COLLEGE OF WILLIAM AND MARY ET S'T STALLé à NEW YORK EN 1978. SON ROMAN LE PèRE FRANKENSTE, SUR LA MORT DU CéASTE JAM WHALE, T VENU UN FILM, NI DIX NI DéMONS. EN MAI 2003, IL A OBTENU LE PRIX BILL WHEHEAD. VOIR LA B »SUIVREAJOUTER CLASSRLECTURE ZENLE CERCLE S POèT DISPAS : CE TABOU QUI PA SUR L PREMIERS éCRIVAS GAYS MORTS DU SIDA

García Lor was gay, and due to his cln of homoromantic them his work, he was heavily censored durg his lifetime—his work was generally banned Spa until 1953. He was a target of Spa’s Fran-era ernment; official reports scribe García Lor as a “socialist” and participant “homosexual and abnormal practic.

9 LGBT POETS TO KNOW AND LOVECELEBRATG THE GREAT LGBT POETS OF THEN AND {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}CULTUREBY CODY GOHLSEPTEMBER 25, 2015/12:11 PMBY CODY GOHLSEPTEMBER 25, 2015 / 12:11 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"9 LGBT POETS TO KNOW AND LOVE","DATEPUBLISHED":"2015-09-25T16:11:00.000+0000","DATEMODIFIED":"2015-09-25T16:11:00.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"CODY GOHL","ARTICLESECTN":"CULTURE"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FOR AS LONG AS THERE’S BEEN LANGUAGE, WRERS AND STORYTELLERS HAVE CRAFTED POETRY TO TEASE MEANG OUT OF THE CHAOS. GREAT POETRY REVEALS UNTO S REARS NEW AND PROFOUND TTHS ABOUT LIFE, AND WORKS TO TACKLE THE BIG UNANSWERABL OF LOVE, LOSS AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}RELATED: 7 INTERNATNAL LGBT ACTIVISTS YOU NEED TO KNOW {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS ARISTOTLE SO WISELY PUT , "POETRY IS FER AND MORE PHILOSOPHIL THAN HISTORY; FOR POETRY EXPRS THE UNIVERSAL, AND HISTORY ONLY THE PARTICULAR." WHILE NOT ALL POETRY REACH ALL REARS, WHEN THE RIGHT POEM IS READ AT THE RIGHT TIME BY THE RIGHT PERSON, THE EFFECTS N BE TLY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FOR THOSE LOOKG TO DIG TO SOME NUANCED AND EYE-OPENG POETRY THAT ALS WH QUEER THEM, CHECK OUT OUR LIST BELOW FOR A SMALL SAMPLG OF SOME GREAT LGBT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}1. WALT WHMAN (1819-1892){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WH A MASCULE SWAGGER, A THICK MANE OF SILVER HAIR AND A MISCHIEVO TWKLE HIS EYE, WALT WHMAN WAS, WHOUT QUTN, THE ORIGAL DADDY BEAR. AND THOUGH, GIVEN THE TIME PERD WHICH HE LIVED, WAS IMPOSSIBLE FOR HIM TO BE FULLY “OUT,” THE BUOYANT POETRY HIS OP LEAV OF GRASS IS LICLY HOMOEROTIC AND SPEAKS EFFIVELY OF THE RICH LOVE SHARED BETWEEN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PL, HE’S MORED TO HAVE HAD A SHORT TRYST WH THE MUCH YOUNGER OSR WIL, WHO REFERRED TO WHMAN SIMPLY AS "DADDY." (*GULP*){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“WE TWO BOYS TOGETHER CLGG”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WE TWO BOYS TOGETHER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ONE THE OTHER NEVER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}UP AND DOWN THE ROADS GOG, NORTH AND SOUTH EXCURSNS MAKG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}POWER ENJOYG, ELBOWS STRETCHG, FGERS CLUTCHG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ARM'D AND FEARLS, EATG, DRKG, SLEEPG, LOVG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}NO LAW LS THAN OURSELV OWNG, SAILG, SOLDIERG, THIEVG, THREATENG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MISERS, MENIALS, PRITS ALARMG, AIR BREATHG, WATER DRKG, ON THE TURF OR THE SEA-BEACH DANCG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CI WRENCHG, EASE SRNG, STATUT MOCKG, FEEBLENS CHASG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FULFILLG OUR {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}2. CHARLOTTE MEW (1869-1928){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THOUGH HARDLY A HOEHOLD NAME TODAY, CHARLOTTE MEW MA HER MARK AT THE TURN OF THE TWENTIETH CENTURY AS ONE OF THE LAST GREAT POETS OF THE VICTORIAN ERA. IN LERARY CIRCL OF THE TIME, SHE WAS KNOWN FOR HER DISTCTIVE MASCULE STYLE OF TAILORED SUS, SHORT CROPPED HAIR, HABUAL SMOKG AND A PREFERENCE FOR ARSELY STRONG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SHE NEVER EXPLICLY REFERRED TO HER QUEERNS HER POETRY, BUT MANY OF HER POEMS AL WH UNREQUED LOVE, OFTEN OM A MALE PERSPECTIVE. CONTEMPORARY REARS SPECT THIS PALPABLE HEARTACHE OM HER ABILY TO FULLY REALIZE HER QUEER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “ON THE ROAD TO THE SEA”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WE PASSED EACH OTHER, TURNED AND STOPPED FOR HALF AN HOUR, THEN WENT OUR WAY,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I WHO MAKE OTHER WOMEN SE DID NOT MAKE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT NO MAN N MOVE MOUNTAS A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SO THIS HARD THG IS YET TO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT FIRST I WANT YOUR LIFE:--BEFORE I DIE I WANT TO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE WORLD THAT LI BEHD THE STRANGENS OF YOUR EY,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THERE IS NOTHG GAY OR GREEN THERE FOR MY GATHERG, MAY BE,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}YET ON BROWN FIELDS THERE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A HNTG PURPLE BLOOM: IS THERE NOT SOMETHG GREY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND GREY SEA?{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I WANT WHAT WORLD THERE IS BEHD YOUR EY,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I WANT YOUR LIFE AND YOU WILL NOT GIVE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}3. FRANK O'HARA (1926-1966){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A PROMENT FIGURE OF THE NEW YORK SCHOOL (A GROUP OF ARTISTS NEW YORK CY SPIRED BY ABSTRACT EXPRSNISM, JAZZ AND SURREALISM), FRANK O’HARA DAZZLED THROUGHOUT THE 50S AND 60S WH HIS WILDLY HILAR, URGENT AND PERSONAL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}O’HARA INTIFIED OPENLY AS A GAY MAN AND KEPT A WI CIRCLE OF IENDS AND LOVERS, MANY OF WHOM HE EXPRSIVELY PTURED HIS TRAMARK NFSNAL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “HAVG A COKE WH YOU”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AT YOU AND I WOULD RATHER LOOK AT YOU THAN ALL THE PORTRAS THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EXCEPT POSSIBLY FOR THE POLISH RIR OCSNALLY AND ANYWAY ’S THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHICH THANK HEAVENS YOU HAVEN’T GONE TO YET SO WE N GO TOGETHER THE FIRST {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND THE FACT THAT YOU MOVE SO BETIFULLY MORE OR LS TAK RE OF {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JT AS AT HOME I NEVER THK OF THE NU DCENDG A STAIRSE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AT A REHEARSAL A SGLE DRAWG OF LEONARDO OR MICHELANGELO THAT ED TO WOW {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND WHAT GOOD DO ALL THE REARCH OF THE IMPRSNISTS DO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHEN THEY NEVER GOT THE RIGHT PERSON TO STAND NEAR THE TREE WHEN THE SUN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OR FOR THAT MATTER MARO MARI WHEN HE DIDN’T PICK THE RIR AS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;} SEEMS THEY WERE ALL CHEATED OF SOME MARVELO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHICH IS NOT GOG TO GO WASTED ON ME WHICH IS WHY I AM TELLG YOU ABOUT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}4. REALDO ARENAS (1943-1990){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BORN AND SCHOOLED CUBA, THE LIFE OF QUEER POET REALDO ARENAS WAS A LIFE MARKED BY TRAGEDY. IN THE 60S, AS HE SERVED AS EDOR AND JOURNALIST FOR A SLEW OF LERARY MAGAZ HAVANA, HIS OPENLY GAY LIFTYLE RAN DIRECT OPPOSN TO THE COMMUNIST REGIME OF THE UNTRY, RULTG HIS IMPRISONMENT 1974 FOR “IOLOGIL VIATN."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HE WAS PLACED THE NOTOR EL MORRO CASTLE ALONGSI VLENT RAPISTS AND MURRERS, WHERE HE MANAGED TO SURVIVE BY HELPG MAT WRE LOVE LETTERS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ONCE HE PED TO THE UNED STAT 1980, HE WROTE PROLIFILLY OF HIS EXPERIENC CUBA, PRODUCG POETRY THAT WAS RAW AND LARGELY TOBGRAPHIL. ARENAS NTRACTED AIDS 1987 AND EVENTUALLY MTED SUICI {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “AS LONG AS THE SKY WHIRLS: FOR LáZARO GóMEZ”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS LONG AS THE SKY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}YOU WILL BE MY REMPTN AND MY DOOM,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MAGIC VISN,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LILY UNRWEAR,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SALVATN AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EVERY NIGHT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS LONG AS THE SKY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}NO FERNAL ULD BE A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BEE I HAVE TO TAKE RE THAT THAT WOULD NOT HARM YOU,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}NO JOY WOULD GO BY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BEE SOME WAY I HAVE TO REVEAL TO YOU,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS LONG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}YOU WILL BE THE TTH OF MYSELF,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE SONG AND THE VENOM,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE DANGER AND THE ECSTASI,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE VIGIL AND THE SLEEP,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE DREAD AND THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS LONG AS THE SKY WHIRLS . . . BUT PERHAPS THE SKY WHIRLS?{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WELL: AS LONG AS THE SKY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}5. EILEEN MYL (B. 1949){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MOVG OM BOSTON TO NEW YORK 1974 TO “BE A POET,” EILEEN MYL HAS SCE STAKED HER CLAIM AS ONE OF THE MOST PROLIFIC AND PELLG POETS WRG TODAY. HER VERSE, SPANNG OVER TWENTY VOLUM OF POETRY, FICTN AND NONFICTN, IS ELECTRIC S IMMEDIACY, AND OFTEN FOC ON HER RELATNSHIPS WH {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MYL HAS BEEN THE RECIPIENT OF UNTLS AWARDS AND FELLOWSHIPS, NOTABLY THE LAMBDA BOOK AWARD ( 1995, 1998 AND 2011), WHICH HONORS AND CELEBRAT LGBTQ FOCED WORK AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “DEAR ANDREA”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I LOVE YOU {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}DON’T F*CK UP MY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I N’T {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}YOU {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FISTED {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THAT WAS GREAT. {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}6. RICHARD BLAN (B. 1968){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}INTIFYG OPENLY NOT ONLY AS A GAY MAN, BUT ALSO AS AN IMMIGRANT AND A CUBAN-AMERIN, POET RICHARD BLAN’S WORK GRAPPL WH THE TENSN THAT WH ASSUMG INTI THAT OFTEN N DIRECT NFLICT WH ONE ANOTHER. HIS VERSE IS STRAIGHTFORWARD AND HONT, RELYG ON NARRATIVE OVER METAPHOR TO MENT ON THE PLITED NATURE OF INTY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IT IS PERHAPS BEE OF THIS FOC THAT BLAN WAS CHOSEN TO SERVE AS THE GURAL POET AT PRINT BARACK OBAMA’S SEND GURATN 2013. THIS MA HIM THE FIRST LATO, THE FIRST IMMIGRANT AND THE FIRST OPENLY GAY PERSON TO EVER DO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “SCE UNFISHED”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I’VE BEEN WRG THIS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE WOMAN I SLEPT WH THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OF MY FATHER’S WAKE, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MY GRANDMOTHER FIRST LLED {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A FAGGOT AND I SAID NOTHG, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I FAVE HER AND MY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PRSED HARD AGAST {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ON THE DANCE FLOOR AT TWIST, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE YEARS SPENT WH A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND MEN I KNEW I ULDN’T {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}7. TRACE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TRACE PETERSON, A POET AND TOR, IS AT THE FOREONT OF THE CHARGE TO CREASE TRANSGENR REPRENTATN AND VISIBILY POETRY. A TRANSWOMAN HERSELF, PETERSON WILL BE TEACHG THE FIRST EVER URSE TRANSGENR POETRY THIS FALL AT HUNTER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE URSE, NOT UNLIKE PETERSON’S OWN POETRY, WILL AIM TO LIFT DISCSNS OF TRANS INTY OUT OF THEORY AND METAPHOR AND BRG DOWN TO THE REAL LIVED EXPERIENC OF TRANS INTIFIED WRERS AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A READG OF HER POEM "AFTER BEFORE AND AFTER":{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}8. ANDREA GIBSON (B. 1975){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ANDREA GIBSON, WHO ALSO GO BY ANDREW, IS AN AWARD-WNG POET AND ACTIVIST WHOSE WORK FOC ON GENR NORMS, LGBTQ ISSU AND SOCIAL REFORM, AS WELL AS THE BROAR TOPICS OF LOVE AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THEY’VE GAED NOTORIETY OVER THE LAST FOR THEIR STIRRG SPOKEN WORD PERFORMANC, WHICH BRG TO LIFE THE LORFUL IMAGERY AND EXUBERANCE OF THEIR POETRY WH AN EMBOLNG FEARLSNS. THEIR WORK HAS BEEN REGNIZED NSISTENTLY AT THE NATNAL POETRY SLAM AND THE SUCCS OF THE CHAPBOOKS THEY’VE RELEASED WH WRE BLOODY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A PERFORMANCE OF THEIR POEM, “MAYBE I NEED YOU”:{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}9. DANEZ {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WH A SLEW OF SLAM POETRY PETNS AND WRG FELLOWSHIPS UNR HIS BELT, DANEZ SMH HAS TABLISHED HIMSELF AS AN EMPOWERG VOICE FOR YOUNG QUEER BLACK MEN. HIS POETRY IS TENSE, TACKLG ISSU OF RACIAL DISCRIMATN AND HOMOPHOBIA WH A POIGNANCY THAT MAK EVEN HIS MOST SPERATE PLEAS RG WH A ROUNDG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A PERFORMANCE OF HIS POEM, "DEAR WHE AMERI":{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

Like Whman, is believed that he worked homoromantic subtext to many of his works, but some bgraphers argue that Hugh may have been asexual. In 1956, Baldw published Gvanni’s Room, a novel that drew tense attentn and cricism for s portrayal of homosexualy and bisexualy and is often ced as one of the most important queer novels ever wrten.

In the 70s and 80s, Baldw boldly and openly wrote about homosexualy and homophobia several says. Capote was openly gay, and while he was never much of an active participant the gay rights movement, the openns wh which he exprsed his inty njunctn wh his level of celebry was an important tone queer history.

His first novel, Confsns of a Mask, is a semi-tobgraphil tale of a young man who mt al wh ncealg his homosexualy Imperial Japan. Based on private journals and letters, as well as her enthiastic advocy for gay rights, is believed that Hansberry was attracted to women. In 1980, he -found the Gay Men’s Health Crisis, which is now the largt private anizatn that works to provi assistance to people livg wh AIDS.

*BEAR-MAGAZINE.COM* FRENCH GAY POET

Gay History - April 9, 1821: Charl Blaire French Poet, Cric, and Essayist is Born .

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